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The Tears of a Cat: Hello Kitty’s Guide to Japan, English and Japanese/ ハローティの英語で紹介する
There’s something incredibly moving about a single tear dribbling from the tiny eyes of Hello Kitty; her lack of a mouth even makes it all the more poignant
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The Japanese Police Department Diet: 20 Yakuza A Month
According to this month’s Jitsuwajidai, a yakuza fanzine, and other sources, late last year the National Police Agency sent out a notice to every Prefectural Police Headquarters, notifying them that they expected each police department to arrest no less than 20 yakuza a month. Even if you estimate the number of yakuza members in Japan at [...]
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A Virtual Hatsumode (初詣） for our readers. Happy New Year!
The first visit to a shrine at the start of the New Year is important in Japan. We went and filled out a votive tablet (絵馬) for you. Good luck and best wishes in 2012! This is our way of saying thanks for sticking with us and the blog for 2011 and expressing our best [...]
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Reviews
Tatsumi: Not all comics (or movies) are for children. The Post-War Life & Loves of A Manga God
Tatsumi is an animated gekiga film of sorts, inspired by and based on Yoshihiro Tatsumi’s life. In order to create the film, director Eric Khoo had his animators reproduce specific scenes from Tatsumi’s autobiographical work, A Drifting Life. Viewers are treated to an intimate view of Yoshihiro Tatsumi’s life as a struggling artist, his failed relationships with members of the opposite sex, and an inside look into his journey to becoming one of the greatest manga-ka in Japan.
The Tears of a Cat: Hello Kitty’s Guide to Japan, English and Japanese/ ハローティの英語で紹介する
There’s something incredibly moving about a single tear dribbling from the tiny eyes of Hello Kitty; her lack of a mouth even makes it all the more poignant
“She is the most handsome man you’ll ever see…” A Review Of Takarazuka Revue
The Takarazuka Revue:『清く、正しく、美しく』 “We shall perform with Purity, Sincerity and Beauty”– Japan’s modern Kabuki or just women in drag?–The actresses of Takarazuka are recruited according to esthetic and physical criteria, such as their beauty, their height (taller than average for otokoyaku, 男役, (male performers), their voice and the shape of their face (square face, if possible, for the otokoyaku). Just by naming these criteria, we can see that clichés for male roles are established from the start.