Tokyo’s English Stand-Up Comedy scene continues to grow as comedian Yuki Nivez prepares to host the fourth show in her series, Not Just a Diversity Hire. Designed as an inclusive, misogyny-free comedy zone, Yuki first came up with the concept while performing regularly at stand-up shows around the city. From the NJaDH About section: The “Not Just a Diversity Hire” Comedy Nights began when founder Yuki Nivez realized the demand for a comedy space that was free from misogyny, for both performers and audience members. She wanted to be able to take to the stage without having to hear that she was “the diversity hire”. But she was also constantly hearing from audience members, especially women, that they couldn’t enjoy themselves because of the sheer number of jokes or performances that, often unconsciously, created an environment of hostility towards women.
Yuki believed that comedy was supposed to be about having a good time and while openly aggressive or intentionally triggering comedy was uncommon, she saw how there was an entire segment of the audience that wanted to enjoy comedy without having to confront the same sexism that they had to endure during their day-to-day life. Without seeking to censor the comedy of others, she decided to see what would happen if she curated a line-up and a space where the audience and the performers could feel free from those attitudes for an evening.
And guess what?
Everyone had a good time.
Since then, the show has grown to offer an inclusive venue to comedians of all kinds, but especially to those who know what it’s like to be treated as “the diversity hire.” While spectators can continue to rely on not having to hear misogynistic material, performers can expect a friendly audience who will let them be comedians and not categories.
Yuki’s goals for the future of NJaDH will continue to be comedy without misogyny, and inclusion without tokenism.
About the next show: The next Not Just a Diversity Hire show on September 30th is a special edition, featuring Bobby Judo (flying in from Kyushu!), Yuki Nivez, Freddy Slash’em and Mx Terious. The show will be followed by a panel discussion joined by guest speakers: Film director Lilou Augier, and creator of Femin Tokyo Podcast, Samantha Lassaux. Panelists will share experiences that run the gamut from lamentable, to laughable, to learnable. Don’t miss the chance to meet the performers, mingle, and share your thoughts and questions as well! Info and tickets:Time: Friday, September 30th 19:30 pmLocation: Hypermix, MonzennakachoTickets: http://notjustadiversityhirespecial.peatix.com/
Four seconds, after the counting of the ballots. That’s how long.
Four seconds in, and Tokyo governor Yuriko Koike knew she had won the Tokyo gubernatorial election for the second term. Her aides said later that it was more like two and a half seconds; a historical, landslide victory with nearly 60% of the vote in her name. The other candidates were dead in the water before they realized what hit them. Koike’s contender candidate Taro Yamamoto, an actor turned politician whose ideas for government reform made significant waves in the Lower House elections last year but who lost to Koike by over 3 million votes, told the press: “Mt. Yuriko was higher than I thought. I just couldn’t climb over it.”
If Yamamoto’s statement sounds rude or vaguely sexual, don’t worry – he probably intended it that way. Yuriko Koike was and continues to be, the first woman governor of Tokyo and her term in office has been defined by a lot of ruffled feathers in the male-dominated world of Nippon politics. Not just because she’s a woman, a fact which many older Japanese men still have trouble wrapping their minds around, but because Yuriko Koike has never ceased to remind everyone of her femininity.
It all seems a bit Marie Antoinette-ish. Let them refrain from everything. Let them stay home and Zoom their lives away while wearing face masks in the clammy Tokyo heat.
At age 67, Koike is well-preserved, perfectly coiffed and shod in a way that would earn applause from Carrie Bradshaw. She never loses her cool, raises her voice or looks harried. Her thirst for designer hand-bags is legendary, and rumor has it she keeps a room designated solely for the purpose of storing her darlings. Other rumors swirling inside the corridors of the Tocho building, says that she’s an old-fashioned gal who got to where she is today, by sleeping around with the right men yesterday. Or that she often treats her male staff as if they were hosts working in her own private host bar.
Ouch. That’s not nice, Yuriko-san, considering you’ve been waging war on host bars since day one of the pandemic. Most of these bars are located on YOUR turf in Shinjuku ward and yet you refer to them as “places of the night” that must be “refrained (your favorite word)” from visiting more than a few times a year. It all seems a bit Marie Antoinette-ish. Let them refrain from everything. Let them stay home and Zoom their lives away while wearing face masks in the clammy Tokyo heat.
Excuse the tone – I’ve just read through Jotei (Queen) – Yuriko Koike, the unauthorized biography by Taeko Ishii that came out on May 29. As of July 6th, the day after Yuriko Koike won her second term, the book had sold over 200,000 copies. “It’s not a flattering portrait of Koike-san,” said Ishii in an online interview. “It’s frightening to think that ultimately, this woman won’t rest until she becomes the next Prime Minister. Who put her in this position? We all did. Japan put her in this seat of power. It’s the culture of old Japanese men, who will empower women only if they’re attractive and will bend to their will. It’s the culture of Japanese women who believe that women politicians are clean and selfless and will battle old men politicians on their behalf. The whole of Japanese society created Yuriko Koike, Tokyo governor.” Ishii’s book is densely researched, especially in regards to Koike’s past. The governor has an impressive CV – for a long time, she had told the press that she had graduated from the University of Cairo in Egypt, at the top of her class and was fluent in Arabic. Based on an interview with Koike’s old roommate in Cairo, Ishii writes that Koike quit the university after two years and only pretended to have graduated. Her knowledge of Arabic is sketchy at best, and that she had told this friend, “I’m going to write an autobiography but I won’t include you because then people will know I lied.”
There are other examples of Koike’s brazenness. When victims of the Hanshin Earthquake back in 1995 came to her for help at her office, Koike started painting her nails, and then told them to leave. When the late Shigeru Yokota, father of Megumi Yokota who had gone missing when she was 13 years old, suspected of being kidnapped by the North Korean government, held a meeting with her present, Koike shed tears as she listened to his story. After it ended, she left and then came back for her precious handbag. Her words were, “Oh good, there it is. I thought my bag had been kidnapped!”
Ishii calls Koike “a monster” but from Koike’s point of view, that title may have just as well have gotten her re-elected. Koike has thrived on negativity, in particular the sexist, ageist jibes aimed at her by fellow politicians and the public. Four years ago when she was running for governor, Shintaro Ishihara – himself Tokyo’s ex-governor, called her “an old woman with too much make-up. Who would vote for her?” In that instant Ishihara dug himself into a hopelessly deep grave, and Yuriko Koike won the election.
This time around, it was former Livedoor CEO Takafumi Horie, who did the honors. Horie is he head of his own political party, and had called for a complete reopening of the metropolis plus an acknowledgment from the Tokyo metropolitan government that they had been mistaken in installing “severe” shutdown measures during April and May. To this end, Takafumi Horie sent three contenders into the gubernatorial race, but in total vain. His public image went down the tubes too, after he publicly called Koike “a piece of shit” when she called out for limited entry to Tokyo supermarkets, to avoid congestion at the cash registers.
Ishii points out that Koike will be in power for as long as Japanese male politicians refuse to hold any meaningful political discussions with women in politics without resorting to gender issues, ageist issues and just plain mud-slinging. Koike may have showed these old men who’s in charge, hah! But after that personal triumph, she has left Tokyo staring into an abyss. She seems to have no real plans for the bad stuff: rising infections, the scaled-down but still expensive Olympics slated 12 months away, joblessness and bankruptcies and a floundering economy. What now, Yuriko-san? The answer surely, is not in your handbag.
*Editor’s Note: This was originally published at “The Empress of Tokyo Reigns Forever” but Kaori Shoji, the author, had some misgivings. ‘As a Japanese, I’d prefer not to refer to anyone as Empress unless they’re a part of the Imperial Family. Which is why I used the word Queen instead.’ However, queen is not quite a proper translation for 女帝 (jotei) so we used the term Imperatrix instead which has a closer meaning to the title of the book about Ms. Koike, and sounds a little like Dominatrix, which is also a nice fit for Madame Koike.
Journey beyond Roppongi (old), Shibuya (teenyboppers) to XEX Nihonbashi this Sunday starting at 6:30 for dance, music, entertainment and booze. It’s DME NIGHT
3 hours of music, dance, DJs and drinks. Also featuring special guests, The Dream Team, with a singer alleged to be the second-coming of Whitney Houston. Features live performances by Jai, Zenon, Miku, and a dance showcase (starting at 8pm) featuring our favorite cosplayer/peformer Fenix (“Storm) and others.
There’s speculation that The Dream Team might include Tokyo’s favorite siren, Zoe. But you’ll have to go to know.
Tokyoites, as much as we love Japan, it’s a stressful place. If you don’t know the language, even more so. And actually, sometimes knowing the language makes it even worse. If you’re looking for some spiritual healing, relaxation, leadership skills and/or guidance try attending the Find Your Elements Workshops already underway this fall .
Find Your Element Workshop ’18 Fall Season〜 A 12-Week Program for Inner Discovery and Inspiration will feature some great speakers, teachers, and philosophers. Unmask your true self! Learn to be a pirate! Get some tips on healthy eating for sound mind and body.
Beloved film critic and journalist, who spent much of his career in Japan, James Bailey, passed away on August 24, after a long battle with cancer, at the age of 72. He was born in Bryan, Texas on December 13th, 1946. He is survived by his wife Yurika, his son, Chris, and his daughter, Chelsea.
Bailey served as Entertainment Editor for Tokyo Weekender, which some consider the oldest on-going English publication in Japan (that is not a newspaper); it was founded in 1970. Bailey also wrote for Variety, Tokyo Journal, and other publications. Bailey was known as an observant and authoritative film reviewer, fluent in Japanese, and able to write with great wit and insight about all aspects of Japanese society.
Bailey’s film reviews, like those of Kaori Shoji, were always more than simple film reviews but a starting point for meditations on Japan, popular culture, cinema tropes and dark comedy. Take this paragraph from his epic review of Godzilla movies, in this case Godzilla Vs. Monster Zero:
“Confirming the widely held assumption that Western men are irresistibly attracted to Japanese women, Glenn falls for and, unusual for a sci-fi feature, beds the lovely Namikawa (Kumi Mizuno), albeit off camera. Nonetheless, the purity of Japanese womanhood is preserved when it’s revealed that Namikawa is not really Japanese at all, but [an alien race] a Xian. And the parlous nature of ethnically mixed relationships is underlined when she is disintegrated by her own people.”
Bailey had no patience for bullshit and took great delight in setting things straight. His former editor at Tokyo Journal, Greg Starr, notes “He was a ferocious researcher. I remember his prodigious memory; if you were with him and Mark Schreiber, you didn’t need the internet.”
Mike Tharp, former Tokyo bureau chief of U.S. News And World Report, writes, “I met James a few months after I arrived in Tokyo in 1976. Like many expats, I read the Tokyo Weekender, Corky Alexander’s free weekly newspaper. For the most part, its stories were forgettable. But the movie reviews were exceptionally well written, filled with wry humor,
So when I happened to meet their author, James Bailey, at the Foreign Correspondents Club of Japan, I gushed over his reviews. I said they were good enough to appear anywhere. He blushed and said a head-bowed thank-you.
That was the beginning of a beautiful friendship. James, fluent in Japanese, also reviewed Japanese subtitles on English-language films. I was astonished at his insights. He wrote with grace and wit. His stories for Variety told that audience more about Japan than most any other publication. James could write for anyone.
He was a gentle man. His voice never rose above a quiet pitch. His laugh was contagious. He shone when he smiled.
After he and Yurika moved their family to Seattle, we stayed in constant touch. I was in L.A. James would make what today are called ‘mixed tapes’ and send them to me. He wanted me to expand my musical interests beyond old rock ‘n’ roll.
He was an incisive critic of the media, sending me examples of redundancy, verbosity and grammar screw-ups every week. Just in the last two years we exchanged nearly 300 emails. He and Tokyo-based Mark Schreiber, described by James as a polymath, staged written contests to see who could fashion the worst puns in headlines. I think it was a draw.
James had appeared on GE College Bowl. He knew so much about everything. I stole his phrase to use in my college classrooms: I wanted to make my students ‘garbage brains’, knowing something about a lot. He was one of the handful of geniuses I have known.
James knew of my passion for Elvis and never ceased to send me stories about The King. If I were to write an inscription for James, it would be from this Elvis song: “And you’re there to always lend a hand in everything I do. That’s the wonder, the wonder of you.”
His wife, Yurika Bailey writes, ” In accordance with Jim’s wishes, he wanted to stay home in Mercer Island Washington. He spent the last week of his life with me, Chris and Chelsea which made him feel happy and peaceful. Jim and I are incredibly fortunate to have [had such] good friends in our life.”
His son, Chris Bailey, writes, “My dad was one of the most selfless people I knew. He did everything to make my mom, my sister, and myself happy. We are grateful that he had a peaceful end with loved ones at his side.”
Chelsea Sakura Bailey, didn’t realize until visiting Japan, the great respect his colleagues had for James. “As a girl in our home, he was always ‘my dad’. As a woman living in Tokyo in the city he knew among his peers it was only then that I came close to knowing the man Jim Bailey was. At a very young age, I was keenly aware that there was something unique about him. He was always quietly observant, profoundly curious about all that surrounded him. He always had a book in one hand and a notebook and pen in the other. He was always humble about his accomplishments and gracious about his natural talents as a writer. So much so, that I didn’t fully know how talented he was until I was an adult, until I was in Tokyo, until I was among his community. Few children are given the opportunity to see their parents outside of their home, as anything more than ‘dad’. With that experience and spending his last moments of life, I am grateful that I can say I truly knew this man, my father, James Bailey.” Chelsea, said that on 6pm Friday (August 24th), that she kissed her Dad on her way to work, and said “I love you. I’m going. Rest well, okay?”
He passed away in his sleep twenty minutes later, knowing that he was loved and will be missed.
As much as we love Japan, it’s a stressful place. If you don’t know the language, even more so. And actually, sometimes knowing the language makes it even worse. If you’re looking for some spiritual healing, relaxation, leadership skills and or guidance try attending the Find Your Elements Workshops from March 15th on.
https://www.youtube.com/watch?v=9tTEaq2GHkQ Roice N. Krueger Co-Founder of Franklin Covey (“The 7 Habits of Highly Effective People”) / Professional Management & Leadership Consultant / Author Roice is a professional management and leadership consultant. He is a co-founder of Franklin Covey with Stephen R. Covey. He led the international expansion of the company into 76 countries. His leadership helped expand The 7 Habits of Highly Effective People into a global phenomenon. He has consulted with many major multinational companies in many countries including…
Concept Studio Veda (2nd floor), 4-17-3 Minamiaoyama Minato, Tokyo 107-0062Japan+ Google Map
“Feel Great & Look Even Better” has been the mantra of my nutritional philosophy. However, the ultimate benefit of following my diet goes far beyond great health and looking your best. I guarantee that you will regain your natural, youthful energy in just 30 days if you attend this season’s workshop!
Concept Studio Veda (2nd floor), 4-17-3 Minamiaoyama Minato, Tokyo 107-0062Japan+ Google Map
http://www.youtube.com/watch?v=6KFu3dga9iE UKICO Singer Songwriter/ Model / FYE Advisory Board Member Born to a Japanese mother and a French father, UKICO is a singer songwriter, producer now based in Tokyo. She spent her childhood in Paris and studied at the University La Sorbonne while traveling internationally for her modeling career. She decided to move to Tokyo to continue modeling and get to know her roots better. That is where she started writing music and began performing with a Japanese guitarist.…
Concept Studio Veda (2nd floor), 4-17-3 Minamiaoyama Minato, Tokyo 107-0062Japan+ Google Map
Kathy Matsui Goldman Sachs Partner & Chief Japan Equity Strategist / Former Barclays de Zoete Wedd Securities Chief Japan Strategist / Asian University for Women Support Foundation Trustees Board / Japan Society Fund against Breast Cancer Advisory Council Kathy was born in California in 1965 to Japanese Christian immigrant parents and grew up helping her family business running a commercial flower nursery. She earned a B.A. in Social Studies from Harvard University and M.A. in International Affairs from Johns Hopkins…
From the website: If you feel like you’re on someone else’s path, feel creatively blocked, are bored with your current job, and remain unsure about whether you are maximizing your potential and/or whether you ever will, you are not alone. We created the “Find Your Element Workshop” and the “Enhance Your Element: Introduction to Mindful Meditation” to help connect you with what you want and with who you are. Then, you can finally do something about it!!The “Find Your Element Workshop” will provide a space to explore how to honor your core values. The in-person, community-based, intensive workshop is a path to discover what is truly important to you. Expert coaches will provide you with the tools and exercises necessary to explore and fulfill your element. You will develop a truly valuable sense of self-awareness, based on what you discover.The Enhance Your Element through Meditation will introduce you to various mindfulness practices so you have a range to choose from according to your circumstances and goals. Meditation is a proven way to enhance your element by developing greater self-awareness, wisdom and compassion, relevant for all of us on the path of life.Come and feel it for yourself. Explore your wildest dreams, equip yourself with the tools to extract them, and receive the full support and encouragement of experts in the field. You will soon realize that your element was always inside of you all you need is a pinch of motivation, a dash of courage, and a hint of passion. Don’t let the size of your “but”s hold you back from having all that you want in life!
The workshops were created by Aya McCrindle, born and raised in Japan, Aya has a Master’s Degree in Education from Temple University, and a BA in Literature from Sophia University.
She is a classmate of Jake Adelstein, the acting editor in chief of the this blog. (Editor’s note: It’s true—so I’m biased towards liking this whole program. She’s a pal.) She has been running a model agency in Tokyo for nearly two decades; under her stewardship the number of models jumped from 4 to 50, and the client list increased from 50 to over 5,000.
Slightly disillusioned with the surface values of the modeling business, she recently discovered that her element is as a Connector: bringing together the many inspiring and committed individuals she has been blessed to meet, whether through international schools, the fashion industry, TEDx, FEW, Room to Read, Make a Wish, or through her myriad other networks.
Aya has organized the “Find Your Element Workshop” (on twitter @FYEworkshop) and “Enhance Your Element through Meditation” to help people find a purpose in their life. Her wish is that one extra person will feel a sense of passion, motivation, comfort and/or wisdom she has experienced through these inspirational leaders.
They say dogs are a man’s best friend, but how does your pet really feel about you?
Japanese company Anicall developed a wearable device that they claim can tell how dogs and cats feel. The device, worn around the pet’s neck, can measure the pet’s heart rate and temperature.
The device communicates via Bluetooth to one’s smartphone. The gathered information is communicated through an application.
“The sensor hidden in the animal’s collar allows us to translate behaviors into emotions that are displayed on the screen,” Anicall researcher Masatoshi Asai said. The company claims the smartphone application can decipher your dog’s emotions by analyzing inflammation and evaluating the measurements of your pets mouth and ears in photographs.
The device was revealed at the inaugural Wearable Technology Expo in Tokyo. It is due to hit markets in April, but the English language name and price have not yet been finalized.
Punching someone properly is an incredibly difficult thing to do. It was not enough to simply drive my fist forward and connect with the target. No, when selected to play the role of the model attacker for the Aikido training of a Japanese police officer, this is nowhere near sufficient. Hips must be aligned with shoulders. The wrist must only extend at the peak of the strike. And I must always, without fail, put my full weight into the punch, driving my front knee forward, as if it is the last punch I will ever make. “Chigau! Chigau!” my teacher screamed. Wrong, wrong!
Everything I was doing was wrong. I had to focus every fiber of my being on what the Fieldman, the head teacher, was saying to me. In all things his word was final; in all things he was right. “What you are throwing is not a punch,” he said as he towered over me. I knelt obediently on my knees. “What you are throwing is shit!” I planted my face into the mat of the Tokyo dojo in apology.
This was yet another day in the 11-month senshusei (専修生) course, the professional instructor training course of the Yoshinkan Aikido Hombu Dojo (養神館合気道本部道場), known to be one of the hardest martial arts courses in the world. Participants are taken from the absolute basics to a black belt and instructor certification in less than a year. The process to become a black belt in most martial arts normally takes several years of training. Yoshinka Akido typically takes four. But the full-time senshusei course is not normal. Training like the live-in dojo students of a foregone age, we braved 8 hours of exhaustion and injury day-in and day-out. My day as a punching model ended like many days did, running around the mats with a rag in one hand and disinfectant in the other. I cleaned the blood that had spattered out of my knuckles, rubbed raw from hundreds of full-contact punches. Far from thinking about the pain, my only concern was that if I did not work fast enough the Fieldman or his assistants would see the red spots and yell at me for having carelessly sullied the mats yet again.
If you had asked me anytime before 2011 if I would consider joining a program like senshusei, I would have laughed. Me? The computer nerd who only started studying Japanese in high school because he wanted to play the video games and read the comics that hadn’t come out in America? The self-confessed “otaku” who spent whole days in the giant video arcades in Japan hunched over a screen? Prior to Yoshinkan I had never set foot in a dojo, let alone thought I would one day be a certified instructor. In fact, I had pretty much given up on myself athletically.
Secondary school for me was an all around horrible time of life. I spent more than half of school involved with junior varsity level athletics, but never achieved any level of success. When I think back to these times, I mainly recall struggling to keep up with stronger classmates, most of whom had a year of puberty on me. It’s easy to realize in retrospect how much of a difference one year of growth can make in athletic ability but I couldn’t fully comprehend this as an 12-year-old preparing to start 8th grade. What I could comprehend was that I needed to pick a sport. Afraid of the beating I would receive were I to pick football, I chose wrestling, where at least only one person could beat on me at a time.
Junior high school wrestling was not too bad. I had a wonderful wrestling coach in 8th grade named Scott Schulte who encouraged me to never let myself down. The only athletic figure in my teenage years to ever take me seriously, Coach Schulte was one of my favorite memories of that year, often letting us take breaks from practice as he told us anecdotes from his side business installing stereo equipment for Japanese clients (“You must unprug machine!”). At the time, my only athletic successes in life had come from using my Nintendo controller to propel an 8-bit avatar to victory in the many video games that cluttered my room, so I always enjoyed hearing Coach’s stories. Unfortunately, I remained as inept at the end of the year as when I started, and Coach Schulte left the school soon after.
The rest of my coaches for junior high and high school sports – cross country, track and field, and wrestling—were not as supportive. Some tried to help me as I flailed around with a javelin or discus, but most gave up quickly. Many were content to simply watch me run clumsily about.
My first high school wrestling coach was a good man who simply didn’t know what to do with someone as uncoordinated as my 98-pound weakling self. While he had worked with improving athletes before, it was as if I was the first specimen of a completely talentless teenager he had ever seen. I enjoyed the wrestling itself and can still remember techniques after not having done them for close to 15 years, but nothing I ever did was right and most of it was so wrong it didn’t even merit a comment from him. When I attempted to replicate the moves he had just demonstrated, he would watch from the side and just kind of shake his head.
The one time I remember him actually correcting me is during the last day of practice in 10th grade. We were going over one of the fundamental techniques in high-school wrestling: the one-handed takedown. This was one of the first moves a young wrestler learns and I had known how to do it for almost two and a half years at that point. Of course, like all of the other moves, I still couldn’t do it right. I remember being told to do the move again and doing it wrong— and then being told to do it again and losing my balance and falling. The coach then turned to me and said, “Ok, Ben. Last chance. This is your absolute last chance to get something right before the end of the year. Now do it right!” I took a deep breath, focused, and looked my partner straight in the eye, prepared to do it right and show the coach I was capable of doing at least one basic move.
I did it wrong.
This wasn’t the worst part. The worst part was the coach’s reaction. Instead of consoling an obviously miserable me or even getting angry, he said, “Well, I guess that’s that,” and walked off. That was the last wrestling practice I ever attended. This was also the moment that I remember more than anything else from my teenage brush with athletics: me failing and the coach walking away. I didn’t even merit a correction because I was just that bad.
While my failures with the wrestling team were probably the latent trigger for my interest in martial arts, it’s my memories of the running teams I was on that were most painful.
Running wasn’t an organized sport in my school until the beginning of high school so I waited until the spring of 9th grade to finally join the track team. I was very excited about this. I learned all of the coach’s names before the first day. I learned all of the captain’s names and what events they did. I figured I should be able to make captain myself in 3 or 4 years.
Things did not happen this way. I initially only did running events and although I wasn’t the slowest person, I was the slowest boy. Far from making varsity, or even junior varsity, I was relegated with the other underdeveloped boys and girls (mostly girls) to “thirds,” where our main job was to fill in slots at track meets for the less-popular events so that the races looked full. I was normally assigned to the hurdles, a race I grew to enjoy, having remembered playing the virtual equivalent so many times as a child on Nintendo’s World Class Track Meet. My skills with the Power Pad did not, however, translate to a physical track and I performed pitifully, often finishing in double the time it took the 1st place finisher to reach the goal line.
Like any human being, I have had plenty of failures in life and these sprinting non-successes would not stand out so much had it not been for the nightmarish presence of my cross-country coach. Sure there was the track-and-field coach who reminded us all that a sports team is like the human body, “and there’s only room for one asshole and that’s me.” There was also that fencing coach who insisted that any student who didn’t practice enough to get blisters on his hands was “not an athlete of mine.” But this was nothing, absolutely nothing, compared to the sheer malevolent force of my high school’s most successful running coach in history, the aptly named Mr. Swift.
To put it simply, the man had presence. This was probably the main reason why our school began winning championship after championship soon after he became head coach. Runners treated him as if he were a demi-god, all chipping in to buy team T-shirts that read, when viewed from the back by an opposing runner they had passed, “You’re not Mr. Swift.” Standing at 6 feet with an ever-present smirk visible under his Lucifer-esque goatee, Mr. Swift had certain beliefs – namely in winning. He did not believe in many other things, including the concept of an injury.
“It has come to my attention that some of you are not attending every practice,” he said during a team meeting, pausing to hold one finger to his left nostril and blow the contents of its pair onto the grass beside him. The issue at hand, which had given rise to the team meeting, was that one of the captains had taken off for a sprained foot. “I will not have my captains setting a bad example. I do not believe in injury.” The captain in question, Keanu, who was normally Mr. Swift’s star pupil, shifted nervously beside him. From that point forward, injuries on men’s cross country team ceased to exist and were replaced by shame, the only recognized reason for an athlete’s absence.
Mr. Swift soon took an interest in me as the slowest member of his “pack” and began sending “encouragement” my way. During roll call, my name was left off the roster. After a few times, I spoke up and Mr. Swift grinned and replied, “Oh! I forgot Benboas!” pronouncing my first and last names as if they were a single word. From then on I was either “Benboas” or “Boas,” the only two names I now dislike being called.
Another day, as I huffed and puffed my way up yet another trip up the long slope leading from the road to my alma mater, Mr. Swift would trot gracefully behind me, always staying only a few steps away so that I could hear the jazz-like crooning he used to remind me of the task at hand.
Oh why do I even try That hill is just so high It’s just too hard for me Why won’t he let me be?
At one point I asked him what song he was quoting. He blithely replied that he had written it on the spot for me.
This “encouragement” continued for some time, but Mr. Swift realized that a special case such as me required special attention and thus decided to assign his top acolyte, Keanu, to supervise my “improvement.” The captain of the running team, Keanu, was everything I wasn’t. He was tall; I wasn’t. He was fast; I wasn’t. He was good-looking. I was covered in pimples. Keanu had a girlfriend and would regularly discuss with his teammates the potential demerits of exhausting yourself by having sex before a track meet. The closest I had ever come to sex was asking out my math class partner and being told that she was a lesbian.
While Mr. Swift’s methods of encouraging me to move faster were somewhat subtle, Keanu eschewed indirect shaming for out-and-out bullying. Runners under Keanu’s command would shadow me as I struggled along, throwing rocks at my head and then giggling when I turned around, saying that I must have kicked the dirt up myself “because you were running so fast.” One day while dealing with shin splints, Keanu decreed that because I was moving so slowly, I should spend the rest of practice out of sight in the nearby construction workers’ port-o-potty. After this day, another hated moniker was added to my list of nicknames: “Royal Flush.”
It was a rainy day when Keanu decided to unleash his worst on me. We were running around the lacrosse field in the pouring rain, because Mr. Swift apparently did not believe in unfit weather conditions, either. As we ran through a particularly muddy patch, Keanu stopped. He looked up at the sky for a moment in silence, raindrops pelting his face, then at the rest of the runners, and then at me. He seemed to be considering something. Then, suddenly, the rhythm of the raindrops was broken by his clarion call:
“It’s beat up Boas day!”
All of a sudden, I was surrounded by muddy figures. The pushing immediately began and I was thrown from runner to runner, struggling to keep from falling into the mud as a cackling Keanu hovered beside me kicking sludge high into my eyes. Slipping and sliding as I tried to keep my balance, all I could think about was how much I hated Keanu. I hated his stupid laugh, I hated his talent. I hated everything about him, and craved to be the one inflicting punishment on him for once. Finally gaining purchase on the ground, I ripped myself free from the pushing and charged him, yelling as loud as I could, consumed by rage as I tried to get my hands on him. My mind was blank with pure unadulterated rage as I lunged forward at Keanu. Once, just once, I was going to be the strong one. I was going to be the one in control.
Keanu waited for me to get a foot away from him before neatly jumping back, laughing as I finally lost my balance and fell into the mud, my yell turning into a pathetic gurgle. Keanu went back to kicking mud on me and then, satisfied with his work, rallied the team and ran off without me. It was the most powerless moment of my life. I will never forget the rage and frustration I felt then. Like so many other times, I was a failure and there was nothing I could do about it.
I dropped out of the running team the next year and spent the last two years of high school having nothing to do with organized sports, instead doubling my focus on video games. Deciding that I wanted to be able to play video games that had not yet been brought over from Japan, in my senior year I successfully petitioned my principal to allow me to study Japanese and the next year went off to college as an East Asian Studies major. Some years later I graduated and found a way to move to Japan, the video game capital of the world. Having moved to the homeland of Mario and all of my virtual athletic successes, I thought I might be able to find solace from my physical failures. But during all those years, the rage and hurt never went away. I wondered what Keanu was up to, if he ever faced restitution for what he had done. I wondered what would happen if I ever met him again. Of course, even if I were able to confront him, what could I do about it? I wasn’t capable of harming anything, let alone someone bigger than me.
The mind works in mysterious ways. I had never thought I’d wind up doing athletics again, but after several years working in Japan, my subconscious sprung a trap on me. After a bad breakup and subsequent existential crisis, everything seemed pointless. I was so desperate to get out of my head that I told a good friend that I would try “anything” to get my ex off of my mind. “As long as you’re in Tokyo, why not try Yoshinkan?” he said. The very next day I called the dojo to ask if I could join. After receiving a brief reply in the affirmative, I informed them that I was coming over right then. I did not tell the man on the phone that I had very little idea what Yoshinkan was. But my subconscious seemed to have had a good idea.
Yoshinkan is a branch school of Aikido, a Japanese martial art that is known for being non-confrontational. Founded by Morihei Ueshiba in the early 20th century, it is one of the newest Japanese martial arts and arguably the most unique. Instead of defending by dodging or counter-attacking, Aikido practitioners use the energy of their opponents’ attacks against them, redirecting their energy in such a way that not only is the attacker subdued, but also left unharmed. Philosophically, Aikido is perhaps superior to all other martial arts in that, if done right, it results in the fight never having occurred in the first place. This philosophical side is probably what Aikido is most known for in the West. Most of the time the Aikido that is taught in America is presented as very peaceful and harmonious; many of the techniques looks almost like a martial arts version of ballet.
The Yoshinkan School is a bit different. Founded shortly after the end of World War II, it quickly grew to prominence as the dojo where the Tokyo Metropolitan Police sent their instructors to be trained. Instead of smooth techniques that flow peacefully, Yoshinkan practitioners focus on form and precision, preferring to do a technique powerfully rather than peacefully. Although the school is no different from mainstream Aikido in that the aim is to defend from an attack without injuring the attacker, Yoshinkan tends to cause a lot more pain along the way— non-injurious pain, but pain nonetheless.
Yoshinkan was founded by Gozo Shioda, known to be one of Ueshiba’s top disciples. Gozo was known as the “god of martial arts” back in Japan’s post-war period and is the only person to have been awarded the top dan level in Aikido by the International Martial Arts Federation. Although barely over 5 feet fall, Gozo was a monster in his heyday, taking down everyone from yakuza gangsters to judo masters. After the war, he began his own dojo, specializing in teaching Japan’s growing police and corporate security forces.
Gozo’s skills were so amazing that he soon became legendary. Famous figures ranging from the Japanese crown prince to Mike Tyson visited his dojo. When Robert Kennedy made a visit to Japan, he ordered his 6-foot-tall bodyguard to face Gozo on the mats. Although a full foot shorter, Gozo easily pinned him down – much in the way a spider effortlessly spins a fly into its web. The man was a true master.
Of course, it being my first day at the dojo, I was a long way from mastery. Beginners in Yoshinkan are drilled in a series of six basic movements to develop body coordination and lower-body strength. Although simple, actually doing the movements is brutal. All six emphasize a low center of gravity while extending the front knee, putting as much weight as possible forward while keeping the back straight. It’s like doing a forward lunge, but in a completely controlled way in which the final hyper-extended pose is held.
The worst of these six movements is a horrible number called hiriki-no-yosei-ni (肘力の養成二). Imagine being precariously perched all the way on your right knee, lunging all the way forward with your arms held up in front of your head. From here, you slowly shift your hips 180 degrees while extending your left arm directly forward as your weight settles onto your left knee. You’ve gone from being extended on one knee to being extended on the other, keeping your center of gravity down the whole time. Holding this position for any amount of time causes your knees, arms, and hips to burn.
It was this burning which was at the core of my relationship with the Fieldman. The head of the main Yoshinkan dojo, the Fieldman, was a piece of work. He came to Tokyo from the countryside hoping to find a martial arts master to apprentice under and found one in Gozo Shioda, the founder of Yoshinkan. The Fieldman then spent the next ten years living within the dojo itself, tending to Gozo’s every need and dedicating himself to the man and his practice.
The Fieldman, like Gozo, was not tall at all. He was also not much of a talker. Shying away from long lectures, he preferred body language to communicate. So when he came over to me struggling to move correctly, instead of telling me what to do, he pushed down on my hips as low as they went and then slowly pulled on my outstretched arms so that my center of gravity was gradually moved further and further forward. My knees began to burn more and more, and my body began to gradually shake and shake from the pressure.
And then, I fell. Just like so many times before.
From my vantage point on the ground, I looked up to see the Fieldman looking down at me. His lips slowly formed a round shape. “Hoo!” He half-hooted, half-laughed at me as he turned his back on me to walk towards another practitioner.
Well, I thought to myself as I got back up to my feet, I guess nothing ever really changes. Another attempt at something athletic. Another failure. And another teacher giving up on me.
With thirty minutes still on the clock until the end of the training session, I figured I didn’t have anything better to do but try doing hiriki-no-yosei-ni again and slowly eased my way back into the painful position, closing my eyes to calm myself from the strain.
When I opened my eyes the Fieldman was in front of me. “Hip down,” he said as he again pushed my lower back down so that my center of gravity was as low as it could painfully go. “Knee bend,” he said as he pulled my hands forward so that I was yet again precariously teetering on the brink of falling. My knees burned. My body once again shook from the strain. And then, I fell again.
“Hoo!” hooted the Fieldman as he looked down at me again and wandered off.
Not really understanding what had just happened, I got into position again only to find that the Fieldman was already behind me guiding me back into a body posture that I had now decided was actually impossible for me to maintain. But no matter how many times I fell, as soon as I was up again the Fieldman was ready for me, helping me to face the impossible yet again.
While changing out of my martial arts uniform after class, I tried to wrap my head around what had happened that day. I had failed, and people had laughed at me. This much I was used to, but it didn’t usually happen multiple times in a session.
From then on, I started going to all the Fieldman’s classes.
As the weeks went along, I continued my twice-weekly pilgrimage to the dojo to huff and puff as the Fieldman continued to chuckle at my attempts to become adept at the basics. Eventually, I progressed to actual techniques, although these were not very effective. “Your technique should be strong, but it’s weak!” the Fieldman would say while pointing at my partner who had been unaffected by my joint lock. “Your partner is supposed to be straining, but he’s relaxing!” He then bent his arm behind his back to imitate being held in my hold and then used his other hand to mime smoking a cigarette, emphasizing how ineffective I had been. Mou ikkai! “Again!”
This routine continued for some time. As I became a regular, I started to become familiar with the other members of the dojo. There was the 64-year-old black belt who loved Aikido for its accessibility, having only started four years earlier at the age of sixty. There were the office staff, who were all black belts themselves. And then there were the senshusei.
Part of a program, which dates back over fifty years, the Yoshinkan senshusei are a special group of students who undertake an Aikido apprenticeship. Unlike regular members of the dojo who can come and go as they please, senshusei must treat their training as a full-time job, coming in early five times a week to clean the dojo before beginning their training, which involves at least four hours on the mats. Made up mostly of full-time policemen with an emphasis on those with riot duty, the senshusei course had opened itself to foreigners twenty years ago in the hopes of spreading Gozo’s teachings abroad.
I soon met two foreigners taking the course that year, a Canadian and a Scotsman. From their heavily battered arms and constant exhaustion, it was clear that the course was not regular training. Whereas I had struggled with maintaining hiriki-no-yosei ni for ten seconds, senshusei from their first month are forced to hold it for close to sixty seconds multiple times an hour. Participants toughen their arms by repeatedly striking them against their partners’ and regularly participate in usagi tobi (うさぎ跳び), rabbit jumps, an exercise so bad for your knees that it was banned in all Japanese schools thirty years ago.
The course is, to put it bluntly, a year of hell. Known throughout the martial arts world as one of the toughest courses on Earth, the dropout rate for the course is close to 40 percent. One day in the locker room I asked the Scotsman what the toughest part of the course was. He looked at me and gave a weary shrug. “It’s not how bad you get beat up. It’s showing up every day. Every damn day. The slog. That’s what gets you.”
Weeks turned into months and I continued my visits to the dojo. January came along and still dealing with my existential crisis, I decided that my job as an academic researcher was pointless as well. I had no idea what to do instead and surprised myself by beginning to consider what would happen if I were to join the senshusei course.
God knows why I thought this, since I was bad. I was really bad. Really, really bad. I couldn’t do a single technique right, my break falls were more like thud-falls and seiza (正座), the kneeling position that forms the basic stance of half the techniques, was so painful for me that I would keel over after two minutes of it. Although it had been over ten years since my wrestling coach wrote me off, I felt as if nothing had changed. I could not do a single thing right and there was nothing I could do about it.
Oddly enough, there was something very freeing about this realization. If my studies were all pointless and my efforts at training completely fruitless, then in effect I had nothing to lose by training for a year since anything else I would do was pointless anyways. I had become so depressed that in believing everything was impossible to succeed at, I had ironically made it possible for myself to do anything.
But even this sense of existential bravery wasn’t enough to keep my hands from shaking as I approached the Fieldman during the only occasion I had to see him outside of formal training: the annual party held near the end of that year’s senshusei course. I held a beer bottle in one hand as I approached so that I could offer to pour his drink, giving myself an excuse to ask him the question that had been on my mind all month: “Do you think I might be able to join the course?”
I politely got his attention and, after ritually pouring him a glass, asked my question. He took a sip of the beer and then looked at me. He spoke slowly. “To be senshusei you must be physically tough,” he said. “And also mentally tough.” Before he could say anything else, another student had come up offering another refill. I was left alone to ponder the meaning of the words, “mentally tough.” In keeping with my earlier thoughts, I decided to take it as follows: Even if I spent the year failing every test and not being able to do anything, as long as I didn’t quit, then I would have been “mentally tough.” And so, without anything better to do for the next 11 months, I handed in my application to become a mushikera (虫けら), a worm at the very bottom of the totem pole in one of the most hardcore dojos in the world.
Being a senshusei is the equivalent of a full-time job in martial arts and then some. Senshusei show up every day before 7 A.M. and race around the dojo cleaning every inch until it’s time for the first hour’s lesson. Then the daily formal greeting to the administration, in which the senshusei squad leader must, at the top of his lungs, formally announce that all members are present. Then another ninety minutes of training, half an hour to gulp down lunch, and finally another ninety minutes of blood, sweat and – particularly in my case – tears.
Once a crybaby, always a crybaby. The tears came nearly every single class. Anything the class was told to do, I couldn’t do. Movements that I struggled with during my time as a “normal” student became hell since, once I had become a senshusei, I was required to do moves not only correctly, but also at top speed. Any mistakes at all are quickly reprimanded by a scream from the instructor at which point the offender must repeat the technique from the top while the rest of the class waits. As I picked myself up from the mat after falling from the strain of yet another hyperextension exercise, painful memories from my adolescence started forming in my vision. Through the pain in my knees I was somehow aware of my wrestling coach walking away from me, Mr. Swift jeering at me from behind his perfectly groomed goatee, Keanu gloating over my mud-soaked self. Everything was impossible and there was nothing I could do about it. Every day, every hour, I wondered why the dojo didn’t tell me to stop coming. But management never said a word and so I kept showing up. The months passed, and the blood and tears continued.
It was halfway through the course when I found out that there was, indeed, something that I could do, though it was not related to technique or form. Even after six months, I still flailed my way through most basic techniques and even had problems simply standing in the basic stance. Two tests had come and gone, both of which I failed, and my reputation as the weakest link had largely been accepted by my training partners, the foreigners so gung-ho to learn Aikido that they travelled halfway across the world, and the cops who largely accepted my existence on what I can only assume was a Japanese sense of mercy for the underdog. Thankfully there was one thing that I had that no one else in the course could even hope to obtain, but it didn’t come out until the most grueling day of the course.
Tasudori (多数取り) means “taking on multiple attackers.” Aikido places a special importance on being able to deal with multiple opponents and, as a result, nearly all forms of the art incorporate practice sessions involving as many as five attackers all converging on the same defender who must navigate through them, interrupting their flow as s/he nimbly evades and parries. Yoshinkan is no different and requires all practitioners testing for anything higher than a first-degree (lowest) black belt to take on two or at most three opponents at once.
The thing that sets Yoshinkan apart, however, is that the attacks are more-or-less for real. Whereas mainstream Aikido involves attacks that are largely for form and will not do much damage if they connect, participants playing the attacking role in a Yoshinkan test will punch and strike with almost full force. Bruises and blood are not uncommon.
Naturally, the senshusei take this a level further. First, there are four attackers, something which even the highest black belts never have to face. Second, they are armed. One of the attackers holds a wooden dagger and the other a wooden sword. Third, rather than the attacks being more or less for real, they are for real and anyone who happens to connect with the dagger or sword will feel it for at least a week.
It was in this class in which I finally proved myself useful. I couldn’t do any techniques right and I didn’t have proper balance. My knees had never gotten flexible enough to even do a proper seiza. But being a good attacker tasudori is less about precision and more about endurance. You must become a meat bag, being hit and hit again, getting up every time as you lunge at the testee another time. And I’ll be damned if I wasn’t the best meat bag in my group.
I’m surprised I hadn’t noticed it earlier. All those years of only being able to see myself as physically weaker than those around me had rendered me unable to see the truth: I was physically bigger than every other senshusei. The Japanese cops may have learned more technically from the training, but going to the dojo every day had put 20 pounds of muscle on me and made me bigger than anyone there. I couldn’t use the muscle properly, my techniques still didn’t work, but that wasn’t my job during tasudori. I didn’t have to be accurate or remember complicated steps. I just had to chase the other senshusei like a man possessed.
How would you feel if you had license to run up to a martial artist, an actual law enforcement professional, and punch him as hard as you could, not needing to fear any sort of violent reprisal? And not just a regular punch either, a full lunge with all of your body weight in it. As someone who had spent his whole life only being on the receiving end of beatings I can say that it felt, well, liberating. All of a sudden, I was the one with the strength. Other people were running away from me. In the real world I would have never wanted to play this role— the last thing I ever wanted to do was become someone else’s Keanu, but this day the dojo required me to. And I was good at it!
For nearly an hour, I ran around punching Japanese policemen again and again, getting thrown and rolling off the ground to run up and punch again, punching so hard and so repeatedly that by the end of the day half the class was covered in my bloody knuckle prints. I had beaten my knuckles into so many uniforms so many times that the bleeding took two weeks to stop. If you look at my right hand today you can still see two pink scars on my knuckles.
The practice ended, like so many others, with the Fieldman telling all of us that we had done it completely wrong. I was told to get up and demonstrate my punching posture to the rest of the class so that the Fieldman could imitate it and show exactly why it was, to return to the beginning of my story, a shitty way of punching. But as I bowed in apology for my imperfect form I hid the biggest grin I had had that year. The Fieldman had used my mistake as a demonstration for the class. This meant I had actually done a good job!
Training ended and after mopping up the blood from the mats I still couldn’t believe it. Although indirectly, the Fieldman had actually complemented me. It was like being hit by lightning. Dazzled, I had to take my time changing into my street clothes. As the cops changed out of their dogi and into the suits they were required to wear, I overheard a couple of them talking about their new Nintendo 3DS games. One of them mentioned that he was saving up to buy the newest title in the Zelda series.
I began listening closer since they had never talked about video games before. Excited to have found a fellow connoisseur, I turned around and the atmosphere chilled. The policeman who has been talking cut himself off and rushed to finish putting on his belt. The rest of them avoided eye contact as they put on their jackets and shuffled out of the room silently.
Figuring I had made yet another cross-cultural faux pas I blithely continued changing. Then it hit me. The cops were just like me. They liked video games; they just weren’t allowed to talk about them. They were there because of their job so they had to put up a tough act but inside they were no different from I was. I hadn’t realized it because I spent the whole course assuming that I couldn’t do martial arts because I was and always would be a nerd. For all I knew, some of them were thinking the same thing. After all, they had just gotten beaten up by someone bigger than them.
The rest of the course was a blur. We soon reached our next test, which I naturally failed. Then it was time for our performance at the annual winter party, where only a year ago the Fieldman had told about being mentally tough. After the performance, an old man came up to me and explained that he was so happy to see a young American trainee because it reminded him of the time when he was my age and an American named Robert Kennedy came to the dojo. I convinced him to do the technique that had pinned Kennedy’s bodyguard on me. Weeks later we took our instructors exam and all passed.
Finally, the last day of the course came. It was my turn to face the multiple attackers punching me so hard and so properly that their fists bled. Fists pummeled into my sides and the wooden sword came crashing down on my arm, turning it purple. And then – it was over. I got my black-belt and instructing license and woke up the next day trying to figure out what to do now that I had completed my senshusei tenure.
It’s been over a year since I finished my year-long martial arts course and I have now settled into a lifestyle that doesn’t involve getting my butt kicked for hours a day. When I decided to sign up for the course, I had expected things to be different when I finished, but they don’t really feel that way. I still don’t know what I’d do if I found myself in a fight. I still don’t feel like I’m athletically adept.
Of course, even though I don’t feel like things have changed, I can still point to things that actually have. The coolest change is that I can now do flip-breakfalls on a carpeted floor. This is excellent for entertaining children. I’ve also probably gotten better at dealing with stressful situations. Calmness is perhaps the best thing you can learn from a training environment.
Sometimes I wonder how the calmer me would have handled the situations I struggled so much with as a teenager. A little while ago, I decided to look up some of my primary tormentors from my school days. The coaches have aged and the adolescents have somehow transformed into adults. It didn’t take long to find a photo of my old track and field tormentor, Keanu. Back in high school he was tall, handsome and a pretty good athlete, all things I thought were completely out of my reach. Now he’s fat, pimply, and works in an IT office. And the boy who he used to torment is a black belt.
Part of me wants to say that it’s karma that the tables have turned. Keanu was the only person in my life who ever regularly physically roughed me up. Now I could do the same to him if I wanted.
But I don’t. I don’t want to do that. There’s no real use dealing with schadenfreude and besides, Keanu’s not a bad guy. Goodness knows he probably had his own problems. I may have been the originator of some other poor teenager’s high school nightmare. Keanu and I met when we did and I’ll probably never forget what happened then. But neither of us are who we were then. Things change. He’s different now. And so am I.
Sometimes it’s hard to remember I’m not who I was before. I still go to the Yoshinkan dojo and there is a new crop of senshusei who didn’t know me during the course. They only know me as the big foreign black belt and insist on calling me sensei, teacher. I don’t see myself as anything near a teacher-quality model, but they nevertheless compete to be my training partner and ask advice about how to perfect techniques that I myself am still working on. I suppose this is just how things work. My time as a trainee has passed. No matter how much I want to see myself as an inept practitioner, to people who are new, I am nothing other than a seasoned veteran.
It’s a role I’m still new to playing, but, thankfully, I’ve realized that I don’t need to be perfect. A part of me will probably always see myself as a weakling. I’ll certainly never become the best martial artist around. I’ve realized that I don’t need to be perfect to contribute; I just need to be a bit better than I was the day before. Going from a nerd to a black belt didn’t solve all of my problems, but it did help me move on.
The tiny neighborhood bars and watering holes distributed throughout Tokyo are probably as numerous as the stars on a clear night in the Himalayas. Perversely, they’re often the kinds of places that are easy to miss, at least in the daytime, even if a given joint is open when one happens to walk by.
But sometimes one can pass a Tokyo bar, even a run-down looking place, and feel strangely drawn to it. Something about it catches the eye – perhaps the way it’s painted or how the bar’s name is displayed on the street. Suddenly, a person finds themselves walking into the joint even if they weren’t originally in the mood for a drink.
Freedom is that kind of place; an unassuming little neighborhood bar that doesn’t look like much on the outside, but has an allure that made going inside an unexpected but rich Tokyo experience.
Freedom is on the eastern edge of Nakano 5-Chome, near a place called Kitano Shrine. The combination of its severely-faded blue color, arched window, and the liquor bottles on the curb made the building stand out.
The katakana and phone number were missing from the front of the building, revealing the more vibrant color the place used to be and begging the question as to whether Freedom was actually still named Freedom.
But once inside the outside didn’t matter much. Even to a foreigner with very limited Japanese, the folks in Freedom were warm and welcoming. Mama-san, the owner, is the lady laughing.
One of her customers, a garrulous and inquisitive older fellow, was quick with questions in limited English about California. And with the universal sign that he was Japanese, he posed for a picture.
Mama-san held obvious pride in her place, and it showed in the service she provided.
As to the interior of Freedom, it was like being in an artist’s teeny world where the artist serves up booze as a way of saying thanks for visiting.
With the front door open and light from an overcast sky seeping through it and the window, Freedom had a comfortable, glowing beauty within it that a photograph almost can’t convey.
Mama-san enjoyed her place and her customers. One got the impression that her customers were more than regulars. They were friends on whom she relied not only for income, but for a reason to even own and run a bar in the first place.
Along almost an entire wall there was a more fiery interpretation of Mount Fuji than one typically sees. It was Freedom’s visual centerpiece.
Even while relaxing with a beer, Mama-san paid warm attention to everyone in her bar, even those shooting flash pictures while barely being able to speak Japanese.
A guide to the Japanese underworld, Japanese pop-culture, yakuza and everything dark under the sun.