Julie Yukiko (雪子) Buisson aka Ukico has much in common with Snow-White, other than just her name, which literally means “child of the snow”—she is charming, peaceful, a beautiful woman with alabaster skin and blessed with an ethereal singing voice that calms the spirits of men and animals; she is enchanting. Her first song, Denial, and the surreal mystical music video for it were released on September 11.
She was born to a Japanese mother and French father and grew up in Paris. You could say she has made the best of her bicultural heritage, touching upon her roots to become a successful model and now a songwriter and singer. Her French-Japanese visage and sense of style helped her have a successful international modeling career.However, she has much more depth than her surface appearances, and that is part of her appeal.
Ukico (pronounced You-Key-Koh) was studying at the University La Sorbonne while pursuing her modeling career after high school. What sparked her interest in singing and songwriting was the death of her grandmother.
When she passed away, Ukico, wrote a poem as a eulogy, which she showed to her father—and to her surprise, he wept.
“It moved my father to cry and it showed me how to paint a picture with words. He still reads the poem, sometimes.” She felt the power of words come to life.
She had often thought about becoming a singer/songwriter but lacked confidence in her ability to compose or to voice her emotions musically. But seeing her father’s response stirred something inside of her.
“It was a wake-up call. I had always dreamed of studying and living in New York and pursuing music. I love so many different genres and singers. Everything from Massive Attack, to Little Dragon, to Lana Del Rey.”
The song writing of Fiona Apple was particularly inspirational to her.
To pursue her musical career more seriously she entered a music engineering school in NYC, The Institute of Audio Research. After graduating salutatorian, she interned at the recording studio Strange Weather based in Brooklyn.
She was given an opportunity to work on the production of 36 Seasons by Ghosface Killah. She also put in time at the world famous jazz club Birdland, live mixing for the Grammy Award winning band The Afro Latin Jazz orchestra, and other jazz acts.
While in New York, she experienced the loneliness, alienation and emotional struggles that come with life in the Big Apple.
She sought refuge in spiritual disciplines, yoga and meditation, eventually becoming adept enough to guide others.. Meditation and yoga are still a huge part of her life, and perhaps what gives her an aura of warm serenity—not the chilly vibe you’d expect from a snow woman.
During her time in New York, she was also taken under the wing of Justyn Pilbrow, a respected music producer who has handled major acts such as Halsey and The Neighbourhood.
After leaving New York and coming back to Japan she also became more interested in her own Japanese background and traditional music. It provided her with some solace as
She continued to work with Justyn Pilbrow and was also able to collaborate on musical pieces with Japanese virtuosos of Koto (Japanese lute), Shamisen, Shakuhachi (windpipes) and the Taiko (Japanese drum).
Her first single, Denial, has instrumentation featuring the shakuhachi and taiko. “The shakuhachi is such a beautiful instrument—it can express so much pain and tension.”
The video of the song is based on the story of Japan’s creation, as told in the Kojiki, a classic of ancient Japanese literature. The creation of the world starts with the first two existing Gods Izanagi (male God) and Izanami (female God). After forming Japan’s islands they gave birth to other gods—the god of the wind, seas, and more. But Izanami, after giving birth to the God of Fire dies from the trauma and fatal wounds. Her spirit goes down to the underworld. Izanagi who misses her terribly, decides to descend to the underworld to bring her back—like Japan’s own Orpheus.
The video, using Butoh dancers, brings to life the myth of creation, death and renewal. But what is the song about on a personal level? Fasting? Living without material goods? Denial of French culture, or Japanese culture?
Ukico answers, “It is a song about breaking up and the end of love. But it is a bit more than that. I was protecting my heart, not to fall in love again. I was in denial of closing my heart when I started to write it. But also there was underlying denial that I am mad at somebody.
But the real denial in the song is that I am angry at myself. It is because of myself, because of how I am choosing how to deal with things that the suffering comes. And there is some wisdom and transmutative power in understanding that.”
Japan Subculture Research Center asked Elizaveta to explain why she wrote the song and for the lyrics to the song. Here is what she had to say.
I wrote “Meet Again” not long after finding out about the tragic fire at Kyoto Animation. I had met some people from KyoAni, although just very casually, through a network of animators and visual artists I am occasionally part of, when in Tokyo.…
I was hoping to be able to tour the studio and visit their shop, when visiting Kyoto next. I was also aware of their positive reputation, as they were known for being an employee-friendly company in an industry, which often overworks and underpays animators. They had a lot of women working for them, too, which was unusual, and a breath of fresh air.
In the hours and days following the tragedy, I couldn’t stop thinking about what had happened, and following the news, which just got more and more grim.
The contrast between the beautiful, hopeful art produced by KyoAni and what happened to them, was very hard to reconcile with. I am not a starry-eyed optimist,
but I do prefer to believe that good things happen to those who put out good things into the world. While I know it’s a naive worldview, it’s better than the alternative. This event, though, was not an accident, but an act of deliberate evil. All circumstances aligned for it to be as awful as could be. It was incredibly hard for me to accept it as reality. There had been no magic hero to save the day, and nothing to soften the blow. Kyoto is a peaceful, mystical city of a few thousand temples. But no deity stepped in to offer protection.
Once you accept that something terrible like this happened and there’s no way to explain it, you must allow for healing to start, or at least attempt to get on the path towards it. I can’t even start to imagine the pain and trauma of those who had gone through this experience and survived are now having to deal, and probably for years to come. My heart also goes out to those who got the call that day to find out their loved ones were no longer with them. Furthermore, the trauma to KyoAni fans around the world may not have been as direct, but it’s real nonetheless. When you make art, those who love and consume it, become believers of the things your art brings into the world. For KyoAni fans, it would have been beauty, hope and harmony. A tragedy such as this one kills faith that the world is in any way fair and a worthwhile place to be part of.
I wrote “Meet Again” the day I went to the recording studio, and the song practically wrote itself. I heard it in my head, and the lyrics came to be just minutes before I walked out to catch the train. This recording is the first take, which we recorded and filmed. It wasn’t quite perfect in a couple of places, and so I did another take, but I had a hard time singing then, because I was too close to tears. And so I made the decision to keep the first take, as it was, and record no more.
I wrote this song as a way to heal myself, even though I was just a bystander of this tragedy. I hope it may serve as a source of healing to others affected by it. I still have hope and faith. There are so many things we do not know, and so much happens every day, which makes it hard to take heart and carry on. But carry on we must, and help those around us do so, too.
I don’t remember when I got the call that day They said you were no more And then the ground gave way
I sat and cried all night Still hoping they’d been wrong A part of me had died How could I carry on
As sunrise painted red Inside my sleepless eyes Still lying on my bed I thought I heard a voice
It sounded like my love A distant precious sound But there was not a soul That I could see around
I know you’re still with me In other shape or form Our union has survived A deadly firestorm
And when I look above I can transcend the pain Soar high with me, my love I know we’ll meet again.
何時のことか 覚えてない もういないと 立ち尽くした
泣き明かした まちがいだと 身を裂かれて 歩みようも
夜明けの赤 腫れ目を染め 伏せたままで 聞こえたのは
君のような 遠くの音 影ひとつも 見えないのに
今も そばに 形を変え つながりだけ 焼け残った
仰ぎ見ては 痛みを超え 君を連れて また会うまで あの高みへ また会うまで
Born in USA, Russian-raised Elizaveta made her debut on Universal Records (US) in 2012. Since then she became the voice of the Tavern Bard in Dragon Age, has toured USA, Russia and Europe, was a repeat guest performer at the main TED stage, and released a number of multi-lingual recordings, heard in multiple films and TV series. She produced and released an all-Japanese language duet album Mezameru Riyuu earlier this year, followed by a 16-city tour of Japan.
Shinbun Kisha (The Journalist) is getting great box office and rave reviews, belying the myth that a Japanese movie about newsrooms and politics just won’t cut it. Based on the bestselling autobiography by audacious Tokyo Shinbun (東京新聞) reporter Isoko Mochizuki, The Journalist is a suspense thriller about how the titular woman journalist dared go after the government to unveil conspiracies and cover-ups. Infuriatingly, most of her male colleagues are intent on adhering to the status quo. Alone and isolated, the journalist teams up with a young bureaucrat from ‘Naicho’ – the Cabinet Intelligence and Research Office – to expose a government scandal that’s almost an exact reenactment of Prime Minister Abe’s ‘Morikake’ incident.
“All Japan needs is a mere facade of democracy,” goes a line in this movie, implying that the nation neither needs or wants the real deal.
But now, with the House of Councillors election happening on Sunday, politics is on many peoples’ minds, including millennials that had shown zero interest in the past. Tickets in 42 theaters have sold out and the movie’s distributors announced that they will be printing 10,000 new copies of The Journalist pamphlet, as they’ve been selling off the shelves in theaters across Japan. Next week, the two main cast members will appear on stage at a theater in Shinjuku, to take their bows and answer questions from the audience. It looks like politics and newsrooms are a winning combination!
The Journalist is gripping, wrenching and ultimately cathartic, even if the plucky heroine doesn’t oust the evil government agents or get an enormous raise for her efforts. No, what happens is that news hound Erica Yoshioka (played by South Korean actress Shim Eun-kyung), after a series of grueling assignments that require round-the-clock investigating, not to mention the actual writing –gets to keep her job so she can start the cycle all over again in the name of quality journalism. Yoshioka also keeps her dignity and integrity intact, which is much more than one can say for Japanese movies about professional women, or let’s face it, women protagonists in general.
The role of Erica Yoshioka is gutsy and intriguing and you can’t help but wonder why a Japanese actress didn’t snap it up. Rumors are going around that all the possible candidates had turned it down because they didn’t want to get involved in anything anti-government and were afraid of the backlash. Shim can return to South Korea, but Japanese actresses have to live and work here.
Personally, I’ll take what I can get, and bask in the fact that The Journalist got made at all. Usually, such projects never get off the ground. Not only does The Journalist dig at some old scars the current Administration would rather forget, it bears the hallmarks of a well-meaning dud. There is no love story. There are no sex scenes or girl idols to alleviate the complete seriousness of the proceedings. And the director, Michihito Fujii, is only 32 years old with no blockbusters on his resume. Initially, Fujii turned down the offer of director since, as he professed in an online interview, “I didn’t know anything about politics or the news.” Still, once he signed on, Fujii did the research, hit the books and lined up interviews with government officials. The story benefits from his efforts but the directing seems just a tad stiff and two-dimensional. Perhaps Fujii was too caught up in the material to do more than connect the dots, albeit with meticulous expertise.
As it is, The Journalists belong to Shim and Tohri Matsuzaka who plays Sugihara, the elite bureaucrat working for ‘Naicho’. They give their all to film and Matsuzaka has been commended on social media for taking on a “dangerous” role that could potentially give him a bad name (the anti-government name).
Compared to Shim’s Yoshioka, Sugihara is more nuanced and inwardly tortured. His job is to protect the current administration and make sure the press don’t get their hands on any problematic information, but he has his misgivings. When his boss commits suicide to cover up another cover-up, Sugihara is shaken.
(Editor’s note–this is based on the suicide of a Finance Ministry official who killed himself rather than take part in deleting or altering government documents that implicated Prime Minister Shinzo Abe in a scandal relating to a government land-sale to a right-wing elementary school, run by his crony. None of the other officials who participated in forging public documents, which is a criminal offense, were charged; the female prosecutor who dropped the case was promoted)
The boss’s last words to Sugihara had been “don’t end up like me,” and Sugihara can’t fathom whether that meant “don’t die” or “don’t get involved in anything bad.” For a Naicho bureaucrat, the two most likely mean the same thing. Matsuzaka is a revelation – he has always been good but The Journalist shows his range. Last year, he was doing sex scenes ad nauseum in Call Boy and here, he never even takes off his jacket.
A word about Shim as Yoshioka: in the movie, her character has a Japanese father and a Korean mother, hence her accent when she speaks Japanese. Yoshioka completely lives for her job, to the point of excluding everything else from her life. It turns out that her father (also a journalist) had killed himself over an incident involving fake news. As his daughter, she had vowed to pursue the truth, whatever the cost. Shim’s performance is excellent, and one can only hope there will be a future where Japanese actresses will go for roles like this – far, far away from the planet of ‘Kawaii’.
In real life, there aren’t a whole lot of women journalists working for Japanese newspapers. Many don’t make it past the first five years; what with the long hours combined with frequent transfers to regional branches, incidents of sexual harassment, gender discrimination and of course, that thick glass ceiling – the job doesn’t exactly encourage them to stay on.
Isoko Mochizuki, the author of the book on which the film is based, however, is changing the scenery. As mentioned above, she’s a veteran reporter for Tokyo Shinbun which is famed for its hard-hitting investigative journalism and for being the Abe Administration’s most vocal critic. Her frequent cross questioning of Chief Cabinet Secretary Yoshihide Suga, has ripped a big hole in Japan’s infamous ‘kisha club’ system (where only the reporters of major newspapers are allowed to attend closed press conferences). And now, with the unexpected success of The Journalist, perhaps we can start discussing hard-hitting issues like democracy and freedom of the press. Who’s to say the Japanese don’t need it ? They seem to love films that bring up these issues.
Editor’s note: Japan’s most beloved pederast (a male who sexually assaults young men) , Johnny Kitagawa, died last week. He was an idol maker, the brains behind such super male idol bands as SMAP, Kinki Kids, and an entertainment legend. He was also so powerful that the seedy and dark side of his life was swept under the table even after his death.
There were some in the media that dared challenge the sleazy smooth Svengali. Weekly magazine, Shukan Bunshun ran a series of well-researched articles in 1999 describing how Kitagawa systematically abused young boys. Kitagawa then sued the publisher for libel but despite the testimony of alleged rape victims interviewed for the piece, the Tokyo District Court ruled in his favor. They ordered the publisher to pay 8.8 million yen in damages to Kitagawa and his company in 2002.
However, The Tokyo High Court overturned this decision in July 2003. They concluded that the allegations were true. “The agency failed to discredit the allegations in the detailed testimony of his young victims,” ruled the presiding Judge Hidekazu Yazaki. The case stood. The story was barely a blip in the Japanese media horizon. In an entertainment world where Johny’s stable of young boys was a prerequisite to ratings success, his ‘indulgences’ weren’t deemed worthy of reporting.
Johny granted few interviews–here is the story of one of them:
My interview with Johnny
By Steve McClure
It was only after I’d interviewed Johnny Kitagawa that I realized I’d scored a bit of a scoop.
“You interviewed Johnny? That’s amazing – he never does interviews,” my Japanese media and music-biz colleagues said. “How on earth did you manage to do that?”
It was 1996 and I was Billboard magazine’s Japan bureau chief. I was hanging out with an American producer/songwriter who had written several hit tunes for acts managed by Kitagawa’s agency, Johnny’s Jimusho.
“Want to hear a funny story about Johnny?” Bob (not his real name) asked me.
“Sure,” I said.
“Well, the other day, Johnny told me he’d discovered a promising male vocal duo. I asked him what they were called.
“‘I’m going to call them the Kinki Kids,’ Johnny told me.
“I told him that ‘kinky’ means sexually abnormal in English slang.
“‘Oh, that’s great!,’ Johnny said.
Bob and I laughed.
“Say, Steve, would you like me to set up an interview with Johnny for you?” Bob asked.
I told him that would be swell.
Some days later I was informed that Kitagawa would grant me an audience at his private residence. I was enjoined not to reveal where the great man lived (it was Ark Hills in Akasaka, for the record).
I showed up at the appointed day and hour, and rang the doorbell of the condo high up in one of the Ark Hills towers. A browbeaten middle-aged woman answered the door. Evidently a domestic of some kind, she said I was expected and asked me to come in. She led me into a garishly decorated living room full of Greek statuary, Louis XV-style furniture and sundry examples of rococo frippery. There were no Ganymedean cup-bearers offering libations or any other signs of sybaritic excess.
I was ushered into the presence of the pop panjandrum. Johnny was sitting in an armchair beside a window with a stunning view of Tokyo. He was small, bespectacled and unprepossessing. If you saw him in the street, you’d never imagine he was the notorious and feared Svengali who had a stranglehold on the geinokai (芸能界/Japan’s entertainment world).
After we exchanged pleasantries, I got down to business. I asked Johnny about his early life in Los Angeles. “My dad ran the local church,” he told me without elaboration in a quiet, rather high-pitched voice. I later found out that Kitagawa père had been the head of a Japanese American Buddhist congregation in L.A.
Johnny was equally vague about when he first came to Japan. He reportedly arrived while serving as an interpreter for the U.S. military during the Korean War.
This set the tone for the rest of the interview – it was hard to get a straight answer out of Johnny, at least when it came to his personal history. He was more interested in talking about all the boy bands he’d groomed and propelled to stardom during his long and extraordinarily successful career.
Johnny told me how he got his start in showbiz when he saw some boys playing baseball in a Tokyo park, and later molded them into a pop group called The Johnnies. That set the template for the rest of his career – scouting for boys and using them as raw material as his pop production line churned out an endless succession of unthreatening quasi-androgynous male idol groups.
A classic showman, Johnny said he was more interested in live performances than records. He made his mark with coups de theatre like having ’80s male idol act Hikaru Genji do choreographed routines on roller skates.
“Once you release a record, you have to sell that record,” Johnny said. “You have to push one song only. You can’t think of anything else. It’s not good for the artist.” The Johnny’s stable of acts has nonetheless racked up dozens of No.1 hits over the years.
Johnny’s English, like that of many longterm expats, was quaintly fossilized. I could hear echoes of ’40s and ’50s America when he said things like “gee,” or “gosh” when answering my questions.
Soon after the interview began, the browbeaten obasan put a steaming dish of katsu-curry in front of me. I begged off, explaining that I’d just eaten lunch. This didn’t prevent the arrival of another dish soon after: spaghetti and “hamburg” steak, as I recall. Hearty fare for starving young idol wannabes was my take on the menu chez Johnny.
Having decided that “Are you or have you ever been a pederast?” might be somewhat too direct a question to put to the dear old chap, I lobbed a series of softball queries with the aim of establishing a friendly rapport. But even the most gently tossed questions elicited amiable but frustratingly vague answers from Johnny.
In the silences between his frequent hems and haws, the wind whined like a sotto voce banshee through the slightly opened window.
Johnny did tell me that he received 300 letters a day from guys wanting to sign up with his agency. I wasn’t sure if he was boasting or bored.
The time came to leave, and Johnny accompanied me to the door. “Come back anytime,” he said with a friendly smile as he waved me goodbye.
As I made my way down the hall to the elevators, I saw the finely chiseled profile of a young man peeking from around a corner, looking in my direction. He caught a glimpse of me and retreated. I resisted the temptation to tell him the katsu-curry was getting cold.
Sadly, I didn’t take up Johnny on his kind offer to come up and see him sometime.
Text & video by Phoebe Amoroso, cover image courtesy of Kanamara Shrine
Our roving reporter, Pheebz, visited the annual Kanamara Festival on April 7th, which involves a lot of phalluses. The Kanamara Shrine (literally, “Metal Penis Shrine”) is where people pray for sexual health and fertility.
What’s the story behind this upstanding event? Watch the video below to peel back the mythological foreskin and get to the root of the matter.
The festival has its roots in local sex workers praying
for protection against sexually-transmitted infections, but in recent years, it
has come to represent LGBTQ and diversity with profits going towards HIV
Quite rightly, however, many have pointed out the hypocrisy inherent
in a country, which made international headlines for condemning vagina art by Megumi
Igarashi, better known as Rokudenashiko. Who was arrested on obscenity charges
for distributing 3D data of her vagina that she used to 3D print a vagina canoe
as part of her work.
Yet the obscenity of the flagrant double standards
provokes discussion, and an event that promotes inclusivity is worth
celebrating in a notoriously conservative society.
Many festival attendees are likely satisfied with pure spectatorship and sucking on phallic-shaped candy, and that’s fine too. But for maximum enjoyment, it’s worth digging a little deeper into the legend of a SAVAGE VAGINA DEMON (you read that right).
One legend has it that a beautiful woman was plagued by a jealous demon, who hid in her vagina and killed Husband Number 1 by biting off his penis. Husband Number 2 met a similar fate. Dismayed, she enlisted the help of a local blacksmith who seems to have been really chill about dealing with vagina demons. He made her a metal phallus, which she inserted. The demon, of course, bit it, but he broke his teeth and fled. Presumably she lived happily ever after, especially since she had her own personal metal phallus.
Today’s Asahi Newspaper, NHK and other media ran a story about an appalling ruling handed down in Nagoya Court on March 26th.
The father of a woman, who was 19 at the time of the alleged sexual assault, was tried on charges of quasi-rape (準強制性交等罪）after having non-consensual sexual intercourse with his daughter at their home in Aichi Prefecture in August and September of 2017.
Quasi-rape in Japan is defined as sexual intercourse taking place when the victim is unable to give their consent or say not. You may remember that a prominent friend of Prime Minister Abe, and also his biographer, was supposed to be arrested on charges of quasi-rape for an alleged attack on journalist Shiori Ito. In Ms. Ito’s case, she claimed to have been drugged and sexually assaulted. A high-ranking police office who was formerly the secretary to cabinet spokesman Yoshihide Suga, intervened to stop the arrest and later scuttled the investigation.
In situations where the victim is drugged or unable to refuse to have sex with an assailant, due to threats or danger to their life, charges of quasi-rape can apply.
The prosecutors argued that because of repeated violence and threats leveled against the daughter, that she was unable to say no to her father’s sexual demands. The defense argued that the sex was consensual—and even if she wasn’t able to resist, she still consented.
The court, in his verdict, recognized that the daughter had not consented. The judge even noted, “Because of the many years of sexual abuse [and other abuse], that she was mentally under the control of her father.” The court also recognized that she had been compelled have sex with her father since her second year of junior high. However, the final judgement was that she wasn’t completely under his control, “Therefore, there is a reasonable doubt as to whether she was really unable to resist.” Thus, her father was found not guilty of the charges. In other words, she could’ve resisted and she didn’t so Dad goes free.
Incest is not a criminal offense in Japan, although it was once in the past.
Masako Chiku*, the Nagoya Prosecutor, said they would consider appealing the case. Public reaction in Japan was of out rage and disappointment. In Japan, police are reluctant to pursue sexual assault charges; prosecutors routinely drop 50% of cases of sexual assault. According to one survey, 90% of Japanese women feel that Japan is easy on sexual offenders. In a country, where the Prime Minister’s pals get away with having quasi-rape investigations stopped before prosecution can even happen, you can kind of see where they are coming from.
What a different Japan it would be if the man accused of sexually assaulting Shiori Ito had been arrested, as was planned, and thrown into jail for 23 days, like Carlos Ghosn, and interrogated eight hours every day. But of course, this didn’t happen. He’s a friend of the Prime Minister. And he’s a Japanese man.
*The name of the prosecutor may be phonetically incorrect. In Japanese 築雅子次席検事
Journey beyond Roppongi (old), Shibuya (teenyboppers) to XEX Nihonbashi this Sunday starting at 6:30 for dance, music, entertainment and booze. It’s DME NIGHT
3 hours of music, dance, DJs and drinks. Also featuring special guests, The Dream Team, with a singer alleged to be the second-coming of Whitney Houston. Features live performances by Jai, Zenon, Miku, and a dance showcase (starting at 8pm) featuring our favorite cosplayer/peformer Fenix (“Storm) and others.
There’s speculation that The Dream Team might include Tokyo’s favorite siren, Zoe. But you’ll have to go to know.
By all means, do go and tell your side of the story to them, motherfucker.
Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.
Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get fired, you’re going to have to put your kids out of international school and into Japanese school and I’ll be teaching there. (The tape recording is below ↘）
Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right? (2011)
I have a talent for pissing people off. I’m sure it comes from a personality defect, of which I have many, and I will strive to work on improving my generally surly nature.
However, while I’m surly I don’t delight in the suffering of other people. Unfortunately, I have a cyberstalker who does. And when he can’t get to me, he attacks my friends. Or uses his virtual sock-puppets (Chris Beck, Kita (I don’t have the balls to use my real name) Yaesu to do it.
The worst troll in the world is one that claims to be a journalist—they abuse our profession by writing with malice, distorting the truth and mixing it with enough lies to make it seem plausible, and claim to be “reporting” to do it. I call them “trollnalists”.
There is a certain disgruntled self-professed journalist Christopher Johnson aka The Troll who has a personal vendetta against me and anyone who is my friend or employer. The reasons are very simple: I made the mistake of asking about his visa status when he was denied entry into Japan and/or deported in 2011. I then refused to write an article on his behalf in 2012. He took it very personally.
He’s accused me of 1) being addicted to meth-amphetamines 2) not having been a police reporter, which is probably because he can’t read enough Japanese to figure out what 警視庁記者クラブ means 3) being a womanizing asshole 4) plagiarism 5) being completely wrong about yakuza involvement in the nuclear industry 6) being mentally ill and in addition, he’s stalked and defamed my friends and colleagues, especially female reporters. It goes on and on.
He’ll probably alter his crazy blog posts soon to eliminate claim #5. He’s devoted 40 sprawling pages to my life which he continually rewrites when glaring errors are found. No one is sure what he does to support himself these days but perhaps his famous brother, Gordy Johnson aka Grady Johnson is supporting him. Who knows?
He is right about number 3. Gotta work on that. I can be an asshole and a womanizer. Guilty.
I didn’t mind so much his man-crush and attacks on me, but now he continues to harass other journalists I know, accusing them of plagiarism. He accuses them of taking money from corporations to slant their coverage, etc. He writes their editors, calls their offices, tweets at them endlessly. It’s hard to really explain how venal this individual is so I’ll let him speak for himself.
This is the kind of guy I’m dealing with. The kind of guy who left messages like this for his co-worker at NHK in 2007.
I will have to tell you that Tanaka-san and Iida-san are now well aware of your fucking bullshit. By all means, do go and tell your side of the story to them, motherfucker.
Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.
Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get fired, you’re going to have to put your kids out of international school and into Japanese school and I’ll be teaching there.
It is a revolting thing to do, for which CJ has never apologized. It makes him sound like a pedophile–and although he spent many years in Thailand, there is no evidence that he is one. But it’s still a fucking awful thing to say. An apology would be nice.
Dave Schaufele, the NHK co-worker, sent JSRC a note on the incident:
“It’s time to stand up to this bully. I would have no hesitation beating the living crap out of this sicko after his comments about my children, as would any father in a similar position I suspect. So if he ever sees me again he better turn the other way and run.
Friends at NHK who know CJ recommended that I just ignore him because he’s mentally unstable. But if his slanderous meltdown rant is starting to spread I guess I need to reply and set the record straight.
I must admit I’m so short of time between work and family that I haven’t even started a Facebook page, let alone made 14,000 blog posts as “Greji” whose slang and poor spelling might indicate that English is not his first language. CJis simply delusional.
I suspect he knows I’m not Greji but was simply looking for a way to use NHK’s name in the headline and fabricate a high profile story that would make him seem like a victim instead of a predator. CJ knows that his own actions resulted in his loss of work but his alter ego is trying to find someone else to take responsibility.
CJ pulled all the hateful slander completely out of his ass. I have many Jewish friends and have never made any anti-Semitic remarks nor written anything about Johnson’s girlfriend or family and therefore he can provide no examples at all in his rant.
I made no phone calls to him period; another fabrication to try and justify his pedophile phone messages left on my keitai answering system. Playback is continuous once activated and no alterations were made whatsoever.
I do sometimes get a sunburned neck when working outdoors but have no neo-nazi contacts or own any guns. I guess those were the most hurtful fabrications Johnson could come up with in his appeal for sexual-predator sainthood.
He’s a mental case whose 2 sexual harassment complaints on file at NHK got him fired in 1995 but he managed to sneak back in years later. I was unaware of his past and when he first started work I actually tried to help the guy out as a fellow Canadian by giving him over $1,000 in extra work, which he thanked me for by inviting me over to his XXXs place for a beer. Seems like he’s been freeloading off her for years. But as the old saying goes – no good deed goes unpunished. CJ left town on short notice and our NHK boss asked me to cover a couple of his shifts. When he returned he went psycho and tried to get me fired, which backfired because the bosses remembered that he was the pervert they got rid of in ’95. When he made disgusting sexual comments about my young children I played his phone messages for my boss and it was 3 strikes you’re out – again – for that sicko.
I guess CJ figured that if I hadn’t posted his phone messages in 5 years I have probably lost or erased the file so it’s safe to slander me and headline NHK’s name to regain his Economist notoriety. I did erase the file because I didn’t want to hear his voice again. For the record I haven’t spent a minute thinking about the asshole during the past five years and this is my first and only blog post related to him in all that time.
Now you know – the rest of the story.”
He does what trolls do. He writes my employers, he makes threatening calls to the FCCJ. He has a penchant for harassing my female friends especially. Maybe in his mind they are the weaker sex. I gather he’s a misanthrope and a misogynist. I wish he would just attack me. It’s such a dishonorable thing to do to attack the friends of the person you hate. Even the worst yakuza aren’t usually that low.
He is angry that I would not take up his cause or defend him. I don’t know him well and I didn’t think he had a position that I could defend and I politely declined to offer my support. By asking one pointed question, about his visa status, he perhaps feels that I sprung a hole in his credibility dyke, which caused him a flood of attack and ridicule.
I don’t know; I’m not a mind reader.
Recently his threats have escalated. He is very fond of threatening to sue people for slander. He also poses threats to them as questions under the guise of being a journalist. He makes sexual slurs about female reporters. He has spent an inordinate amount of time trying to make me angry and scare individuals working with me. For many months, I ignored him. He went away. I ignored him again. But he came back and started harassing anyone he can identify as my friend or employer.
I realized that stepping back was the wrong approach. It was a cowardly act to do nothing. This man under the guise of ”journalism” has terrorized individual after individual because everyone hopes that he will grow bored and find a new person to attack and stalk–and thus they do nothing. This is understandable. But because no one stands up to this bully, the number of those who have suffered because of him keep growing.
Albert Einstein once said, “The world is a dangerous place. Not because of the people who are evil; but because of the people who don’t do anything about it.” Einstein was right. I’m doing something about.
The more I know about the individual and his past, the more I began to feel increasingly uneasy. He has a history of making insidious threats. On October 16th, 2007, he left disgusting messages on the answering machine of an NHK colleague that implied he would sexually molest the individual’s children. The tape contains what seems to be the sounds of said journalist masturbating over the phone.
Allegedly, the dispute The Troll had with a co-worker ended in him making several obscene calls to the man’s home phone which resulted in his firing from NHK. NHK has not confirmed this although others who were working at NHK have and so has The Troll in his own blog.
Transcripts of threats made to NHK co-worker October 16th, 2007
The story of the Troll who threatened to molest the children of a fellow NHK worker
I will have to tell you that Tanaka-san and Iida-san are now well aware of your fucking bullshit. By all
means, do go and tell your side of the story to them, motherfucker.
Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.
Sounds of what may be masturbation
Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get
fired, you’re going to have to put your kids out of international school and into Japanese school….
For the record, this is his explanation:
“The letter enraged ●●●。 His new round of phone calls and letters now insulted ●●● and my family,including my brother, leader of one of Canada’s most popular bands at that time. I couldn’t take it anymore. Regrettably, I lost my temper. During a heated exchange of insults by email and phone, I left a nasty message on his phone. I responded to his insult that, “I hear there’s a job opening for a teacher who likes children, right up your alley”. In effect, I said to him: “if you get me fired from NHK, I will have to get a job teaching English again, and I might end teaching your children.” ●● claims he recorded it. He probably took the comments out of context, and possibly tampered with them, given his skills at voice acting and doctoring evidence and twisting facts…”
You can listen for yourself.
In addition, in May of 2011 he also made several threats to the journalist who replaced him at France 24.
Although I received the journalist’s permission to post this and verified it with three sources, I have deleted the name of the journalist threatened and changed the name of the one making the threats. Why? Because it’s customary practice in Japan to not publicize the names of people who are possibly mentally ill and may be under investigation for criminal offenses.
Other than blocking out some names, to protect the individuals from the loathsome attacks and smears of the troll, I have altered not a word, but put some sections in bold that are particularly disturbing. I’m reasonably sure the Troll aka Hostile Journalist will coming looking for me since by opposing him, I’m obviously a mofo.
We shall see.
PS. To Hostile Journalist: Do not even think about threatening (脅迫罪) anyone who cooperated with this article other than myself. Have some decency.
The story of the Troll threatening the journalist aka “The Mofo” that “stole” his job
Troll’s Letters To His Replacement at France 24 May-June 2011
The Troll, quoted here as “Hostile Journalist” sent a series of hostile emails after being fired by France 24. The reasons he was fired or let go may or may not have to do with the emails he sent. The emails were provided by a past victims of the Troll and on my own initiative I have kept his name non-public for fear that The Troll will retaliate against him as well.Hopefully, he is intelligent enough to realize that the emails he has sent constitute a threat. If he has a problem with this posting, I hope he will be a man and come after me and not the journalist who was kind enough to give me the materials. The letters began with an unsolicited posting from Troll.
The Troll Writing To France 24 Journalist Who Replaced Him
20 May 2011
I’m Troll, a veteran Tokyo-based journalist who has covered almost every major story in Asia and around the world since 1987, including the wars in Yugoslavia, East Timor, Afghanistan and Iraq, for major media worldwide.
I’m going to cut straight to the point about this. I do not allow people to take freelance strings that I have cultivated over the years. For your information, Loick Berrou hired me in July 2007 as the France 24 Anglo reporter in Tokyo, and since that time I have done hundreds of live phoners and on-camera
reports from Tokyo (often using the satellite feedpoints at Reuters and NHK), Tibet, China, Burma and Thailand (using feedpoints at Asiaworks).
I have taken great risks to build up the network. I was the only foreign journalist in Lhasa the week of the riots in March 2008, and I broke the story worldwide on France 24, beating BBC, CNN and everybody else. I also snuck inside Burma and reported on the crackdown on protesters, and Cyclone
Nargis, for the network. Last year, I did a flurry of reports amid gunfire and explosions during the battle of Bangkok (working in the same battle-zone where France 24 cameraman Nelson Rand was shot several times.)
Immediately after the March 11 quake, I spent a great deal of time and effort trying to arrange logistics for●●●, one of the network’s top Francophone correspondents (you can see the work we did together on the documentary The Battle of Bangkok). I also did 60 live reports for France 24 the first four weeks
after the quake, while you were working for somebody else, apparently.
I do not know what university training or professional qualifications you have in journalism, and I’m not familiar with the impact of your work. I’ve worked around most of the top journalists in Asia, and I don’t recall meeting you.
As for me, I have been through a weeding out process, of four years at Canada’s top journalism school at Carleton University in Ottawa, and then some of the leading networks and newspapers in Canada, before coming to work as a professional journalist in Asia. I learned to speak and read Japanese beginning in 1989, and covered the Kobe earthquake and sarin gas attack for CBC TV in Canada and others in 1995.
Like many other pros, I naturally have issues with amateurs who come to Japan, declare themselves journalists, hang around the FCCJ to pick up work, and then consider themselves experts in our field. Doctors and lawyers would not tolerate this in their fields either, and I think I have every right to call someone’s bluff on this.
While I was covering the TEPCO presser today, I found out from●●, ●●● and a senior person in Paris that you, somehow, have become the France 24 correspondent in Tokyo. I do not accept this, for any reason, and I will do whatever is necessary to protect a position that I have earned with the network, at great personal risk and sacrifice.
It’s not personal, it’s professional, and I can assure you that I will stake my 25-year career on this. If I tried to steal someone’s string, which has earned them thousands of dollars over the years, I would expect them to fight me for it.
I will tell you very frankly that I am a 6-foot, 200-pound guy from a rough part of the Detroit area, and I’ve been through too much – 9 wars, where I lost 7 friends – to let anyone disrespect me.
The Troll later discovered his email was forwarded to France 24 prompting another email.
That is very sleazy to send a letter, which I sent to you and you alone, to my employers at France 24. If you have any manhood, you will meet me in person to settle this. And you can bring your pals XXX and the other jerks who diss me on Facebook and at the FCCJ as well
The Journalist Responds To Troll’s Implied Threats
Troll-guy ,your unsolicited message appears to be a clear threat of violence towards me. Please clarify if I’m mistaken in this.
For the record: I was approached in Feb to work with F24 and have done a few bits of work with them since. I have no interest in who has worked with them in the past, continues to work with them now, or will work with them in the future.
I have no idea what issues you have with F24, but please take them up with the organization.
Equally, I have no idea what issues you have with ‘jerks’ on FB or the FCCJ, but please take them up with the people involved.
The Troll Responds To The Journalist
Who the hell are you talkin to me like this? You think your ass is powerful? You are a 5-foot 6, 150 lb dweek in shorts and sunglasses looking over your shoulder in a crowd. And I suppose you’llsend this to your mommy to protect you, right?
You aren’t the asshole ●● who smashed my brother’s head against the grocery store wall, and beat up my father in front of my mother and sister across the street from our house, and then laughed at my little brother in the court house. aYou aren’t the crackhead who shot my uncle ●● in the head in Detroit. You aren’t the home invader who murdered my brother’s drummer in his house in ●● this Christmas. You aren’t the gang that strangled me and beat me unconscious and broke my nose and ribs and left me naked in a park to die in Nairobi, or the jerks who mugged me at knifepoint in Rio de Janeiro. Youaren’t the Chetniks who severed the head of my roommate ●●●in Vukovar. You aren’t Khaled Sheikh Mohammed who cut up Daniel Pearl like a goat a few weeks after we had Thanksgiving dinner in Islamabad. You aren’t the Taliban motherfuckers who murdered●● and raped and killed the women in the van in Afghanistan. And you aren’t the gunmen who shot ●●●●● three times last year when we were working for France 24 in Bangkok. You are a spineless sewer rat who sends a private confidential letter to my boss to shaft me out of a job worth perhaps 10,000 year or more, a job I earned while you were a driver with another network and writing an FCCJ article slagging off serious pro journalists who hired you. Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right?
Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right?
The Journalist Responds To The Troll
It seems you got a rough deal off F24, which is a shame, but I really think your anger is directed in the wrong direction. To state the obvious, I don’t make the hiring decisions. I was asked to work with them in Feb and was surprised not to hear from them during the post-quake period. It seems they used someone else – that would be you. Now they’ve asked me to do the odd phoner.
I don’t know why they they’ve made that decision- it’s between you and them.
I was more than a little surprised to come in on Friday night to a long abusive threatening email from someone I’ve never met. I forwarded it to the people at F24 – ●● saying I had no idea what your history with them is and the situation needed clarifying .If you wanted a respectful response, you should have a sent a respectful email. This will be my last response to any insulting/ threatening mails.
“If you wanted a respectful response, you should have a sent a respectful email. This will be my last response to any insulting/ threatening mails.
That seems to be the best approach to dealing with this fellow. He does make a lot of threats. He, or his proxy, even threatened the editors at Wikipedia, when they refused to post an entry for him. He accused an employee of Google Japan of deliberately altering search results to make him look bad. He does manage to get under my skin. However, I’m certainly not the only one.
If you’d like to know more, please check out Japan Probe which has article after article about his not so amusing attacking on others journalists, his implied threats, his rantings, and his career history as a malcontent and troublemaker in Japan.
I took this post down once. I’m reposting it so that everyone knows that this is a man that threatens to molest children and viciously attacks other members of the journalism community. He may be a journalist; he is also very close to being a cyber stalker. I won’t write his name because he thrives on attention. I tweeted a parody of his blog today that has his actual name on it. I should have read it closer. I was taught that the mentally unstable should have their names undisclosed because they aren’t entirely responsible for their acts. I don’t know if that is the case with this individual but I suspect as much. Possibly a sociopath with delusional disorder. I’ll give him the benefit of the doubt.
I won’t engage with this individual in any way. Because there’s a difference between him and me. I give a damn about my sources and my friends. I’d rather people think I’m a jerk than violate the three things I believe in: protect your sources, write the truth, and if you can’t do both, then don’t write the story. Some people may not agree with that philosophy. It’s what I believe in. I don’t have a perfect score on protecting my sources. I get to live with that for the rest of my life. I atone and I carry on.
Because where I come from, when you attack a man’s friends and defame them, stalk women, and threaten to harm children–you’re someone who needs to go to jail until you learn to behave like a human being, not a troll. Or am I simply too old-fashioned?
I recognize that people have a right to start their lives over–that they deserve a second chance. And I’d be willing to give this man a second chance, if he showed any remorse, if he apologized to all those he’s wronged. He won’t do that. He won’t even answer three simple questions 1) Did you threaten to molest a man’s children when you were working at NHK? 2) Did you threaten another reporter in 2011? 3) Have you misused the position of being a journalist to harass women that reject you and people who disagree with you?
There is no solution to dealing with a man like this. As long as he has access to the internet, he will continue to try and destroy those whom he perceives as his enemies—and there a lot of them. He’s bordering on criminal behavior and when he finally crosses the line, I hope to see that at last he gets the attention he deserves. Because where I come from, when you attack a man’s friends and defame them, stalk women, and threaten to harm children–you’re someone who needs to go to jail until you learn to behave like a human being, not a troll. Or am I simply too old-fashioned?
Note: We met with former prosecutor Nobuo Gohara, last week, to discuss the arrest and prosecution of Carlos Ghosn. Mr. Ghosn has been accused of financial crimes, and has now been detained 23 days and rearrested. With Gohara’s permission, we are publishing his translated observatiosn about the case, written prior to the re-arrest of Mr. Ghosn today (December 10th 2018). *Portions of this were previously published in Japanese on Yahoo! News.
The Arrest of President & CEO Saikawa is Inevitable if Mr. Ghosn is Re-arrested based on Fake Statement made in the Last 3 Years
The End of The Myth of The Special Prosecutors is one book that Mr. Gohara has written on Japan’s prosecutors going off the rails.
Today (December 10) was the last day of the extended detention of Mr. Carlos Ghosn, who was arrested by the Special Investigation Unit of the Tokyo District Court on November 19 and was removed from the Representative Directorship of Nissan 3 days thereafter at the extraordinary board meeting, as well as Mr. Greg Kelly.
The suspected offense of his violation of the Financial Instruments and Exchange Act turned out to be the fact that he did not describe the “agreement on payment of compensation after his retirement” in the securities report. However, given that the payment had not been determined and that it cannot be considered as a fake statement of an “important matter”, there are serious concerns about considering this non-description a crime.
There has been an increasing skepticism about the method of prosecutors’ investigation who suddenly arrested Mr. Ghosn at Haneda Airport inside his personal aircraft when he just returned to Japan. As I have pointed out in my article (“Ghosn Can Only Be Indicted if Prosecutors Follow Their Organizational Logic”), since the prosecutors have arrested him based on their unique decision, it is impossible for them “not to indict Mr. Ghosn”, as it would be self-denying and contrary to the “logic of the organization”. It had thus been fully anticipated that the prosecutors would indict Mr. Ghosn today.
However, the facts that have newly been revealed through the subsequent media reports are raising even more serious concerns with respect to his arrest based on the “agreement on payment of compensation after his retirement” (although various media organizations report that those facts constitute the ground of his indictment by the prosecutors).
Could this herald the possible “collapse” of the prosecutor’s case
There is Virtually No More Possibility that Mr. Ghosn will be Re-arrested with the Crime of Aggravated Breach of Trust or the like
First of all, it has been reported that the prosecutors intend to re-arrest Mr. Ghosn on the ground that he has “underdescribed his executive compensation of 4 billion yen for the last 3 years”. The facts that constituted the ground of his arrest and detention to date had been the fake statement around the “agreement on payment of compensation after his retirement” for the period of 5 years up to March 2015 term. The prosecutors, however, are intending to re-arrest him based on the same fake statement but for the last 3 years up to March 2018 term.
There had been a speculation that the fake statement in the securities report was merely a ”starting point” and that the Special Investigation Unit was contemplating to pursue some “substantive crime” such as aggravated breach of trust. However, had they been able to pursue the crime of aggravated breach of trust, they would have re-arrested him based on that. Given the overloaded investigation lineup of the Public Prosecutors Office, which has been accepting prosecutors dispatched from the District Public Prosecutor Offices, as the year end approaches when they need to send the dispatched prosecutors back to where they belong, they would want to avoid arresting him based on the new facts on and after December 10 unless extreme circumstances arise, because the period of detention of 20 days would then extend to the year end. This means that the only “charge” based on which the prosecutors intend to indict Mr. Ghosn is the fake statement of his executive compensation. On the basis that they will re-arrest him based on the same fake statement as the facts constituting his initial arrest and detention, it is highly probable that the investigation will end there.
This is a scenario which I have predicted, as I have repeatedly stated since right after the arrest. That is, based on the facts that have been reported, it is unlikely that Mr. Ghosn will be indicted for the aggravated breach of trust (“Ghosn Case: Yomiuri Beginning to Ditch Prosecutors while Asahi Cling to Them”). However, for those who firmly believe that the “justice always lies with prosecutors” and because of that believe “Mr. Ghosn, who was arrested by the prosecutors, is a villain”, it would be hard to accept that the investigation would end by only charging him with such a trivial crime as fake statement and not criminally pursuing any “substantive crime”.
Serious Issues Concerning Procedures of Detention
Of further significance is a “serious issue concerning the legality of detention” in relation to the re-arresting of Mr. Ghosn and Mr. Kelly based on the “underdescription of Mr. Ghosn’s executive compensation of 4 billion yen for the last 3 years”.
A securities report is something which is prepared and submitted each business year. As such, there is supposed to be “one independent crime” for each business year, totaling to 8 crimes, if there are fake statements in all securities reports for the period of 8 years from March 2010 term to March 2018 term. However, the charge against Mr. Ghosn with respect to the “agreement on payment of compensation after his retirement” is different from a standard fake statement in the securities report.
An “MoU” was said to have been made between Mr. Ghosn and the Head of Secretary Office every year with respect to part of the executive compensation payable after his retirement under the pretense of some other payment, which had been kept secret to the Departments of General Affairs and Finance of Nissan and had been kept confidentially. The securities report for each year had been prepared and submitted without regard to the agreement made in such “MoU”. Since the acts of preparation of the “MoU” for 8 years had been repeated every year under the same intent and purpose, they constitute “one inclusive crime” provided that they do constitute a crime. They should effectively be interpreted as “one crime” as a whole. “Dividing” these acts into those conducted during the first 5 years and those during the last 3 years for the purpose of repeating the arrest and detention means arresting and detaining based on the same facts, which is a significant issue in terms of due process of detention.
On top of that, if the prosecutors intend to re-arrest them based on the acts in the last 3 years after completing their investigation and processing of the fake statement for the first 5 years, it would be that they had “reserved” the acts of the last 3 years for the re-arrest. This is an unjustifiable detention which deviates the common sense of prosecutors. Inevitably, Mr. Ghosn and Mr. Kelly would file a quasi-complaint with respect to the detention or a special appeal with the Supreme Court, claiming that it is an unjustifiable detention in violation of due process under Article 31 of the Constitution.
It Would Be Difficult to Deny Criminal Liability of President Saikawa
“When The Thinking Processes Of The Organization Stop” discusses the implications of an infamous case in which a prosecutor forged evidence and dysfunctional organizations in general, which could apply to Nissan at present.
A more significant issue is that it has been reported by Asahi, Nikkei, and NHK that Hiroto Saikawa, President and CEO of Nissan, has also signed the “document agreeing on the post-retirement compensation”. It has been reported that Mr. Saikawa has signed a document titled “Employment Agreement”, which describes the amount of compensation for the agreement prohibiting Mr. Ghosn to enter into any consulting agreement or to assume office as an officer with any competing companies after his retirement. It has also been reported that, apart from the above, a document was prepared which specified the amount of compensation which should have been received by Mr. Ghosn each term and the amount which had actually been paid, as well as the balance thereof, and that it was signed by Mr. Ghosn the ex-Chairman and the executive employees as his close aides.
The prosecutors and media may be denying the criminal liability of Mr. Saikawa for his fake statement of the executive compensation based on the reason that, although he had been aware of the payment of compensation as consideration for the prohibition of Mr. Ghosn’s entrance into any consulting agreement or assumption of office with competing companies after his retirement, he had not recognized it as a payment of executive compensation under some other pretext, and because of this, he did not know that it should have been described in the securities report as “executive compensation”.
I wonder, however, how President Saikawa had recognized the consideration for the prohibition concerning the consulting agreement and non-competitive agreement. If he had signed the document based on his understanding that it was a legitimate and lawful payment, it would mean that the agreement has its basis and that Mr. Ghosn has an obligation to refrain from entering into any consulting agreement and competing in return for the payment. It would thus be considered a “legitimate contractual consideration” rather than a “deferred payment of executive compensation”.
Above all, why did Mr. Saikawa think it was necessary to enter into an agreement that prohibits Mr. Ghosn from entering into any consulting agreement or competing after his retirement when there was actually no specific sign of his retirement? We can never understand the reason unless the agreement is explained as an “alternative for reducing the executive compensation by half”. In the end, we cannot help but think that Mr. Saikawa had almost the same recognition as Mr. Ghosn and others with respect to the agreement.
The offense of the crime of fake statement in the securities report is constituted not by “making a fake statement” but by “submitting” the securities report with a fake statement on an important matter. The person who has an obligation to ensure accurate description and “submission” is the CEO in the case of Nissan, which is Mr. Saikawa from and after March 2017 term. If, as mentioned above, Mr. Saikawa had largely the same recognition with Mr. Ghosn with respect to the “post-retirement payment of compensation”, we have to say that it is Mr. Saikawa who would primarily be criminally liable for the last 2 years (apart from the severity of the ultimate sentence). That is, if the prosecutors are to pursue the indictment of the fake statement of the securities report for the last 3 years, it is inevitable to charge Mr. Saikawa as well.
Can Mr. Saikawa Withstand Criticism of being Involved in “Backdoor Agreement” with Prosecutors?
This is when the idea of plea bargain occurs to us—that is, whether or not there is a possibility that Mr. Saikawa has agreed to a plea bargain with the prosecutors by cooperating in the investigation on the “crimes of others” (i.e., of Mr. Ghosn and Mr. Kelly), thereby being exempted from criminal punishment.
It is possible that there is a “backdoor agreement” between the prosecutors and President Saikawa “targeting” Mr. Ghosn and Mr. Kelly. However, if such agreement exists, where it is agreed not to charge President Saikawa, what was it all about that he criticized Mr. Ghosn at the press conference immediately after his arrest, going so far as to say that he “felt resentment (toward Mr. Ghosn)”? There is likely to be severe criticisms against such agreement as well as against Mr. Saikawa domestically and internationally. Furthermore, if this is the case, it is likely that Mr. Saikawa falls under the “party with special interest” in relation to the extraordinary board meeting where he served as the chairman and determined the removal of Mr. Ghosn from his position of the Representative Director and Chairman. This may affect the force and effect of the vote (““Serious Concern” over Plea Bargain between Executives of Nissan and Prosecutors” – Are Directors Involved in Securities Report able to Participate in Voting relating to Removal of Ghosn?).
Given all of the above, if the prosecutors are to re-arrest Mr. Ghosn and Mr. Kelly on the ground of a fake statement in the securities report for the last 3 years, there is no other choice than to arrest Mr. Saikawa and hold him criminally liable. However, this would virtually mean the collapse of the current management team of Nissan which executed a coup d’etat at the initiative of President Saikawa and upset the Ghosn Regime. The investigation of the prosecutors, which has been conducted in close cooperation with the management team of Nissan, is also at a risk of “collapsing”.
*Translation was provided by Mr. Gohara’s office, with some minor editing by JSRC staff for clarity based on the original Japanese text.
You don’t know cool until you’ve seen ZAN (international title: “Killing”). A period action film set in the late Edo Period, ZAN is everything that The Last Samurai is not: minimalist, unpretentious and totally unsentimental. Back in Old Japan, sentiment was often a luxury few people could afford. It was hard enough to secure things like food and basic comforts, and the situation was harder for the samurai because they had to keep up appearances as the authoritative class.
“I want you to think about all the mistakes you’ve made in your life up to this point,” he tells his bleeding victim. “You have plenty of time for reflection until you finally manage to die.”
ZAN notes that a samurai was defined by two things: 1) his sword and 2) his ability to kill others with that sword. The film also makes no bones about the incredible pain and grossness that accompanies a sword fight. It’s not like a TV period drama where one swish of a katana brings on instantaneous death–the process takes hours or even days of intense suffering. In one scene, after a close battle a samurai slices off the arm of an opponent, right from the shoulder. “I want you to think about all the mistakes you’ve made in your life up to this point,” he tells his bleeding victim. “You have plenty of time for reflection until you finally manage to die.”
Chilling. Isn’t it? ZAN is a lesson in Edo Period brutality and despite the obvious disregard for period detail (like speech patterns and vocabulary) it all feels eerily true. No one cracks a smile, wears make-up or even changes out of soiled kimonos. The sky is heavy with perpetual rain, the houses are pitch dark, cramped and dingy. The threat of pain and death is ever-present and the only respite is sex, or more often, masturbation. Something has got to give, but you sense right away that the giving isn’t going to be happy.
ZAN is directed by Shinya Tsukamoto – arguably the most innovative auteur working in the Japanese flm industry today, and distinctive for working solo. An indie wunderkind, he directs, writes his own screenplays, works on his own production designs and acts in crucial roles, in his own and other peoples’ films. Tsukamoto even auditioned for Martin Scorsese’s Silence and got the part of Mokichi. Rumor has it Scorsese thought Tsukamoto “looked familiar,” as the American director is a fan of his work, but didn’t believe that a man of Tsukamoto’s repute would actually show up for an audition. Scorsese was later flabbergasted to learn the truth and professed to be “in awe” of Tsukamoto – at least that’s the story floating around in the Japanese movie industry.
But it’s easy to believe that Scorsese was impressed because as an actor, Tsukamoto radiates a macho allure that’s hard to resist. In the movie, he plays an older samurai named Sawamura, a mysterious vagabond traveling from village to village in search of talent. Sawamura has an agenda – to form a platoon of free agent samurai and offer their services to some powerful lord. The era is late Edo, when the whole of Japan was in the fever grip of confusion and intrigue, all the while being pressured by Europe and the US to open up the nation, after nearly 260 years of isolation. Against this backdrop, hordes of samurai were fired from their clans and left to fend for themselves. Many of them were recruited as foot soldiers by the Tokugawa shogunate and its supporters that were anti-foreigner and desperate to preserve the status quo. Sawamura’s own political views are unclear but most likely he has none. Like many unemployed samurai at the time, gaining a steady position was the biggest priority and as a samurai, that meant killing people with his sword. “I want to do my part in these chaotic times,” he explains.
Sawamura’s statement reveals the Edo samurai mind-set: Fighting for a cause or a political slogan was tacky. Killing to assert one’s identity as a samurai, was more like it. He wanders over to a village on the outskirts of Edo and observes a young samurai, Tsuzuki (Sosuke Ikematsu) having a mock sword battle with farmer boy Ichisuke (Ryusei Maeda). Tsuzuki had been hired on a farm in lieu of food and board, and had been giving katana lessons to Ichisuke whenever they had a moment free from working the rice paddies. Tsuzuki is an excellent swordsman and under his tutelage, Ichisuke has acquired a lot of skill. Sawamura wastes no time in recruiting them both, and proposes leaving for Edo in two days. Ichisuke is keen to go but Tsuzuki is inexplicably reluctant. The presence of Ichisuke’s sister Yu (Yu Aoi) is part of the reason – Tsuzuki always masturbates to the sight of her bathing and the story suggests he is a virgin. Could it be that he’s also a virgin as a murderer, and for all his grace and expertise with the sword, Tsuzuki has never brought his blade down on another man’s flesh?
ZAN twists and writhes its way to a bloody climax and by then you become well aware of the wondrous weirdness of the samurai. They are darkly backward in their thinking, swayed by a single desire to assert their samurai identity, which is on par with the will to kill. It overrides all other desires – for happiness, for justice, even for survival. It depicts not the noble samurai of Japanese fiction and The Last Samurai, but the samurai as they really were: bloody, brutal, barbaric and with no notions of the word Bushido(武士道). Bushido, both the word and the concept of a noble samurai were retroactively imposed upon the Edo-era culture by the writer Inazo Nitobe in 1900. His book Bushido: The Soul of Japan, written in English, was aimed at Western audiences, and tried to elevate the popular image of Japan. (The “Cool Japan” strategy of 1900).
In ZAN, the opening of Japan to the West and the subsequent demolishment of the samurai was just around the corner, but Tsuzuki and Sawamura are locked into an existence that no one, not even themselves, could fully comprehend or accept. They take us to a place that defies logic and explanation, to a time when such things were beside the point. It’s only when the lights come on that we take stock of what Japan has lost in the wake of modernization and wonder briefly whether the trade-off was completely worth it.
Editor’s Opinion: Yet, are the samurai really missed? ” For the peasants and underclass who were often brutalized by the samurai, probably not. Samurai could legally murder the lower class of merchants, farmers, prostitutes, etc–kirisutegomen–for being impolite or simply being annoying. The movie reminds us that maybe for the rest of us, the cutting down of the Samurai was a boon to Japan, not a curse. What do you think?