Category Archives: Coming Events

outstanding tokyo English Standup comedy This Friday!

Tokyo’s English Stand-Up Comedy scene continues to grow as comedian Yuki Nivez prepares to host the fourth show in her series, Not Just a Diversity Hire.
Designed as an inclusive, misogyny-free comedy zone, Yuki first came up with the concept while performing regularly at stand-up shows around the city.
From the NJaDH About section:
The “Not Just a Diversity Hire” Comedy Nights began when founder Yuki Nivez realized the demand for a comedy space that was free from misogyny, for both performers and audience members. She wanted to be able to take to the stage without having to hear that she was “the diversity hire”. But she was also constantly hearing from audience members, especially women, that they couldn’t enjoy themselves because of the sheer number of jokes or performances that, often unconsciously, created an environment of hostility towards women.

Yuki believed that comedy was supposed to be about having a good time and while openly aggressive or intentionally triggering comedy was uncommon, she saw how there was an entire segment of the audience that wanted to enjoy comedy without having to confront the same sexism that they had to endure during their day-to-day life. Without seeking to censor the comedy of others, she decided to see what would happen if she curated a line-up and a space where the audience and the performers could feel free from those attitudes for an evening.

And guess what? 

Everyone had a good time.

Since then, the show has grown to offer an inclusive venue to comedians of all kinds, but especially to those who know what it’s like to be treated as “the diversity hire.” While spectators can continue to rely on not having to hear misogynistic material, performers can expect a friendly audience who will let them be comedians and not categories.

Yuki’s goals for the future of NJaDH will continue to be comedy without misogyny, and inclusion without tokenism.

About the next show:
The next Not Just a Diversity Hire show on September 30th is a special edition, featuring Bobby Judo (flying in from Kyushu!), Yuki Nivez, Freddy Slash’em and Mx Terious.
The show will be followed by a panel discussion joined by guest speakers: Film director Lilou Augier, and creator of Femin Tokyo Podcast, Samantha Lassaux.
Panelists will share experiences that run the gamut from lamentable, to laughable, to learnable.
Don’t miss the chance to meet the performers, mingle, and share your thoughts and questions as well!
Info and tickets:Time: Friday, September 30th 19:30 pmLocation: Hypermix, MonzennakachoTickets: http://notjustadiversityhirespecial.peatix.com/

Tokyo Comedy Bar Opens In Shibuya

Tokyo Comedy Bar launches in Shibuya by Phoebe Amoroso

After the past couple of years, we could all do with more laughs. Yet when Ben “BJ” Fox proposed opening a comedy venue in the middle of a pandemic, many people thought he was having a laugh – and not the right kind. It’s a fact he acknowledged at the venue’s opening night last Friday, describing the project self-deprecatingly as a midlife crisis. 

There’s nothing sexier than a hard tall and thick hot mike.

The audience, however, was gleeful and, as comedy-lovers, presumably grateful too. Tokyo Comedy Bar becomes the city’s only stand-up comedy club, bringing shows nightly to the heart of Shibuya. From roast battles and improv to hosting international comedians, the venue has big ambitions, impressively offering shows in both English and Japanese. As the name cunningly suggests, it’s also a bar, boasting craft beers on tap, and there’s no obligation to stay for a show.

We caught the late show of Tokyo Comedy Bar’s English two-part opening event, with BJ Fox MC-ing a line-up of six comedians. Admittedly, we were a little sceptical whether they could all deliver, but we were proved wrong; the laugh-a-minute from the audience was evidence enough that these performers knew their crowd, tackling everything from politics to sexuality, and especially life in Japan. 

Jon Sabay kicked off the evening, riffing on expats versus immigrants drawing on his own family history, and then educating us on the true signs of whether someone is a gaijin. Up next, Bill Miller began his set by taking on Japanese apartment sizes in some near-the-bone humour that definitely wouldn’t make it onto NHK. A shout-out must also go to the musically talented Ruben VM for highlighting the most endangered species in the world in his song “Extinction,” and getting us all to sing a truly heart-warming song about nationalism. 

Good beer, good cheer

With both opening shows sold out, it’s going to be exciting to see how Tokyo Comedy Bar will develop the city’s stand-up scene and whether it’ll bring fresh comedic talent to the stage. One thing, however, is for certain: after two years of almost all events being cancelled in the city, the venture couldn’t be further from a midlife crisis. It’s post-pandemic therapy, and long may it continue. 
For the full event schedule, check Tokyo Comedy Bar’s website or Instagram.

BJ Fox Welcomes you!

Japan: The Shape Of Things To Come? Find out this Sunday (May 15)

Join some of the greatest experts on Japan to discuss the future of this island nation.

This coming Sunday (May 15, starting 10am), sees a unique event at the Yokohama campus of Meiji Gakuin University and online via Zoom, called THE SHAPE OF THINGS TO COME, marking the international departmen’s ten years of teaching global and transcultural studies.

Predicting the future is a lot harder than learning to make sushi

This one-day symposium features a panel of star speakers who will try to predict what will happen in the next ten years in Japan, East Asia, and the World. The star speaker is MUHAMMAD YUNUS, winner of the 2006 Nobel Peace Prize, known as “banker to the poor”, live by Zoom link from the Yunus Centre, Dhaka, Bangladesh . The event also features Alex Kerr, author of books such as Lost Japan and Dogs and Demons: The Fall of Modern Japan, noted professional economic journalist, Rick Katz, Hiroko Takeda author of The Political Economy of Reproduction: Between Nation-State and Everyday Life (2005) and co-editor of The Routledge Handbook of Contemporary Japan (2021) along with Kyoko Hatakeyama(Professor of International Relations, University of Niigata Prefecture), David Leheny, Masafumi Iida, Eric Zusman, Mika Ohbayashi and Hiroshi Ohta.

It will be an interactive event, with 15-minute presentations and equal time for free discussion. This is a great chance to get into conversation with some elite experts on Japan and broaden your own knowledge of the country and Asia. Admission is free and open to all, but prior registration is required.


Click here for the Online program here:


Click here for the Online registration

The full press release is below:

A Symposium commemorating the Tenth Anniversary of the Foundation of the Department of Global and Transcultural Studies, Meiji Gakuin University

SUNDAY MAY 15, 2022, MEIJI GAKUIN UNIVERSITY YOKOHAMA CAMPUS

As our department marks ten years of teaching global and transcultural studies, the world appears to be balanced on a knife edge. Internationalism is locked with nationalism, secularism with religious fundamentalism, democracy with authoritarianism, tolerance with intolerance. The Corona Pandemic has ushered in a new and frightening era of massive biohazards, while Russia’s attempted invasion of Ukraine has raised the specter of a return to Cold War type confrontation. Casting a long shadow over these massive ideological struggles is climate change, thought by many experts to be close to a tipping point from which will flow disastrous consequences for humanity and the natural environment.

This symposium will commemorate the tenth anniversary of the Department of Global and Transcultural Studies. It will be an opportunity to step back, take a deep breath, and survey the world and the prospects for the ten years to come. Each of our speakers will be invited to gaze into their crystal ball and forecast how global affairs will develop in the next ten years. We hope to examine their predictions ten years later, when the department celebrates its 20thanniversary.

Keynote speaker

Muhammad Yunus (2006 Nobel Peace Prize winner)

PROGRAM

9:30am: Doors Open; Registration

9:50am: Welcome and Opening Remarks by Leo Murata (president of Meiji Gakuin University)

10am

Panel 1: Prospects for Japan

Chair: Prof. Tom Gill (Meiji Gakuin Dept. of Global and Transcultural Studies)

Japan’s economic, social and demographic challenges for the next decade.

Alex Kerr (long-term resident of Kyoto, known for books such as Lost Japan and Dogs and Demons: The Fall of Modern Japan)

Richard Katz (economist, New York correspondent of Toyo Keizai; will join online)

Hiroko Takeda (Professor of Political Science, Nagoya University)

11:45am

Panel 2: Peace and Security

Chair: Prof. Kōki Abe (Meiji Gakuin Department of International Studies)

Prospects for peace and security in East Asia in the shadow of China-US competition.

Masafumi Iida (Professor, National Institute of Defense Studies)

Kyoko Hatakeyama (Professor of International Relations, University of Niigata Prefecture)

David Leheny (Professor of Political Science, Waseda University)

1:15pm: Lunch (Please bring your own lunch. Alternatively, there are two convenience stores and one small restaurant near the campus.)

2:15pm

Panel 3: Renewable Energy/Environment

Can Japan meet its ambitious carbon reduction targets for 2030, and if so, how?

Chair: Prof. Paul Midford (Meiji Gakuin Dept. of Global and Transcultural Studies)

Eric Zusman (Senior Researcher, Institute for Global Environmental Studies)

Mika Ohbayashi (Director, Renewable Energy Institute, Tokyo)

Hiroshi Ohta (Professor, Waseda University School of International Liberal Studies)

4:00pm

Panel 4: Careers in the Coming Decade

Chair: Prof. Takayuki Sakamoto (Meiji Gakuin Dept. of Global and Transcultural Studies)

Seven of our graduates will discuss prospects for the fields in which they are working.

11KC1020 Rina Takeda, Sony Music Solutions Inc.

13KC1031 Kaji Deane, automotive distributor

13KC1045 Megumi Miura, project manager, Amazon Japan

14KC1018 Ruxin Wei, systems engineer, Intelligent Wave Inc.

15KC1025 Jinzaburo Tasaka, web designer, SoftBank

15KC1026 Yumi Tajima, fashion merchandiser

15KC1504 Vladislav Lushchikov, restaurant manager

5:45pm

Introduction of Prof. Muhammad Yunus by Prajakta Khare (Associate Professor, Meiji Gakuin Dept. of Global and Transcultural Studies)

6:00pm

Keynote Address

Professor Muhammad Yunus, winner of the 2006 Nobel Peace Prize, “banker to the poor”, live by Zoom link from the Yunus Centre, Dhaka, Bangladesh

“Global Economic Inequality: Now is the Time to Redesign”

Q&A moderated by Prajakta Khare

6:45pm

Yokohama International Study Association (YISA) – Officers of the Meiji Gakuin alumni association will explain the association’s activities and how to get involved in them.

7pm

Vote of thanks by Prof. Aoi Mori, Dean of the Faculty of International Studies, Meiji Gakuin University

Tokyo Private Eye (東京探偵) the sequel to Tokyo Vice coming in Spring of 2023, with Marchialy (France)

photo by Reylia Slaby

TOKYO PRIVATE EYE:

Investigation, Damnation, and Salvation In The Land Of The Setting Sun

Coming in Spring of 2023, published by Marchialy (France) 

The book opens on one of the most devastating days in Japan’s history, March 11, 2011, which left thousands dead and missing—and culminated in a triple nuclear meltdown. Our protagonist and narrator Jake Adelstein, seasoned American journalist turned private eye, who has brought back bags of supplies from the US to be taken to the disaster area by yakuza friends–discovers he’s having a meltdown of his own: liver cancer. 

Join Jake as he takes us back on a journey and recounts the events leading up to the disaster, the 2009 publication of his memoir TOKYO VICE: An American Reporter On The Police Beat in Japan, and how he became a corporate gumshoe. He picks up where he left off,  chronicling his other career, battling the yakuza and criminals as a due diligence investigator while battling his own worst enemy: himself.  Previously the only American journalist to have been admitted to the insular Tokyo Metropolitan Police Press Club, Jake covered extortion, murder, and human trafficking–fighting to make Japan recognize the problem. No longer a reporter but still trying to be a knight in dingy armor, he realizes that even a paladin has to earn a living. And instead of having 10 million readers now he’s writing reports that will only be read by three corporate executives.

This sequel to TOKYO VICE is written as a stand-alone volume and provides an in-depth history of the inner-workings of crime in Japan, and not just the gangsters. With each job assignment Jake learns more about industries rife with financial fraud, anti-social forces, corruption, and fraudulent bookkeeping–and how to spot a business that no client should engage with. 

The book is divided into three parts coinciding with the breakdown of Jake’s personal life in parallel with Japan’s meltdown and an in depth analysis of how the Yakuza operate: UNUSUAL EVENTS, MELTDOWN, and THE FALLOUT.

UNUSUAL EVENTS sets the stage for the state of Japan leading up to the meltdown. The yakuza, like many criminal organizations, were not born out of thin air. Their ranks have come from members of society who do not feel like they have a place.  Those marginalized by society such as the Korean-Japanese and burakumin, among others, were not given many opportunities by society, and were drawn into a life of crime.  

But it’s a high level of crime now. In fact, one day Japan’s equivalent of Classmates.com is taken over by a Yakuza front company. Information is king. 

Jake transitions into a career as a detective introducing a team of characters ranging from fight-til’-the-death former prosecutor Toshiro Igari to brave right-hand researcher and human trafficking victim advocate, Michiel Brandt. He makes new friends and enemies along the way–while dealing with the PTSD from the events that took place in Tokyo Vice by self-medicating with sleeping pills, booze, casual sex and clove cigarettes.

Learn how gangsters were gradually ousted from the financial markets by the due diligence of  dedicated investigators, rebel cops, and new laws.

Meanwhile, TOKYO VICE  is published but an old foe resurges — the ruthless yakuza Tadamasa Goto.  If Tokyo Vice was Jake’s attempt to ruin and get his nemesis ‘erased’– Goto outdoes him with the publication of his autobiography, Habakarinagara, loaded with veiled threats.  When Jake asks his mentor, Igari Toshiro, to help him take Goto to court, Igari bravely agrees but….. 

MELTDOWN lands us in a disrupted Japanese society. Jake learns he has liver cancer while Japan is in the midst of a nuclear meltdown. His “best friend forever” Michiel is diagnosed with leukemia for the fourth time while the corruption of the Japanese nuclear industry comes to light. 

Jake, hired to find out whether Tokyo Electric Power Company is responsible for the accident and what that would mean for investors, returns to his investigator roots with a renewed attitude to not give up and seeks out a new enemy to vanquish.

In chapters from the  FALLOUT like The Nine Digit Economy: How The Yakuza Turned Japan’s Stock Market Into Their Casino, he shows how and why the authorities felt that anti-social forces threatened the very foundations of Japan’s economy. 

Jake gets ahold of the most dangerous photo in Japan, showing the Vice President of Japan’s Olympic Committee with the head of the Yamaguchi-gumi, Japan’s largest yakuza group, but can he break the story before his own knees get broken? And in the process of reporting on the Olympics discovers that the biggest gang of all in Japan may be a political party, founded by war criminals including former Prime Minister Abe’s grandfather, yakuza, ultra-nationalists and funded by the CIA.

What’s the difference between the Liberal Democratic Party politicians and the much-feared Yamaguchi-gumi thugs? It may only really be the badges they wear on their lapel. 

While the book can be an enriching companion and sequel to TOKYO VICE: An American Reporter On The Police Beat in Japan, TOKYO PRIVATE EYE: Investigation, Damnation, and Salvation In The Land Of The Setting Sun is a memoir that can stand alone recounting the years 2007 to 2014 through the eyes of an intrepid reporter and gumshoe with three decades spent covering the dark side of the sun. 

Not only is it a riveting memoir about the life junctions we all face, including grief and career changes, but it also provides a working knowledge of Japanese organized crime, political corruption, the process of corporate investigations and shows the collusion between mafia, state, and business that led to a nuclear disaster.  It also shows that Japan’s biggest problems are not necessarily the fading yakuza. 

TOKYO VICE has been adapted for television into an eight episode straight-to-series on HBO Max starring Ansel Elgort playing Jake Adelstein. The series also stars Ken Watanabe and is written and executive produced by Tony Award-winning playwright J. T. Rogers (Jake’s high school senpai)  with Endeavor Content serving as the studio. Michael Mann directed the pilot episode and served as executive producer. 

Jake Adelstein is one of few experts on Japanese organized crime and the underworld. A former special correspondent for the LA Times, he has written for the Times, the Washington Post, the Japan Times and Vice. His other two books, Le Dernier Des Yakuzas (2017) J’ai Vendu Mon âme En Bitcoins (2019) with Nathalie Stucky, have both been published by Marchialy in France, his “third home.” He currently writes for the Daily Beast, the Asia Times, Tempura in France, and ZAITEN.

Jake Adelstein has published three books with Marchialy in France. They’re not just his publishers, they’re family.

     *Press release cover photo by Reylia Slaby 

To End Global Warming: We Need Oil…To Be Left In The Ground

by Eddie Adelstein (special guest contributor)

The earth’s core is a like a sun hidden within the earth.

Credit: Lamont-Doherty Earth Observatory

Scientists have abundantly proven that global warming is real and causing havoc on the planet.  CO2 levels are rising with Earth’s temperatures, but the truth of the matter does not make the relationship a cause and effect. There is a rising level of CO2 with now 412 parts per million.  In addition to increased levels of methane and nitrous oxide, this is considered the primary reason for global warming. This theory, which receives strong support from scientists, may not be the only factor. This article proposes other mechanisms that may play a role in global warming.

There is a massive nickel-iron ball at the center of the earth with a diameter of 760 miles, spinning faster than the rotation of the earth and having a temperature of 5000°C.  It generates heat in the earth so that when you dig to 32 inches deep in Missouri the pipes don’t freeze.  Additionally, it produces magnetic fields that are easily measurable. Around this ball of solid iron-nickel is another layer with a  radius of 2,165 miles. It is believed to be made up of a liquid alloy.  There is an interface at this level with the outer mantle, and some scientists believe oil is produced there. Exactly how this heat is generated or the mechanism is unknown. It’s almost as if we have a sun buried deep inside the earth.

The origin of man or how we have been designed is a mystery to me, but lubrication is built into our physical self.  Our joints, eyes, and reproductive organs are lubricated.   There may be a mechanism in place at the interface with this giant heat-producing ball at the center of our planet that deals with the friction that it produces. Current theories suggest that the spinning ball and surrounding liquid iron might produce their own oil, reducing friction. The removal of portions of this oil may cause irregularities in the spinning ball, contributing to global warming and earthquakes.

Editor’s note: In short, we are pumping so much oil out of the earth, that we’re essentially running a car without oil, causing tremendous friction and making the engine overheat. 

Several scientists believe that oil is produced at the interface between the heated sphere and the carbon surrounding it.

This is the abiogenic theory of oil‘s origin.  As this oil seeps between the plates, Saudi Arabia has an infinite supply of oil, whereas when drilling in the Gulf of Mexico closer to its source, there were such great pressures that it took many months to stop the leak. 

We have not identified  any planets that support life as we know it.  We have the water vapor cycle, the carbon dioxide/oxygen system,  and  the nitrogen cycle.  How do we know that oil is not a vital component of the planet’s survival?  Approximately 135 million tons of oil have been extracted since 1850, yet the world is not running out of oil.

When the oil is taken from the earth, the spaces around it are apparently filled with water.  The water supply is affected but more importantly the water acts as a poorer insulation than oil, which could also contribute to the warming of the earth.   Many of our weather patterns are caused by the heating of vast amounts of water.  The heat produced causes global warming and an increase in hurricanes.  In recent days, we have witnessed tornadoes wreaking havoc on Kentucky and its neighbors. While glaciers are melting, ambient temperatures do not appear to be high enough to cause this. There is a possibility that the melting is caused by heat from the earth itself. 

The solution to global warming remains the same, stop taking oil out of the earth. We still have time. 

A very wise friend recently told me that it is unlikely we would find similar life forms on other planets–because they would have likely destroyed themselves already.  As a species, we are destructive, not only killing each other, but also destroying the planet. We have the intelligence to stop doing one thing that is undeniably bad for the environment, drilling for oil and using it. Next time the oil light in your car comes on, think about it. 

Back To The Matrix: The 4th Time Is The Charm. ★★★★

#MatrixResurrections Matrix Resurrections opened in Tokyo on December 17.

ALMOST SPOILER FREE REVIEW:

Matrix Resurrections opened on December 17 (Friday) in Tokyo. I went to the 9:20 am showing, giving up the chance to watch the 4D version, which is dubbed into Japanese. It’s a rare thing to see a US movie first in Japan. And that is the only justification I can find for posting a review here, on this Japan centered-blog.

If you loved The Matrix but the original Matrix trilogy left you feeling vaguely unsatisfied and lacking closure, then Matrix Resurrections is just the cure.  It’s not a reboot of the series, but a sequel with loving homage to the original. “The Resurrections” in the title is a big hint.

Neo is not dead but still somehow alive in a new configuration of the Matrix, once again as Thomas A. Anderson. Except this time, he’s a legendary computer game designer, whose claim to fame is having created the sprawling, highly interactive game, The Matrix, which made a generation of humans question their own reality. 

Yet, Anderson is plagued by visions of a past that he never had and imagines he is not in the real world but a construct, much like the game he designed. His benevolent psychotherapist tries to keep the suicidal Anderson on the straight and narrow path, with compassion, understanding and a ceaseless prescription of blue pills. 

Maybe those blue pills are also jumbo Viagra. Thomas Anderson seems perpetually depressed, like John Wick, after his wife died and a Russian gangster killed his dog. He also has the same shabby facial hair as John Wick, except Anderson is not a ninja assassin. A woman who may have been the model for Trinity in his game frequents the same coffee shop close to his office, but she seems more like a motorcycle riding soccer Mom, or computer geek idea of a MILF, than a world saving heroine.

From the very start of the film, we know that Anderson is not crazy. Anderson/Neo has not been forgotten. In a dark corner of the video game world he designed, someone or something  is trying to free him—or so he believes. He’s not incorrect. 

Of course, Agent Smith is also not dead, but he’s not the same program he was before. 

The gradual reappearance of heroes, heroines, and villains from the previous films is handled with grace, wit and subtle foreshadowing. The Oracle and The Architect are conspicuously absent. Morpheus also returns but not the way you remember him. The movie is well-written with delicious doses of dark humor and wonderfully choreographed action sequences.

One the best action sequences takes place on a Shinkansen in Japan. However, despite being set on a bullet-train there is no slow-motion “bullet-time” action on the train.

BTW, there is only a smattering of the “bullet-time” effects that made the first film so ground-breaking, but for good reasons. It’s two and a half hours of B+ grade sci-fi suspense with an ending that won’t leave you wishing you were dead. It did make me hope they don’t do another sequel.

It’s a fine open-ended conclusion. Let’s leave it at that.

Yes, it’s a love story, as every reviewer will tell you, but specifically about “the power of love” (pun intended). It’s also a story about making hard choices when the path of least resistance seems the most comfortable. 

Open your mind, lower your expectations, and you’ll find the trip back to the Matrix a worthwhile journey. 

International Idol Supergroup “KUROFUNECHAN” To Perform First and Final Concert On December 14

Alice, the founder of almost legendary international idol group, Maidoremi (2019-2020), former maid cafe meister, irreverent Twitterdachi, stealth commentator on Japanese culture is leaving Japan—-but not before she and four other idols, the gang of five, unite for their first and last concert together on December 14th as KUROFUNECHAN.  Yes, it’s the international idol community equivalent of the supergroup, CREAM, or for those in a younger generation, NKOTBSB (An American pop supergroup consisting of the members of American boy bands New Kids on the Block and Backstreet Boys). 

International Idols Assemble! 空前絶後の黒船チャン Kurofunechan will perform their first and last show December 14 in Shinkoenji.

Meet the other girls:

Riria, from Mexico. She’s lived in Japan for 3 years. She originally came because she wanted to be an idol but now she’s more interested in cosplay 

Yuriko, who’s Italian, but one of the most famous foreign cosplayers in Japan. She came here to be an idol. 

Heidi, an American, who graduated from a seiyu (voice actor) school in Tokyo and does voice work. She is currently producing her own idol group where she performs as three different characters and sings in three voices 

Raaya: she’s half Japanese, half—british, and 100% otaku. She used to be an idol but quit earlier this year, and now works at a cosplay bar. She considering getting back into the idol world so stay tuned 

Join Alice and crew for an epic twenty-minute set as they do newly choreographed covers of J-Pop classics. Alice assembled this super-team, much like Nick Fury assembling the Avengers. They hope to bring a little light to the gaijin stranded in Japan while the entry rules make leaving or entering this country a colossal gamble but also are there to support Alice perform her swan song.. It’s also Alice’s bittersweet farewell to a country that in the last two years has made everyone who feel like they belonged here uncertain of whether they are really welcome at all. 

Alice, who was born in England, speaks Creole, English, German and Japanese. She became interested in Japan as a pre-teen when she was making maze boxes in wood-working class. She was planning to decorate her wooden box with Egyptian hieroglyphics but evil classmate Olivia stole her idea. Alice decided to paint her box with kanji, but after noticing the character on the cover of a book about Chinese looked like a centipede (and she hates centipedes), Alice decided to use Japanese characters instead. That was beginning of her descent into the labyrinth of the Japanese language. 

In her teens, she became a huge fan of Hello Project associated idols like Morning Musume and Buono! (Buono! was initially formed as an idol project group to perform theme songs for the Shugo Chara! anime series, which ran from 2007 to 2010).  After studying Japanese intensively, she was able to come to Japan on a Lion’s Club fellowship, staying with several Japanese families and falling in love with this island country, even climbing Mt. Fuji. The following year, after writing to a talent agency, she was flown to Japan for auditions, turning 18 in the land of the rising sun. 

Unfortunately, the demanding talent agency told her to lose 13 kilograms if she wanted to perform in Japan. She told them to fuck off. Undaunted she returned to Japan for a working holiday and after some severe ups and downs, including an abusive Japanese boyfriend from Nagasaki, she managed to begin building a career for herself as a talento, appearing on Japanese TV, modeling, dancing and working odd jobs. Of course, she ran into trouble because she was told “your Japanese is too good and that’s boring” thus failing to fall into the desired stereotype of the hapless Japan-loving gaijin who can offend no one. 

Eventually, in 2019, Alice formed her own idol group, Maidoremi, which started small and grew to become a serious idol powerhouse. “At our early concerts, sometimes we performed for only one or two people. But that was all right.” They gradually developed a following and were filling live houses. Unfortunately, when the group was signed by a major production firm, things fell apart quickly as the girls lost autonomy and the overbearing push of the management became too much to bear. Since the group’s official dissolution in December of 2020, Alice has only performed a few times. Now she’s ready to hang up her idol shoes and head home. 

What did she like about being an idol? 

“I love dancing, singing and acting and as an idol you get to do all three. You become a different character with every song you sing. I had quite a good range of songs and that meant playing people in the same set. When people tell you that your performance made them happy—that’s a great feeling. The costumes, the singing, the adoration and the satisfaction from performing well made me really happy. And I also get tremendous happiness from watching other idol groups. It energizes me as well. There’s a wonderful synergy between the performers and the fans that I’ll miss.”

So let Alice and company share there joy with you one more time. The doors open at 6pm at Shinkoenji Loft X (新高円寺LOFT X) and Kurofunechan will take the stage sometime between 6:30 and 7:30. Yes, it’s a weeknight but what else do you have going on, anyway? Like the lunar eclipse we had several weeks ago in Japan, there will probably never be another event like this in your lifetime. 

Idol International ライブ詳細:

日付/Date:12/14

場所/Place:新高円寺LOFT X

18:00開演、19:20出演

Starts 18:00, Kurofune-chan performs at 19:20 

チケット料金:2500円+ドリンク

Tickets are ¥2500 + drink fee

Live from the Tokyo 2020 Paralympic Closing Ceremony

By Chihiro Kai

(This article was completed 22:06)

As I sit here in the Tokyo Olympic Stadium press section, the seats are vibrating from the music and bass blasting out of the speakers. Even before the opening ceremony began, all the Paralympians seated on the stadium field were celebrating.

The United Kingdom and Peruvian teams were ecstatically encouraging their international peers to take advantage of their circular seating arrangement to complete a whole wave. The wave would make it through 2/3 of the Paralympians before losing momentum in the last 1/3 section adjacent to the flag poles. After each attempt would die out on its final leg, the particularly invested athletes from Peru and the U.K. would stand up and urgently “gesture” to the responsible section.

Finally, when the wave accomplished a full lap “around the globe,” so to speak, you could hear the whole stadium, including those of us in the press booths which have been following the wave’s progress, cheer and clap at this spontaneous game. The wave’s informal and collective nature lent it an intimacy that elevated our joy at its success.

Now, it has been early 30 minutes since the wave experienced a natural death. And yet, despite the pageantry and impressive stage production of the closing ceremony, I don’t believe anything that has transpired on the field has made me and my fellow reporters laugh and smile as it did. At least, that was the case with the two Japanese reporters flanking me at my table.

20:51
Representatives from each participating Paralympic team have been adding circular mirrors to a miniature figure of Tokyo Skytree, the world’s tallest free-standing tower. Just now, the final paralympic deputy for the Japanese team attached the last piece to complete the model. The mirrors represent the windows and natural skeletal gaps on the tower.

Upon its completion, the current focal point of the Tokyo skyline was raised, “Flags of Our Fathers” style by the ceremony’s performers. Who knew relations between the United States and Japan were so tight? (Indulge me in my humor readers. I am both Japanese and American, and that gives me permission to make such dry jokes.)

21:00
The first Paralympic I’mPossible Awards are being presented to the first five recipients of the recognition. For further information on the I’mPossible Award, click here.

  • Best host country School: Kizarazu Municipal Kiyomidai Elementary School in Chiba, Japan
  • Best overseas school: Lilongwe LEA School, Malawi
  • Excellence host country school: Chiba Prefectural Togane (I could not catch the end. I believe it was Chiba Prefectural Togane Special Education School)
  • Best (Male) I’mPossible Paralympian Award: Lassam Katongo from Zambia. He is a track and race Paralympian and secondary school teacher.
  • Best (Female) I’mPossible Paralympian Award: Katarzyna Rogowiec from Poland. A three-time Paralympian and two-time Paralympic gold medalist in cross-country skiing. She is also a former ITC anti-doping committee member.
  • The awards for the two Paralympians were accepted by their respective national Paralympic Committees on their behalf.

21:23
The Tokyo Skytree “miniature,” which must be roughly five meters tall, accompanies other notable architecture that shapes the city’s skyline, including Rainbow Bridge. You guessed it, the “Rainbow” Bridge is not actually colored in seven distinct shades. However, after numerous complaints that the bridge’s namesake made little sense, a night-time illuminating feature was added.

The closing ceremony’s similarity to a Disneyland parade is as prominent as the August 24 opening ceremony. The fluorescent animal costumes adorned by dancing performers and the musical production remind me of the Mermaid Lagoon Theatre from The Litte Little Mermaid area at Tokyo DisneySea.

22:03

“The Tokyo 2020 Paralympic Games have not just been historic. They have been fantastic,” Andrew Parsons, the president of the International Paralympic Committee, said in his closing speech. He said that despite the games’ accomplishments, the world has flaws with accessibility that no mask can cover.

“As we build back better, 15% of the world’s population cannot be left behind,” Parsons said. “People with disabilities should not have to do exceptional things to be accepted.”

Following a WeThe15 campaign commercial, a Japanese singer seated in his wheelchair sang “What a Wonderful World” by Louis Armstrong with a powerful voice would have made the raspy icon proud. The song’s second half was sung by a female singer with a visual impairment. The two voices converged in the final part of the ballad accompanied by a children’s choir.

As a piano player in the center of the stadium played the last notes of the iconic song, the egg-like encasing of the Olympic and Paralympic flame closed, extinguishing the fire that has burned since July 23.

And with that, the Tokyo 2020 Paralympic Games had ended.

Thank you for following me and Jake Adelstein throughout our coverage of the Olympic and Paralympic Games! It has been a true privilege and honor.

Was an African musician fired from the Tokyo Olympics Opening Ceremony because he didn’t look Japanese?

Early on July 23, hours before the Tokyo 2020 opening ceremonies, a Senegal musician posted on Facebook that he had been dismissed from performing at the event because a member the Tokyo Olympic Organizing Committee questioned, “Why is an African is here to perform?” He was dismissed unilaterally in May, he asserts, even though he had been scheduled to perform.

The ceremony, that surprised the world by having Naomi Osaka, a biracial Japanese tennis champion, light the Olympic flames, may have an underbelly that yet places great emphasis on looking “Japanese enough” to succeed in this country. There are already many who question if the theme of “diversity” is really understand by the organizers who have employed for the opening ceremonies an abuser of the disabled, a comedian who joked about the holocaust, and despite all warnings, used the music of an notorious homophobe who also denies Japan’s war crimes.

Latyr Sy is an accomplished percussionist that has appeared alongside Japan’s top artists in concerts and television programs, including the December 2020 FNS song festival. He has also performed at events attended by Prime Minister Shinzo Abe, who was “the face of the Tokyo Olympics” and instrumental in making sure Japan won the bid in 2013. (Of course, the several million dollars worth of bribes helped).

“So ashamed. I feel good that I’m no longer performing at the Tokyo Olympic Opening Ceremony…Though I’ve been contributing to the Japanese music industry since 1995…They completely violate the Olympic principles of human rights and diversity.” Sy wrote in English in his social media post. He also wrote eloquently of his plight in Japanese. (See below)

Latyr Sy, a musician was allegedly told that he shouldn’t be performing at the Tokyo Olympics opening ceremony because he wasn’t Japanese enough. This stands in contrast to the theme of the opening ceremony which was “diversity and harmony.”

The Japan Subculture Research Center is scheduled to speak with Sy later today. We are also reaching out to the Tokyo Organising Committee of the Olympic and Paralympics as well as the International Olympic Organization for comment,

Tokyo 2020 Olympic Composer Tortured Disabled Children; Japan Says To The World, “Eat shit, no problem”

by Jake Adelstein and Chihiro Kai

The Tokyo 2020 Olympics and Paralympics are turning into a coronavirus spreading festival of bullies. Despite allegedly having a theme of harmony and diversity, the Olympics appear more and more to be symbolic of cruelty and callousness. The latest case in point: this week, composer Keigo Oyamada, 52, who is the composer for the opening and closing ceremonies was revealed to have brutally tortured and bullied special needs students through elementary to high school. He said on record to two separate magazines in the 90s that he forced his victims to eat feces and masturbate in public. He ridiculed them, beat them, and egged on other accomplices. His gleeful retelling of these hate crimes resurfaced a day after his role in the Olympics was announced. 

He issued an apology on Friday (July 16). He won’t step down and the Tokyo Olympic Committee issued a statement late in the evening the same day that they won’t fire him. 

However, as we have already seen in the long history of Tokyo Olympic debacles, when the tone-deaf organizers finally hear the voices of dissent, they will probably eat their previous words, but unlike Oyamada’s victims—they won’t literally have to eat shit. 

“I’d strip (one disabled kid) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.”

That’s too bad. 

The Tokyo 2020 Olympics Organizing Committee announced on July 14 that musician and composer, Keigo Oyamada, would be overseeing music at the Tokyo opening ceremony. He is a world-famous musician, also known by his moniker, Cornelius. However, it didn’t take long for his ugly past to emerge, and the hashtag “Boasting About Bullying” began to trend the next day, racking up over 10,000 retweets. The original tweet cited two interviews in the past in which he appeared to be proud of his younger years as a bully. The interviews appeared in the January 1994 issue of music magazine, Rockin’ On Japan,  and the March 1995 issue of subculture magazine, Quick Japan

In the interviews, Oyamada confessed to bullying classmates from a nearby special needs school from elementary school all the way through high school. In Rockin’ On Japan, he describes what he did as follows: “I’d strip (one guy) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.” In the interview with Quick Japan, he admitted that he also made gleefully fun of kids with Down’s Syndrome attending a nearby school. He alluded to spurring others to bully the special needs children, “providing ideas”. Also, in another interview he seems to have admitted to what could be construed as attempted murder*, “Remember that case where kids rolled up another kid in a mattress and killed him? We did that sort of thing (to the special needs kid) and stuffed them in the vaulting horse…” 

*A boy died in Japan Jan. 13, 1993, after being rolled up in a mattress in the school gymnasium’s storeroom by bullies. The mattress was placed vertically in the storage area and he was placed in it upside down; he died of asphyxiation and/or suffocation. 

One of the magazines followed up Oyamada’s interview by contacting the family of his victims, who told the reporter that the bullying had nearly driven their son to suicide. 

Here is the truth. Oyamada has confessed to committing sexual assault, assault, forcible indecency, public indecency, and attempted murder.

 The actions Oyamada took would normally be crimes in Japan, but the statute of limitations has long passed. 

In a statement released to the press Friday (July 16), the composer admitted that he did not show any regret when he spoke to the magazines years ago and he deserved the criticism he was receiving. He said that he would not step down and implied would atone for his past by contributing to the Olympics. 

Ironically, the unifying concept of Tokyo 2020’s opening and closing ceremonies are “Moving Forward,” something the formerly respected musician must be praying for. The theme of the opening ceremony, which he is responsible for, is “United by Emotion.” The overarching disgust of the Japanese public at his criminal past has achieved exactly what the Olympic and Paralympic committee wanted. The entire country is united by repulsion.

“I am deeply sorry for how my words and actions hurt my classmates and their parents. I regret and take responsibility for taking the role of an antagonizer rather than a friend during my school years, a time that should be filled with fond memories,” Oyamada wrote in his Twitter apology essay on July 16.

However, in his sincere apologies to the world, and to the victims he traumatized, the singer clarified that not every heinous act recorded in the interviews were factually accurate. 

“Regarding the contents of the article, as I was not able to confirm the final draft before it was published, there are many parts that deviate from the truth. However, there is no doubt that my classmates were hurt by my words and conduct. Therefore, I felt personally responsible, and chose at the time to not point out any mistakes or exaggerations in the story,” he defended himself in his Twitter post. 

Perhaps the first magazine article published in 1994, followed up by a 22 page Odyssey retelling of his psychotic escapades in 1995, contained some factual errors that made it to copy. Instead of forcing a fellow student with a disability to eat feces, maybe he presented it to them on a clean plate with napkins. 

What Oyamada did not do in his lengthy apology was resign as an Olympic and Paralympic ceremony composer. 

“In hindsight, I should have declined the position offer considering some people would be displeased by my participation for various reasons. However, in these difficult times with its numerous challenges, I consulted the creators of the opening ceremonies who were making strenuous efforts to build the best event possible. After much thought, I chose to accept the job out of a hope that my music would bring some good to the ceremony,” the singer explained his noble self-sacrifice. 

“In addition, I have invested considerable effort into this musical project,” he continued. Whether the Paralympians competing in this year’s games will be so forgiving is not certain. 

The Tokyo Olympic Committee issued a statement acknowledging a failure to screen Oyamada properly, adding that, “We would like him to continue to do his utmost in preparation until the very end,” expressing no desire to have him resign or fire him. They also added in his defense, “Oyamada clearly regrets his past words, has reflected on them, and is currently maintaining a high moral standard while dedicating himself to creative activities.”  One might note that the Committee recognizes that Oyamada regrets speaking about his inhumane activities but is vague about whether they believe he really regrets what he did. Words are cheap. The Olympics are inevitably, “Moving Forward.”

The reaction of the Japanese public has been overwhelmingly negative, calling the decision to employ him for the Olympic music “a fatal mistake in the selection process.” One twitter user, posting an article about Oyamada’s past bullying, noted wryly,  “Well, after all, it’s like the Olympics itself is making the public eat shit.” A few days ago International Olympic Committee President Thomas Bach appeared to be the most hated man in Japan, but in the low-bar race for a gold medal in unpleasantness, Oyamada may now be the leading contender. 

Mark Bookman, a historian of disability in Japanese and transnational contexts, and Postdoctoral Fellow at Tokyo College, part of the esteemed Tokyo University, emailed us, his understanding of the problem, taking time to explain the significance of the games. “The Olympic and Paralympic Games provide activists, policy makers, and members of the public opportunities to reflect on the past, present, and future of disability rights on local and global scales. They have helped catalyze change and lead to improvements in accessibility and social welfare for diverse demographics of disabled people in multiple countries, including, but not limited to, Japan.”

But he also points out there is a downside to the games.

“However, the games do not always lead to positive results. On many occasions, their spectacle has shifted public attention away from the needs of ‘ordinary’ disabled people in favor of elite athletes. Indeed, the games have helped to perpetuate harmful stereotypes and foster unfavorable outcomes for many individuals, in part due to awareness issues and lack of resources for carrying out reforms.”

Bookman warns that ‘going forward’ with Oyamada may actually roll back advances for the disabled in Japan, and more. 

“While stakeholders involved in the games, myself included, have worked to mitigate such negative consequences and use the games as a platform to promote inclusivity, one cannot help but question the Tokyo Olympic Committee’s decision to ‘move forward’ with Oyamada Keigo as a key figure. By elevating (him), who has confessed to committing harmful acts against disabled individuals, the committee is (perhaps unwittingly) creating a space for people who sympathize with his actions. As rates of abuse against disabled persons continue to climb in Japan due to stresses on the nation’s care economy (tied to its rapidly aging population, declining birth rate, and shrinking labor force), one cannot help but wonder what kind of future might come from the Tokyo Committee’s decision. Indeed, as conversations about ‘selecting lives,’ eugenics, and equitable distribution of resources continue to unfold around us in relation to COVID–19, their decision may have dire consequences.”

Michey Peckitt, who runs the blog, Barrier Free Japan, had this to say. “I’m only disappointed. Obviously I did not grow up or go to school in Japan, but Oyamada’s behaviour does not surprise me at all. At school in Britain I was treated in a similar fashion. Being made to eat sh*t is pretty standard bullying behaviour in my experience, although being made to masturbate in public is a new one. I’m glad I didn’t have to do that as it’s difficult to masturbate when your hands don’t work because you have cerebral palsy. As a disabled person living in Japan I’m sad Oyamada’s music is being used in the Olympics, but ultimately nothing surprises me about the Tokyo Games now.”