Hey Fellas, Wanna be a “Guyjin” Idol In Japan? Read the story so far and then think on it…

by James Collins

On a typical day in December 2016, while drinking beer and eating yakitori in a smoke-filled Izakaya somewhere outside of Tokyo, I confessed my idea of creating Japan’s first all foreign male idol group to my girlfriend. Fashioned after the ubiquitous AKB48 idol group, I called the group Guyjin48, a play on the Japanese word gaijin, which means foreigner. The group would have members from all over the world, which would sing songs entirely in Japanese. The idea had struck me shortly after moving to Japan in 2013 while surfing for Japanese music on the Internet. It was my first time being introduced to the concept of Japanese idol music, but for some reason I felt compelled to try and create a group of my own, regardless of the fact that I had absolutely no experience in music production. My girlfriend liked the idea and the next day we created a logo, wrote out the concept, and created our first help-wanted ad looking for future foreign idols of Japan.

The guyjin idol band that could have been

The concept of the Guyjin48 project evolved over a period of three years, mostly from observing Japanese society and learning about the many pressing issues the country is dealing with, i.e. their greying population and the dire need for foreign labor. So the group went from being simply an act of curiosity to having an actual message and becoming more of a conduit for creating meaningful conversation, even if at surface level it appears to simply be only a bunch of foreigners singing idol music. Japan needs diversity. Japan needs to learn how to play nice with their impending deluge of foreign immigrants. Not exactly the most popular conversation right now, but one that must be had in my opinion. Like medicine-coated in sugar in order to make easier to swallow, I thought pop music might make the conversation a little easier to have.

A couple weeks after announcing the project, Crunchyroll, a widely used Japanophile website created an article based on the little information we had on the internet, and within hours the article had been translated into several languages. Other articles popped up here and there and it seemed there was a thirst amongst niche groups of foreigners who relished in the idea of finally being able to become a real idol in Japan. We began receiving multiple applications a day from people all over the world wanting to join the group, mostly from Indonesia. We also got our first bit of negative attention from the western community who claimed I was a disgusting racist for using such an offensive word as the group name.

It has almost been two years since starting the project with absolutely no experience and very little money. We have since changed the name to COLORFUUUL, we were able to team up with DJ Shinnosuke from the hip-hop group Soul’d Out, and I have finally been able to meet people in the industry and have started to see support from certain media outlets.

Despite all of this, and despite the fact that we have been able to create an album, created original dances, and already have multiple performances and interviews lined up, we recently have had a pretty big setback. Three out of the five original members of the group decided to leave, all within a matter of a few days. So we are once again looking for people to help us make this project a reality.  (Editor’s note, there has been at least one successful foreign idol in Japan, Ms. Amina Du Jean) who retired last year.)

So lonely….

If you think you can dance, sing, and have what it takes to be a foreign idol in Japan, then you might be what we are looking for. Auditions will be held at the end of October, so if you are interested please send applications to:

contact@jamtinpro.com

This is a chance to not only be part of a project attempting to pave the way for the foreign idol community but also to do your part in spreading a message of diversity and acceptance in Japan. Then maybe one day we can all hang out at that one place in Golden Gai that still doesn’t allow foreigners at the moment.

 

 

COLORFUUUL: 日本初全メンバーが外国人男性の

アイドルグループは募集中。

 

2016年12月、東京を離れてある居酒屋で私は焼き鳥と酒を堪能しながら、日本初全メンバーが外国人男性のアイドルグループを作りたいという思いを彼女に明かした。近年人気を博した国民的アイドルグループAKB48と同じように、グループの名前をGuyjin48にしようということも決めていた。Guyjinは外人という言葉をもじっており、外国人と英単語の男子という二つの意味がかけられている。日本に住んでいる各国からのメンバーを集めて、日本語の曲を歌わせるという構想を持っていた。2013年に来日してから当分の間日本の音楽シーンについて調べていたのだが、AKB48の存在を知ってからは、彼らの外国人バージョンのグループを作りたいと強く思うようになった。なぜそのようなアイディアをとっさに思いついたのかは今でもよく覚えていないが、プロデューサーとしての経験ゼロの私であったがすぐに挑戦する気持ちがみなぎっていた。彼女に相談すると、「いいアイデアだね。やってみよう」と賛成してもらい、次の日からすぐにロゴやコンセプト、求人告知を製作することに一緒に取り組んだ。

 

Guyjin48のコンセプトは3年間ずっと磨き続けてきた。最初は面白半分のような計画であったが、日本社会を観察し日本が今直面している色々な問題を知っていく中で、もっと社会貢献を目的にしたものにしようと考えるようになった。表面的にはただの外国人アイドルグループに見えるかもしれないが、彼らの活動を通して、日本社会の問題を提起することができる有意義な会話を生むことができることを目標とした。日本はもっと多様性に寛大な社会になるべきである。近年増え続けておりこれからもその数の増加が予想されている、日本国内の外国人労働者を含めた在日外国人と日本人がより仲良く,お互いのことを理解し合える環境を作っていくべきである。なかなか取り掛かりずらい問題ではあるが、東京オリンピックの開催やグローバル化が進む昨今の世の中で、早急に取り組まなきゃいけない問題であるのではないかと個人的に思う。堅苦しい話題であるかもしれないが、だからこそGuyjin48のようにポップな音楽を通して問題提起をすることが効果的であると信じている。

 

Guyjin48のコンセプトを発表した2週間後、「Crunchyroll」という英語圏の日本マニアの方向けのウェブサイトにグループのことを取り上げて頂き、数時間のうちに色々な言語の記事があちこちに拡散された。その時点で、日本で本格的なアイドルになりたいという夢を抱く外国人の数はとんでもないことが分かった。それから絶対グループに参加したいとアピールする応募者たちから毎日たくさんのメールを受け取り、また興味深いことに過半数はインドネシア人であった。Guyjin48のコンセプトへの反響は大半がポジティブなものであったが、そうでないものも少数ではあったが存在した。「外人」いう言葉は、一部の西洋人には非常に攻撃的に受け取られてしまい、彼らからの反応は喜ばしいものではなかった。このような反応は最初から危惧していた要素ではあったが、一部の人からは予期していなかった厳しい言葉も浴びせられてしまった。

 

経験とお金を全く持たずしてGuyjin48のコンセプトを発表してからほぼ2年が経過した。誰のことも傷つけないようにグループの名前をCOLORFUUULに変更して、元SOUL’D OUTのShinnosukeさんに作詞作曲をして頂き、業界の方とも顔を合わすようになり、メディアにも時おり出して頂けるようになった。

 

順調にみえたグループであったが、最近大きな挫折を経験することになってしまった。初のアルバムを製作し、三曲分のダンスも作り、ライブやインタビューもこれから何本も入っていたのだが、5人いるメンバーのうちの3人が突然脱退してしまった。したがって、日本初の全メンバー外国人男性アイドルグループを実現するにはまた新たなメンバーを募集しなくてはならないことになってしまった。

 

そこで歌とダンスに自信があり日本でアイドルになれる資質を持ち合わせていると思う方は、ぜひメンバーに応募していただきたい。10月下旬にオーディションを行う予定があるので、応募したい方はcontact@jamtinpro.comまでメールを送ってください。日本に住む外国人にとっては、日本のアイドルの世界への扉を開くムーブメントに参加するだけではなく、日本国内の多様性と日本に滞在している外国人への寛容性を高めようというメッセージを広めるチャンスでもある。興味がある方はぜひ応募してください。よろしくお願い致します。

The Tokyo Vices Of The Great White Journalist: Christopher Johnson

 By all means, do go and tell your side of the story to them, motherfucker.

Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.

Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get fired, you’re going to have to put your kids out of international school and into Japanese school and I’ll be teaching there.  (The tape recording is below ↘)

(2007)

Christopher Johnson

Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right? (2011)

Christopher Johnson

 

I have a talent for pissing people off. I’m sure it comes from a personality defect, of which I have many, and I will strive to work on improving my generally surly nature.

However, while I’m surly I don’t delight in the suffering of other people. Unfortunately, I have a cyberstalker who does. And when he can’t get to me, he attacks my friends. Or uses his virtual sock-puppets (Chris Beck, Kita (I don’t have the balls to use my real name) Yaesu to do it.

The worst troll in the world is one that claims to be a journalist—they abuse our profession by writing with malice, distorting the truth and mixing it with enough lies to make it seem plausible, and claim to be “reporting” to do it. I call them “trollnalists”. 

There is a certain disgruntled self-professed journalist Christopher Johnson aka The Troll who has a personal vendetta against me and anyone who is my friend or employer. The reasons are very simple: I made the mistake of asking about his visa status when he was denied entry into Japan and/or deported in 2011. I then refused to write an article on his behalf in 2012. He took it very personally.

In a single skeptical tweet, I gained a stalker who has devoted five years to attacking me, my friends, women I've dated, and people who I work with. It was just a question.
In a single skeptical tweet, I gained a stalker who has devoted five years to attacking me, my friends, women I’ve dated, and people who I work with. It was just a question. The answer was very hostile. So it began.

He’s accused me of 1) being addicted to meth-amphetamines 2) not having been a police reporter, which is probably because he can’t read enough Japanese to figure out what 警視庁記者クラブ means 3) being a womanizing asshole 4) plagiarism 5) being completely wrong about yakuza involvement in the nuclear industry 6) being mentally ill and in addition, he’s stalked and defamed my friends and colleagues, especially female reporters. It goes on and on.

He’ll probably alter his crazy blog posts soon to eliminate claim #5. He’s devoted 40 sprawling pages to my life which he continually rewrites when glaring errors are found. No one is sure what he does to support himself these days but perhaps his famous brother, Gordy Johnson aka Grady Johnson is supporting him. Who knows?

He is right about number 3. Gotta work on that.  I can be an asshole and a womanizer.  Guilty.

I didn’t mind so much his man-crush and attacks on me, but now he continues to harass other journalists I know, accusing them of plagiarism. He accuses them of  taking money from corporations to slant their coverage, etc. He writes their editors, calls their offices, tweets at them endlessly. It’s hard to really explain how venal this individual is so I’ll let him speak for himself.

This is the kind of guy I’m dealing with. The kind of guy who left messages like this for his co-worker at NHK in 2007.

I will have to tell you that Tanaka-san and Iida-san are now well aware of your fucking bullshit. By all means, do go and tell your side of the story to them, motherfucker.

Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.

Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get fired, you’re going to have to put your kids out of international school and into Japanese school and I’ll be teaching there. 

 

The Troll. The Bully. Self-proclaimed journalist. Terrible nuisance.天の邪鬼
The Troll. The Bully. Self-proclaimed journalist. Terrible nuisance.天の邪鬼

 

 

It is a revolting thing to do, for which CJ has never apologized. It makes him sound like a pedophile–and although he spent many years in Thailand, there is no evidence that he is one. But it’s still a fucking awful thing to say. An apology would be nice.

Dave Schaufele, the NHK co-worker, sent JSRC a note on the incident:

“It’s time to stand up to this bully.
I would have no hesitation beating the living crap out
of this sicko after his comments about my children, as
 would any father in a similar position I suspect. So if he
 ever sees me again he better turn the other way and run.

Friends at NHK who know CJ recommended
 that I just ignore him because he’s mentally unstable.
But if his slanderous meltdown rant is starting to spread
I guess I need to reply and set the record straight.

I must admit I’m so short of time between work and
family that I haven’t even started a Facebook page,
let alone made 14,000 blog posts as “Greji” whose
slang and poor spelling might indicate that English 
is not his first language. CJis simply delusional.

I suspect he knows I’m not Greji but was simply looking for a way
to use NHK’s name in the headline and fabricate a high profile
story that would make him seem like a victim instead of a predator.
 CJ knows that his own actions resulted in his loss of work but
his alter ego is trying to find someone else to take responsibility.

CJ pulled all the hateful slander completely out of his ass.
I have many Jewish friends and have never made any anti-Semitic
 remarks nor written anything about Johnson’s girlfriend or family
 and therefore he can provide no examples at all in his rant.

I made no phone calls to him period; another fabrication
to try and justify his pedophile phone messages left on my 
keitai answering system. Playback is continuous once 
activated and no alterations were made whatsoever.

I do sometimes get a sunburned neck when working outdoors
but have no neo-nazi contacts or own any guns. I guess
 those were the most hurtful fabrications Johnson could come
up with in his appeal for sexual-predator sainthood.

He’s a mental case whose 2 sexual harassment complaints on file
at NHK got him fired in 1995 but he managed to sneak back
in years later. I was unaware of his past and when he first
started work I actually tried to help the guy out as a fellow
Canadian by giving him over $1,000 in extra work, which he 
thanked me for by inviting me over to his XXXs place
 for a beer. Seems like he’s been freeloading off her for years.
 But as the old saying goes – no good deed goes unpunished.
 CJ left town on short notice and our NHK boss asked me to
 cover a couple of his shifts. When he returned he went psycho
 and tried to get me fired, which backfired because the bosses 
remembered that he was the pervert they got rid of in ’95.
When he made disgusting sexual comments about my young
 children I played his phone messages for my boss and it was 
3 strikes you’re out – again – for that sicko.

I guess CJ figured that if I hadn’t posted his phone messages in
 5 years I have probably lost or erased the file so it’s safe to slander
 me and headline NHK’s name to regain his Economist notoriety.
I did erase the file because I didn’t want to hear his voice again.
For the record I haven’t spent a minute thinking about the asshole
 during the past five years and this is my first and only blog post
 related to him in all that time.

Now you know – the rest of the story.”

 

He does what trolls do. He writes my employers, he makes threatening calls to the FCCJ. He has a penchant for harassing my female friends especially. Maybe in his mind they are the weaker sex. I gather he’s a misanthrope and a misogynist.  I wish he would just attack me. It’s such a dishonorable thing to do to attack the friends of the person you hate. Even the worst yakuza aren’t usually that low.

He is angry that I would not take up his cause or defend him. I don’t know him well and I didn’t think he had a position that I could defend and I politely declined to offer my support. By asking one pointed question, about his visa status, he perhaps feels that I sprung a hole in his credibility dyke, which caused him a flood of attack and ridicule.

I don’t know; I’m not a mind reader.

Recently his threats have escalated. He is very fond of threatening to sue people for slander. He also poses threats to them as questions under the guise of being a journalist. He makes sexual slurs about female reporters. He has spent an inordinate amount of time trying to make me angry and scare individuals working with me. For many months, I ignored him. He went away. I ignored him again. But he came back and started harassing anyone he can identify as my friend or employer.

I realized that stepping back was the wrong approach. It was a cowardly act to do nothing. This man under the guise of ”journalism” has terrorized individual after individual because everyone hopes that he will grow bored and find a new person to attack and stalk–and thus they do nothing. This is understandable. But because no one stands up to this bully, the number of those who have suffered because of him keep growing.

Albert Einstein once said, “The world is a dangerous place. Not because of the people who are evil; but because of the people who don’t do anything about it.” Einstein was right. I’m doing something about.

The more I know about the individual and his past, the more I began to feel increasingly uneasy. He has a history of making insidious threats. On October 16th, 2007, he left disgusting messages on the answering machine of an NHK colleague that implied he would sexually molest the individual’s children. The tape contains what seems to be the sounds of said journalist masturbating over the phone.

Allegedly, the dispute The Troll had with a co-worker ended in him making several obscene calls to the man’s home phone which resulted in his firing from NHK. NHK has not confirmed this although others who were working at NHK have and so has The Troll in his own blog.

 

Transcripts of threats made to NHK co-worker October 16th, 2007

 The story of the Troll who threatened to molest the children of a fellow NHK worker 

録音テープ(出所不明)被害者はNHK職員だとそうです。

10月16日2007年

Troll:

I will have to tell you that Tanaka-san and Iida-san are now well aware of your fucking bullshit. By all

means, do go and tell your side of the story to them, motherfucker.

Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.

和訳:飯田さんと田中さんはあなたの嘘八百をよく知っているよと教えてやろうと思った。どう

ぞ、あなたの言い分を二人に言ってみな、この糞野郎。ところが、言い忘れたが、あなたの娘は

フェラチオがうまいそうだね。。。あなたの息子も。

新しいメッセージ、10月16日、火曜日、(平成19年)

午後9時22分

Sounds of what may be masturbation

約20秒ジョンソンが自慰している音が聞こえる

メッセージを保存しました。次の新しいメセージです。

10月17日、水曜日、午前、10時58分。

Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get

fired, you’re going to have to put your kids out of international school and into Japanese school….

子供はよく寝ているか。聞きたかったな。あなたと僕は首になったら、あなたは自分の子供をイン

ターナショナルスクールから退学させなくちゃならない。そして子供を公立学校に入れると。。。

(俺はそこで教えて待っていますよ)

For the record, this is his explanation:

“The letter enraged ●●●。 His new round of phone calls and letters now insulted ●●● and my family,including my brother, leader of one of Canada’s most popular bands at that time. I couldn’t take it anymore. Regrettably, I lost my temper. During a heated exchange of insults by email and phone, I left a nasty message on his phone. I responded to his insult that, “I hear there’s a job opening for a teacher who likes children, right up your alley”. In effect, I said to him: “if you get me fired from NHK, I will have to get a job teaching English again, and I might end teaching your children.” ●● claims he recorded it. He probably took the comments out of context, and possibly tampered with them, given his skills at voice acting and doctoring evidence and twisting facts…”

 You can listen for yourself.

In addition, in May of 2011 he also made several threats to the journalist who replaced him at France 24.

Although I received the journalist’s permission to post this and verified it with three sources, I have deleted the name of the journalist threatened and changed the name of the one making the threats. Why? Because it’s customary practice in Japan to not publicize the names of people who are possibly mentally ill and may be under investigation for criminal offenses.

Other than blocking out some names, to protect the individuals from the loathsome attacks and smears of the troll, I have altered not a word, but put some sections in bold that are particularly disturbing. I’m reasonably sure the Troll aka Hostile Journalist will coming looking for me since by opposing him, I’m obviously a mofo.

We shall see.

PS. To Hostile Journalist: Do not even think about threatening (脅迫罪) anyone who cooperated with this article other than myself. Have some decency.

The story of the Troll threatening  the journalist aka  “The Mofo” that “stole” his job

 

 Troll’s  Letters To His Replacement at France 24 May-June 2011

The Troll, quoted here as “Hostile Journalist” sent a series of hostile emails after being fired by France 24. The reasons he was fired or let go may or may not have to do with the emails he sent. The emails were provided by a past victims of the Troll and on my own initiative I have kept his name non-public for fear that The Troll will retaliate against him as well.Hopefully, he is intelligent enough to realize that the emails he has sent constitute a threat. If he has a problem with this posting, I hope he will be a man and come after me and not the journalist who was kind enough to give me the materials. The letters began with an unsolicited posting from Troll.

 The Troll Writing To France 24 Journalist Who Replaced Him 

20 May 2011

Dear Journalist

I’m Troll, a veteran Tokyo-based journalist who has covered almost every major story in Asia and around the world since 1987, including the wars in Yugoslavia, East Timor, Afghanistan and Iraq, for major media worldwide.

I’m going to cut straight to the point about this. I do not allow people to take freelance strings that I have cultivated over the years. For your information, Loick Berrou hired me in July 2007 as the France 24 Anglo reporter in Tokyo, and since that time I have done hundreds of live phoners and on-camera

reports from Tokyo (often using the satellite feedpoints at Reuters and NHK), Tibet, China, Burma and Thailand (using feedpoints at Asiaworks).

I have taken great risks to build up the network. I was the only foreign journalist in Lhasa the week of the riots in March 2008, and I broke the story worldwide on France 24, beating BBC, CNN and everybody else. I also snuck inside Burma and reported on the crackdown on protesters, and Cyclone

Nargis, for the network. Last year, I did a flurry of reports amid gunfire and explosions during the battle of Bangkok (working in the same battle-zone where France 24 cameraman Nelson Rand was shot several times.)

Immediately after the March 11 quake, I spent a great deal of time and effort trying to arrange logistics for●●●, one of the network’s top Francophone correspondents (you can see the work we did together on the documentary The Battle of Bangkok). I also did 60 live reports for France 24 the first four weeks

after the quake, while you were working for somebody else, apparently.

I do not know what university training or professional qualifications you have in journalism, and I’m not familiar with the impact of your work. I’ve worked around most of the top journalists in Asia, and I don’t recall meeting you.

As for me, I have been through a weeding out process, of four years at Canada’s top journalism school at Carleton University in Ottawa, and then some of the leading networks and newspapers in Canada, before coming to work as a professional journalist in Asia. I learned to speak and read Japanese beginning in 1989, and covered the Kobe earthquake and sarin gas attack for CBC TV in Canada and others in 1995.

Like many other pros, I naturally have issues with amateurs who come to Japan, declare themselves journalists, hang around the FCCJ to pick up work, and then consider themselves experts in our field. Doctors and lawyers would not tolerate this in their fields either, and I think I have every right to call someone’s bluff on this.

While I was covering the TEPCO presser today, I found out from●●, ●●● and a senior person in Paris that you, somehow, have become the France 24 correspondent in Tokyo. I do not accept this, for any reason, and I will do whatever is necessary to protect a position that I have earned with the network, at great personal risk and sacrifice.

It’s not personal, it’s professional, and I can assure you that I will stake my 25-year career on this. If I tried to steal someone’s string, which has earned them thousands of dollars over the years, I would expect them to fight me for it.

I will tell you very frankly that I am a 6-foot, 200-pound guy from a rough part of the Detroit area, and I’ve been through too much – 9 wars, where I lost 7 friends – to let anyone disrespect me.

★★★

The Troll later discovered his email was forwarded to France 24 prompting another email.

★★★

21 May

That is very sleazy to send a letter, which I sent to you and you alone, to my employers at France 24. If you have any manhood, you will meet me in person to settle this. And you can bring your pals XXX and the other jerks who diss me on Facebook and at the FCCJ as well

 

The Journalist Responds To Troll’s Implied Threats 

21 May

Troll-guy ,your unsolicited message appears to be a clear threat of violence towards me. Please clarify if I’m mistaken in this.

For the record: I was approached in Feb to work with F24 and have done a few bits of work with them since. I have no interest in who has worked with them in the past, continues to work with them now, or will work with them in the future.

I have no idea what issues you have with F24, but please take them up with the organization.

Equally, I have no idea what issues you have with ‘jerks’ on FB or the FCCJ, but please take them up with the people involved.

 

The Troll Responds To The Journalist

Who the hell are you talkin to me like this? You think your ass is powerful? You are a 5-foot 6, 150 lb dweek in shorts and sunglasses looking over your shoulder in a crowd. And I suppose you’llsend this to your mommy to protect you, right?

You aren’t the asshole ●● who smashed my brother’s head against the grocery store wall, and beat up my father in front of my mother and sister across the street from our house, and then laughed at my little brother in the court house. aYou aren’t the crackhead who shot my uncle ●● in the head in Detroit. You aren’t the home invader who murdered my brother’s drummer in his house in ●● this Christmas. You aren’t the gang that strangled me and beat me unconscious and broke my nose and ribs and left me naked in a park to die in Nairobi, or the jerks who mugged me at knifepoint in Rio de Janeiro. Youaren’t the Chetniks who severed the head of my roommate ●●●in Vukovar. You aren’t Khaled Sheikh Mohammed who cut up Daniel Pearl like a goat a few weeks after we had Thanksgiving dinner in Islamabad. You aren’t the Taliban motherfuckers who murdered●● and raped and killed the women in the van in Afghanistan. And you aren’t the gunmen who shot ●●●●● three times last year when we were working for France 24 in Bangkok. You are a spineless sewer rat who sends a private confidential letter to my boss to shaft me out of a job worth perhaps 10,000 year or more, a job I earned while you were a driver with another network and writing an FCCJ article slagging off serious pro journalists who hired you. Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right?

 

Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right?

★★★

The Journalist Responds To The Troll 

Mr. Troll,

It seems you got a rough deal off F24, which is a shame, but I really think your anger is directed in the wrong direction. To state the obvious, I don’t make the hiring decisions. I was asked to work with them in Feb and was surprised not to hear from them during the post-quake period. It seems they used someone else – that would be you. Now they’ve asked me to do the odd phoner.

I don’t know why they they’ve made that decision- it’s between you and them.

I was more than a little surprised to come in on Friday night to a long abusive threatening email from someone I’ve never met. I forwarded it to the people at F24 – ●● saying I had no idea what your history with them is and the situation needed clarifying .If you wanted a respectful response, you should have a sent a respectful email. This will be my last response to any insulting/ threatening mails.

 

 

★★★

If you wanted a respectful response, you should have a sent a respectful email. This will be my last response to any insulting/ threatening mails.

That seems to be the best approach to dealing with this fellow. He does make a lot of threats. He, or his proxy, even threatened the editors at Wikipedia, when they refused to post an entry for him. He accused an employee of Google Japan of deliberately altering search results to make him look bad.  He does manage to get under my skin. However, I’m certainly not the only one.

If you’d like to know more, please check out Japan Probe which has article after article about his not so amusing attacking on others journalists, his implied threats, his rantings, and his career history as a malcontent and troublemaker in Japan.

I took this post down once. I’m reposting it so that everyone knows that this is a man that threatens to molest children and viciously attacks other members of the journalism community. He may be a journalist; he is also very close to being a cyber stalker. I won’t write his name because he thrives on attention. I tweeted a parody of his blog today that has his actual name on it. I should have read it closer. I was taught that the mentally unstable should have their names undisclosed because they aren’t entirely responsible for their acts. I don’t know if that is the case with this individual but I suspect as much. Possibly a sociopath with delusional disorder. I’ll give him the benefit of the doubt.

I won’t engage with this individual in any way. Because there’s a difference between him and me. I give a damn about my sources and my friends. I’d rather people think I’m a jerk than violate the three things I believe in: protect your sources, write the truth, and if you can’t do both, then don’t write the story. Some people may not agree with that philosophy. It’s what I believe in. I don’t have a perfect score on protecting my sources. I get to live with that for the rest of my life. I atone and I carry on.

Because where I come from, when you attack a man’s friends and defame them, stalk women, and threaten to harm children–you’re someone who needs to go to jail until you learn to behave like a human being, not a troll. Or am I simply too old-fashioned?

I recognize that people have a right to start their lives over–that they deserve a second chance. And I’d be willing to give this man a second chance, if he showed any remorse, if he apologized to all those he’s wronged.  He won’t do that. He won’t even answer three simple questions 1) Did you threaten to molest a man’s children when you were working at NHK? 2) Did you threaten another reporter in 2011? 3) Have you misused the position of being a journalist to harass women that reject you and people who disagree with you?

There is no solution to dealing with a man like this. As long as he has access to the internet, he will continue to try and destroy those whom he perceives as his enemies—and there a lot of them. He’s bordering on criminal behavior and when he finally crosses the line, I hope to see that at last he gets the attention he deserves. Because where I come from, when you attack a man’s friends and defame them, stalk women, and threaten to harm children–you’re someone who needs to go to jail until you learn to behave like a human being, not a troll. Or am I simply too old-fashioned?

At the very least, if he was a man and not a troll, he’d stop attacking my friends and young reporters-–and do some actual journalism.

 

 

 

 

We’re Stuck With ‘The Last Samurai’ While Everyone Else Gets Crazy Rich

by Kaori Shoji

In high school, the girls around me had one wish–to have a different nationality, preferably American, and to trash our drab school uniforms for the outfits in “Beverly Hills 90210.” Being Japanese was just no fun, though it did seem better than hailing from other Asian countries. After all, this was the 1980s and the Japanese economy was gearing up to enter the bubble era. The Equal Employment Law for women kicked in. Chiaki Mukai was training to be Japan’s first woman astronaut. Takako Doi was rumored to become the future Prime Minister. Things were happening here, albeit minus the fun, sophistication and glamour we so coveted.

Little did we know that one day, Singapore and China would trump (pun intended) the US in many things regarding money, or that Asian women would come to rank among the richest in the world. These women would book first class flights on the five-starred Singapore Airlines to chill in the gaze of the Mer-Lion, and immerse themselves in gossip, shopping and spas with unlimited supplies of yuzu-scented sheet masks.

No yakuza, geisha, or Matt Damon here.

For that’s what the ladies in the movie “Crazy Rich Asians” do. On the occasions that they haul themselves off the mani-pedi bed or tear themselves away from the mahjong table, they reach for their phones to tap a few keys and murmur a few instructions, to put extra padding on their already bursting bank accounts. After that, they’re off to dinner parties where a billion orchid petals pave the paths and splendid fireworks explode in the background. Who do these people think they are, clones of Daisy Buchanan from “The Great Gatsby”?

Speaking of which, “Crazy Rich Asians” is the kind of insular, extravagant love story that would have made Scott Fitzgerald weep with envy. Director Jon M. Chu, who hails from Palo Alto and attended USC, has been working in films and TV since 2002 and this time, he literally hit the jackpot. Somehow the man knew that the world needed the sight of well-heeled Asians with perfect teeth, flinging their cash around at the same time they’re being swooningly romantic.

Chu dares to tread where no Hollywood movie about Asia ever has. There is no poverty or war. No samurai conflict. No appearance of Matt Damon (The Great Wall)  or any white saviors to save the day. No immigration issues.  Most importantly, there are no mothers crying about the sacrifices they made, to give their children a bright future in America. The mother in “Crazy Rich…” (played by a gorgeously frosty Michelle Yeoh) is the type who, when running up against a racist manager at a London hotel, calmly takes out her phone and makes arrangements to buy the hotel then and there. Minutes later she strides away, leaving the manager to get down on his knees and scrub the mud off the carpet from her son’s shoes.

When Hollywood does Asia, it goes for the jugular, like “Joy Luck Club” and “Sayuri” and “The Last Samurai.” Hollywood executives hear the word ‘Asians’ and immediately conjure an image of sweating maidens in rice paddies, or yakuza with swords in Shinjuku, or maidens and yakuza hooking up in Shinjuku, or all of the above. But in “Crazy Rich..,” Asians get to do what white people in movies have been doing for centuries. It’s about time.

In the US, “Crazy Rich Asians” was the movie sensation of the summer and it’s easy to see why. Apart from the endlessly entertaining antics of the Asian one percent “Crazy Rich…” knows how to entice an American audience. The characters have American names like Nick (Henry Golding), Eleanor (Michelle Yeoh), Rachel (Constance Wu). They speak perfect English and hold engrossing conversations about love and family. They take their entitlement completely for granted. And they’re never weird. If they are, they’re weird in ways that Americans understand. Like in one scene, a bunch of catty woman put a dead fish in a girl’s bed as a bullying tactic, and it’s straight our of  “Desperate Housewives.” Or if you want to be authentic about it, “The Godfather.”

Meanwhile, over here in the Land of the Rising Sun, people’s names are adamantly Japanese. Women are told to shut up and bear children, or shut up and work until 50 after which they must quit to care for elderly parents. Prime Minister Abe, now firmly ensconced in his third term, has promised the nation’s women that “things are going to change.” Seriously? They ain’t changing fast enough. All over Asia, Asian women are liberating themselves from tradition and antiquated family values to get a lot richer a lot faster than the Japanese ever did. Japan had its five minutes in the economic spotlight in the late 1980s but the 20-plus year recession combined with the notion of “seihin (清貧・clean poverty)” just about did us in. Evidence to that is seen in the way “Crazy Rich Asians” completely ignores Japan. China, Taiwan, Hong Kong – these places all get mentioned but Japan? Nada. True, Japan-born actress Sonoya Mizuno is in the cast but she plays a filthy rich Chinese woman. Go figure.

We’re a tad miffed, to be honest. But that really shouldn’t stop Japan from savoring every single frame of “Crazy Rich Asians.” From the sleek, precision make-up on the women to the bared torsos of the males (firm, slender and hairless – God’s gift to Asia) to the decor and wardrobe to the food and cocktails, “Crazy Rich…” is one huge, glittering monstrosity of a sweet, sweet treat. No wonder that for an increasing number of Japanese who will never be crazy rich, Singapore has come to represent the unattainable Japanese dream.

HodoBuzz: New York-based Japanese Filmmakers Tackle Japan’s Sexism and Press Freedom With Crowdfunding

As Japan spiral downs the gender equality rankings each year with impressive speed(114th out of 144 countries), progress, on the other hand is being made at a snail’s pace in every corner of society.

But Japan’s death spiral towards the bottom isn’t just the status of women, it’s also with freedom of the press. Japan ranked 11th in the Reporters Without Borders (RSF) annual world press freedom survey in 2010, this year (2018) it came in at 67.  The only reason it wasn’t lower was that under the influence of President Donald Trump, press freedom has taken a punch in the gut all over the world—Japan remains essentially just awful.  The media here has never been much of a watchdog, but Prime Minister Shinzo Abe has turned much of the press into simpering lapdogs. NHK has become Abe TV thanks to political appointments.  Japan’s few investigative news programs have been cancelled or so neutered they no longer have bark or bite.

But what if….there were still some journalists, fighting the good fight. and what if, it was a woman?

A crowdfunded Japanese drama “Hodo Buzz” depicts a female reporter trying to get real news out while battling all the obstacles inherent in Japan’s media machine.

A new show “HodoBuzz” made by Japanese filmmakers based in New York City takes on these very topics and JSRC is excited to support and watch a show about Japanese people who aren’t afraid to speak the truth and champions a tenacious and outspoken woman(!) who will not be silenced.

Read on to learn more and support their fundraiser campaign!

Derrrrruq!!!, a New York-based Japanese filmmaking team, launched a Kickstarter campaign last month for its new journalism drama HodoBuzz. The campaign seeks to raise $30,000 by September 4th to complete post-production, release, and promote the show.

HodoBuzz Kickstarter Page

http://kck.st/2u8rx8o

The project will only be funded if it reaches its goal of $30,000 by Tue, September 4 2018 11:59 PM EDT.

The creators have a good reason as to why they had to turn to crowdfunding. The show focuses on issues that the Japanese entertainment industry tends to avoid discussing: media sexism and press freedom in Japan. You can check out the series trailer made for the Kickstarter campaign. Don’t forget to turn on the subtitles!

Link: https://youtu.be/TxRQt5vA83g

HodoBuzz is a story about Asuka Wada, a Japanese female reporter. Tired of sexism and objectification in Japan’s TV industry, Asuka quits her job as a game show host in Tokyo to pursue her long-time dream: becoming a news anchor. 

A Japanese version of The Newsroom would be a thrill to watch.

Asuka moves to New York City, the world’s leading journalism center, to work for HodoBuzz, a digital news company.

The first sensitive issue HodoBuzz deals with is the rampant sexism in the Japanese media. In Japan, female TV reporters are constantly objectified. They are often referred to as “joshi ana”, or “girl announcers,” whereas male reporters are called simply, “announcers”. Female reporters have to dress up in a way that entertains the male audience. It is not uncommon for some female reporters to be assigned sexually charged assignments, such as reporting from a beach in a bikini. However, the most obvious point regarding the sexism female journalists face in Japan is that hard news or more “serious” topics are almost exclusively reported by male journalists.

Even at HodoBuzz, which is based in New York, Asuka’s boss, colleagues, and several viewers underrate her skills, because of her past as a game show host. Asuka will experience intense online harassment and bullying, due to the belief that she was hired for her looks, not her abilities.

The second issue the show uncovers is the constant breach of ethical journalism standards in Japan. In HodoBuzz, characters discuss real news, cite actual political commentary, and refer to known false reports by existing Japanese TV networks and newspapers. This has never been done on a Japanese TV drama, due to the strong and complicated codependent relationships among the news industry, political parties, TV stations, sponsor companies, and major talent agencies.

The nature of HodoBuzz has made it very challenging for the creators to get enough investment and distribution support. And it’s safe to assume that HodoBuzz won’t get good coverage from Japanese legacy media, either. Due to the time-sensitive topics discussed, Derrrrruq!!! decided to turn to Kickstarter.

Kickstarter video Link: https://youtu.be/AuhIUjyFGUk

Their team name, “Derrrrruq!!!,” was inspired by the Japanese expression “the nail that sticks out gets hammered down”, which describes the conformist nature of Japanese society. Derrrrruq!!! aspires to be the nail that sticks out, a “disruptive” voice in the industry.

For the readers of Japan Subculture Research Center, Derrrrruq!!!’s three creators, Mari Kawade, Maho Honda, and Tsukasa Kondo, might look familiar. Their previous work, 2nd Avenue, was also a bicultural show set in Williamsburg, Brooklyn. The entire series of 2nd Avenue is available on YouTube to watch.

Link: https://youtu.be/9jbXtOYNS1w

Like 2nd Avenue, Derrrrruq!!!’s aim with HodoBuzz is to create a show that is hard to find in the Japanese entertainment industry. To learn more about HodoBuzz and to make a donation to the crowdfunding campaign by the September 4th deadline, please visit http://kck.st/2u8rx8o.

HodoBuzz Facebook page: https://www.facebook.com/derrrrruq/

Twitter: https://twitter.com/derrrrruq

Instagram: https://www.instagram.com/derrrrruq/

Website: https://www.derrrrruq.com/

 

STAY: An African American Film Director Works Towards Finishing A Feature Film in Japan With Crowdfunding

TOKYO – July 16, 2018 Filmsnoir Motion Pictures and Fusion For Peace Productions are proud to share their rewards-based crowdfunding campaign for the independent motion picture STAY, shot in Tokyo by award-winning filmmaker Darryl Wharton-Rigby. The campaign seeks to raise 1500000\ ($15K) to complete final post-production in preparation for distribution and to raise awareness of their collective efforts to change the landscape of the Japanese Film Industry, as Wharton-Rigby is only the second African American to produce a feature film in Japan, in its 100+ years history. To date the campaign has secured over 600000\ ($6K) from supporters on Makuake, the Japanese crowdfunding platform. With just 9 days remaining, in this all of nothing effort, the producers are urgently pleading with the public to support their efforts.

“We are extremely grateful for the contributions we’ve received in response to the crowdfunding campaign for our feature film Stay. Because of generous donations, we are currently close to reaching 40% of our objective,” comments Executive Producer, Christopher Rathbone. “We believe in this film and are excited by the possibilities. Given the global festival acceptance rate and the awards won, STAY has great potential. With continued support, we can maintain this momentum and raise enough funds to complete the project in preparation for distribution and the Japanese premiere.”

The campaign seeks to build a community committed to film diversity and offers a variety of rewards including chopsticks, key chains, posters, screenplay copies, digital downloads, film credits, invitation to private screening as well as lunch with the director and film and it’s star, Shogen.

STAY, a touching romance, the story follows a couple who fall passionately in love over a long weekend.  Ryuu is a Japanese man who is a recovering drug addict, and Hope, is an American enjoying her last days in Japan. The film features emerging Japanese star, Shogen and introduces British model/actress, Ana Tanaka. Lensed by photographer Jeremy Goldberg, STAY, Wharton-Rigby’s second feature film, was shot on the Tokyo streets in fifteen days, guerrilla style. It’s a technique the former Homicide: Life on the Street writer has used throughout his career.

“Shooting STAY in Tokyo on the BlackMagic Pocket Camera made us virtually invisible and allowed us to capture the city up close and personal. We shot on train platforms and trains, Tsukiji Fish Market, ramen shops.  Everywhere,” explains Writer/Director Darryl Wharton-Rigby. “Every day was something new and challenging. We were constantly on edge. I really wanted STAY to feel like it was made by a Japanese filmmaker,” says Rigby.

For the black filmmaker, who lives with his family in Saitama, Japan, this story is personal as his father supervised recovery houses in Baltimore where he grew up. However, after reading aboutthe plight of those dealing with recovery in Japan, he decided that Tokyo would make an interesting backdrop for STAY, while simultaneously promoting diversity and inclusion in the Japanese film industry.

To learn more about Wharton-Rigby’s journey and to make a donation to the crowdfunding campaign by July 26th visit Makuake or go to the link here:https://www.makuake.com/en/project/stay/.

A Short History Of Aum Shinrikyo, their murders, and the failure to stop them

1984 — Shoko Asahara, a visually impaired yogi, forms “AUM Shinsen no Kai,” later renames it AUM Shinrikyo. It mixes elements of yoga, Buddhism, and other religions and begins recruiting college students and intellectuals.

AUM even used manga (comic books) to recruit members.

1987- AUM incorporates in New York City under the name Aum USA Company, Ltd. In the US it attempts to purchase military weapons, develop chemical weapons.

February 1989–AUM members strangle to death, 21-year-old Shuji Taguchi who had wanted to escape the group at its complex in Shizuoka Prefecture.

Nov. 4, 1989 — AUM members acting on orders from Asahara, kill the lawyer Tsutsumi Sakamoto, his wife and their 1-year-old son at their home in Yokohama. The lawyer had been part of growing vocal opposition to the group.

1990 — Asahara and 24 other disciples run unsuccessfully in a parliamentary election. The defeat spurs Asahara to begin plans to take over the country and began developing chemical weapons. The group also began manufacturing methamphetamines and small-scale incinerators  which they sell to the Yamaguchi-gumi and other yakuza groups to raise funds.

1993-AUM purchases a 500,000 acre sheep farm in Australia where they test out sarin gas, leaving behind 29 dead sheep.

AUM begins training helicopter pilots in the United States in hopes of eventually dispersing sarin gas over the Tokyo via helicopter.  Plans for launching an attack within the US are also considered.

June 1994-AUM purchases a helicopter from Russia

June 27 — AUM members test sarin nerve gas in a residential area of city of Matsumoto, Nagano Prefecture. Eight people are killed, 100 injured.

December 12–AUM members kill a member, Tadahito Hamaguchi, with highly toxic VX gas on an Osaka street. He was suspected of being an informant.

January 1,1995–Yomiuri Newspaper publishes on their front page a special report that the police had found elements of Sarin gas in the ground near AUM facilities in Yamanashi Prefecture, linking the cult to the 1994 attack.

February 28,1995-AUM members abduct Kiyoshi Kariya, 68, to find his sister who wanted to leave the group. He dies under interrogation and his body is incinerated in a cult-built microwave heating device. (This and the other murders were later referenced in the series Millennium episode 2, Gehena).

March 20,– AUM members release sarin gas on Tokyo subway system. Thirteen people are killed and over 6000 injured.  Police immediately suspect AUM.

April 23, AUM leader in charge of “Science Technology” and conduit to organized crime, Hideo Murai, is stabbed to death by a Yamaguchi-gumi members in front of the group’s headquarters, while reporters watch.  The spokesman for the group says, “I heard that Murai was killed by the Jews.”

May 5–AUM members plant a cyanide bomb in the bathroom of an underground passage connected to Shinjuku stations, near the ventilation system. The poisonous fumes would have killed thousands if the bomb hadn’t been found.

May 16 — Asahara is arrested.

2000-AUM officially disbands and reforms under the name Aleph.

Feb. 27, 2004 — The Tokyo District Court sentences Asahara to death.

Sep. 15, 2006 — Asahara’s death sentence is finalized.

2007–

Aleph splits into another faction, Hikari no Wa. Later, a third faction of the group emerges.

June 15, 2012 — The last fugitive former AUM member, Katsuya Takahashi, is arrested for his part in the subway attacks.

Jan. 18, 2018 — The Supreme Court rejects Takahashi’s appeal, ending all trials linked to AUM Shinrikyo cult.

July 6, 2018 — Asahara and six others are executed by hanging. Seven members remain on death rows while their cases are being appealed.

 

New Movie “The Trial” (審判)Shows The Kafkaesque Side Of Japan’s Often Criminally Unjust Justice System

If you are unlucky enough to be indicted for a crime in Japan, you’ll find that the system actually works on the presumption that you are guilty until proven guilty. The conviction rate is 99%.  If Franz Kafka was alive today, he’d find that Japan’s courts provided ample material for his pessimistic work. The recently released film The Trial (審判)based on Kafka’s famous work, and directed by John Williams, thus seems tremendously disturbing.

The Trial (審判) is a new film which updates Franz Kafka’s classic nightmarish novel to modern Japan–with great effect.

John Williams is that rare western filmmaker who has chosen to live and work in Tokyo, though he originally came to Japan in 1988 with the intention of saving enough money to go to film school in the US. “I’ve wanted to be a filmmaker since the age of 14,” he said, in the offices above the Eurospace Theater in Shibuya, where his latest work The Trial (Shinpan) is showing. It’s not everyone who keeps a promise made in their teens, but John Williams did just that, albeit in a place very far from his native England.

John Williams is from South Wales  and back in the mid 1980s when he graduated from university, the British film industry wasn’t what you’d call thriving, in fact it was rather gomping. “Actually it was at a very low ebb,” laughed Williams. “Of course in the 90s, works like ‘Trainspotting’ changed the landscape but we couldn’t see that coming just yet. There were practically no film schools for young students and the average age at the National Film School – the only institution for aspiring filmmakers, was 27.” So John Williams decided, like many others before and after him, to study movie-making in the US, specifically at NYU film school. To that end, he needed to get some cash together and Japan seemed like the place to earn it.

Fast forward 30 years and with the completion of “The Trial,” Williams has 5 films under his belt. He also teaches film production/European films at Sophia University’s Foreign Languages Department. But he never did get to NYU since, just like in the Lennon song, life is what happens to you while you’re busy making other plans. By the time Williams got the funds together for New York, he was deep in the throes of life in Japan and travels in Asia. “I was in India when the acceptance letter came and didn’t even see it till I got back. And, well, going to the US seemed to me like a conventional, boring choice. Staying here seemed much more interesting.”

Listening to Williams say that in the Eurospace office, the moment felt like a movie scene all by itself. Eurospace is an iconic Shibuya theater, famed for showcasing indie gems from around the world. There was Wayne Wang’s “Smoke.” Francois Ozon’s “Criminal Lovers.” More recently, it put on “Frances Ha” when few Japanese were even aware of the now Academy award contender Greta Gerwig. And now Williams’ “The Trial” is being shown as a limited release, it will currently be running as the late show every night until the 20th. Given the story (based on the Kafka novel) and weird but intriguing vibe, “The Trial” and the Eurospace venue seem to be made for each other. (Please check with Eurospace website for movie times as they may change).

Eurospace – situated in Maruyamacho, and sandwiched between two love hotels. In fact, every square meter of land in the area is occupied by love hotels. Couples sheepishly stroll around, checking on room prices and curiously eyeing the movie theater. “The Trial” – a film about a young Japanese salariman suddenly condemned for an unnamed crime, and who has a weakness for women and sex.

Otherwise the movie is an invitation to match and compare. Williams does a superb job of superimposing Kafka’s most famous character Josef K., a 30-year old German banker in 1914, onto the life of Yosuke Kimura, a 30-year old banker in present day Tokyo. “It’s present day, but I deliberately made the time frame abstract, almost non-technological,” said Williams. Indeed, Kimura’s hand isn’t welded to his smartphone the way everyone’s is these days, and he almost never looks at a computer screen. Kimura’s main interest seems to be women, as he tries to hook up with every female who crosses his path. His success rate is dismal however, and there’s clearly no emotion or chemistry involved. “I thought about Japanese women a lot when making this movie,” said Williams. “They’re trapped in a society controlled by men. They get so much encouragement to please men and become good wives and mothers, and practically no support when it comes to voicing their opinions or carving out careers.”

Aptly, “The Trial” is wintry and bleak, steeped in various shades of black and gray. Kimura (played with studied excellence by Tsutomu Niwa) even lives in a monotone apartment, devoid of color, clutter or any human warmth. On the morning of his 30th birthday, Kimura wakes up to find two strange men in his bedroom, and they inform him that his “case” is coming up for trial. Kimura has no idea what they’re talking about but in a few days, he receives an envelope summoning him to court the following Sunday. It doesn’t say what time or where exactly and when Kimura finally arrives, the Judge (Ichiro Murata) informs him that he is one hour and 26 minutes late. Kimura is incensed by this, and tries to argue that he cannot be late for an event that doesn’t specify the time. While this is going on, a woman (Shizuko Kawakami) has loud sex with a man in a dark suit in a back room. When Kimura returns to court the next day, the woman crudely seduces him and Kimura is ready to fall for it, until they’re interrupted by the janitor (Ichi Omiya) who tells Kimura that the woman is his wife. Later, Kimura encounters a group of people who are all awaiting trial, and no one seems to have any answers, either to the nature of their crimes or the system that seems convinced of their guilt. Yes, I know – surreal, right?

“For me, it was less about Japan’s judicial system than it was about dealing with the bureaucrats in Tokyo,” said Williams. “And what I’m seeing in Japan right now – the secrecy law, changes in the constitution, the rise of the nationalistic, quasi religious groups – I find all that very creepy. But at the same time, life goes on here. The Japanese don’t seem to paying much attention to this shadow creeping across the country. The metaphorical message of ‘The Trial’ works really well for what we’re seeing in Japan at this point.”–John Williams (photo by Kaori Shoji)

On another level, “The Trial” shows up the very Kafka-esqueness of Japan’s judicial system – the long, grueling process of scrutiny between arrest and indictment, and how, once indictment kicks in, it’s impossible to overturn it*. “For me, it was less about Japan’s judicial system than it was about dealing with the bureaucrats in Tokyo,” said Williams. “And what I’m seeing in Japan right now – the secrecy law, changes in the constitution, the rise of the nationalistic, quasi religious groups – I find all that very creepy. But at the same time, life goes on here. The Japanese don’t seem to paying much attention to this shadow creeping across the country. The metaphorical message of ‘The Trial’ works really well for what we’re seeing in Japan at this point.”

And how. Watching Kimura’s expression shift from incredulity and contempt to finally – defeated resignation, a kind of dread washes over me like a wave in a polluted ocean. The whole thing is maybe a little too close to home.

Editor’s note: One of the dark secrets of Japan’s criminal justice system is that the prosecution in Japan will punt (fail to prosecute) any case that is not a slam-dunk for fear of losing. Sexual assault cases have a particularly low prosecution rate and politicians or high-ranking bureaucrats are often allowed to walk free–including the 39 bureaucrats involved in forging, deleting and altering documents in a dubious land deal involving a right-wing school and the Prime Minister of Japan. The prosecutor who dropped the cases was recently promoted. 

Child Abuse In Japan. Why Japan Keeps Returning Abused Kids To Their Parents Until They Are Killed

What causes a 5-year old girl to write in her notebook, “Please forgive me,” just a few days prior to her death from abuse? “Please forgive me” is ‘onegai, yurushite,’ in Japanese, and the phrase made headlines after 5-year old Yua Funato was found dead in her apartment home in March. According to news reports, Yua had been beaten by her father and starved by her mother. The direct cause of her death was sepsis, brought on my poor nutrition and untreated pneumonia. Asahi Shimbun reported that Yua was ordered (by her mother) to practice writing Japanese at 4 in the morning everyday and was punished when she made mistakes, usually by being forced to sit for hours on the concrete veranda of their apartment, in the dead of winter.

“Better to light a single candle then curse the darkness a thousand times.”

According to Nippon.com, Yua’s treatment is pretty much standard among the growing number of child abuse cases in Japan. The father beats the child in places were bruises can’t be seen (in her case, injuries were confirmed on her upper thighs and back) and the mother stops feeding them. Verbal abuse, beating s and starvation form the unholy trinity of Japanese abuse cases and Yua, apart from everything else, was told by her mother Yuri that she shouldn’t have been born into the world, and that she was hated by everyone. Yua had to sleep in a tiny room with no heating, away from her parents and younger brother who occupied a bigger room with an air conditioner. At the time of her death, she was 8 kilos lighter than the average 5-year old and her digestive tract was clotted with vomit.

Now three months later, neighbors and sympathizers continue to place incense, candy and flowers outside the Funato family’s apartment in Tokyo’s Meguro ward. Social commentators have sighed and shook their heads with pity. Even Prime Minister Abe has been moved to comment that child abuse “cannot be overlooked.” But all that sympathy came too late for the 5-year old. The whistle had been blown on Yua’s parents several times over two years before the tragedy but the authorities had done nothing to help. Japan’s infamous child consultation centers (notice it’s consultation and not welfare) are hindered by an antiquated rule that favors parents’ rights over children’s, parents’ testimonials over children who, like Yua, had cried to a social worker that she didn’t want to live at home because her father beat her. Japan’s social workers mainly consult with the adults, and the first thing they ask the parents of a child perceived to have been beaten, is: “Are you abusing your child?” Yeah, right, like the parents are going to come clean and admit it. In the case of Yua, the parents had been “cautioned” and invited to attend a parents seminar, designed to help adults become better carers of offspring. The Funatos never showed up.

The damning, daunting fact is this: As of 2016, there were well over 100,000 cases of child abuse reported in Japan, up 100 times since 1990. In the US, that number  is something like 67,000. And before Yua, there was Riku and Takumu and many other children of pre-school age who had been beaten, abused, starved or outrightly murdered by their parents. In spite of the government’s pledge to build more day care facilities and put families first, Japan is a place that’s not very nice to kids. Daycare is one thing, but public schools – once the bastion of a legendary educational system, is rife with problems from bullying to underpaid, overworked teachers who are mostly too tired to notice that a kid is showing up to school with bruises, or haven’t had a square meal in days. As the media keeps reminding us, one out of six Japanese children live in poverty, and go to school (if they are able) on empty stomachs.

As for children blessed with a stable home life, they often feel crushed by a tremendous pressure to succeed, i.e., get into a good university that will ensure a well-paying job 15 years down the line. Many kids start going to cram school as early as second grade, studying for entrance exams that will ensure at least a partial foot in the door of a prestigious university.

The experience of being born a Japanese national used to be described as following the ‘Bathtub Curve,’ meaning the best years of a Japanese life came at the beginning, between 0 and 12 years old, and in the end, between 65 and 75. My high school politics teacher taught us that, and I still remember the shock of seeing the long, flat line that supposedly represented the years between adolescence and retirement. Equally shocking was that upward curve representing babyhood and primary school. Were those years really so glorious? In primary school, summer vacation lasts just over a measly month and even that was tempered with shitloads  of homework that had to be completed and submitted on September 1st. School lunches were for the most part, awful rations laid on prison-like tin trays. At home, dads returned on the last train, stressed to the very core of their beings and moms were equally tired from chores and childcare.

Dismal as it often is, there’s no comparing a normal Japanese childhood to what Yua, and tens of thousands of children like her, are going through on a daily basis. Some commentators have lamented that there are simply not enough social workers to go around. True, every time a child dies from abuse, the Ministry of Health, Welfare and Labor (Koseirodousho) issues a statement about labor shortage being the definitive problem in the service industry. There are just not enough Japanese to do the work of caring for children, the elderly or the sick and diseased. When a staff member of a senior home was arrested last year after killing one of his charges, the reason given was fatigue. He was fed up with having to care for helpless people, and his work chart showed he had been pulling 12-hour shifts with almost no days off.

With Yua, the social workers who had been in charge of her case had also been understaffed, which led to carelessness and cutting corners. Yua’s parents moved the family from Kagawa prefecture to Tokyo, after a neighbor blew the whistle on Yua’s father. The child consultation workers in Kagawa then neglected to pass the full bulk of the paperwork from Kagawa to Tokyo, and Yua’s case was never reviewed in her new locale. Add to that the fact that child abuse facilities are notoriously crowded. Barring extreme circumstances, abuse victims are often returned to their parents, and the cycle of violence begins all over again. This was certainly true of Yua, who spent 3 months in a child care center in Kagawa but was not allowed to stay.

Sometimes, family is the most horrendous aspect of a child’s life. If Yua had been separated from her parents, chances are she would have lived. But Japanese tradition dictates that families must stick together, and what goes on within that circle is sacrosanct. More than the labor shortage, or parents seminars, we need to rethink the Japanese family, and take a long, hard look at its dysfunctions.

****

Editor’s Note: The Japan Times in a recent editorial , What is lacking the fight against child abuse, had some suggestions on how to prevent further tragedies. 

“A 2016 revision to the child abuse prevention law simplified the procedure for officials of such centers to carry out on-site inspection of homes where child abuse is suspected without the parents’ consent. The Health, Labor and Welfare Ministry says that protection of children should be prioritized and that officials should not hesitate in the face of parents’ objections to take abused children under protective custody. However, it is believed that many welfare officials balk at resorting to such action out of concern that support for the family may not proceed smoothly if the action is taken over the parents’ opposition.

Japan’s efforts to stop child abuse are weak when compared with the systems in many Western countries. For example, in the United States, where efforts to prevent abuse of children started much earlier than in Japan, far greater numbers of child abuse cases are reported to and handled by child protection service agencies. Such agencies are staffed by far larger numbers of experts per capita than in Japan, and the police and the judiciary are more deeply involved in the effort against child abuse. What’s lacking in our system to stop child abuse should be explored so that similar tragedies will not be repeated.”

Japan’s Secret Shame (The Story Behind The Story)

Shiori Ito is a brave journalist who has taken on Japan’s rape culture and has pursued justice in her own case. The BBC released a documentary “Japan’s Secret Shame” about Japan’s lack of ability to deal with sexual assault in the country and why her accused assailant was allowed to walk away, even after an arrest warrant on charges of rape were issued by the police. The documentary is hard to view outside of the UK, so if you’d like to know mere, here’s everything you should know until it’s released here. Many of these articles were written for The Daily Beast, which has been supportive of the investigative journalism behind these stories.
Also, it should be noted that weekly magazine, Shukan Shincho (週刊新潮), was the first periodical to write about this story and pulled no punches in accused the administration of Prime Minister Shinzo Abe of blocking a rape investigation.
Below is a list of articles that we’ve written on the case, some at a time, when no other major news media outlet would touch the story.
The stories are in chronological order here and the final entry is being updated when possible.
The cover-up (June 2017)
Shiori Ito came forward to talk about her rape and the lack of investigation of sexual assault in Japan.

Rape in Japan is a crime but justice is rarely served. A Non-Arrest & Shiori Ito’s Full Statement

(originally posted in October 2017. periodically updated)

Japan’s ruling coalition, headed by Prime Minister Shinzo Abe, has been mired in scandal for several weeks amid allegations Abe personally bent the law or broke it to benefit his political cronies and friends. Even a senior member of Abe’s own Liberal Democratic Party says, “There is nothing this administration wouldn’t do to crush its enemies and reward its pals.”

But new allegations have raised the possibility that the administration may have gone so far as to quash a rape investigation on behalf of a close friend of Abe: the dapper, hipster-bearded broadcast journalist Noriyuki Yamaguchi, who also penned two laudatory books on the prime minister

The story became national news on May 29 when a 28-year-old journalist named Shiori Ito held a press conference at the Tokyo District Court as she sought to reopen the closed investigation into her case….(Click here for part one: Is Japan’s Top Politician Behind a Shameful Rape Cover-Up  and for the follow up Japan’s Big #MeToo Moment) . She did not win a reopening of the case but filed a civil suit at the end of September. Last March, the civil courts did essentially find a man guilty of rape and fine him for damages—after police failed to file charges in time for a criminal case to be possible. Shiori Ito also came forward with her full name and published a book, Black Box, referring to the fear of sexual assault victims to come forward in Japan, (only 1 in 5 do, and half of cases resulting in arrest are dropped by prosecutors) and the government and police discouragement of sexual assault investigations and their refusal to discuss why they drop cases, even to the victims. Shiori Ito has gained a groundswelling of public support in recent months. 

There is dispute to what happened and Noriyuki Yamaguchi has categorically denied raping Shiori Ito, “I have done nothing to touch the law.” And this month, he has even published a long rebuttal implying that Shiori Ito is a tool of shadowy anti-Abe political forces in ultra-right magazine, Monthly Hanada  (月刊花田). The editor of Hanada is famous for having okayed publication of an article denying that there were gas chambers at Auschwitz, implying that there was no holocaust. However, there is on undisputed fact: an arrest warrant on charges of rape (準強姦) was issued for Yamaguchi, only to be revoked by a political and personal friend of the Abe administration, Itaru Nakamura. See below. 

The Non-Arrest of Shiori Ito’s Alleged Rapist (an annotation in The Daily Beast)

The arrest warrant for Noriyuki Yamaguchi was reportedly pulled by Itaru Nakamura, the acting chief of the Tokyo Metropolitan Police Department Investigative Division at the time, on June 8 2015.

The chief detective waiting to arrest Yamaguchi, the alleged rapist, informed Ito over the phone, “We have to let him go. The arrest has been stopped from above. I’m terribly sorry. I didn’t do enough.”

Itaru Nakamura is a more important figure than his title as an acting police chief might suggest. He is also a former political secretary to Cabinet Minister Yoshihide Suga and a friend of Prime Minister Shinzo Abe. He immediately moved the investigation from the original police department, Takanawa PD, to the police headquarters so that it was under his control.

The prosecutor who had signed off on the arrest warrant was taken off the case. The new detectives handling it drove Shiori Ito to a lawyer to convince her to make a settlement with the accused and drop charges, a highly unusual move.

The Daily Beast has tried to reach Nakamura for comment several times with no luck.

Nakamura is currently the chief of The National Police Agency Organized Crime Control Division, which gives guidance on the controversial and Orwellian criminal conspiracy laws that the Abe administration ramrodded through the parliament.

“I’ve sent him letters,” says Ito. “I’ve tried to meet him now six times––the first time I’ve ever done a stakeout. He won’t talk to me. I just want him to look me in the eye and tell me why he stopped the arrest and scuttled the investigation.” She even once chased him as he ran to his chauffeured car–only to be nearly ran over as he sped away.

Only in Japan do rape victims have to chase the police to seek justice. In a better world, the cops would be actively chasing the suspected rapist.

It is possible that Prime Minister Abe, his second in command, and Nakamura may be pursued in the Japanese Parliament by opposition party members seeking the truth. But don’t hold your breath. Many are reluctant to open the black box. If #metoo (#私も) ever starts trending here, it would do a lot to pry the lid open. Shiori Ito has at least made a dent in it…..and her press conference is something that says a lot about how things still work in Japan. 

For reference purposes, here is the text of her speech, translated from Japanese, with some editing for clarity.

 

Thank you for coming today.

Shiori Ito has come forward to talk about her rape and the lack of investigation of sexual assault in Japan.

 

First of all, I would like to address why I decided to hold this press conference.

Two years ago, I was raped. Going through the subsequent procedures, I came to the painful realization that the legal and social systems in Japan work against victims of sex crimes. I felt strongly about needing to change this adverse structure, and decided to go public with my case.

I will go into details later, but in the beginning, the police would not even let me file a report on this case. They told me that it was difficult to investigate sex crimes under the current law. Also, the person in question, Mr. Yamaguchi, was the Washington Bureau Chief of Tokyo Broadcasting System (TBS) at the time, and a public figure. During the investigation, I received insults that were unbearable as a victim.

However, my intention is not to criticize the entire police force. The Takanawa Police eventually became sympathetic to my situation and worked hard to investigate this case. Thanks to their efforts, investigations were completed and an arrest warrant was issued. But just as the warrant was about to be executed, the then-Chief Detective ordered investigators to call off the arrest. I question the existence of a police organization that allows such unforgiveable circumstances to transpire.

I also question the procedures that sex crime victims are required to undergo at hospitals in order to receive treatment and examinations, as well as the insensitivity of organizations that provide information for victims. A fundamental change needs to be made to this structure.

On the legislative level, the Diet is currently prioritizing discussions about conspiracy laws over the proposed bill to revise rape crimes, whose content is also something that we need to reconsider to ensure that they are truly satisfactory.

I hope that by talking about my experience publicly, I will help improve the current structure and start discussions that will lead to changes. This was my motivation behind making this announcement.

This afternoon, I made an appeal to the Committee for the Inquest of Prosecution about my case being dropped.

I will omit details of the incident itself, as it would be difficult to read them aloud. Please refer to the handouts for details. What I can say is that a sexual act was committed against me, unrelated to my will, against my will. I will talk about the events that ensued after the incident.

Circumstances of the Incident

 

I met Mr. Yamaguchi, then TBS’s Washington Bureau Chief, in the fall of 2013, when I was studying journalism and photography at a university in New York. I met him a second time in the US, but we did not engage in any deep discussions on either occasion.

 

After I graduated, I aspired to work as a freelance journalist because I wanted to lend an ear to unheard voices, and to listen to their stories over long period of time. But upon returning to Japan at the beginning of 2015, my parents convinced me to first work at a company for a few years. In March of the same year, I emailed Mr. Yamaguchi to ask if there were any openings at the TBS Washington Bureau, because he had previously told me that he could arrange for me to work there. And when I was interning at Nippon Television’s New York Bureau, there were people who had been hired locally. So I didn’t question Mr. Yamaguchi’s offer.

 

Mr. Yamaguchi’s replies were positive about my employment: “You could start working here while we look at getting you hired you officially;” “The biggest barrier will be the visa, but TBS could help you get one.”

 

After several email exchanges, he said that he would be coming back to Japan for business and asked me to meet him. We agreed to meet on Friday, April 3, 2015.

 

At the time, I was working as an intern at Reuters. I had to work late, and ended up being late for my meeting with Mr. Yamaguchi. When I called, he reassured me and told me that he would go ahead and start eating without me. This conversation led me to believe that someone else was joining us, as I had never met him alone before.

 

That night, he was already eating at one of his favorite restaurants, a kushiyaki place in Ebisu. I had 5 brochettes, two glasses of beer, and a glass of wine. At the restaurant, he made small talk and didn’t discuss the visa, which was supposed to be the objective of our meeting. He said, “There are other restaurants I need to pop by in Ebisu. I’ve made a reservation for the next restaurant, where I want to have a proper meal. Let’s have a quick bite here, and go to the next place together.” The next place was another one of his favorite restaurants, this time a sushi place.

 

At the sushi restaurant, he said, “I’ve heard good things about you and want to work with you.” An hour or so after we had arrived at the second restaurant, I suddenly felt dizzy and went to the bathroom, it was my second time to go to the bath room at this place. The last thing I remember is leaning my head against the water tank. I don’t remember anything else after that. As far as I can remember, I shared two servings of sake with him at the sushi restaurant. Prior to this incident, I had never lost my memory from drinking alcohol.

 

Investigators later told me that I left the sushi restaurant with Mr. Yamaguchi around 11PM. He apparently took me to a hotel in Minato Ward. According to the taxi driver who drove us to the hotel, I repeatedly asked to be dropped off at the nearest station. But Mr. Yamaguchi said, “Don’t worry, I won’t do anything. We’ll just talk about work,” and instructed the driver to head to the hotel. According to the driver’s testimony, I wasn’t able to get out of the taxi on my own, so Mr. Yamaguchi had to carry me. This scene was recorded on the hotel’s security camera. I plan to submit these testimonies and evidence to the Committee for the Inquest of Prosecution.

 

At 5AM the next morning, I regained consciousness. I was lying naked in a hotel bed, face up with Mr. Yamaguchi on top of me. I will refrain from providing explicit details, but what I can say is that a sexual act was committed against me, unrelated to my will, against my will.

 

After the Incident

 

Several hours after the incident, I went to see a gynecologist in my neighborhood. Mr. Yamaguchi had not used any contraception, and I did not know what do. As soon as I entered the consultation room, the gynecologist asked, “What time did you make the mistake?” without even looking at me. I was then given a pill and told to take it outside. That was it. I could not bring myself to explain my situation to someone so mechanical. So I decided to call a nonprofit that supported victims of sexual violence, hopeful for an introduction to another medical facility.

 

However, the person who took the call said, “I would like to interview you first.” I was devastated. I barely had the strength to get up from my bed, and had called in desperation. But the first word I heard from this organization was “interview.” I’m certain that other victims with similar experiences would be deprived of any will power at this point. What is critical at this stage is not an interview, but an introduction to a medical institution for an examination.

 

At first, the police would not let me file a report. Investigators repeatedly tried to convince me not to file and said things like, “This kind of thing happens often, but it’s difficult to investigate these cases;” “This will affect your career;” “You won’t be able to work in this industry after this;” and “All the effort you’ve made so far in your life will go to waste.”

 

I pleaded investigators to check the footage from the hotel’s security camera, and that by doing so, they would see that I was telling the truth. When they finally did check the footage, they agreed to handle this incident as a case and start investigating.

 

On June 8, 2015, several investigators were waiting for Mr. Yamaguchi at Narita Airport. Equipped with an arrest warrant, they were going to arrest him upon his arrival in Japan on charges of incapacitated rape. However, this arrest warrant was never executed.

 

At the time, I was in Germany for work. Immediately prior to the scheduled arrest, one of the investigators had contacted me to say, “We’re going to arrest him. Please return to Japan immediately.” So I was preparing to come back when I received another call from the investigator. Even now, I have vivid recollections of this call: “He just passed right in front of me, but I received orders from above to not make the arrest,” “I’m going to have to leave the investigation.”

 

Why did this happen? Surprisingly, the then-Chief Detective had ordered the arrest to be called off. In an interview with Shukan Shincho, this Chief Detective admitted that he had “given orders to cancel the arrest.”

 

Japanese laws do not protect us. The investigation agency has the authority to suppress its own arrest warrants. I will never forget the sense of helplessness I felt that day.

 

After the incident at the airport, the police sent criminal papers to Mr. Yamaguchi on charges of incapacitated rape. But on August 2, 2016, the prosecution decided to drop charges against Mr. Yamaguchi due to insufficient suspicion. This process took over 1 year and 4 months. The investigations revealed evidence of me being dragged into the hotel through testimonies from the taxi driver and the hotel bellman, as well as footage from the security camera. DNA test results also provided additional evidence. I could not accept the case being dropped, and conducted my own inquiries. And today, I finally made an appeal to the Committee for the Inquest of Prosecution.

 

I want to ask a question to all people living in Japan. Are we really going to continue to let this happen?

 

For the past two years, I often wondered why I was still alive. The act of rape killed me from the inside. Rape is murder of the soul. Only my body was left, and I was overwhelmed by the feeling that I had become a shell.

 

After the incident, I concentrated on seeking the truth as a journalist. I had no other choice. I felt like I would be mentally crushed if I considered myself a victim. Focusing on work was a way for me to protect myself.

 

I then came across a photo documentary of rape victims and their families by Mary F. Calvert in a World Press Photo exhibit. In the exhibit, there was a diary of a woman who had been raped. In this diary, there was a drawing of wrist cutting, accompanied by a message that said, “If only it was this easy.” In the end, this woman killed herself.

 

I understand this woman’s pain. She doesn’t exist in this world anymore, but I witnessed those photos and received her message. And this is what I thought: “I have to reveal the horror of rape and the enormous impact it has on the victim’s life.”

 

Becoming a rape victim myself made me realized just how small our voices are, and how difficult it is to have our voices heard in society. At the same time, I recognized the need to face this issue as a journalist. If I hadn’t been a journalist, I may have given up. I know there are countless women who have gone through the same experience, leaving them hurt and crushed. I know that, both in the past and still today, many of these women have given up.

 

How many media outlets have published this story? When I saw Mr. Yamaguchi repeatedly broadcasting his side of the story through his powerful connections, I couldn’t breathe. Where is the freedom of speech in this country? What are the laws and media trying to protect, and from whom? That is the question I want to ask.

 

I have travelled to over 60 countries, and have been asked if I have ever been in a dangerous situation. My travels have included interviewing the guerrilla in Columbia, going to the cocaine jungle in Peru, and other areas that would be considered dangerous. But I am sad to say that the only time I actually encountered real danger was in Japan, my homeland, which is considered a safe country. I wholeheartedly wish that no one else has to experience what I went through.

 

This could happen to you, your family, your friends – it could happen to anyone. If we remain silent and ignore this opportunity to change the legal and investigation systems, each and every one of us will be approving these crimes to continue.

 

That is all from me. Once again, thank you for your time.

 

 

 

Chronological order of events:

 

April 3, 2015                          Met Mr. Yamaguchi

20:00               Entered kushiyaki restaurant

21:40               Entered sushi restaurant

 

April 4, 2015   5:00                 Woke up in pain and realized that I had been raped. Memory

lost half way in sushi restaurant

April 9, 2015                          Consulted Harajuku Police Station

April 11, 2015                        Interview with lieutenant from Takanawa Police Station

(currently at Metropolitan Police Headquarters) at Harajuku Police Station

April 15, 2015                        Watched security camera footage with aforementioned

lieutenant at Sheraton Miyako Hotel

April 30, 2015                        Filed criminal complaint at Takanawa Police Station

Beginning of June 2015           Collected evidence such as: testimony from taxi driver,

testimony from hotel bellman, investigation results from DNA sample collected from underwear. Arrest warrant issued. (Due to the possibility of the rape being filmed, confiscation of Mr.

Yamaguchi’s computer was also a requirement)

June 4, 2015                           Informed about the scheduled arrest of the accused upon his

return to Japan at Narita Airport; requested to return from Germany

June 8, 2015

Informed by lieutenant that he had gone to the airport, but that the arrest had been cancelled due to orders from above. Also informed that the lieutenant had been relieved from this case. Subsequently, the case was transferred from the Takanawa Police Station to the First Section of the Metropolitan Police Department

August 26, 2015                     Criminal papers sent to Mr. Yamaguchi

October 2015                         My first interview with prosecutor

January 2016                         Mr. Yamaguchi’s interview with prosecutor

June 2016                               My second interview with prosecutor

July 22, 2016                          Charges dropped against Mr. Yamaguchi

 

Editor’s note: Mr. Yamaguchi has categorically denied all charges and his rebuttal can be read on his Facebook page and in the article linked above. This was originally published on June 18th, 2017 and was slightly updated on October 24th.