Tokyo Governor Mulls Pulling Plug On The 2020 Olympics: The Empress VS Baron Von Ripper-Off

Tokyo Governor Yuriko Koike is considering calling off the Olympics.

According to several sources in the Tokyo assembly, over the last week, Koike has had meetings with several top advisors, in which she has asked for their opinions on holding the games with no spectators–and even canceling the games altogether. In the meetings, Koike has been uncharacteristically quiet, asking many questions and listening intently to the answers.

A former advisor to the governor says that this is typical of Koike, when she’s about to make a dramatic unilateral decision. The former advisor told JSRC, “She has no great love for the Games, per se. She was not instrumental in bringing the Olympics to Tokyo and she has no real attachment to them. Public opinion against holding the Olympics is growing all the time. You’ll notice that Koike has not tweeted about the Olympics for weeks now.”

If you have a good memory, you may also recall that as late as March 12th 2020, less than two week before the Olympics were postponed, Koike stated dogmatically, “I can’t even conceive of the Olympics being cancelled or moved to another date.” Apparently, her powers of conception have improved since then.

In the early days of COVID, Japan, under the rule of Shinzo “Bon-Bon” Abe and Tokyo, led by Koike, downplayed the virus in an attempt make sure that the Olympics were held as scheduled. Widespread PCR testing was avoided, because it might have yielded unpleasantly high numbers.

Koike was remarkably silent about the growing infection until the Olympics were officially canceled on March 24. On March 25, Koike suddenly awakened to the rising number of covert covid19 cases in Japan and in her own domain, referring to it as an explosion of infections. She began lobbying for a state of emergency to be declared, bringing the word “lockdown” (ロックダウン)into the popular Japanese vernacular.

Koike is a remarkable political opportunist, as most of her constituents now realize. The contract between the IOC and the city of Tokyo, to hold the Olympics, clearly gives the IOC power to decide whether or not to hold the games, but if Koike openly demands for them to be halted, it’s likely that other Japanese politicians will fall in line.

She may be weighing all her options before becoming the first person in power to say the obvious: holding the the Olympics in COVID19 ravaged Tokyo is a terrible idea. In Osaka, people are dying at home while waiting for hospital beds. Unless Japan remarkably turns back this new wave of infections, things will only get worse before the Olympics begins. Tokyo has asked several prefectures to provide hospitals to take care of the athletes in the case of a major outbreak of disease at the games, and already two have publicly refused.

The lackluster safety measures in place for the Olympics are also alarming in their carelessness.Only 2% of the nation is vaccinated with less than 80 days to go before the games begin. Olympic volunteers and staff, numbering in the thousands will not be vaccinated nor will quarantines be required for those arriving from overseas. Even daily PCR tests for the volunteers will not be provided. The handbook for staff, does not inspire confidence, letting volunteers know, “if you get ill, tough look.” It says bluntly, “We trust that the measures laid out will mitigate the risks and impacts involved in participating in the Games, and we fully count on your support to comply with them. However, despite all the care taken, risks and impacts may not be fully eliminated, and therefore you agree to attend the Olympic and Paralympic Games at your own risk.

Residents of Japan “may” be asked to take a COVID19 test before their games role or participation in Games events begin. In fact, volunteers will not be vaccinated, nor quarantined upon arrival in Japan, and most will not have daily PCR test for COVID19. Athletes will all be vaccinated and tested regularly. Ordinary people bear all the risks.

The Japanese government under Prime Minister Yoshihide Suga is using the same old tired measures to deal with a virus that has grown more virulent and infectious. What once worked will not work anymore. Japan still continues to undertest, ensuring that non-symptomatic carriers, which are the majority of those infected with the virus, will spread the disease to a wider number of people. Even the lapdog experts who feed the Japanese government the advice they want to hear, are beginning to show signs of panic. One of them advised this week that Japan at least make extensive use of cheap and fast antigen tests, like those used in Germany, in an effort to keep the virus under control.

That’s not to mention the fear that with over 80,000 people coming to Japan from overseas with no mandatory quarantine, that new and more deadly variants of COVID19 will be introduced to Japan. The unvaccinated volunteers who will commute from home, may become the perfect vectors for carrying new lethal strains of COVID19 into Japan–and back to their homelands when they leave this island country.

Kenji Utsunomiya, the lawyer who launched a cancel-the-olympics petition–which gained a quarter of a million signatures in less than two days–hopes that Koike will make the right decision. He has run against her for the office of governor and knows that she is shrewd politician. He is hoping that if she doesn’t listen to public opinion, she might listen to her own political instincts.

Koike has a Trumpian ability to read the winds of public sentiment. While the IOC does have the ultimate authority to cancel the games, by demanding a stop to the fiasco out of professed concern for the safety of people living in Tokyo in Japan and the world, Koike has a marvelous chance to play hero.

If the IOC bends, and postpones another year – which would ensure that Japan is fully vaccinated and that everyone participating in the games is relatively safe, she wins. If the IOC refuses to call off the games and because of the overloaded healthcare systems people –or god forbid athletesdie, the IOC is the villain and not Tokyo. Once again, Koike would be the hero. If the IOC agrees and cancels the Olympics, but then tries to extract ridiculous penalties from Tokyo, they risk alienating other countries from holding the Olympics. And once again Koike, would come out as a hero, one who stood up to an international bully.

For many people here, the IOC with its blatant disregard for the lives of Japanese people–because it desperately wants to collect billions in television rights for the games–is reminiscent of the worst of the yakuza. The IOC motto seems to be: Money before lives, money before honor, money first. If the Olympics are held as planned, you might not have a hard time making citizens here believe that IOC stands for “International Organized Crime”.

Japan is in its third state of emergency now. Koike, facing rising infections this month, warned outsiders, “Do not come to Tokyo now.” A member of Komeito in the National Diet says that Koike also shared that message to Thomas Bach, the head of the IOC, who abruptly cancelled his May 17th trip to Japan. Is it true? Perhaps, Bach cancelled on his own, because visiting Japan to promote the Olympics during a state of emergency and rising COVID19 infections and deaths, would not have earned him a warm welcome. In Osaka, at least 17 people have died waiting for admission to a hospital. Ambulances in Tokyo and other areas are facing long waiting times–several hours– before they can find a hospital that will accept emergency patients. Maybe Koike really did send him a message that he was not welcome right now.

In a recent column in the Washington Post, Sally Jenkins ridiculed IOC Chairman Bach as a conman and dubbed him Baron Von Ripper-Off. In Japan, that was translated as [ぼったくり男爵] and it immediately became one of the most trending words of the years. 

Koike is expected to pay a visit to her political godfather, Toshiro Nikai, the Secretary General of the Liberal Democratic Party before making her stance public. But in his earlier remarks this year, which indicated that the Olympics should be called off if they posed a public health hazard, she may already feel she has public approval. All the members of the Tokyo Assembly are on edge wandering what Koike will do but past experience has shown them, the only person who knows what Koike will do is Koike herself. She plays her cards remarkably close to her chest.

Mortal Kombat 2021! The Empress (Yuriko Koike) Versus Baron Von Ripper-Off (T. Bạch, IOC)?
At stake, the lives and welfare of the unvaccinated living and working in Japan where vaccination is less than 3%. photo and rights @akasan (on twitter)

A great book about Koike was published in the last year called, 女帝 (The Empress). It describes how manipulative, powerful and savvy Koike can be when she wants to be. I know that betting is not part of the Olympics, just as bribery is not supposed to be part of the Olympics (cough, cough) but in a showdown between the Empress and Baron Von Ripper-Off, I’d put my gold (medals) on the Empress, even at double the odds. She’s got magical powers, the ability to metamorphisize at will, and sometimes has courageous judgement. They don’t call her the green werebadger-dog (緑の狸) for nothing. 

Shady Record Company Leaves A Trail of Tears in Japan

EverythingSuperMario, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Special contribution from Stephanie Yanez aka @KawaiiStephanie on Twitter

😭 Records* is an agency that specifically targets singers outside of Japan who have a passion for anime with hopes of releasing music in Japan. Most of the music released are famous anime song covers. All artists must pay for their own recording and album cover photos.

Once you join 😭 many promises are made to you including performing at their festival, living in Japan, performing on TV in Japan, releasing songs in video games in Japan, etc.

I joined 😭Records when there were just a couple of artists working with the label. I was lied to on what companies the label worked with. So I believed the company to be legit. I was promised by the CEO Hiroaki Usotsuki** that if I record an anime cover album of 5 songs, I could perform at their festival in Japan. This was the main reason why I recorded with them. I’ve performed in Japan before booking my own gigs and thought this would be the same situation. I recorded the five songs and wanted to stop there before moving forward. But the CEO kept asking me to record more. They told me it would be better to have a full album to debut at the festival. I was hesitant but decided to move forward. At the end of my time with 😭 Records I had recorded 20 songs.

After I started recording, over 100 artists were signed to the label. It happened very fast!That’s when I knew I made a big mistake. He started saying that I had to now compete with all the other artists. I had to be a top 10 selling artist to perform at their festival, he said. The festival never happened again. Hiroaki only had the festival a couple times out in Japan and was using it to get people to record. 

Because 😭 Records signed so many artists they had to make this website where you sign in to see what songs you can record with them and how much money you were making. The system was never up to date on payment or songs. That very system that they created was recently hacked and a mass email from the hacker was sent warning people of Hiroaki. In that system breach all the banking information of the artists was leaked. I was lucky to have never given them that information. 

After the hack occurred many artists contacted each other about it and found out that most of the singers were not getting paid at all. Many artists at this point were with 😭 Records for over five years with no royalty payment.

Once the hack occurred it was also exposed that 😭 Records is not an official company in Japan. They were never registered as a company in Japan.

😭 Records is still accepting applications from foreigners online today. Even though they have never paid their past singers any royalties whatsoever. 

This info was also released that 😭 Records also has another company called H●● Agency. H●● Agency is an outsourcing company that brings people to Japan like teachers, construction workers, etc.

This info was exposed that these employees also were not getting paid the proper amount of money or not paid at all. But these employees actually came to Japan with promises of housing arrangements, visa, etc. But all found out very soon that they were stuck in Japan with no place to go. Many had to sleep in the park to figure out a way back home. They also sell the workers to their clients with an outsourcing system with the CEO of H●● taking most if not all of the money. 

Hiroaki owns multiple companies with many different names. He will probably get rid of H●● Agency due to everything getting exposed. But he can easily move on to his other companies he has and continues taking advantage of foreigners looking to find a home in Japan.

If you have been cheated or deceived by this company, you should consult with the labor union, Posse, which represents part-timers and foreign workers in Japan.

*Due to vague threats of legal actions and the failure of getting a response from the company in question, we have reluctantly not named the firm here. Within the arts community it is becoming infamous.

**This is not the CEO’s real name. See information above.

Japan’s Toxic Olympics: 10,000 Deaths and more to come

There is a Japanese saying, (悪因悪果) that “from bad beginnings come bad endings”. Holding the Tokyo 2020 Olympics in the midst of a pandemic will not end well.

The Tokyo 2020 Olympics begin with a bribe and lie. That lie was told to the world when Prime Minister Abe assured them that Tokyo 2020 Olympics would be safe because the nuclear disaster at Fukushima was under control. It wasn’t under control then and it isn’t now. Deadly radioactive waste is spilling from 8000 corroded containers on site, the company running the operation, Tokyo Electric Power Company Holdings, will dump the tons of radioactive water on the site into the ocean in two years. They will keep dumping the water for years after, because sea water has to be pumped into the core to keep cooling the remains of the reactor. 

The Tokyo 2020 Olympics also begin with a bribe. That bride was given from the government through the Japan Olympic Committee (JOC) and channeled  by Dentsu, the largest advertising firm in Japan, to former members of the IOC (International Olympic Commission) to make sure that Japan won the bid. The French authorities investigated and the head of Japan’s Olympic commission resigned in disgrace. No one at the IOC or the JOC gives a fuck.

It bears repeating, if Fukushima nuclear disaster was really under control when Prime Minister Abe made that lie in 2014, the Japanese government wouldn’t be unilaterally deciding to dump nuclear contaminated waste into the ocean two years from now.

Now Japan claims that it has the pandemic under control. 

“Come to Tokyo! It’s perfectly safe!” 

It’s so safe that the government has banned attendance at all sporting events starting today—and plans to hold the world’s largest sporting event in three months. The safety protocols in place are underwhelming.

The safety guidelines for the Olympics ensure that athletes will be vaccinated while everyone else waits. Athletes will be confined to three areas, violators may be stripped of the right to compete or participate in the Olympics. The Yomiuri Shimbun, a sponsor of the Olympics, published a sneak cherry picked peek of the safety protocols. Japan Subculture Research Center published the documents for the public.

The 2020  Olympics which are very likely to be a catalyst for creating new and more terrible variance of the coronavirus, looks like a biological nuclear disaster waiting to happen. But just as Japan ignored warnings and coverups that led to the 2011 deadly disaster which displaced 160,000 people and will pollute the world for years to come, they are ignoring all sensible arguments to postpone or cancel the Olympics this year

The Tokyo Olympics are not something that the Japanese people want, they are something that a few old men in power want to hold desperately so they have something to add to their retirement scrapbooks. The majority of the Japanese people, nearly 80% do not want the Olympics to be held this year or want it be canceled. That is wise. Japan is in the middle of a state of emergency as coronavirus number surge here again, and anemic and poorly thought out countermeasures failed to stop the spread of the disease. People are dying and their dying faster than they have before. It took one year for the first 4000 people to die (January 16 2020–January 6 2021). The next 4000 died in less than two months. Today, 10,000 people will have died from COVID19 here. Neighboring countries in Asia have done much better.

Not even this magical creature can save Japan from magical thinking. 10,000 dead and more to come

At one point in time Japan’s Minister of Finance, bragged that Japan was able to handle the coronavirus without lockdowns or other stringent measures because of the superiority of the Japanese people. He can’t make that claim now. If you compare Japan to the United States or other countries in Europe, it seems to be doing very well, at least in terms of mortality. However if you could compare Japan to its Asian neighbors, it’s the worst kid on the block. Japan’s per 1000 people testing ratio is worse than Kazakhstan. It has refused to follow the successful examples of other countries in the region. Now there is a bit of a mystery as to why the death toll in Asia is so low, with theories that the genes are different or that an earlier less virulent form of the disease is already given people immunity, are that the BCG vaccine which was widely used in Asia especially the so-called Tokyo strain, gave those who received it what is called trained immunity. No one knows the answer. But here’s how it shakes out

Taiwan which has 1/5 the population of Japan, was the first country to warn the world of the, deadly virus, originating in China. Taiwan, thanks to strong leadership and a swift response, has done a remarkable job of containing the virus, without vaccines, so the people there are now living more or less a normal life. Korea, Vietnam, Thailand, Singapore, have all dealt with the virus better than Japan, if you count the number of deaths as a bear meter.

Singapore, Thailand, Vietnam, Hong Kong each country has had less than 100 deaths. Taiwan has only had 12 deaths. Even when adjusting the numbers of deaths to the population of each country, Japan has done a dismal job.

Japan now has 10,000 people dead from the coronavirus and more to come. Why has Japan done such a dismal job of protecting its own people from this virus?

Because time and time again the insane desire to put on the Olympics no matter what, has encouraged the country to take half ass measures to pretend that everything is all right, to squander opportunities to get the disease under control, and to put saving face before saving lives.

Tokyo is now in its 3rd State of Emergency. It will be lifted when the head of the IOC comes to visit the country. “We can’t have the IOC visiting Tokyo during a state of emergency, can we?”

Ask yourself, are the Tokyo 2020 Olympics worth holding if even one person dies as a result? How many deaths are acceptable?

Japan has wanted to save face over saving lives from the first reports of the deadly virus being issued from Taiwan—-the same day, January 16th, 2020 Japan had its first COVID19 case. When the infected cruise ship, The Diamond Princess, arrived on the shores of Japan, this nation refused to let the passengers be taken off board and treated at hospitals, because they didn’t want the numbers of infected and dead to be counted as Japan’s number. That wouldn’t look good for the Olympic Committee. So they kept them on board, effectively turning the ship into a giant floating Petri dish.

Then the government let the Japanese passengers leave the ship after insufficient testing and despite warnings that passengers not showing symptoms might still be carrying the disease. They went home by public transport—spreading the disease nationwide. Several turned out to be infected—the total number hasn’t been made public.

It also became clear that health care workers who had been aboard the Diamond Princess and staff from the Ministry of Health had become infected. However, at first the Japanese government refused to test them. Refused. And when they did test them, sure enough, there were infections.

Japan’s first cluster of coronovirus cases off the Diamond Princess was the Ministry of Health. It has been a clusterfuck ever since. The Olympics obsessed Abe government as well as Tokyo Governor Yuriko Koike seemed unconcerned about the coronavirus for weeks. Abe wined and dined the media while the virus was spreading. Koike barely mentioned the word until—-the Olympics were officially postponed on March 23rd 2020. The next day, Koike sounded the alarm bells, calling for a lockdown and the number of reported coronavirus cases miraculously surged. What a coincidence!

Japan has ignored the successful examples of other nations and steadfastly refused to test widely or test wisely. In the midst of the pandemic, the Japanese government ran a domestic tourism campaign, Go To Travel, which ensured that there was nowhere safe in the country from the coronavirus. Misguided efforts to prioritize the Olympics, to make Japan appear safer than it is, have delayed serious countermeasures and as a result, people have died. The mismanagement is so great that it is equivalent to professional negligence resulting in death and injury.

You could and you will argue that Japan has done so much better than the US or England. The relatives and loved ones of the 10,000 dead will tell you this irrelevant.

The Tokyo Olympics have already killed hundreds of people. They have been killed because priorities were screwed. If the Olympics continues, more people will die. Is even one death acceptable to hold what are, once you take away the hyperbole, simply games? Even one of Japan’s top athletes was brave enough to say what should be said, that human lives were more important than an international competition.

We know that the IOC has no moral compass. They have no qualms about hosting Olympics in China which is committing general genocide against a minority of its people. The only reason the IOC is not holding the Olympics in North Korea is the hermit Kingdom just doesn’t have enough money.

We should change the name of the IOC to stand for the International Oligarch Club, because that’s whom they appear to be serving.

Almost every media outlet in Japan is a sponsor of the Olympics, and having become a sponsor they have also become an accomplice in promoting the Olympics above public safety, and they should be ashamed of themselves. They aren’t.

Japan’s Olympic Committee will turn a blind eye to corruption, to bribes, to yakuza influence, to the real possibility that athletes die from heatstroke amidst Japan’s notoriously brutal summers.

Maybe I’m naïve, but if Japan and or rather the government of Japan, and the IOC actually gave a damn about the ideals espoused in the Olympics, they would suck up their losses and postpone the games to next year. And they hold them in the autumn (as they did in 1964) so fewer people die, or cancel the damn things altogether.

Japan’s Finance Minister Taro Aso also who asserted so stupidly that Japan’s so-called victory over the novel coronavirus was due to Japanese superior was right about one thing. He called the the Tokyo 2020 Olympics “cursed”

He’s right. For the sake of all the nations participating in the optics, and all the people living in Japan, it’s time to end that curse you. We only need two magic words, “Postpone” or “Cancel”.

Let’s see if the greedy clowns running the Tokyo 2020 Olympics have any decency and do the right thing, but I suspect if compassion were a Olympic event, the organizers wouldn’t even win a bronze medal.

The Tokyo Olympics (#Toxic2020) are a terrible idea in the middle of a pandemic—and were bought with a bribe and won with a lie. They do indeed seem to be cursed. If they are held as planned, it is likely to spread new and deadly variants of COVID19 to the public in Japan, and participants here may take back, along with their medals, new and deadly variants from Japan.

Time to end the curse. Let the IOC and the JOC know how you feel, before it’s too late.

Spring Healing: An Art Exhibit–last day March 28th

Tokyo Art Studio Launches ‘Spring Healing’ Joint Art Exhibition

Featuring 14 Japan-Based Artists & Over 100 Pieces of Artwork

With Spring comes new beginnings! Tokyo Art Studios is thrilled to announce their inaugural exhibition, titled “Spring Healing”, which features over 100 artworks by 14 emerging and established artists based in Japan. The “Spring Healing” exhibition runs until March 28 2021.

The exhibition highlights artist experiences in Japan using varying aesthetics relating to their mediums, including oils, acrylic, watercolor, illustrations, silkscreen, and photography. The artists hail from Japan and around the world, but all call Japan home today. The themes of Japan’s nature, arts and society, are woven into all the pieces.

All artworks can be viewed online at a later date but come see them in person while you can. Some featured artists include:

Johnna Slaby

Johnna Slaby is an abstract artist born and raised in Japan, and currently works between Japan, the UK, and the US. Utilizing various materials from acrylics to coffee, she creates abstract pieces that are reminiscent of a late-afternoon coffee or the golden hour near a river. Through the experiences and stories that she comes across during her travels and life, she works them into pieces to create memories people can see. From her large canvas pieces to her intimate paper studies, she dissects both mundane and profound moments of life, continuing to ask, What does it mean to be alive?

Shinjiro Tanaka

Shinjiro Tanaka is an artist who expresses the infinite possibilities of simple lines by combining contradictory elements such as calmness and passion, past and future, and life and death. His works are not limited to canvas painting, but also include murals, apparel, three-dimensional objects, and digital art. Born in CA in 1985, he graduated from Keio University in 2008 and moved to NYC after working for Dentsu. He brings a variety of experiences to his art, including working as a music producer’s assistant and Performing with Nile Rodgers and CHIC, launching the apparel brand BSWK, and performing at Heisei Nakamura-za in New York. After returning to Japan, he held his first solo exhibition “FACE” in 2018; at the end of 2018, he performed live art on the streets of New York for 30 days, and the following year held his solo exhibition “NYC STREET ART PROJECT”. The same year, he won the ART BATTLE TOKYO competition and has been working unconventionally in Japan and abroad, exhibiting at a gallery in London and creating murals on the streets.

Keiko Takeda

Keiko Takeda’s practice allows her to express her favorite places and unknown corners of the world through colors and shapes. Each subject is made warmer with her brush as she believes that colors have feelings that embody our own emotions. Keiko has shown her work in many exhibitions, both solo and group shows.

Marie Ikura

Marie Ikura studied art, and more specifically painting, while at Tama Art University before becoming a professional artist whose signature style is based on live art. Often, Marie creates live paintings that share space, time, and music with the people present where her work is ever-evolving as the paint scatters, making sounds such as “voice of color”. In addition, she engages in participatory art like wearing art or consuming art. Her live work has taken her to regions in Europe and Southeast Asia.

About Tokyo Art Studio

A new Tokyo gallery which opened this March (2021) – Tokyo Art Studio strives to provide a platform for the global community of emerging artists based in Japan. Through exhibitions and programming, TAS encourages our community to creatively connect with one another through the power of art and dialogue. To learn more about Tokyo Art Studio

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The Studio is located at 3-17 -12 Minami Azabu, Minato-ku, Tokyo

Visits outside of exhibit times are by appointment only.

Email and questions or request for interviews to contact@TokyoArtStudioGallery.com.

“Nothing says love like menstrual blood.” In Japan, V-Day chocolates are really special

Japan has a unique way of celebrating western holidays. On Christmas Eve, men and women check into Japan’s ubiquitous, pay by the hour, slightly kinky boutique hotels, also known as  “love hotels” and celebrate the event with raucous but tasteful intercourse.

On Valentine’s Day, the women buy chocolates for men. The men reciprocate a month later on White Day, a candy industry invented holiday, by saying thanks for their expensive chocolate gifts with cheap white chocolates.

On Valentine's Day in Japan, women give chocolate to men. And some women put a little blood and sweat into making home-made chocolates for their true love. Metaphorically and literally.
On Valentine’s Day in Japan, women give chocolate to men. And some women put a little blood and sweat into making home-made chocolates for their true love. Metaphorically and literally.

The whole holiday is a huge headache for many Japanese women who not only buy chocolates for the most important lover in their life, which may not necessarily be their boyfriend, or husband, or even a man at all–but they also have to buy and give chocolates to work acquaintances and close male friends. The chocolates that you give to your lover are called 本命チョコ (true love chocolates). Those you give out of obligation (義理) are called giri-choco (義理チョコ).

Love, blood, chocolate and a love hotel is all you need. Happy Valentine's Day in Japan!
Love, blood, chocolate and a love hotel is all you need. Happy Valentine’s Day in Japan! Hey and the costume rentals look amazing. Notice the lovely Disneyesque fonts.

 

Well, some women in Japan, and probably a very small number of them,  in order to spice up their home-made chocolates with a little extra something, or give their store bought chocolates  something really special--are reportedly (self-reportedly) putting a little of their own blood and sweat into the cooking of gooey sweets. Literally. Sometimes body fluids such as blood, sweat, and spit are the secret ingredient in chocolates given by Japanese girls to the boy of their dreams. If they aren’t really doing it, they are at least certainly tweeting about it.  One sneaky chef recommends that people use frozen raspberry puree in their home made chocolates to disguise the blood’s taste and appearance. (I always knew there was something about raspberries I didn’t like.)

Japanese girls and women have been tweeting about mixing blood, spit and other bodily fluids in the chocolates for their "true loves" as a sort of magic. How many really have? Who knows?
Japanese girls and women have been tweeting about mixing blood, spit and other bodily fluids in the chocolates for their “true loves” as a sort of magic. How many really have? Who knows?

Obviously, some of this self-reporting is dubious and simply black humor but it’s not altogether an unknown practice and reports of it date back at least to 2011.

There seems to be a primitive belief in Japan that one’s blood or parts of the body have magical powers of attraction and that by having your true love consume it, that they will become a part of you or inseparable. In other words, if you are the one in love but not your partner (片思い), having him drink your blood is believed to make you fall in love with each other equally. (両思い).

The insertion of bodily fluids into chocolates is considered to be a sort of black magic (黒魔術) or a spell/majinai(呪い). Or perhaps, women just do it because a popular website reported it as new trend. In Japan, what is reported to be a trend, often becomes a trend based on that report. The news makes the news. Of course, one respondent to JSRC explained her reasons for putting her blood in the chocolate as simply, “I thought it would make the chocolate taste better.”  (血液を入れたら美味しくなるかと思ったから)

Ideally, says the blogosphere, if you are going to lace your true love’s chocolates with blood, menstrual blood is the most powerful. For those women to be having their period during Valentine’s Day is an auspicious sign.  Women are advised that if they don’t have blood to give, to try fingernails, skin, or other materials from their own body.

We agree that the “bloody valentines” are not a trend, and  probably only made only by a fringe element in Japan but there you go. Japan apparently isn’t the only place where the magical attractive powers of a woman’s blood in the food of her man are supposed to to make him a love slave. This is allegedly a common voodoo belief as well. However, in Japan they seem to be more methodical in how to do it, including recipe suggestions—even if some of that is in jest.

It goes without saying that consuming the blood of another person is probably not healthy. And the jury is out on the efficacy of chocolate’s sterilization of harmful viruses in the red elixir of life.  So for you lucky guys in Japan getting a box of chocolates from your “true love” or would be “true love” ; be sure to get vaccinated first and consume carefully. If you suddenly find yourself feeling strongly for your lover in what was once a one-sided relationship, well then you’ll know something magical is happening.

Happy Valentine’s Day.

Note: This article was originally written without one tasteless pop-culture reference to horror/slasher film “My Blood Valentine.”  Angela Kubo, food writer, gracefully contributed to this report. 

 

TOTAL RECALL: REMEMBERING JAPAN’S TEMPLE OF SPEED

An iconic photo taken by Joe Honda

In 1967, Japanese photographer Joe Honda became the first Asian to capture the international motorsport scene. 

More than 300,000 35 mm photographs and five decades later, Emiko Jozuka—Honda’s daughter—is reviving his legacy in an exhibition held at the Foreign Correspondents’ Club of Japan between December 5, 2020, and January 8, 2021. The show will move to Hong Kong in February 2021, in Honda’s first international exhibition in Asia, outside of Japan. 

In partnership with award-winning Tokyo photography atelier Shashin Kosha, this exhibition brings to life memories of motorsport’s golden age through a series of historic and rare photographs from Joe Honda’s rediscovered archive. It offers an intimate glimpse into Japan’s emergence on the global automotive and motorsport scene. 

“The October 1966 international Fuji Speedway race was a landmark event that changed my father’s life, the art of motorsport photography and Japan as a nation. It was the first global race in Asia that defined Honda’s work and paved the way for Japan’s golden age of motoring,” says Emiko Jozuka, director of the Joe Honda Archive.

To the Japanese cognoscenti, the American Indianapolis 500 was a celebrated race, and hosting the first international Indy event in Japan heralded their country’s arrival as an industrial power. One photo in Honda’s series captures British driver Jim Clark flanked by curious Japanese onlookers as he prepares his IndyCar. In another, we see motorsport legend Jackie Stewart racing around the precarious bends of the Fuji Speedway.

Born in 1939, Joe Honda graduated from the Nihon University Department of Fine Arts and trained with famed photographer Yuji Hayata before going freelance. He began his five-decade-long career at the October 1966 Fuji Speedway race, where he crossed paths with British racing stars such as Jim Clark and Graham Hill, who had come to Japan for the first time. In 1967, Honda travelled to Europe to capture the Formula One season, and became the regional representative of the International Racing Press Association (IRPA). 

Over a prolific international career, Honda captured iconic 35 mm film shots of Formula One stars such as Bruce McLaren, Ayrton Senna, Niki Lauda, James Hunt, Michael Schumacher and Damon Hill. He documented Formula 1, 2, 3, NASCAR, Indy races, 24 Hours of Le Mans, Paris-Dakar rallies, motocross and classic car races. His work was also exhibited in major art galleries such as the Nikon and Canon Salons in Tokyo and published extensively in works and publications related to the Formula One and the automotive industry.

“Honda’s archive spans 50 years and travels from the grit and glamour of motor racing’s golden years through its evolution into a technological arms race funded by big business. His photographs represent the developments, people and culture that shaped the motorsport industry. Preserving and showcasing them is crucial as they document a pivotal period in history, showing major shifts in the automotive and photographic industries through one artist’s perspective and evolving practice,” says Jozuka.

www.joehonda.com | https://www.facebook.com/joehondahisworks | https://www.shashinkosha.co.jp/english/about_us.html

Arrangements: Members of the public who wish to see the exhibition can get in touch with Emiko Jozuka, the director of the Joe Honda Archive, who is organizing a limited number of private tours.

For more information, interview or image requests, please contact:

Emiko Jozuka email: emiko.jozuka@gmail.com

Mobile: +85298562017   | WhatsApp: +85298562017  | LINE: emi337

Curator bio and additional comments

Emiko Jozuka, director of the Joe Honda Archive

Emiko Jozuka is a Japan-born multimedia journalist for CNN Digital Worldwide, who grew up in the UK. She has worked for WIRED and VICE Media Group in London and the Hurriyet Daily News & Economic Review and freelanced in Turkey. She holds degrees from the University of Cambridge, the University of Oxford and the Ecole Normale Supérieure de Lettres et Sciences Humaines in Lyon, France. In 2017 Jozuka founded the Joe Honda Initiative to share Honda’s collection with the broadest possible audience, attain support to catalogue and establish a foundation that democratizes access to art, photography and motorsports.

Takuji Yanagisawa, president of Shashin KoshaIn 1990 Takuji Yanagisawa became the second company president of award-winning Tokyo-based photography atelier Shashin Kosha. Since its founding in 1950, Shashin Kosha has merged tradition with innovation to support and showcase the work of Japan’s most outstanding photographers. In 1976, Shashin Kosha became the only photo atelier to win a special award for achievements and contributions to photography from the Japan Photographers’ 

Award-winning indie Japanese film, STAY, showing tonight in Tokyo, prior to Amazon Japan release

TOKYO – November 6, 2020 The award-winning independent motion picture STAY by filmmaker Darryl Wharton-Rigby will screen at the Legacy Foundation Japan’s Legacy Lounge on Sunday, November 8 at 6pm prior to its November 17 release on Amazon Japan.

“I am excited to that STAY will finally be seen by audiences in Japan,” said Wharton-Rigby. “When I started filmmaking, I never imagined I would make a film in Japan. From Baltimore to Tokyo – What an incredible journey.”

STAY “a touching romance” follows the story of a couple who fall passionately in love over a weekend; Ryuu, a Japanese man who is a recovering addict, and Hope, an American enjoying her last days in Japan. The film features emerging Japanese star, Shogen and introduces British model/actress, Ana Tanaka. 

Lensed by photographer Jeremy Goldberg and a score by Himaness, STAY, Wharton-Rigby’s second feature film, was shot on the Tokyo streets in 15 days, guerrilla style, a technique the filmmaker has used throughout his career. 

“We have believed in this film and are excited to come home to Japan,” says Executive Producer, Christopher Rathbone. “Given the global festival acceptance and the awards won, STAY has been a real crowd pleaser. Audiences really like this film.”

“Shooting STAY in Tokyo on the BlackMagic Pocket Camera made us virtually invisible and allowed us to capture the city up close and personal. We shot on train platforms and trains, Tsukiji Fish Market, ramen shops… Everywhere,” explains Writer/Director Darryl Wharton-Rigby. Every day was something new and challenging. We were constantly on edge. I really wanted STAY to show Tokyo in a real and natural way.”

The Legacy Foundation Japan Legacy Lounge is located on the 9thfloor of 2-chōme-8 Azabujūban, Minato City, Tokyo 106-0045, which is above Soul Food House..

The (Homoerotic) World of Tom of Finland: Reality and Fantasy opens September 18th. First time Tom shows in Japan!

Tom of Finland (1920-1991) was a pioneer in LGBQT and homoerotic art, blazing a trial in Finland and his works have been shown all over the world. From today September 18th, his work will be exhibited for the first time in Japan (ever) at Parco Shibuya. In a country where alternative sexuality is still barely recognized and some politicians spew homophobic bile, it’s a small accomplishment that the show is being held.

The exhibition will only last until October 5th.

The show has taken nearly years to put together, was delayed by COVID19, and ran into numerous obstacles along the way; thanks to the collective efforts of all involved, including the Embassy of Finland, the show is finally taking place. The whole story behind the curtains is told eloquently in this piece by Justin McCurry in The Guardian

I almost gave up’: Tom of Finland exhibition to finally open in Japan

Be sure to try the Tom of Finland vodka. The hard stuff.

The exhibition will show that his work was a catalyst for social change and acceptance of homosexuality while celebrating sensuality and the beauty of the male body. The curator of the exhibit and director of The Container, Mr. Shai Ohayon points out that Japan is still very much behind in the recognition of gay and LGBQT rights.

(From the press release) “Historically, the images highlight milestones and artistic stylistic developments in Tom’s life and practice—starting with his 1940s and ‘50s paintings in gouache, of men in stylish attire and uniforms, such as sailors, soldiers and policemen, in fantastic and romantic compositions, influenced by his army service in Finland—to his stylized depictions of leathermen and muscle men in the ’60s and ’70s”

The exhibit is being sponsored by: The Finnish Institute in Japan. Finnish Institute in Japan. The Container (art gallery) and PARCO.

The exhibition was designed to coincide with Tom’s 100th birthday anniversary and features a selection of 30 historical works, ranging from 1946 to 1989. They span the artist’s entire professional career, and highlight both his artistic versatility and present his identity as an LGBTQ legend who paved the way for LGBTQ rights worldwide and helped to shape gay culture.

2020/09/18~2020/10/05 Reality & Fantasy: The World of Tom of Finland at GALLERY X (B1F, Shibuya PARCO) https://art.parco.jp/

Open hours 11:00-21:00 *Last entry time 30mins before close *Close at 18:00 in 10/05 Admission is 500 yen.

*Pre-school child not allowed in

A documentary on the importance of Tom of Finland and the meaning of his art will also be shown at at two different theaters during the exhibition. “Award-winning filmmaker Dome Karukoski brings to screen the life and work of one of the most influential and celebrated figures of twentieth century gay culture: Touko Laaksonen, a decorated officer, returns home after a harrowing and heroic experience serving his country in World War II, but life in Finland during peacetime proves equally distressing. He finds postwar Helsinki rampant with homophobic persecution, and men around him even being pressured to marry women and have children. Touko finds refuge in his liberating art, specialising in homoerotic drawings of muscular men, free of inhabitations. His work – made famous by his signature ‘Tom of Finland’ – became the emblem of a generation of men and fanned the flames of a gay revolution.

Movie Screenings:

Tom of Finland (2017), directed by Dome Karukoski

from 2020/09/18~2020/09/24

White Cine Quinto

(8F, Shibuya PARCO)

https://www.cinequinto.com/white/

From 2020/09/25~2020/10/08

Shibuya Uplink

‘White Day’: a new poem from ume’SHHU

It’s been several months since we announced the publication of the Japanese angsty poetry collection, Molasses and Shochu, but we wanted to share this new addition by Phoebe Amoroso also know as ume’SHHU.

For those of you who are not familiar with long-standing Japanese tradition, Valentine’s Day here is celebrated by women giving chocolate to men, sometimes out of obligation aka 義理チョコ (giri-choco), and sometimes, containing trace amounts of menstrual blood. On March 14th, men reciprocate by giving white chocolate to the women they fancy or who bestowed chocolate upon them.

Although, as you will see, the complexity of this poem, written by Ms. Amoroso, briefly touches upon these cultural traditions. They are important confectionary artifacts that have existed many decades after being created by Japan’s male-dominated cocoa industry and society at large. Please see the annotated version in the hardback edition of the book to deepen your understanding.

This chocolate isn’t black
Nor as large as I had hoped.
Every March 14th
Is my Friday 13th.
I have no lover 
To sweeten the occasion. 
Ever hoping for a Melty Kiss
But forever doomed 
To Crunky Balls from the conbini–
I had, after all, merely been convenient.
There is no sugar coating that fact. 

Even though, Japan
Has resigned me to smaller portions
I was not expecting this starvation.
I stared at the wrapper on my desk
And wondered how obligation could be so bitter.
Unwrapping the white KitKat
I held every total loss,
My palm sticky.

White chocolate should not exist.

Japan adds Narnia, Syriana, Trumpistan and 16 more actual nations to its expanding no-entry list

From July 1, Narnia, Mordor, and Covidia will be among the 144 nations and regions affected by Japan’s entry ban*

The citizens and dwellers of Narnia, Syriana, and Trumpistan have already been banned from entering Japan due to COVID-19. Covidia, is being considered for the ban as well.

DOMEIDO NewsFlash: The Covid-19 problem continues as the world enters into a hot and humid summer. Even though Tokyo has completely reopened—albeit with a small spread of coronavirus due to the deplorables working in the night-trade— and residents are now able to travel between prefectures, Japan is not yet ready to open its doors to international visitors. Japan will also not let back in permanent residents who lived here and left, or admit anyone who might possibly be harboring the coronavirus, unless they are Japanese citizens. 

Starting Tuesday, Japan will ban entry to non-citizens arriving from an additional 19 nations, including Narnia, Syriana, and Trumpistan. This brings the total of number of nations and regions in Japan’s no-entry list to 144. Covidia, the renegade province of China, is also under consideration for the ban. The Deep State was scheduled to be banned but no one is sure exactly where it’s located.

Some of Japan’s choices have resulted in intense criticism from outside of this island country, which was created by the Gods. 

Foreign media pointed out that while Narnia is a temperate forested land, with talking animals that live in quaint houses and behave like people, and the land is populated by wicked witches, magic users, it also has had no reported cases of coronavirus since May 1st. This representational monarchy is also a fictional place. Syriana, is also a fictional nation modeled after Saudi Arabia and the subject of a suspense thriller starring a slovenly George Clooney, who put on weight for his role as a burnt-out CIA agent in the critically acclaimed film. Trumpistan is a satellite of Russia, ostensibly independent, carved out of what used to the United States of America. 

At a press conference today, acting Foreign Minister, television comedian, Hitoshi Matsumoto, shushed complaints that Japan was closing itself off from the world. He also responded to criticism that Japan should not be naming fictional nations for the entry ban. 

“I have heard the grumblings coming from Mordor, but we are not swayed in our decision. Of course, we have refused to let in anyone from the south of Mirkwood, so obviously the Mordorians are not happy either but Japan stays resolute,” Matsumoto said.

Matsumoto suggested that if other nations would falsify their data, like Japan, deliberately keep PCR testing low, and find the right scapegoats within their own nations, they could produce statistics that would allow Japan to reopen its borders to them—while saving face, but not necessarily saving lives.

Acting Prime Minister Aso (pronounced like asshole without the ‘L’)  Taro, corrected earlier statements that citizens from Okinawa would also be banned from Japan. “It appears that Okinawa, while not part of the mainland, is also part of Japan. Therefore, we will allow people from the islands into Japan, provided they have their Ryukyu passport and a bank statement.” 

While it appears that Japan is closing its borders tighter than ever, there were also signs that the nation is showing flexibility. Starting July 4th, anyone from Disneyland may enter Japan after agreeing to a two-week quarantine and showing they possess a Duffy Disney Bear as proof of citizenship in that country. 

Prime Minister Aso also denied rumors that hosts in Kabukicho were being rounded and exiled to Sadogashima along with hostesses, sex workers and other denizens of “the night village”. 

“If we exiled all the scapegoats, then who are we going to blame for our very low but still unacceptable coronovirus case count,” he pointed out. He added, “By the way, in about another week we are expecting a huge outbreak from the Black Lives Matter march and from everyone who tweeted mean things about Abe on twitter.”

Japan is warning citizens that social media, when used to criticise the government, breaks down social distancing and spreads coronavirus. 

Japan is expected to relax the restrictions for entry after having exhausted all possible scapegoats for continued infections within Japan. 

“We are going to need a fresh group of people to blame eventually. Then we’ll let you uncivilized barbarians who have a low mindo (民度) back into our land.”

Aso assured the foreign press, “I expect before the 2021 Olympics, that all entry bans and the coronavirus will vanish.” 

*This article is printed with permission of Domeido News Agency (同盟童通信), a fictional news agency that brings you the latest in news parodying Japanese news but really not that much of a parody.