Coauthored by Brian Ashcraft, a senior contributing editor for the website Kotaku, and Osaka based tattoo artist Hori Benny, this book Japanese Tattoos: History * Culture * Design was written with the goal with the intention of helping those that are thinking of getting a Japanese style tattoo (perhaps most commonly known outside of Japanese as irezumi・刺青). Both authors use extensive knowledge of Japanese style tattooing and personal interviews to guide the novice away from committing any cultural faux pas in a work that spans 158 glossy pages.
“Over the course of researching, interviewing, and writing this book, we
consulted numerous friends, colleagues, experts, and total strangers with the
goal of introducing and decoding the most prevalent motifs so that English
speakers can have a better understanding of their meaning and hopefully get
Japanese tattoos that can be worn with pride – as they should be”
The book begins with an introduction to
the history of irezumi in Japan, from punitive tattoos, to prohibition, and all
the way back to modern times. This first section also covers briefly some
reasons why Japanese tattoos have changed over time. The book is then divided
into six additional chapters based on the different styles and motifs found in
irezumi, with numerous sections in each chapter that clearly divide different
motifs in that style. A tattooist and client profile are also included at the
end of every chapter, giving life to the theme of that particular chapter. There
are also information boxes that provide additional information to support the
content within the main body of the work. All of this is supported with high
quality, full colour images of tattoos and virtually every single page of the
What I found extremely impressive about
this book was the sheer quantity and quality of the accompanying images. Not
only are specific motifs and their meanings clearly explained, but the authors
have also provided imagery and explanations of the images themselves. The
reader is able to enjoy each and every motif – usually in more than one style.
Both Ashcraft and Hori Benny did an exceptional job collecting the various
photographs of irezumi for the book.
Perhaps my favourite aspect of the book
though, was the addition of the Tattooist Profile and Tattoo Client Profile at
the end of every single chapter. While the majority of the book reads, to an
extent, like an irezumi dictionary of sorts, these sections brought extra life
into the vast amount of information being provided. We, as readers, are given
the opportunity to hear the voices of individuals that are not the authors.
These sections are personal and provide a real solid look into the minds of the
tattoo artists and their clients. We are able to see their views on irezumi and
what they mean to them personally. The extra insight brought in by these
sections is a crucial component in what makes Japanese Tattoos work – it makes the “foreign” content relatable.
That being said, the large amount of
information that the book contains is also a weakness. There were certain
sections that I found difficult to read. There are extra text bubbles of
information throughout the book, but in some places their existence takes away
from the overall flow of the work. The reader is obligated to both stop
midsentence to go read the “extras” or move on and hope they don’t forget to go
back and read them again. Such as,
“The fox (kitsune in Japanese) is associated with the formless Shinto deity Inari, who is sometimes depicted as male, other times as female and sometimes as gender-less. Inari is not only the god of rice, sake wine, and fertility, but also the god of metal workers and commerce. Stone fox statues often appear at the more than ten thousand officially recognized Inari shrines in Japan, and because the fox guards these shrines, the animal is often confused with the god. The pure white foxes, however, aren’t simply the god’s messengers, but also guard and protect the shrines. These foxes also carry connotations of wealth and fertility, due to Inari’s rice associations.” (pg. 57)
I found sections like this rather
disjointing and it did affect my reading experience. Definitely not a problem
for many readers, but something that I wish would have been laid out a little
better, especially considering the high quality of the content on every single
Overall, Japanese Tattoos was a fascinating read and I would recommend it enthusiastically to anyone interested in tattoos or keen to learn more about specifically about irezumi. While perhaps the academic might find the content a bit shallow in terms of the historical content, it is important to remember that that is NOT the goal that Brian Ashcraft and Hori Benny set for this book. They wanted to create a resource for English speakers who wanted to get Japanese tattoos. A goal that I would say they accomplished with flourishing colours.
Taylor Drew is a new contributor to JSRC she is a Canadian living in Tokyo since 2015. (Almost) fluent in Japanese. Loves Iwate and cats.
Note: Theories abound as to how mahjong originated in China. Some say the inventor was Confucius who played it, was hooked and ultimately abandoned it because of its addictive nature, some time in the 6th century B.C. In its present state, mahjong is played with 136 to 144 rectangular tiles, over a table seating 3 to 4 players. All the tiles are marked with Chinese characters and symbols.The goal of the game, simplified, is to get a mahjong, which consists of getting all 14 of your tiles into four sets and one pair. A pair is two identical tiles. A set can either be a “pung,” which is three identical tiles, or a “chow,” which is a run of three consecutive numbers in the same suit. A single tile cannot be used in two sets at once. In the west, the closest thing is gin rummy. In Japan, mahjong has been around since the 1900s and is a semi-legitimized form of gambling, provided the stakes are low. It used to be the favorite past-time of college students and bored reporters in the police press club.
On March 17, the day that character actor and performer Pierre Taki (real name: Masanori Taki) was arrested for possession of cocaine, the producers of the film Mahjong Horoki (Mahjong Chronicles) inwhich Taki appears in a significant role, held an emergency meeting. First item on the agenda: to open the film on the slated date of April 5, or to scrap it? Already the Japanese media was moving to make Taki disappear – all his endorsements, events and TV appearances were cancelled. A concert scheduled for this year’s Fuji Rock Festival, evaporated. NHK even rubbed out all of Taki’s scenes in their prime time Sunday night drama Idaten, (including those already aired), making preparations to shoot everything all over again.
Taki had never sold on a nice-guy image but this scandal was huge, packing enough explosives to rock Mahjong Horoki 2020’s distributor company Toei, from its very foundations. After much discussion, the makers of the film – in particular director Kazuya Shiraishi, Taki’s long-time friend, pushed for a go. Letters were sent out to the press explaining the move, and why Shiraishi decided not to slash any of Taki’s scenes before opening. “Taki’s arrest is not the movie’s fault,” said the letter. Fair enough and a good thing, too. “Mahjong Horoki 2020” is weird, gross and ultimately appealing – it’s a celebration, among other things, of the sheer, raging wonders of the Showa era (1926 – 1989). So much, that the last 31 years of the Heisei era start to look like a bland, blah wasteland. As a line in the movie aptly describes it, “the only thing anyone does around here is to live a long, long time.” Ouch.
Still, the Heisei era should be given credit for supplying Shiraishi with the iPhone 8, (eight of them to be exact) that he deploys in shooting the film. The colors schemes are too lurid, and the jittery, hand-held effect doesn’t really work in scenes with open spaces but the device is brilliant for close-ups, of which there is plenty, including Taki’s scary, deadpan visage.
Taki plays a man called Mori – and he’s the kind of snide, rude, power-hungry asshole that Pierre Taki portrays to perfection. Mori is the director of the 2020 Tokyo Olympics, which is abruptly cancelled with the breakout of WWIII. A very pissed off Mori vows to hold an Olympics of something, and as the story progresses that something turns out to be mahjong. On the Friday that the movie opened, Pierre Taki was released on bail and director Shiraishi announced in a press conference that he hoped the Japanese public would “laud and encourage” Taki, once he was rehabilitated and reinstated as a media figure.
Speaking of reinstated, another intriguing presence in the movie is Becky, the half-British, half-Japanese comedienne whose career was all but obliterated following a noisily publicized affair with a married musician. In Japan, infidelity is a serious offense among celebrities, perhaps more so than drug use. Becky was benched for over 2 years while her partner in crime came out relatively unscathed (which is another can of worms labelled gender discrimination). In “Mahong…,” she stars in a double role – first as a mysterious club hostess with incredible mahjong skills, and next as the android “AI Yuki,” programmed to win against the most talented mahjong player.
As you may have guessed, Mahjong...is defined by and obsessed with, the titular game. Based on the first of the 4-part novel series by Tetsuya Asada (aka Takehiro Irokawa) published in 1969, Mahjong…recreates the blood, sweat and tears backdrop of Tokyo’s immediate postwar years as well as highlight the dark grotesqueness that often accompanies the game. Unlike pachinko, mahjong comes under illegal gambling and liable for prosecution, as in the case of a mayor who was arrested in the middle of a game in Fukuoka prefecture 3 years ago. Like pachinko however, the police turn a blind eye to most mahjong players and the “jyanso,” or mahjong houses that host them. As long as the stakes are low, the cops won’t come bursting in – theoretically. The crossover line is 200 yen at 1000 points, which roughly adds up to about 30,000 yen an hour for the winner.
In Japan, one hears of fantastic mahjong stories, like the woman who won 550,000 yen on a single night and then lost double that amount in her next game. Or the guy who put up his home as collateral and how his wife and kids found themselves on the street even as he holed up in a jyanso to turn his luck. When it comes to addiction and self-destruction, mahjong players are in a league of their own and the tumble into the mud sludge of debt generally comes quicker than anyone bargains for. The consequences (since most jyanso are owned and operated by the yakuza) can be severe. Tetsuya Asada’s novel series laid it all out, tracing the life of the protagonist “Boya (which means little boy) Tetsu.” At first, Tetsu was a fresh-faced 16-year old mahjong rookie, being groomed for the game by the pros in Tokyo in 1945, when the city was nothing but ash and rubble. In the last volume, Tetsu is a salariman in his his early 30s, struggling to break free of his addiction (and failing) as Japan gears up to become the world’s number one economy.
Mahjong Horoki was adapted to the screen once before, in 1984 by Makoto Wada. A young and perky Hiroyuki Sanada played Tetsu, and Mariko Kaga played his benefactor and the story’s mahjong goddess. Now in 2020, those roles have gone to Takumi Saito and Becky, respectively. Saito is best known for having cornering the market on degenerate, sexy dude roles but now in his late 30s, the role of Little Boy Tetsu may be a stretch (in the story, he’s also supposed to be a virgin. No way.). But to Saito’s credit, Tetsu’s addiction to the game oozes out of his every pore. The guy can only think of one thing: to sit at the mahjong table and play for the kind of stakes that, even if he wins, would destroy his soul forever.
Japan has changed beyond recognition since Asada penned the original novel series, but addiction – as this movie abundantly illustrates – is a monster that never dies.
Today’s Asahi Newspaper, NHK and other media ran a story about an appalling ruling handed down in Nagoya Court on March 26th.
The father of a woman, who was 19 at the time of the alleged sexual assault, was tried on charges of quasi-rape (準強制性交等罪）after having non-consensual sexual intercourse with his daughter at their home in Aichi Prefecture in August and September of 2017.
Quasi-rape in Japan is defined as sexual intercourse taking place when the victim is unable to give their consent or say not. You may remember that a prominent friend of Prime Minister Abe, and also his biographer, was supposed to be arrested on charges of quasi-rape for an alleged attack on journalist Shiori Ito. In Ms. Ito’s case, she claimed to have been drugged and sexually assaulted. A high-ranking police office who was formerly the secretary to cabinet spokesman Yoshihide Suga, intervened to stop the arrest and later scuttled the investigation.
In situations where the victim is drugged or unable to refuse to have sex with an assailant, due to threats or danger to their life, charges of quasi-rape can apply.
The prosecutors argued that because of repeated violence and threats leveled against the daughter, that she was unable to say no to her father’s sexual demands. The defense argued that the sex was consensual—and even if she wasn’t able to resist, she still consented.
The court, in his verdict, recognized that the daughter had not consented. The judge even noted, “Because of the many years of sexual abuse [and other abuse], that she was mentally under the control of her father.” The court also recognized that she had been compelled have sex with her father since her second year of junior high. However, the final judgement was that she wasn’t completely under his control, “Therefore, there is a reasonable doubt as to whether she was really unable to resist.” Thus, her father was found not guilty of the charges. In other words, she could’ve resisted and she didn’t so Dad goes free.
Incest is not a criminal offense in Japan, although it was once in the past.
Masako Chiku*, the Nagoya Prosecutor, said they would consider appealing the case. Public reaction in Japan was of out rage and disappointment. In Japan, police are reluctant to pursue sexual assault charges; prosecutors routinely drop 50% of cases of sexual assault. According to one survey, 90% of Japanese women feel that Japan is easy on sexual offenders. In a country, where the Prime Minister’s pals get away with having quasi-rape investigations stopped before prosecution can even happen, you can kind of see where they are coming from.
What a different Japan it would be if the man accused of sexually assaulting Shiori Ito had been arrested, as was planned, and thrown into jail for 23 days, like Carlos Ghosn, and interrogated eight hours every day. But of course, this didn’t happen. He’s a friend of the Prime Minister. And he’s a Japanese man.
*The name of the prosecutor may be phonetically incorrect. In Japanese 築雅子次席検事
The March 12 arrest of Pierre Taki (real name: Masanori Taki) for possession and usage of cocaine sent shock waves through the Japanese media. Now that April and the new Reiwa era has kicked in, the hew and cry over Taki’s fiasco has died down somewhat. And he is out on bail. And of course, he did a 30 second bow, after his release to show he was very very contrite. And yes, there is someone out there who actually counts the length of an apology bow. By the end of the Reina era, the average “bow of apology” is expected to stretch to 75 seconds.
The repercussions however, are far from over. Pierre Taki went from being the frontman of synthpop/techno band Denki Groove to one of the most visible actors in Japanese film and television. Taki was never a lead man but with his deadpan humor and weighty presence, he had carved out a John Malkovich-like position and as such, the man is not easily replaceable. At the time of his arrest Taki had been working on a number of TV dramas including NHK’s prestigious Sunday night series Idaten. NHK has announced that they have deleted all of Taki’s scenes including the ones already aired. Apparently, NHK is shooting everything again from scratch, tripling the workload for cast and crew members while other major networks scrambled to cancel Taki’s scenes and appearances. All of Taki’s product endorsements were pulled out. Sales of Sega’s video game JudgementJapan in which Taki appears as a key character, has been stopped.
JudgementJapan was a spin-off of Sega’s popular yakuza games series (龍が如く in Japan) and coincidentally, the series also had another actor retroactively removed from the a game after allegations of cocaine use were published. Even in a game about yakuza, it’s not acceptable for the actors playing the characters, who use drugs, to actually use drugs. In a show of moral consternation, Denki Groove’s music was subsequently yanked off the Net.
Adhering to the Japanese custom in such cases, Taki’s elderly father has appeared in the media to apologize for the wrongdoings of his 51-year old son. The rest of Taki’s family (his wife for instance) has not been seen.
According to news reports, Taki’s arrest cost the Japanese media over 3 billion yen in losses. That bill will be sent to Taki and it remains to be seen how he’ll deal with it.
In the meantime, Taki seems resigned to his fate. The prosecution has released part of his statement attesting to a coke habit going back 30 years. “When I was in my twenties, I was doing cocaine and marijuana whenever I went abroad. After that, the habit stuck with me,” Taki reportedly said. Rumor has it that Taki in the full-statement added “I’m not the only one,” which sounds ominous.
Speculations abound as to who’s next in-line to be busted for drug use. Japan has a reputation of being relatively drug-free, with the exception of amphetamines known as “kakuseizai (覚せい剤）” which has been around since the 1920s. Kakuseizai was and continues to be, a picker-upper used by many segments of the populace—especially yakuza and media celebrities. Interestingly enough, the drug is considered relatively harmless compared to the big baddies: cocaine and heroin. It’s also easy to lay hands on some of it, provided you have the cash and the right friends with tattoos.
Cliched as it sounds, most clubs in Roppongi have V.I.P. rooms where people like Taki can stroll in, sit down and start inhaling shabu—the other name for the drug—referring to the dry mouth and thirst that comes with usage, as well as the tendency of habitual use to suck the life out of the addict. Street prices are now fixed at 70,000 yen per 1 gram, which is a third of the price of cocaine. Five years ago, kakuseizai peaked at 90,000 yen to the gram but the word on the street is that the suppliers have come to outnumber the users.
Japan’s notoriously slow (or thorough, depending on how you look at it) narcotics investigators usually take 18 or so months to gather the evidence for a viable case, and another few months before actually making an arrest. A media analyst who wishes to remain anonymous, said: “I know of a case where the narcotics team spent three years trying to nab the president of a major ‘talent’ agency. They made sure the evidence was air-tight, went in and made the arrest. After all that, the president went free on a suspended sentence. The next year, he was back in business.”
Indeed, kakuseizai can tarnish a public image but not irrevocably. Former baseball superstar Kazuhiro Kiyohara is a case in point. In 2016 he was arrested for using and possessing kakuseizai but after the hullabaloo died down, Kiyohara reinvented himself as a rehab guru. His heavily confessional self-help books continue to sell and he makes frequent appearances on comedy shows. He has turned his misfortune into a second fortune.
The aforementioned analyst explained: “If a celebrity is going to slip, he or she better make sure they’re big enough to withstand the fall. The bigger the name, the more lenient the sentence and the faster the comeback. Everyone in the entertainment industry understands this, which is partially why it takes so long for prosecutors to make an arrest. Everyone crowds around the golden goose, to protect and nurture. A lot of peoples’ livelihoods depend on the survival of that goose. The goose called Pierre Taki kept going for 30 years.”
So is getting caught using drugs a by-product of this super-aged society? It’s sure starting to sound like it. Mega -stars like Aska, (of the music duo Chage and Aska) was arrested for kakuseizai abuse twice, but in his sixties he’s back on stage, touring the archipelago as a one-man show.
Pierre Taki may not be so lucky. Compared to kakuseizai, cocaine constitutes a serious offense and it’s much more difficult to buy in Japan. Taki has never cultivated a squeaky clean image but the overall verdict is that it will take him some time to bounce back from this one. Other celebrities arrested for coke include Shintaro Katsu, an iconic actor from the Showa era whose booze and womanizing lifestyle was in perfect sync with his yakuza roles. In 1990, Katsu (then in his late 50s) was arrested in Hawaii for possession of cocaine which he hid in his underwear. He was promptly deported back to Japan and arrested in Narita Airport but he never admitted where he got the drug and seasoned his trial with bawdy jokes. Katsu’s career and health deteriorated after that but when he died 7 years later at the age of 65–11,000 fans turned up for his funeral.
“I know this is a bad thing to say, but many in the entertainment industry tend to view cocaine as a glamor drug,” said the journalist. “Being arrested for kakuseizai is pretty much run of the mill but a coke habit suggests money, connections and status.”
If this is true, we’ll surely be seeing Pierre Taki again. He may need the money, after all.
In Japan, the convenience store “baito” or part time job, is a rite of passage. Teenagers work at their neighborhood ‘conbini’ after school as a way of padding their allowances and college students work graveyard shifts to pay for living expenses. I did it, my friends did it. Most every Japanese person I know has worked at a conbini at one point or another. And in 2016, Sayaka Murata won the prestigious Akutagawa Literary Award with her autobiographical novel “Conbini Ningen,” in which the protagonist woman is addicted to her conbini job, to the point that she can’t think about anything else.
“I know it has a lot to do with the fact that I’m hyper sensitive but honestly, I feel that women shouldn’t have to deal with porn, especially in a convenience store. It’s sexual harassment.”
In case you think conbini work is boring and easy, let me tell you right now that the job calls for brains, guts and ace reflexes. For women, it’s often a test of mental endurance as well. A woman I know, in her late 30s, has been working the 9 to 7 shift at her local Family Mart for the past 5 years. She says the job is fine, except for one thing: she hates handling the porn magazines that comprise a “not insignificant chunk” of the store’s revenue. “I hate touching those things,” said this woman who has been diagnosed as an HSP. “I know it has a lot to do with the fact that I’m hyper sensitive but honestly, I feel that women shouldn’t have to deal with porn, especially in a convenience store. It’s sexual harassment.” Twenty-seven year old Reina, who quit an office job to work at a Seven Eleven run by her mother, says she feels “slightly sick” every time she has to ring up a porn mag for a male customer. “I’ve been at the job 3 years and I still can’t get used to it,” says Reina. “I don’t lose my cool or anything but I get really uncomfortable. I don’t talk to my mother about it but I call tell she knows how I feel.”
But Reina and thousands of conbini workers like her are about to get a break. In deference to the Tokyo Olympics and the expected soar in foreign tourists including families and minors, major convenience stores Seven Eleven and Lawson have announced the decision to abolish all porn magazines from their outlets by August 31st. The third member of the conbini triumvirate Family Mart, has announced that the company has “no intentions of following suit.” Bad news for my HSP friend (who wants to remain anonymous). At her place of work, the porn stays.
Reina says that the announcement gave her much “relief,” though there are some months to go before she’s free from the unpleasantness of handling porn for work. “That stuff is always about rape,” she says. “The covers show women being tied up and the headlines are violent. Frankly, they’re scary.”
In Japan, the public display of porn – rape or otherwise – has long been a sore point. In 2004, then Tokyo governor Shintaro Ishihara issued a law that required convenience store porn magazines to be partially bound in cellophane, to prevent casual riffing. “If anyone wants to look at those things, they’re going to have to show some courage, go up to the register and pay for them, right in front of everyone else.” This was a statement Ishihara apparently made to an aide, and later picked up by Japan’s sports tabloids, infamous for their own abundant porn content.
For some weeks afterwards, “show some courage” was a popular, mirth-filled punch line among Japanese men. Whether Ishihara really said those words isn’t the point – the move was classic ex-Governor. Always a gung-ho macho, one of Ishihara’s pet laments was the “pathetic-ness” of the slinky, under-confident Japanese male. He didn’t need to trot out the Olympics to turn the screws on their source of fun.
Unfortunately, his cellophane law simply gave rise to another problem: “harmless porn.” Instead of riffing through X-rated content, men turned to “gurabia,” magazines that featured bikini-ed young women on the covers in provocative poses and more of the same inside the pages. Since the women weren’t nude, the magazines couldn’t be described as hard porn. And the blurbs were all about how “beautiful” or “cute” the girls were so how could it be offensive, right? (Though their cup sizes were loudly touted along with their prettiness) Emboldened by this new wave of accessible and ‘kawaii’ porn, salarimen took to visiting the conbini on their lunch hours and picking up the magazines along with their bento and canned coffees. The early naughts were also about “tosatsu,” or shooting voyeuristic pictures of random young women on the streets, or catching them unawares through open windows. And these photos often found their way into – you guessed it, “harmless porn” magazines, stacked on conbini shelves.
Now, 15 years later, porn magazines (whether hard or harmless) comprise a dismally shrinking market. In the late 1990s, the conbini magazine market sold to the tune of 500 billion yen a year and the adult genre made up nearly 50% of that revenue. Retail analyst Hiroaki Watanabe says that those heydays are long over, and the market has been reduced by almost 70%. “These days, the main clientele of adult-only magazines are seniors, who don’t have smartphones or Internet access,” he says. Indeed, the aforementioned Reina says that porn mag buyers are nearly always “older men, who never make eye contact and have an air of shame.”
Indeed, the aforementioned Reina says that porn mag buyers are nearly always “older men, who never make eye contact and have an air of shame.”
At this point, Mini Stop is the only major convenience store that has completely cleared theirs shelves of adult mags. This is understandable, as Mini Stop is owned by retail conglomerate AEON known for a squeaky clean, family-oriented image. As for the conbini triumvirate, about one-third of their outlets don’t carry adult magazines, according to the companies’ PR.
The PR for Family Mart stated that ultimately, the company leaves the choice to stock porn up to the individual outlet owners. “Some of our outlets don’t carry magazines at all, regardless of content,” said the PR spokesman. “Anyway, we’re heading toward an era where customers can purchase and download magazine content right at the cash register. Paper magazines will be obsolete.”
Ex-Gov Ishihara probably didn’t see that coming. If a tap on a smartphone is all it takes to buy porn at the local conbini, what’s going to happen to male courage?
Some men in Japan just don’t seem to get that objectifying women is wrong.
In the land of the rising sun, the objectification of women is not only a thing, it’s a solid tradition and time-honored marketing ploy. Sometimes though, the tables can be turned the other way. This happened when Weekly SPA, a magazine famed for insisting that sex and money are the only things worth striving for, came out with a story in late December about which colleges had the most number of ‘yareru’ (i.e., easily f*ckable) women. Honorable first place went to Jissen Women’s University, followed by other prestigious women’s universities Otsuma and Ferris. Co-ed universities Hosei and Chuo came in 4th and 5th.
Normally, this would have caused a total of zero ripples on the calm surface of Japan’s societal pond (all the scum lurks beneath) but one young woman dared to raise her voice. This is Kazuna Yamamoto, a senior at International Christian University. Yamamoto saw the article and wrote to petition websitechange.org – that Japan should stop objectifying women, and noted the nation’s women “do not exist [soley] for the benefit of men.” In two days, Yamamoto’s petition amassed close to 30,000 sympathizers.
SPA editor-in-chief Takashi Inukai issued a public apology, saying that ‘yareru’ was in this case, inappropriate. Sorry. What SPA really meant to say, was ‘become on friendly terms with.’ Come on guys, is that the best you could do?
To make matters marginally more demeaning, SPA’s article was really about the practice of ‘gyara nomi,‘ which is a thing among young Japanese. (The ‘gyara’ comes from guarantee – in this case, cash.) In a ‘gyara nomi,’ a group of men meet a group of women at a drinking party. The men pick up the tab, and they are also obligated to offer money to women they find especially attractive. The women may or may not be pressured into sex by accepting the monetary gift but according to ‘Reina,’ a woman who regularly attends such gatherings, says “the sex is sort of mandatory. I mean, you can’t say no after the guy pays you. For myself and a lot of other girls, it’s a side hustle.” SPA covered an actual ‘gyara nomi’ party and an app that matches up college girls from the aforementioned universities wanting to earn a little cash, and men looking for a quick roll in the hay. It goes without saying that gyara nomi are limited to women under 25, (pre-Christmas cake age) though men do not face that censure.
Two factors are at play here: the objectification of women surely, but it’s also about women seizing the opportunity to cash in on their objectification. In a pathetically perverse way, you could say this is a win-win situation, or at least a supply and demand equation. Such a scenario is nothing new under the rising sun. Until Japan finally opened its doors to the West, objectifying women was so taken for granted the women themselves thought nothing of it.
By the way, the geisha trade of old was all about pushing the envelope of objectification: the closer a geisha got to simulating a perfectly made-up doll who danced and poured sake for her male clients (with a hinted promise of post-party sex), the better.
And in spite of all the water under the bridge and modernization with a vengeance, not a whole lot has changed. The practice of gyara nomi attest to the fact that Japanese men would would rather pay for sex, than god forbid, having to go through the arduous process of talking with a woman and getting to know her, and her consent– before taking her to bed.
As for the women themselves, like the aforementioned Reina many see their youths as a side hustle. If men and society insist on viewing college girls as ‘yareru’ cuties slinging Samantha Thavasa handbags over their arms, then there’s no shortage of college girls who bank on that view. Wearing short skirts, attending gyara nomi parties and then the next day, laugh about the men with their girlfriends at Starbucks. What’s the harm – but more to the point, how will they finance those Samantha Thavasa handbags if not through men? No self-respecting college girl wants to admit she had to buy one all on her own. With the exception of a weird few who want to waste their precious youth pursuing a medical degree (we know where such lofty ambitions wind up), young women find it easier to cater to male fantasies, and be compensated in one way or another for their trouble.
An apology from SPA will not likely change the way things are, but maybe, just maybe – it’s a tiny step taken toward…not anything so drastic as equality but non-objectification? On the day after the SPA fiasco, Peach John – one of Japan’s most lucrative women’s lingerie companies – issued an online apology about ‘inappropriate wording’ on one of their products. This was a supplement, touted as a ‘love potion.’ “Slip it into a loved one’s dish or cup, to get that person in the right mood for love” said the product description. (Editor’s note: At least that sounds better than menstrual blood in Valentine’s Day chocolates ) Peach John terminated its sales and promised that they will be “more careful” about choosing the right phrases. Cash, potions, deception, discrimination…would this all go away if Japanese men and women just learned to talk to each other?
Recently a Company called Shuukan Spa has released a ranking of “University students with easy-access girls” on a public magazine. (Published October 23, 2018)
2018 was a year where women from all over the world fought for women’s rights, so that our voices were delivered.
Japan will be having the first G20 summit this year, 2019 and it is ridiculous for an article such as this to be published. It’s not funny at all.
I would like to fight so that especially on public articles such as this one, sexualizing, objectifying and disrespecting women would stop.
We demand Shuukan Spa to take this article back and apologize, and promise to not use objectifying words to talk about women.
This sexualizing of women is not funny.
In Japan according to a study done by the Ministry of Justice, only 18.5% of the women report sexual assault or rape.
How about the left over 81.5%?
They don’t speak up. Can not speak up.
Because sexual assault, random guys touching your butt in public trains, having their crotch up your butt, rape, is something women have to deal with.
Because We use underaged girls in bikinis to fulfill the fetish of those who love baby faces.
Because we idolize young girls.
Because honestly, the society hasn’t changed ever since the time of comfort women.
Because men and women do not believe that we are worth the same as men.
In this world, 1 out of 5 women are raped or sexually assaulted before their 18th birthday.
According to the ministry of Justice, only 1 out of 10 people actually get convicted, after being sued for sexual assault.
In 2018, the world fought.
In some countries, abortion finally became legal.
100 year anniversary since Women got voting rights.
Women in Saudi Arabia were able to drive.
And using Social Media, people spoke up using #MeToo #NoWomenEver and in South America, #NoEsNo and #AbortoLegalYa.
This year we will not only hold the G20 nor but the W20 (women 20)
We demand that the media stops using words to discriminate women, objectify women, disrespect women and sexualize women.
We, women are not less than men.
We are human too.
We do not LIVE for men.
We do not exist for men.
Let’s raise our voices because I am sick of this society where women are objects.
Note: We met with former prosecutor Nobuo Gohara, last week, to discuss the arrest and prosecution of Carlos Ghosn. Mr. Ghosn has been accused of financial crimes, and has now been detained 23 days and rearrested. With Gohara’s permission, we are publishing his translated observatiosn about the case, written prior to the re-arrest of Mr. Ghosn today (December 10th 2018). *Portions of this were previously published in Japanese on Yahoo! News.
The Arrest of President & CEO Saikawa is Inevitable if Mr. Ghosn is Re-arrested based on Fake Statement made in the Last 3 Years
The End of The Myth of The Special Prosecutors is one book that Mr. Gohara has written on Japan’s prosecutors going off the rails.
Today (December 10) was the last day of the extended detention of Mr. Carlos Ghosn, who was arrested by the Special Investigation Unit of the Tokyo District Court on November 19 and was removed from the Representative Directorship of Nissan 3 days thereafter at the extraordinary board meeting, as well as Mr. Greg Kelly.
The suspected offense of his violation of the Financial Instruments and Exchange Act turned out to be the fact that he did not describe the “agreement on payment of compensation after his retirement” in the securities report. However, given that the payment had not been determined and that it cannot be considered as a fake statement of an “important matter”, there are serious concerns about considering this non-description a crime.
There has been an increasing skepticism about the method of prosecutors’ investigation who suddenly arrested Mr. Ghosn at Haneda Airport inside his personal aircraft when he just returned to Japan. As I have pointed out in my article (“Ghosn Can Only Be Indicted if Prosecutors Follow Their Organizational Logic”), since the prosecutors have arrested him based on their unique decision, it is impossible for them “not to indict Mr. Ghosn”, as it would be self-denying and contrary to the “logic of the organization”. It had thus been fully anticipated that the prosecutors would indict Mr. Ghosn today.
However, the facts that have newly been revealed through the subsequent media reports are raising even more serious concerns with respect to his arrest based on the “agreement on payment of compensation after his retirement” (although various media organizations report that those facts constitute the ground of his indictment by the prosecutors).
Could this herald the possible “collapse” of the prosecutor’s case
There is Virtually No More Possibility that Mr. Ghosn will be Re-arrested with the Crime of Aggravated Breach of Trust or the like
First of all, it has been reported that the prosecutors intend to re-arrest Mr. Ghosn on the ground that he has “underdescribed his executive compensation of 4 billion yen for the last 3 years”. The facts that constituted the ground of his arrest and detention to date had been the fake statement around the “agreement on payment of compensation after his retirement” for the period of 5 years up to March 2015 term. The prosecutors, however, are intending to re-arrest him based on the same fake statement but for the last 3 years up to March 2018 term.
There had been a speculation that the fake statement in the securities report was merely a ”starting point” and that the Special Investigation Unit was contemplating to pursue some “substantive crime” such as aggravated breach of trust. However, had they been able to pursue the crime of aggravated breach of trust, they would have re-arrested him based on that. Given the overloaded investigation lineup of the Public Prosecutors Office, which has been accepting prosecutors dispatched from the District Public Prosecutor Offices, as the year end approaches when they need to send the dispatched prosecutors back to where they belong, they would want to avoid arresting him based on the new facts on and after December 10 unless extreme circumstances arise, because the period of detention of 20 days would then extend to the year end. This means that the only “charge” based on which the prosecutors intend to indict Mr. Ghosn is the fake statement of his executive compensation. On the basis that they will re-arrest him based on the same fake statement as the facts constituting his initial arrest and detention, it is highly probable that the investigation will end there.
This is a scenario which I have predicted, as I have repeatedly stated since right after the arrest. That is, based on the facts that have been reported, it is unlikely that Mr. Ghosn will be indicted for the aggravated breach of trust (“Ghosn Case: Yomiuri Beginning to Ditch Prosecutors while Asahi Cling to Them”). However, for those who firmly believe that the “justice always lies with prosecutors” and because of that believe “Mr. Ghosn, who was arrested by the prosecutors, is a villain”, it would be hard to accept that the investigation would end by only charging him with such a trivial crime as fake statement and not criminally pursuing any “substantive crime”.
Serious Issues Concerning Procedures of Detention
Of further significance is a “serious issue concerning the legality of detention” in relation to the re-arresting of Mr. Ghosn and Mr. Kelly based on the “underdescription of Mr. Ghosn’s executive compensation of 4 billion yen for the last 3 years”.
A securities report is something which is prepared and submitted each business year. As such, there is supposed to be “one independent crime” for each business year, totaling to 8 crimes, if there are fake statements in all securities reports for the period of 8 years from March 2010 term to March 2018 term. However, the charge against Mr. Ghosn with respect to the “agreement on payment of compensation after his retirement” is different from a standard fake statement in the securities report.
An “MoU” was said to have been made between Mr. Ghosn and the Head of Secretary Office every year with respect to part of the executive compensation payable after his retirement under the pretense of some other payment, which had been kept secret to the Departments of General Affairs and Finance of Nissan and had been kept confidentially. The securities report for each year had been prepared and submitted without regard to the agreement made in such “MoU”. Since the acts of preparation of the “MoU” for 8 years had been repeated every year under the same intent and purpose, they constitute “one inclusive crime” provided that they do constitute a crime. They should effectively be interpreted as “one crime” as a whole. “Dividing” these acts into those conducted during the first 5 years and those during the last 3 years for the purpose of repeating the arrest and detention means arresting and detaining based on the same facts, which is a significant issue in terms of due process of detention.
On top of that, if the prosecutors intend to re-arrest them based on the acts in the last 3 years after completing their investigation and processing of the fake statement for the first 5 years, it would be that they had “reserved” the acts of the last 3 years for the re-arrest. This is an unjustifiable detention which deviates the common sense of prosecutors. Inevitably, Mr. Ghosn and Mr. Kelly would file a quasi-complaint with respect to the detention or a special appeal with the Supreme Court, claiming that it is an unjustifiable detention in violation of due process under Article 31 of the Constitution.
It Would Be Difficult to Deny Criminal Liability of President Saikawa
“When The Thinking Processes Of The Organization Stop” discusses the implications of an infamous case in which a prosecutor forged evidence and dysfunctional organizations in general, which could apply to Nissan at present.
A more significant issue is that it has been reported by Asahi, Nikkei, and NHK that Hiroto Saikawa, President and CEO of Nissan, has also signed the “document agreeing on the post-retirement compensation”. It has been reported that Mr. Saikawa has signed a document titled “Employment Agreement”, which describes the amount of compensation for the agreement prohibiting Mr. Ghosn to enter into any consulting agreement or to assume office as an officer with any competing companies after his retirement. It has also been reported that, apart from the above, a document was prepared which specified the amount of compensation which should have been received by Mr. Ghosn each term and the amount which had actually been paid, as well as the balance thereof, and that it was signed by Mr. Ghosn the ex-Chairman and the executive employees as his close aides.
The prosecutors and media may be denying the criminal liability of Mr. Saikawa for his fake statement of the executive compensation based on the reason that, although he had been aware of the payment of compensation as consideration for the prohibition of Mr. Ghosn’s entrance into any consulting agreement or assumption of office with competing companies after his retirement, he had not recognized it as a payment of executive compensation under some other pretext, and because of this, he did not know that it should have been described in the securities report as “executive compensation”.
I wonder, however, how President Saikawa had recognized the consideration for the prohibition concerning the consulting agreement and non-competitive agreement. If he had signed the document based on his understanding that it was a legitimate and lawful payment, it would mean that the agreement has its basis and that Mr. Ghosn has an obligation to refrain from entering into any consulting agreement and competing in return for the payment. It would thus be considered a “legitimate contractual consideration” rather than a “deferred payment of executive compensation”.
Above all, why did Mr. Saikawa think it was necessary to enter into an agreement that prohibits Mr. Ghosn from entering into any consulting agreement or competing after his retirement when there was actually no specific sign of his retirement? We can never understand the reason unless the agreement is explained as an “alternative for reducing the executive compensation by half”. In the end, we cannot help but think that Mr. Saikawa had almost the same recognition as Mr. Ghosn and others with respect to the agreement.
The offense of the crime of fake statement in the securities report is constituted not by “making a fake statement” but by “submitting” the securities report with a fake statement on an important matter. The person who has an obligation to ensure accurate description and “submission” is the CEO in the case of Nissan, which is Mr. Saikawa from and after March 2017 term. If, as mentioned above, Mr. Saikawa had largely the same recognition with Mr. Ghosn with respect to the “post-retirement payment of compensation”, we have to say that it is Mr. Saikawa who would primarily be criminally liable for the last 2 years (apart from the severity of the ultimate sentence). That is, if the prosecutors are to pursue the indictment of the fake statement of the securities report for the last 3 years, it is inevitable to charge Mr. Saikawa as well.
Can Mr. Saikawa Withstand Criticism of being Involved in “Backdoor Agreement” with Prosecutors?
This is when the idea of plea bargain occurs to us—that is, whether or not there is a possibility that Mr. Saikawa has agreed to a plea bargain with the prosecutors by cooperating in the investigation on the “crimes of others” (i.e., of Mr. Ghosn and Mr. Kelly), thereby being exempted from criminal punishment.
It is possible that there is a “backdoor agreement” between the prosecutors and President Saikawa “targeting” Mr. Ghosn and Mr. Kelly. However, if such agreement exists, where it is agreed not to charge President Saikawa, what was it all about that he criticized Mr. Ghosn at the press conference immediately after his arrest, going so far as to say that he “felt resentment (toward Mr. Ghosn)”? There is likely to be severe criticisms against such agreement as well as against Mr. Saikawa domestically and internationally. Furthermore, if this is the case, it is likely that Mr. Saikawa falls under the “party with special interest” in relation to the extraordinary board meeting where he served as the chairman and determined the removal of Mr. Ghosn from his position of the Representative Director and Chairman. This may affect the force and effect of the vote (““Serious Concern” over Plea Bargain between Executives of Nissan and Prosecutors” – Are Directors Involved in Securities Report able to Participate in Voting relating to Removal of Ghosn?).
Given all of the above, if the prosecutors are to re-arrest Mr. Ghosn and Mr. Kelly on the ground of a fake statement in the securities report for the last 3 years, there is no other choice than to arrest Mr. Saikawa and hold him criminally liable. However, this would virtually mean the collapse of the current management team of Nissan which executed a coup d’etat at the initiative of President Saikawa and upset the Ghosn Regime. The investigation of the prosecutors, which has been conducted in close cooperation with the management team of Nissan, is also at a risk of “collapsing”.
*Translation was provided by Mr. Gohara’s office, with some minor editing by JSRC staff for clarity based on the original Japanese text.
You don’t know cool until you’ve seen ZAN (international title: “Killing”). A period action film set in the late Edo Period, ZAN is everything that The Last Samurai is not: minimalist, unpretentious and totally unsentimental. Back in Old Japan, sentiment was often a luxury few people could afford. It was hard enough to secure things like food and basic comforts, and the situation was harder for the samurai because they had to keep up appearances as the authoritative class.
“I want you to think about all the mistakes you’ve made in your life up to this point,” he tells his bleeding victim. “You have plenty of time for reflection until you finally manage to die.”
ZAN notes that a samurai was defined by two things: 1) his sword and 2) his ability to kill others with that sword. The film also makes no bones about the incredible pain and grossness that accompanies a sword fight. It’s not like a TV period drama where one swish of a katana brings on instantaneous death–the process takes hours or even days of intense suffering. In one scene, after a close battle a samurai slices off the arm of an opponent, right from the shoulder. “I want you to think about all the mistakes you’ve made in your life up to this point,” he tells his bleeding victim. “You have plenty of time for reflection until you finally manage to die.”
Chilling. Isn’t it? ZAN is a lesson in Edo Period brutality and despite the obvious disregard for period detail (like speech patterns and vocabulary) it all feels eerily true. No one cracks a smile, wears make-up or even changes out of soiled kimonos. The sky is heavy with perpetual rain, the houses are pitch dark, cramped and dingy. The threat of pain and death is ever-present and the only respite is sex, or more often, masturbation. Something has got to give, but you sense right away that the giving isn’t going to be happy.
ZAN is directed by Shinya Tsukamoto – arguably the most innovative auteur working in the Japanese flm industry today, and distinctive for working solo. An indie wunderkind, he directs, writes his own screenplays, works on his own production designs and acts in crucial roles, in his own and other peoples’ films. Tsukamoto even auditioned for Martin Scorsese’s Silence and got the part of Mokichi. Rumor has it Scorsese thought Tsukamoto “looked familiar,” as the American director is a fan of his work, but didn’t believe that a man of Tsukamoto’s repute would actually show up for an audition. Scorsese was later flabbergasted to learn the truth and professed to be “in awe” of Tsukamoto – at least that’s the story floating around in the Japanese movie industry.
But it’s easy to believe that Scorsese was impressed because as an actor, Tsukamoto radiates a macho allure that’s hard to resist. In the movie, he plays an older samurai named Sawamura, a mysterious vagabond traveling from village to village in search of talent. Sawamura has an agenda – to form a platoon of free agent samurai and offer their services to some powerful lord. The era is late Edo, when the whole of Japan was in the fever grip of confusion and intrigue, all the while being pressured by Europe and the US to open up the nation, after nearly 260 years of isolation. Against this backdrop, hordes of samurai were fired from their clans and left to fend for themselves. Many of them were recruited as foot soldiers by the Tokugawa shogunate and its supporters that were anti-foreigner and desperate to preserve the status quo. Sawamura’s own political views are unclear but most likely he has none. Like many unemployed samurai at the time, gaining a steady position was the biggest priority and as a samurai, that meant killing people with his sword. “I want to do my part in these chaotic times,” he explains.
Sawamura’s statement reveals the Edo samurai mind-set: Fighting for a cause or a political slogan was tacky. Killing to assert one’s identity as a samurai, was more like it. He wanders over to a village on the outskirts of Edo and observes a young samurai, Tsuzuki (Sosuke Ikematsu) having a mock sword battle with farmer boy Ichisuke (Ryusei Maeda). Tsuzuki had been hired on a farm in lieu of food and board, and had been giving katana lessons to Ichisuke whenever they had a moment free from working the rice paddies. Tsuzuki is an excellent swordsman and under his tutelage, Ichisuke has acquired a lot of skill. Sawamura wastes no time in recruiting them both, and proposes leaving for Edo in two days. Ichisuke is keen to go but Tsuzuki is inexplicably reluctant. The presence of Ichisuke’s sister Yu (Yu Aoi) is part of the reason – Tsuzuki always masturbates to the sight of her bathing and the story suggests he is a virgin. Could it be that he’s also a virgin as a murderer, and for all his grace and expertise with the sword, Tsuzuki has never brought his blade down on another man’s flesh?
ZAN twists and writhes its way to a bloody climax and by then you become well aware of the wondrous weirdness of the samurai. They are darkly backward in their thinking, swayed by a single desire to assert their samurai identity, which is on par with the will to kill. It overrides all other desires – for happiness, for justice, even for survival. It depicts not the noble samurai of Japanese fiction and The Last Samurai, but the samurai as they really were: bloody, brutal, barbaric and with no notions of the word Bushido(武士道). Bushido, both the word and the concept of a noble samurai were retroactively imposed upon the Edo-era culture by the writer Inazo Nitobe in 1900. His book Bushido: The Soul of Japan, written in English, was aimed at Western audiences, and tried to elevate the popular image of Japan. (The “Cool Japan” strategy of 1900).
In ZAN, the opening of Japan to the West and the subsequent demolishment of the samurai was just around the corner, but Tsuzuki and Sawamura are locked into an existence that no one, not even themselves, could fully comprehend or accept. They take us to a place that defies logic and explanation, to a time when such things were beside the point. It’s only when the lights come on that we take stock of what Japan has lost in the wake of modernization and wonder briefly whether the trade-off was completely worth it.
Editor’s Opinion: Yet, are the samurai really missed? ” For the peasants and underclass who were often brutalized by the samurai, probably not. Samurai could legally murder the lower class of merchants, farmers, prostitutes, etc–kirisutegomen–for being impolite or simply being annoying. The movie reminds us that maybe for the rest of us, the cutting down of the Samurai was a boon to Japan, not a curse. What do you think?
I shuddered while reading the first line of this email on my mobile, I remember dropping it on my bed in disbelief. This wasn’t the usual time-waster, this wasn’t the usual sex pest abusive messages that escorts usually got.
“I know your name it’s ______ and you’re a student at _____ University”.
My heart stopped. I don’t use my first legal name anywhere online, nor do I tell people it. The only person who would know my entire legal name would be someone with access to official documents about myself. Like a professor.
“If you don’t send me nudes, and whatever the hell else I might want. I’ll expose you. I’ll tell everyone at University about you. I’ll tell your talent agency about you.”
Plenty of people within the entertainment industry moonlight as sex workers, including now famous A-list Hollywood actors. The difference between myself and them was that I was an idol. An idol in Japan is a young person active as a singer, as a dancer and most importantly a talent, whose biggest attribute is Disney’s Mickey Mouse Club-esque squeaky clean nature and hopefully manga-like cute cuddly shining eyes, perpetually open wide.
“If you don’t send me nudes, and whatever the hell else I might want. I’ll expose you. I’ll tell everyone at University about you. I’ll tell your talent agency about you.”
In Japan, I had come to meet a few idols who worked jobs as hostesses, girls bar work, erotic massage and for escort services. I even knew a guy who knew a guy who claimed to be the Papa-San or “sugar daddy” of a lesser known ***48 member. As common as this tends to be, it obviously is a liability for talent agencies.
For lack of more eloquent words, I was scared shitless. Whoever this person was had leverage on me as a student, as a migrant and as someone in the entertainment industry. However, I was more afraid that if I heeded his orders it would quickly elevate to more unscrupulous demands.
So, I ignored it. I ignored it for as long as I could. Until two weeks later he sent information about fan event I would be holding with something threatening along the lines of: “It would be a shame if I came here and showed everyone your ad. You’re a dirty whore! Muahahahahah” The original email was worded differently, but the meaning was clear.
He was trying to exploit my latent feelings of shame around the sex work I was doing at the time and the stigma society has around sex workers and migrant sex workers. As dumb as this is, I ended up sending him a few recycled lewd photos. I was too afraid of the repercussions…or maybe I have a humiliation kink I can’t admit yet. Even though I can dryly laugh about the situation now, it was horrifying when it was happening to me.
He predictably took it up a notch. “Go to coordinates _____ and there’s a vending machine. Put ¥20,000 (roughly $180) under it. Don’t look around or ask questions. If you don’t want this option you can give me blowjobs every week but you will remain masked the entire time”
20,000 yen it is, I decided. I kept being urged by friends to report this to the police. Despite what I said in my twitter post in Japanese, I didn’t. Well technically I didn’t. I’ll get back to that. I couldn’t report it to the police because what I was doing to earn money was probably way outside of the kind of work my visa would allow.
Later that day I looked up the coordinates to the vending machine where I was instructed go leave the cash. I wanted to sarcastically reply, “which vending machine” because in Japan there’s a vending machine on every street corner, sometimes on every floor of a building. The coordinates were smack dab deep in Dougenzaka, Shibuya’s red light district, also known as “Love Hotel Hill’.. It’s a bit like all of Roppongi but without drunk expatriate asshole merchant bankers. It’s also a bit like the East side of Ikebukuro but without the old men holding hands with high school girls openly. It’s a bit like Ueno but Dougenzaka doesn’t reek of piss. You get the idea. Dougenzaka is a red light district. It has the neon lights, beat cops, happening bars, love hotels and all the trimmings. But it tends to be a bit quieter than the others. Somewhere nicely in between the gaudiness of Kabukicho in Shinjuku and the tawdry sleaziness of Uguisudani.
He wasn’t the most intimidating guy to bring along, however he had a penis and he was Japanese.
I decided, that I would pay him once but no more after that I told myself. Going with me was a male friend. By friend, I meant a guy who was a part-time host at a host club and part time nursery school teacher who I had friend-zoned. I don’t like host clubs or hosts, both are painfully boring to me. I’ve never understood the appeal to the host system. I’ve had this theory, since most of the women patrons of host clubs are also sex workers, who have to deal with assholes all day, hosts allow them to try their hands at the dynamic themselves. Something like “reverse sexism”. As I said, I don’t like hosts but this guy was different. He was a total geek.
He was a Kaiju (怪獣） and Kamen Rider （仮面ライダー) nerd, totally into the world of Japan’s superheroes and super monsters, and quite small in stature. He wasn’t the most intimidating guy to bring along, however he had a penis and he was Japanese. If the situation became out of hand, those two important factors would be all that would matter with having an ally on my side.
As we toddled down the dark Dougenzaka alley trying to find the exact location of the vending machine from the email, Kaiju-host told me “I don’t feel so well about this.” Well no shit Sherlock. Neither did I, but in my mind if I gave this guy money he’d lay off for enough time for me to figure something clever out.
“I think this is it!” We walked near a vending machine similar to one I had seen on Google maps. The location was a far cry from the neon lights and drunks bumbling out of Izakayas. The only illumination about was from that vending machine; the neon glow lit the alley like a lighthouse far in the distance. I wish I could say something more meaningful or prolific about that, but I can’t. Just know the place was really damn dark and the only light was from a metal box with drinks inside of it. I would definitely feel more afraid being alone there. I remembered the line from the email: “Don’t look around or hang about too long!” I wondered whether or not this idiot was hiding somewhere in the darkness with a trench coat on and a seventies porn mustache ready to pounce.
I slid the envelope containing the ¥20,000 under the vending machine.
“Man! T–t-this is crazy!!!”
As Kaiju Host whimpered I wondered to myself why I brought him, of all people, as some sort of security. Then I quickly reminded myself he was Japanese with a penis, and the professor harassing me was most likely American or Canadian, based on his writings. In my mind if the police had any questions, providing this idiot actually did pounce in a trench coat, me being a whore was cancelled out by having a Japanese person with me and maybe I would have a fair chance.
I went home that night and emailed the idiot professor who somehow thought 20,000 yen was a lot of money to blackmail someone for.
“I’ve given you the money. Please leave me alone”
I stupidly assumed all was well the next day when he responded, “Great. I’ve got it. I won’t bother you anymore.”
And then silence. I assumed silence was great in this case, until two weeks later when I was contacted again. I know the readers are probably wondering where this story ends, if it’s fake or if I’m really all that stupid for continuously giving into his demands. I’d say a bit of the latter is true.
“You know…I’m starting to think you should um, come to a love hotel once a week or so and give me a free blow job, while wearing an eye mask so you won’t know who I am.”
And I ignored them. The emails got more and more harassing with every day, with about fifty or so emails sent every single day over a week’s time.At this point, I confided with a few friends about what I should do. Whether Japanese or not they all had a theme
“Go to the police. He will lose his job, everything. It’s illegal!”
“Dude this is how people get killed. You need to tell the police or I will!”
As much as I wanted to, as much as I told myself to do so- I couldn’t. I knew the score. Women are stalked in Japan all of the time and police often do nothing until it’s far too late for the woman. Women have been stalked, beaten and even murdered with the Japanese police and media blaming her post-mortem for “leading him on”. It wasn’t until 2014 that Japan’s stalking laws drastically changed, society will take longer however. So to say I was hesitant on contacting authorities at all in an understatement.
So I did the best next thing.
I impersonated a police officer. This guy seemed like an idiot, so I figured it wouldn’t be too hard to fool him. I searched online for Japan’s laws on stalking and internet harassment. “Bingo!” I found a long bill of text and decided to use it. There was a lot of complicated wording in it, but it didn’t matter as long as it looked official to scare him.
I took time to translate the text, because I imagined this guy as one of those Western men in Japan who took zero time to learn anything beyond “Areegatoe” and broken pick up lines to use on obviously resisting Japanese women.
“Haha” it was so funny how official the penal code looked. I even added in Japanese and English: THIS IS AN OPEN POLICE INVESTIGATION. LAW ENFORCEMENT ARE LOOKING INTO YOUR ACTIVITIES AND HAVE TAKEN CONTROL OF THIS ACCOUNT.
He responded almost instantaneously, “I’m sorry can we reverse this somehow? I was just kidding.”
Thankfully, I never heard from him ever again. But it still haunts me. My legal name isn’t public knowledge and it isn’t something I even used within university. This was someone with access to my legal documents, my Instagram, my twitter and was most likely a lecturer, as he claimed himself. Everyday at University from that point, I wondered, “Is it him?”
The university I went to wasn’t renowned for having a great administration or anything. There were so many strange people there. I had far too many theories on who it might have been and far too many unusual suspects. Maybe you don’t have sympathy for me because you don’t like sex-workers and don’t believe people should have the right to full autonomy of their bodies. But the sin of having consensual sex, for money shouldn’t be one that has so much shame attached that it could lead to someone in authority blackmailing a student.
A part of me laughs a bit though, at the entire experience and wondering if he was scared shitless for a few months worrying if it was the day law enforcement would come question him. Or maybe he didn’t care at all.