Beloved film critic and journalist, who spent much of his career in Japan, James Bailey, passed away on August 24, after a long battle with cancer, at the age of 72. He was born in Bryan, Texas on December 13th, 1946. He is survived by his wife Yurika, his son, Chris, and his daughter, Chelsea.
Bailey served as Entertainment Editor for Tokyo Weekender, which some consider the oldest on-going English publication in Japan (that is not a newspaper); it was founded in 1970. Bailey also wrote for Variety, Tokyo Journal, and other publications. Bailey was known as an observant and authoritative film reviewer, fluent in Japanese, and able to write with great wit and insight about all aspects of Japanese society.
Bailey’s film reviews, like those of Kaori Shoji, were always more than simple film reviews but a starting point for meditations on Japan, popular culture, cinema tropes and dark comedy. Take this paragraph from his epic review of Godzilla movies, in this case Godzilla Vs. Monster Zero:
“Confirming the widely held assumption that Western men are irresistibly attracted to Japanese women, Glenn falls for and, unusual for a sci-fi feature, beds the lovely Namikawa (Kumi Mizuno), albeit off camera. Nonetheless, the purity of Japanese womanhood is preserved when it’s revealed that Namikawa is not really Japanese at all, but [an alien race] a Xian. And the parlous nature of ethnically mixed relationships is underlined when she is disintegrated by her own people.”
Bailey had no patience for bullshit and took great delight in setting things straight. His former editor at Tokyo Journal, Greg Starr, notes “He was a ferocious researcher. I remember his prodigious memory; if you were with him and Mark Schreiber, you didn’t need the internet.”
Mike Tharp, former Tokyo bureau chief of U.S. News And World Report, writes, “I met James a few months after I arrived in Tokyo in 1976. Like many expats, I read the Tokyo Weekender, Corky Alexander’s free weekly newspaper. For the most part, its stories were forgettable. But the movie reviews were exceptionally well written, filled with wry humor,
So when I happened to meet their author, James Bailey, at the Foreign Correspondents Club of Japan, I gushed over his reviews. I said they were good enough to appear anywhere. He blushed and said a head-bowed thank-you.
That was the beginning of a beautiful friendship. James, fluent in Japanese, also reviewed Japanese subtitles on English-language films. I was astonished at his insights. He wrote with grace and wit. His stories for Variety told that audience more about Japan than most any other publication. James could write for anyone.
He was a gentle man. His voice never rose above a quiet pitch. His laugh was contagious. He shone when he smiled.
After he and Yurika moved their family to Seattle, we stayed in constant touch. I was in L.A. James would make what today are called ‘mixed tapes’ and send them to me. He wanted me to expand my musical interests beyond old rock ‘n’ roll.
He was an incisive critic of the media, sending me examples of redundancy, verbosity and grammar screw-ups every week. Just in the last two years we exchanged nearly 300 emails. He and Tokyo-based Mark Schreiber, described by James as a polymath, staged written contests to see who could fashion the worst puns in headlines. I think it was a draw.
James had appeared on GE College Bowl. He knew so much about everything. I stole his phrase to use in my college classrooms: I wanted to make my students ‘garbage brains’, knowing something about a lot. He was one of the handful of geniuses I have known.
James knew of my passion for Elvis and never ceased to send me stories about The King. If I were to write an inscription for James, it would be from this Elvis song: “And you’re there to always lend a hand in everything I do. That’s the wonder, the wonder of you.”
His wife, Yurika Bailey writes, ” In accordance with Jim’s wishes, he wanted to stay home in Mercer Island Washington. He spent the last week of his life with me, Chris and Chelsea which made him feel happy and peaceful. Jim and I are incredibly fortunate to have [had such] good friends in our life.”
His son, Chris Bailey, writes, “My dad was one of the most selfless people I knew. He did everything to make my mom, my sister, and myself happy. We are grateful that he had a peaceful end with loved ones at his side.”
Chelsea Sakura Bailey, didn’t realize until visiting Japan, the great respect his colleagues had for James. “As a girl in our home, he was always ‘my dad’. As a woman living in Tokyo in the city he knew among his peers it was only then that I came close to knowing the man Jim Bailey was. At a very young age, I was keenly aware that there was something unique about him. He was always quietly observant, profoundly curious about all that surrounded him. He always had a book in one hand and a notebook and pen in the other. He was always humble about his accomplishments and gracious about his natural talents as a writer. So much so, that I didn’t fully know how talented he was until I was an adult, until I was in Tokyo, until I was among his community. Few children are given the opportunity to see their parents outside of their home, as anything more than ‘dad’. With that experience and spending his last moments of life, I am grateful that I can say I truly knew this man, my father, James Bailey.” Chelsea, said that on 6pm Friday (August 24th), that she kissed her Dad on her way to work, and said “I love you. I’m going. Rest well, okay?”
He passed away in his sleep twenty minutes later, knowing that he was loved and will be missed.
1984 — Shoko Asahara, a visually impaired yogi, forms “AUM Shinsen no Kai,” later renames it AUM Shinrikyo. It mixes elements of yoga, Buddhism, and other religions and begins recruiting college students and intellectuals.
1987- AUM incorporates in New York City under the name Aum USA Company, Ltd. In the US it attempts to purchase military weapons, develop chemical weapons.
February 1989–AUM members strangle to death, 21-year-old Shuji Taguchi who had wanted to escape the group at its complex in Shizuoka Prefecture.
Nov. 4, 1989 — AUM members acting on orders from Asahara, kill the lawyer Tsutsumi Sakamoto, his wife and their 1-year-old son at their home in Yokohama. The lawyer had been part of growing vocal opposition to the group.
1990 — Asahara and 24 other disciples run unsuccessfully in a parliamentary election. The defeat spurs Asahara to begin plans to take over the country and began developing chemical weapons. The group also began manufacturing methamphetamines and small-scale incinerators which they sell to the Yamaguchi-gumi and other yakuza groups to raise funds.
1993-AUM purchases a 500,000 acre sheep farm in Australia where they test out sarin gas, leaving behind 29 dead sheep.
AUM begins training helicopter pilots in the United States in hopes of eventually dispersing sarin gas over the Tokyo via helicopter. Plans for launching an attack within the US are also considered.
June 1994-AUM purchases a helicopter from Russia
June 27 — AUM members test sarin nerve gas in a residential area of city of Matsumoto, Nagano Prefecture. Eight people are killed, 100 injured.
December 12–AUM members kill a member, Tadahito Hamaguchi, with highly toxic VX gas on an Osaka street. He was suspected of being an informant.
January 1,1995–Yomiuri Newspaper publishes on their front page a special report that the police had found elements of Sarin gas in the ground near AUM facilities in Yamanashi Prefecture, linking the cult to the 1994 attack.
February 28,1995-AUM members abduct Kiyoshi Kariya, 68, to find his sister who wanted to leave the group. He dies under interrogation and his body is incinerated in a cult-built microwave heating device. (This and the other murders were later referenced in the series Millennium episode 2, Gehena).
March 20,– AUM members release sarin gas on Tokyo subway system. Thirteen people are killed and over 6000 injured. Police immediately suspect AUM.
April 23, AUM leader in charge of “Science Technology” and conduit to organized crime, Hideo Murai, is stabbed to death by a Yamaguchi-gumi members in front of the group’s headquarters, while reporters watch. The spokesman for the group says, “I heard that Murai was killed by the Jews.”
May 5–AUM members plant a cyanide bomb in the bathroom of an underground passage connected to Shinjuku stations, near the ventilation system. The poisonous fumes would have killed thousands if the bomb hadn’t been found.
May 16 — Asahara is arrested.
2000-AUM officially disbands and reforms under the name Aleph.
Feb. 27, 2004 — The Tokyo District Court sentences Asahara to death.
Sep. 15, 2006 — Asahara’s death sentence is finalized.
Aleph splits into another faction, Hikari no Wa. Later, a third faction of the group emerges.
June 15, 2012 — The last fugitive former AUM member, Katsuya Takahashi, is arrested for his part in the subway attacks.
Jan. 18, 2018 — The Supreme Court rejects Takahashi’s appeal, ending all trials linked to AUM Shinrikyo cult.
July 6, 2018 — Asahara and six others are executed by hanging. Seven members remain on death rows while their cases are being appealed.
It’s Valentine’s Day again in Japan or it will be soon….And while Valentine’s Day is a mutual exchange of gifts and professions of love in the West, in Japan it’s a holiday where women give expensive fine chocolate to the men they love and crappy obligatory chocolate to the men they work with or work for, known as 義理チョコ (giri-choko) or “obligation chocolates.”
According to Encyclopedia Aramata, Valentine’s Day was first introduced into Japan in February of 1958 by an employee of Mary Chocolate Co. Ltd, who had heard about the European chocolate exchanges between couples from a friend living in Paris He decided it would be a brilliant marketing technique in Japan so he organized a collaboration with Isetan Department Store in Shinjuku, Tokyo. It was an incredible….failure. “During one week we sold only about three chocolates worth 170 yen at that time,” an employee recalled. Yet this employee persisted, later becoming the president of the company, and by the 1980s, he and Japan’s chocolate industry, along with the department stores, had enshrined Valentine’s Day as a holiday that is “the only day of the year a woman confesses her love through presenting chocolate.” The spirit of love.
But of course, as time went by, giving chocolate became something women were expected to do for not only the their “true love” but people at work, their bosses, their friends, and even, their brothers. 義理チョコ (giri-choko) aka “obligation chocolate” has branched off into “友チョコ (tomo-choko)” chocolate for friends, 世話チョコ (sewa-choko), chocolate for people who’ve looked after you, 自分チョコ (jibun-choko), a present for yourself, and even the rare 逆チョコ (gyaku-choko) —the rare event when a man gives chocolate to a woman on Valentine’s Day (revolutionary).
When we say “Valentine’s Day” in Japan, it doesn’t quite mean what it means in the West. (We’ll talk about White Day in March). And if you think about it, what do we really mean when we talk about love? Japan has some very specific terms for discussing and classifying love. Although the terms can be expressed in English, the compactness of Japanese words for sex, love, and everything in between is quite charming.
Japan has many words for love and sex. It’s surprisingly rich in words for love such as 友愛 (the love between friends) and 親愛 (love between family members) and of course 恋愛 (passionate love) . Here are some of the words you may find useful as you travel through love hotel island.
*出会い（Deai）–“meeting people” Also used to describe dating sites 出会い系サイト and one-night stands.
不倫 (Furin)-“adultery, infidelity.” Has more of a negative connotation than uwaki
慈愛(Jiai)–compassionate love. Much like the love a parent feels for their child–a desire for the happiness and well-being of another. When the Dalai Lama speaks of love in Japanese, this is often the word used to translate his words.
*浮気 (Uwaki) –1) to describe someone who can romantically love many people 2) infidelity; an affair 3) being in love with in someone other than your partner 4) (old usage) cheerful and gorgeous
*恋人 (Koibito) “lover”
*熱愛 (Netsu-ai) “passionate love”
*恋愛 (Ren-ai) “romantic love” A word very popular in Japanese woman’s magazines
*恋い (Koi) “love”
*一物 (Ichimotsu) “the one thing” According to an old joke, the definition of a man is this: a life support system for an ichimotsu (the penis).
*慈悲, 慈悲深い (Jihi) (Jihibukai) “compassionate love/sympathetic joy” This comes from Buddhism and describes a maternal love, originally means to give joy and peace to someone and remove their pain. 慈悲深い人–someone who is compassionate and finds happiness in the happiness of others.
*情熱 (jounetsu) “passion”
*ラブ (rabu) “love” pronounced Japanese style.
ラブラブ (rabu rabu) “love love” used to described a couple deeply in love.
*同性愛 (douseiai) “homosexual love”
*愛 (ai) love. “to love” 愛する (ai suru)
*好き (suki) like. Used often to express love as well. 大好き (Daisuki) “really like” Old school Japanese males never say, “I love you” (愛している) they would say, Daisuki. This line:“君が大好きだ” (Kimi ga daisuki da). “I really like you” is often the profession of love in a Japanese movie or television show on both sides.
純愛 (Jun-ai) “pure love” An almost mystical concept of love as something beyond physical or material reality. I’m still not sure what this means but it sets off lights in the eyes of Japanese women. It’s a television drama buzz word.
*惚れる (horeru) fall in love
*惚れ込む (horekomu) fall deeply in love
*一目惚れ (hitomebore) love at first sight “hitome” first sight. “hore” fall in love (see above)
*セックス (Sex)—This is “Japanese English.” It means sex.
*前戯 (Zengi)–Foreplay. Mae (前）means before and “戯れ” means “play, goof around”. Technically this entry should have been before Sex (セックス) on the list but then I wouldn’t be able to make this joking reference here.
*セックスレス (Sexless)—Maybe half of Japanese marriages are sexless. Who knows why? It’s a common complaint for Japanese women and some Japanese men..
アイコンタクト (eye contact)” Important in courting.
*エッチ (etchi) A cute-word for anything sexual, flirty. Usually has a fun connotation.
*男根 (dankon) “male-root” If you can’t figure out what this means, please refer to 一物 (ichimotsu)
*おまんこ (o-manko) The female genitalia, sometimes just the vagina. Also referred to as simply manko. However, we prefer attaching the honorable “o” as in “orgasm”. Also, it’s never bad to show respect. Even amongst the closest of friends, decorum is necessary. 親しき仲にも礼儀あり
*愛人 (aijin) Lover. The aijin is usually the partner in a forbidden romance. Similar to “koibito” but more of a shady aspect.
*オーガズム (ougasumu) orgasm
オルガスムス (orugasumusu) orgasm in Japanese taken from German Orgasmus
絶頂 (zettcho) climax, orgasm in Japanese language
*失楽園 (Shitsurakuen) A very popular novel and movie about a passionate modern day affair that ends in double suicide, with the lovers found dead in each others arms in mortal post coitus bless. Yes, you wouldn’t think this would encourage people to have affairs but it did! Women’s magazines had multiple features on the books and movies.
潮吹き (shiofuki): female ejaculation. Some Japanese women release a squirt or excess lubrication on orgasm. There appears to be some science suggesting that this does happen.
鼻血 (hanaji): bloody nose. There is a strange folk-belief that when a Japanese man is sexually excited he gets a nosebleed. Go figure.
In Japan, when man or women reaches orgasm, they don’t come (来る) they go (行く/iku). Likewise, to make a man or woman reach orgasm, is to 行かす (Ikasu) “make go.”
楽園 (rakuen) mean paradise. 失（shitsu） means “loss” or as a verb 失う（ushinau） to lose.
If I was running a campaign aimed at women for Japan’s favorite 浮気（uwaki) dating site for married people, I might make a pun on this along the lines of “恋愛の楽園を失いましたか。Ashleymadison.jpで禁断の楽園を再発見しよう“ (Did you lose your lover’s paradise？Rediscover the forbidden paradise on Ashleymadison.jp) BTW, the site already had a 1,000,000 members within 8 months.
*恋い焦がれる (koikogareru)=”burningly in love” to be in love so deeply that it’s painful, to yearn for the other 恋い (love) + 焦げる (burn).
Not a negative word, but a way of expressing a deep passionate consuming love. Many men and women seem to be seeking
*ベッド (bed)—usually a roundabout way of discussing sex in Japanese female magazines
–プレイ”—(play) This is usually added to various types of sexual fetishes.
性愛 (sei-ai) Erotic love, eros (sex/gender 性 + love 愛)
For example, 赤ちゃんプレイ (Aka-chan purei)—When the guy likes to be diapered like a baby, possible shaved completely nude, and nurse, sometimes with a woman who’s actually lactating. I could tell you a really strange story about a police raid on a place specializing in this type of service but I’ll skip it.
*遊び (Asobi) “Play”—this can refer to sex, an affair, a one-night stand. It has a wide usage in Japan and adults “play” just as much as children. Hence the costume fetish in Japan—
コスプレー (cosupurei—“costume play”)
密事 (mitsuji)—An old word but a literary one for discrete affairs.
*禁断の愛 (kindan no ai) Forbidden love
*密会 (mikkai) secret meeting
*ばれない (barenai) to not be discovered, to get away with something
*絶対ばれない (zettai barenai) “absolutely no one will find out”
The Yamaguchi-gumi had posted a sign around October 20th, that they would be refraining from having the annual Halloween Party this year, due to “various circumstances”.
It was an oblique reference to the violent gang wars between factions of the group. There was an attempted assassination of the leader of the Ninkyo Yamaguchi-gumi, a splinter faction, in September. His bodyguard ended up taking the bullet. It seemed like a good call not have the event–no one wants kids caught in the crossfire.
The media reported the non-event, including this reporter. Tensions were low, the children who looked forward to the event, which was restarted last year after a one year hiatus, were unhappy.
Suddenly at around 4pm on October 31st (Japan time), gangsters opened the shutters of their headquarters and began distributing bags of candy to the neighborhood kids, as they have done for over a decade. A gangster dressed as a giant jack-o-lantern waved children inside the compound. The yard was garishly decorated with Halloween lights, blow-up pumpkins and ghosts, and a cotton candy machine according to those who attended.
The neighborhood children were delighted. Each garish bag was decorated with jack-o-lanterns and “Happy Halloween” in English. The bags had cookies, crackers, and chocolate filled koalas.“They did celebrate after all,” rejoiced one local woman. “Not only were the decorations great and the gift bags full of tasty stuff, there were two big lines for cotton candy. And the gangsters were super nice.”Some members were in costume distributing bags saying “Happy Halloween!” while others were in white jumpsuits and bullet-proof vests patrolling he area as the police looked on. “Security was top notch,” stated one mother who attended.
One father in the area of Indian descent wrote me, “The kids got one bag each, worth about 800 yen ($7) worth of stuff. My wife said it was a really fun event.” Many in the large Indian community in Kobe were convinced that they played a role in the tradition, recounting stories of visiting the headquarters in their youth. One woman remembers that eventually Japanese school children began following their lead on Halloween–making costumes out of black garbage bags and tagging along. This year, as a special bonus, the Cotton Candy was packaged in a Pretty Cure (Glitter Force) Anime bags. My daughter Beni would have been delighted–if she was still five years old.
No Masks Necessary
For the rest of the world, the Japanese mafia, even the well-organized Yamaguchi-gumi are frightening creatures. They don’t have to hide in Japan. They don’t wear masks but many of them wear sunglasses and are covered in ornate tattoos, often with violent images, and have a characteristic scowl. Some members cut off a finger in atonement for their own mistakes or on behalf of their friends to settle a dispute. A chopped off finger to atone for your mistakes is known as a shiniyubi (死に指) “a dead finger”. When a pinkie is sacrificed for another person, it’s the more honorable ikiyubi (生き指) or “living finger.” Many yakuza also have facial scars. This dates back to a time when instead of killing a rival, some thugs would just cut the person’s face and let them live. A small number of yakuza deliberately cut their own faces, to give the impression that they had survived a deadly confrontation.
In Japan, to discreetly discuss the yakuza, some people still use their index finger to pantomime cutting their face.
The yakuza derive their revenue from racketeering, gambling, fraud, insider trading, blackmail and other unsavory acts. Many members though, also run legitimate businesses. The Yamaguchi-gumi ostensibly forbids its members from engaging in theft, robbery, and drug dealing. They claim to be a humanitarian organization and are regulated under Japanese laws but not banned outright.
The police were less than delighted with today’s “trick.” An organized crime control detective from the Kansai area said, “We weren’t completely caught off guard but it was a risky move in light of the current gang war. I think their rivals (Kobe-Yamaguchi-gumi and the Ninkyo Yamaguchi-gumi) were snow-jobbed but now I get the ‘trick-or-treat’ thing’ now.” He went on to explain that the party was good PR for the organization. The false cancellation may have been an effort to stave off trouble and the press, he speculated.
Local press has also noted that many people in Japan are now bringing lawsuits against yakuza groups to force them to vacate their local offices. It appears that this year’s Halloween Party was the gang’s way of forestalling this, while gaining the goodwill of the community. Much of the media came late to the party, but the local newspaper, Kobe Shimbun, posted a slightly critical story around 7:30 pm. They also removed from their website an October 21st article stating that the Halloween party was going to be cancelled, “Probably due to the influence of the gang war.”
I hastily updated my own article—which was hard to do from the scene of the multiple murders at Zama City. One former Kabukicho talent scout was arrested that day for desecration of a corpse, after police found nine severed human heads and body parts in his apartment. They were looking for a missing woman–they probably found her. It was a grisly Halloween indeed. All things being equal, I wish I’d stuck to my original plans to go to Kobe.
In the end, the Yamaguchi-gumi tricked us all. But in some ways, it was the highlight of my dark Halloween.
The police were pissed and so were some of the media. The kids were just happy to get their candy. And it may be the only time in their little lives that they get to turn the tables on the yakuza and safely extort something from them. Trick or treat!?
Late July marks the official start of O-bon, the Festival of the Dead, where Japanese people visit the graves of their ancestors and/or pay their respects to the recently departed. For Tokyoites, August is the time of celebration.
It’s also a semi-official vacation for many, and the trains out of Tokyo fill-up with families going back home to visit the living and the dead.
Some Japanese families who can’t afford to travel put offerings on the family Buddhist altar and welcome their departed in-laws into the home for a few days before wishing them farewell. (In some cases, when the visiting ghosts won’t leave, they have to call in a Buddhist exorcist to kick them out. Maybe.)At JSRC, we thought you’d like to know a little bit more about this festive occasion and why it’s celebrated. *Editor’s note: The 90% well-researched version was revised to be 99% accurate and less snarky. All snarky and historically inaccurate parts are followed by a ★ for clarity. While ☆ represents a gross simplification.
The history of the holiday which came to be known an O-bon/お盆–pronounced like Oh! Bone!–is very long and the stories as to how it came to be celebrated in Japan are as ethereal and mysterious as your average ghost.
The old lunar calendar that was used up until the Edo period actually had the holiday on July 15th but the modern calendar places it on August 15th. This means that now it also coincidentally comes on the same day that Japan surrendered to the United States and World War II ended.
O-bon was originally a Buddhist holiday that dates back as least as far as the year 606 in Japan, where it was written up in Nihon Shoki (日本書紀) one of Japan’s earliest historical records. At that time it was called 盂蘭盆会 (urabonkai). It was believed that on this day if you made offerings to the local Buddhist monks, that the spirits of your parents and other ancestors would be saved from spending time in the lower realms of existence and be sent on to a better incarnation.
In time, over centuries, with the free-market liberalization of the metaphysical world, the Buddhist monks got cut out of the distribution system and now the offerings are made directly to the spirits. ☆
The “bon” in O-bon (盆) itself refers to the vessels (plates, bowls, tupperware etc) in which offerings are placed upon for the spirits of the deceased. The physical bowl has come to refer to the holiday or the period where the holiday is celebrated in modern lingo. Of course, O-bon as a holiday could be translated as “honorable container day” but then it wouldn’t sound as cool as “Japanese Festival Of The Dead.” The practice of offering food and drinks (such as Pepsi-Watermelon Cola and Wasabi Potato Chips etc) to the visiting spirits is believed to have spread from the original ceremony in Japan’s hip 600s.
The O-Bon Sutra: If it’s in an ancient book it must be true.
There is even a Buddhist holy book about O-bon, called the 盂蘭盆経 (Urabonkyo) which establishes the basic ideas of the holiday. In this tale, a disciple of Buddha, named 目連 (Mokuren) finds out that his deceased mother is trapped in the realm of hungry ghosts (餓鬼) and tries to find a way to relieve her suffering. *Buddhism postulates six realms of existence. Hungry ghosts aka gaki (餓鬼) are spirits with huge stomachs and small throats that can never get enough to eat and are perpetually famished. Look for my book on the United States of America and its obesity problem, Hungry Ghost Nation, in 2015.★
Mokuren, the Buddhist monk, is bummed that his Mom is a sort of demon. He makes votive offerings of food and water to his Mom, but right before she can wolf them down, they all burst into flames, making that a no-go. He decides to save Mom.
Our hero, Mokuren, who we’ll call Mork, just to make it easier to remember, has a talk with the Buddha about this problem. The Buddha, who being all-wise and everything, says to him, “Well, Mork, your Mom was really a total thug and it’s not going to be easy to spring her from her realm of suffering. However, if you wait until the last day of our post-rainy season vacation, which is July 15th, and make offerings to all of your Buddhist monk pals and supporters—making sure everyone gets fed, maybe your Mom can eat some of the leftovers or get lucky?”
And so he does just that, the monks and lay-supporters have a huge party: drinking, dancing (the original o-bon odori), eating, and having lots of fun. The Buddha says to them, while the party goes on, “Guys, let’s take a moment and pray for the well-being of our beneficiary who put on such an awesome party, and for his ancestors as well—up to seven or so generations. Let’s calm our hearts and meditate and do a thanksgiving sort of thing.”
And lo and behold, the monks are wrapped in holy bliss and Mork’s Mom (Mokuren’s Mom), was freed from the realm of hungry ghosts. The Buddha then promises the same service to any monk or lay disciple who will take the Buddhist monks out for a party on July 15th.☆
The authenticity of this Sutra is widely debated but it doesn’t seem any less plausible than the Book of the Mormon.
50 Ways To Appease Your Loved Ones
O-bon is celebrated in different times, manners and places in Japan. The most common belief is that the spirits of the dead return around August 11th and leave again around August 15th or 16th, depending on the traffic in the spirit world. (O-bon traffic in our world peaks on the 14th and 15th, as most Japanese families in Tokyo go on vacation during this period as well and it collides with summer vacation for the kiddies.)☆
During this period families come together, greet the spirits of the departed, and then send them off again to the netherworlds. Some areas greet the spirits with a large bonfire (迎え火) and then send them off again with another fire (送り火). The energy crisis in Japan has dimmed plans to replace the bonfires with large LED lamps spelling out “Welcome” or “Good-bye” but in the future, who knows?
Depending upon the household and the area, some families will clean up the Buddhist altar and make their offerings there, placing faux horses made out of egg-plant or cucumbers to provide transportation for the wandering spirits. The smoke from the incense is believed to provide a highway for the ghosts and their cucumber horses to travel on.Tokyo dwelling families originally from Narita City in Chiba Prefecture families make a giant “limousine bus”* out of pumpkins and grapes to make the travel to Tokyo easier for the mass gatherings of ghosts arriving at the airport from the underworld. ★Actually that’s not really true. Apparitions can easily take the Narita Express now.☆
In many areas, O-bon odori(お盆踊り）, the O-bon dance is performed. The dance dates back to Heian era Japan and was believed to be a ceremony both to welcome the spirits of the dead, memorialize them, entertain them, and appease them. It’s not known if the modern-day hostess club has its origins in the O-bon odori.★ The movements of the dance are said by some to mimic the writhing of souls burning in hell—which makes sense if you’ve survived enough Japanese summers. But it’s hard to see how the writhing of tortured souls could be amusing. Mmmm….laughing at the suffering of tortured souls—amazingly O-bon pre-dates Japanese game shows.
Since the 1600s, many versions of the O-bon Odori incorporate Buddhist chanting which is believed to help the restless spirits go to a better place….Hawaii or heaven or a better incarnation. But not Saitama☆.
Deep O-Bon Thoughts (As Deep As A Plate)
Jokes aside, O-bon is one of the most interesting of Japanese festivals and while August 15th marks the current official date for the holiday, it still begins in July in many places in Japan. If you can use it as an excuse to get out of work, try celebrating it twice in the same year. You can claim to have relatives in Kansai. The actual dates and practices don’t mean that much but it’s an idea that I like in principle. There is something good about remembering those who have departed from our lives and will not return. It reminds us how lucky we are to still be alive, to eat, to drink and to dance. Even for those of us who can barely dance at all, there is something joyous about this holiday. Dance while you can.
“All of us who are still alive this O-bon, we’re simply the survivors of our fiscal year.”—Eiji Yoshikawa, Japanese novelist.
originally posted on August 15th, 2012 and updated yearly
“I think that the reason the general public identified with the roles I played, was that they were struck by my stance as a man who unrelentingly stands up to absurd injustices. It wasn’t just that I was just going off to a sword fight, but that my character was willing to sacrifice himself in order to protect the people important to him.”–Ken Takakura, August 2013
In honour of Japan’s Celebration of Cinema Day, December 1st, we’ve reposted some reviews and articles on classic films. Some good, some bad, some epic. This was originally published shortly before his death.
Japan’s best actor Ken Takakura has died of lymphoma, at age 83. The actor passed away at a Tokyo hospital on 10 November, his office said on Tuesday. He has been called the “Clint Eastwood” of Japan. Takakura was renowned for his stoic roles in scores of action films and yakuza movies–he was also adept at playing tough but caring men, clumsy in expressing their emotions. He played alongside Robert Mitchum in Paul Schrader directed film, The Yakuza in 1973. He also starred as a by-the-book, honourable and ultimately brave Japanese police officer alongside US actor Michael Douglas in the 1989 Ridley Scott film Black Rain. One of his lines in the movie, probably inspired millions of Japanese men to later study English conversation: “(I’m ) Assistant Inspector Matsumoto Masahiro, Criminal Investigation section, Osaka Prefecture police. And I do speak fucking English.”
Mr. Schrader told me in March of 2011 that Takakura was one of the most impressive actors he’d ever worked with and that his Kendo (Japanese fencing) ability seemed top-notch. He had once offered Takakura the role of Yukio Mishima, the literary genius turned right wing extremist, in his bio-pic film Mishima and Takakura had seriously considered it. However, in the end for reasons he only obliquely hinted at, he politely declined the role. The film Mishima has never been shown in a film festival in Japan.
Among his well-known films were “The Yellow Handkerchief”. He won the best actor prize at the Montreal World Film Festival for “Poppoya” (The Railway Man). He also appeared in some the final “real-life” yakuza bio-pics including 3rd Generation Leader of The Yamaguchi-gumi. During the filming, the former head of the Yamaguchi-gumi, Kazuo Taoka, actually visited the set and spoke with Takakura. Ken Takakura was the consummate professional and even in supporting roles such as in Mr. Baseball, he brought dignity to the Japanese characters that seemed to embody many of Japan’s virtues.
In August of last year, we were able to interview him via FAX and his polite and short responses give a good sense of the man. They are here in both English and Japanese.
originally posted on January 31st 2014
Ken Takakura, 82, aka “the Alain Delon of Japanese cinema” was awarded one of Japan’s greatest honors on November 3rd 2012. The Order of Culture was given to him by the Japanese Emperor at a ceremony held at the imperial palace. Four other notable people, such as researchers and literature academics also received the award.
Known as to be very quiet and tough, Ken Takakura (高倉健氏） rarely gave interviews to the media throughout his career. He is known for having stayed silent nearly for 13 seconds (a record for Japanese TV programs) after a famous television caster asked him a question that he did not want to answer. “In Japanese show business, only a tough and well respected celebrity is able to stay silent during a live show and have that tolerated by the producer,” explained a newscaster for one of Japan’s largest broadcasters.
Ken Takakura became an icon of the so-called ninkyou eiga, (任侠映画) or yakuza chivalry movie, inaugurated in 1963 by Toei Production. In the 1960s, as Japan was still recovering from its lost war and musing over the the atomic bombs dropped on Nagasaki and Hiroshima, the Japanese audience wanted to see heroes in the black market making justice in the streets and feeding the dismissed hungry people, right after the war. The movie that kick started his career was Abashiri Prison. He also gained international recognition with the war movie Too Late The Hero, in 1970, and The Yakuza, in 1975. His role in Black Rain with Michael Douglas 1989, made him even more well-known in the West.
Takakura-sama, agreed to answer few questions for JSRC. We carefully translated it and have posted the entire interview. We are also posting it in Japanese, for our Japanese readers.
Interview with Ken Takakura, in August 2013
JSRC: At present, many film fans in the world see you as the personification of the yakuza on screen, almost a symbol. What are your feelings about this?
Ken Takakura: It’s true that I did many yakuza films in the past, but whether or not I’m a symbol or not, I don’t know. I have done many other roles besides those of a yakuza.
JSRC: What led you to join the world of cinema?
Ken Takakura: I had to make a living.
JSRC: What kinds of movies do you like?
Ken Takakura: As I get older, my tastes changed, but I like movies that pierce the human heart and linger with me.
The Deer Hunter, 1978.
The Godfather 1 & 2.
Posta Pappi Jaakobille (2009).
JSRC: Do you have any interest in the modern yakuza films?
Ken Takakura: None whatsoever.
JSRC: Mr. Takakura, you have been called the Clint Eastwood of Japan, what do you think of that?
Ken Takakura: It’s what someone else thinks, so I have no thoughts on the matter.
JSRC: Why did you leave Toei Production in 1976?
Ken Takakura: There is no short answer (to that question).
JSRC: After leaving Toei, people were able to see you in many different roles? Was that your goal?
Ken Takakura: (My goal) was to meet people.
JSRC: Directors Takeshi Kitano and Miike are said to be geniuses of yakuza film but what do you think?
Ken Takakura: I’ve never worked with either director so I can’t answer.
But the most striking explanation Ken Takakura gave us was worth mentioning here.
Ken Takakura: You seem to be very focussed on the yakuza films I did while at Toei. If you want to understand, why the yakuza films were endorsed by the (Japanese) people, you can’t do it without thinking of the social situation at the time.
When low budget films (picture programs) were at their peak production in Japan, I’d have a schedule where I’d be doing in 4 or 5 films a months. That doesn’t leave much room to really put your heart into a role. But I think that the reason the general public identified with the roles I played, was that they were struck by my stance as a man who unrelentingly stands up to absurd injustices. It wasn’t just that I was just going off to a sword fight, but that my character was willing to sacrifice himself in order to protect the people important to him.
The thing that really changed after achieving independence from Toei was that I could choose which films I wanted to be in. I had my own standards for what films I would act in. Who would I meet? The words and lines written in the script. But the most important thing to me was this: would I be able to like the person I was going to play?*
*Portions of this interview were originally published in a French film magazine
Having been featured twice on the site’s main page and on various blogs, “Konbini Ikou”, which translates into “Let’s Go to the Convenience Store” is the brainchild of a group of exchange students from Koganei dormitory. Though it originally started out as a school project — evident with a reference at 2:17 — it quickly evolved into a somewhat satirical but endearing music video that has become a hit amongst Japanese and gaijin alike.
I talked to Kansas University senior Noah Oskow, who compiled footage for, edited and subtitled the video, about what it feels like for a somewhat in-joke video to hit the top of Yahoo! Japan’s charts.
A: How did this all come about?
N: My friends were in a “Management in Japan” class at Sophia University and they were supposed to make a video on the subject of konbini. One of them was Alan McMaster, from Australia.
It’s pretty funny. Alan actually wrote the song for a school project and as a way to escape boredom while quarantined in his room due to our dorm manager’s unsubstantiated suspicion of his having bird flu because he coughed once. The song turned out pretty good, so we decided we’d also make a music video to go along with it. And so he and fellow Aussie Stanley Wang, one of the group members who also lived at Koganei, ended up going around and filming these scenes in a konbini. They gave all the footage to me and I edited it all together. But we only ended up having enough to make half of the actual song with that footage. The documentary and the video they made went down really well in class but we just didn’t have enough for an actual, full music video.
After they left that semester, I kind of always wanted to finish it up with some other students. It’s kind of like a tribute in some ways to our dormitory and the konbini we always went to around the dormitory we lived in.
Of course, we all really like konbini a lot, but not probably to the extent that the video would imply. But thanks to the wonderful hard work and amazing acting talents of everyone else in the dormitory, we managed to make that video come into existence. So that’s basically what happened.
A: So it was something that you always thought should be a little bit satirical?
N: Well, I don’t exactly feel the need to marry any konbini.
A: Is there a reason you totally exaggerated it, then?
N: I’m a big fan of satire to begin with and filming ridiculous things. We just thought the idea of a bunch of foreigners just running around and worshipping and loving Japanese konbini was not too far from the truth. Japanese konbini are incredible and if we hadn’t had all those konbini to go to every day to get snacks, I don’t know what we would’ve done. They’re a very important part of our experience in Japan and our experience together. So the idea of exaggerating that a bit with foreigners in Japan just seemed pretty entertaining.
A: It definitely seems like it was fun to film. You mentioned that it started out as a school project and then turned into something that you were just doing for the hell of it, so did you ever think it would get 100,000 views or reach a Japanese audience?
N: I wasn’t sure how it would get out to the Japanese audience. Once it was done and we could kind of see what it was like, I could see that it had the aspects about it that I think Japanese people would find funny and that could make it popular like that. It’s really had its moments of virality, though… it’s been the top video on Yahoo! Japan twice now on two completely separate occasions. It’s not insanely popular, but still.
We’ve been recognised around the dorm and in all sorts of other places, and I’ve found blogs about it with hundreds of comments too. We’ve also found blogs of exchange students in Osaka whom none of us know who use it as the theme song for their dormitory. And when Ciarán Harper, a fellow exchange student, went back to Ireland and tried to show it to some friends in his Japanese class, they asked him, “What, you were in this?! We’ve all seen this, everyone’s seen this!” A lot of us have had that sort of experience.
A: You released “Konbini Ikou” last school year, but every once in a while you post updates saying, “We’re featured on this again!” so it seems like it’s still quite popular.
N: It’s random. There have been five or so times where it’s happened to randomly get on some really big Japanese blog and as a result gets 20,000 views in one day, then after doesn’t get any. It’s weird. Just recently, Yahoo! Japan had some ‘Foreigners in Japan’ video highlights section and “Konbini Ikou” was up there again, so as a result a bunch more people saw it because of that too.It’s also been shown by professors as a teaching tool in Austria, and Germany, and Ireland, and I’ve had some professors contact me in America about using it as well, which I think is really weird because I’m not exactly sure what you can glean from it information-wise.
A: So why do you think your video is so appealing to Japanese audiences?
N: There’s just aspects about it that I figured Japanese people would like. A combination of gaijin in Japan, not being insanely disrespectful, and singing this song dedicated to the convenience stores… I could tell that a lot of Japanese people would find it really hilarious. It’s this image of foreigners that isn’t the image that they get to see a lot. Usually in Japanese media, when you see foreigners in Japan, they’re talking about Japan and it’s either in a, “look at these crazy foreigners being so foreign” or it’s otaku who are really into the media or whatever. But in this case it’s like, a bunch of foreigners, it’s 20-something of us in there just kind of saying really nice things about a really basic part of Japanese culture that isn’t the media and isn’t anime, and it’s not jpop. We’re just saying really nice things about something that Japanese people themselves tend to really like on a basic level. Because it’s foreigners doing this sort of thing, I think it’s just kind of a unique image for Japanese people to see. What’s been really surprising to me is that a lot of Japanese people don’t seem to be able to tell if we’re being serious or not.
A: At the beginning of the video, you have this whole Nobiam Films thing. Is this something within your dorm, or do you consider yourself a somewhat established filmmaker?
N: Nobiam films is the “film company” that me and two of my friends founded back in like freshman year of high school. We’ve made something like 30 different music videos and films and stuff. They’re all pretty dumb.
A: Do you have plans for future videos?
N: Given the popularity of this and because of how much it’s become a symbol for a lot of us in the dormitory, I think that we will definitely do something again. We’ve also just gotten a ton of demand, where so many people are asking me to film something else. Perhaps I’ll team up with Alan again to make another song or something like that.
We’ll probably make something that’s something like a sequel to “Konbini Ikou” at some point, but other than that, Nobiam Films will keep on making really dumb videos for the foreseeable future.
That sounds awesome, Noah, and the JSRC team looks forward to seeing your next production!
In honour of Japan’s Celebration of Cinema Day, December 1st, we’ve reposted some reviews and articles on classic films. Some good, some bad, some epic.
AVN: Aliens Versus Ninja (エイリアンvs 忍者）released in 2010 is a camp classic for both lovers of Alien films and Ninja films. I was delighted to find that the super-deluxe release of AVN included on the second disc a 15 minute short-film エイリアン Vs 極道 (Alien Versus Yakuza), a Yuji Shinomura film . If you find the movie in the bargain bin at the local Tsutaya, it’s worth picking up. The plot is simple. Young yakuza and his older brother–in the yakuza sense–accidentally run over an Alien while on their way to late-night Karaoke in the boss’s car. They aren’t quite sure what to do with the body. They don’t even realize it’s an alien, believing that they’ve just run over an unlucky foreigner. “Maybe half?”
After a short debate, they decide to dismember the body and get rid of the evidence. Young yakuza goes to scour the glove department for a big knife, buried amidst piles of trashy magazines, but when he comes back the trunk is empty and his older brother (兄貴/aniki) is acting strangely. Could it be that Older Brother realized younger brother had slept with his girlfriend or has something stranger happened? Even when younger brother confesses and makes a peace offering; “Only once! Only slept with her once. I saved you a seat at the speed-dating thing （合コン・gokon)–can we call it even?” –Aniki’s anger is not quelled. What happens next is almost totally predictable but even after the young yakuza confronts the ousted alien, accusing him of being an 当たり屋 (atariya), a con man who shakes people down by throwing themselves in front of a car and suing for damages–the fight isn’t quite over. Because this Alien has a driver’s license.
I wouldn’t want to spoil the rest of the film for our readers but it does solve the ancient question: in a battle between an alien and a yakuza, who would win? Note: Some may argue that this question was settled in the masterpiece Predators, where the lone Inagawa-kai member in the film faces down a Predator with an ancient samurai sword, but Predators are really not your standard aliens. The film is bloody, silly, and probably unrealistic* but in the short yakuza film genre, it’s in a class by itself.
*For instance, I don’t think it’s possible to catch a bullet in your teeth but I’m not a war reporter so I’ll reserve judgement.
In honour of Japan’s Celebration of Cinema Day, December 1st, we’ve reposted some reviews and articles on classic films. Some good, some bad, some epic.This was originally posted on March 10th 2011. (Wow, who would have guessed what would happen a day later.) It has been reposted to commemorate the passing of yakuza movie icon, Ken Takakura, on November 10th 2014.
The film festival opened with a bang or rather the swoosh of a katana (刀) slashing through the air with the showing of Sydney Pollack’s overlooked 1975 classic gangster film, The Yakuza, which starred Toei Yakuza film regular Takakura Ken and film noire/hardboiled action star, Robert Mitchum. “Mitchum, in one of his best roles of the 1970s, is drawn to the Orient by an army buddy (Brian Keith), whose daughter has been kidnapped. But when he gets to Japan, Mitchum finds that her kidnappers are the shadowy Yakuza, the Japanese Mafia–an organization that is as vicious as it is tradition-bound. He must call on friends he made after World War II for favors and finds himself unintentionally trampling on issues of honor, even as he battles for his life and that of the girl he is seeking.” (from Amazon.com)
The script was written by Paul Schrader, better known for writing such classics as Taxi Driver and Raging Bull. It is probably one of the most unique yakuza films ever made, in which an American and an ex-yakuza form an uneasy alliance. Takakura Ken would later go on to play the stiff, rule-bound but honorable organized crime control division detective in Ridley Scott’s Black Rain. In the genre, the only thing that comes close to having the same components is Kitano Takeshi’s Brother. (PS. If you can find a copy of the Japanese original version which is 40 minutes longer than the cut released in the west, watch it instead of the US version. It makes it a much better film.)
The tag-line for The Yakuza when released on DVD is an eloquent summary of the yakuza code. “A man never forgets. A man pays his debts.” While the movie is not as close to approaching the realism of 鬼火 (Onibi: The Fire Within) which has its US debut tomorrow (March 10th), it is an amazing film and the sword fighting scenes at the climax are breathtakingly done and some of the tensest action scenes you’ll ever see in any film.
After Paul Schrader did the introductions, I was lucky enough to have dinner with him, and Stephen E. Globus who made the event possible. During his prefatory remarks, and before and after dinner, Mr. Schrader shared the story of how he became interested in the yakuza and the background to the film and his other still-banned-in-Japan masterpiece, Mishima, which depicted the life of famous Japanese novelist and late-blooming right-wing idol Mishima Yukio. Mishima committed seppuku, or hara-kiri (ritual self-embowlment), at Japan’s Self-Defense base in Ichigaya as his final literary statement. According to Mr. Schrader, he intended to write a final poem with a brush-pen dipped in the blood flowing from his guts. Unfortunately, his subordinate botched the job of lobbing off Mishima’s head and other things left that final poem unwritten.
When I was a student at Sophia University in the 90’s, I taught English to one of the doctor’s who performed the autopsy of Mishima. He told me that his shoulders had three or four deep cuts where his disciple had clearly missed the target: Mishima’s neck. This evening while drinking Otokoyama (男山, Man-Mountain), my favorite sake, with the screenwriter, Mr. Globus and members of the Japan society, was the first time I ever knew that there was more botched in that final act than just the decapitation. In his closing remarks, Mr. Schrader also noted that originally Takakura Ken had been offered the role of Mishima but politely bowed out later saying obliquely and apologetically, “There are certain forces that do not want me to do this film and as part of that subculture, I must decline.”
Schrader’s original reason for being interested in the yakuza and film about them came from his brother, who was living in Japan, and wrote him of those amazing Toei studio yakuza films, and the splendor of Japanese life. Schrader expressed his fondness for the rigid rules and politeness of Japanese society, noting, “If I had grown up under those rules, I would have probably hated them. But as a foreigner, I benefit from them but yet am not expected to obey them.” His own daughter was born in Japan in the 80’s on a particularly auspicious day. He hopes someday to be invited to the Tokyo Film Festival but as of yet, since the making of the controversial Mishima and the refusal once of the film festival to show it, he hasn’t been invited to Japan as a speaker for any film festival. The reality of the yakuza (and their hold on Japan’s film industry) are not the only taboo subjects in Japan.
Tomorrow, March 10th, I will be lecturing on Yakuza In Popular Media & Real LIfe: Cracks and Chasms from 6:30 pm. This will be followed by the U.S. premiere of the fantastic Onibi: The Fire Within. It was an honor and a pleasure to meet Mr. Schrader who was funny, humble, and even accommodated my request for the obligatory commemorative photo.
By all means, do go and tell your side of the story to them, motherfucker.
Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.
Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get fired, you’re going to have to put your kids out of international school and into Japanese school and I’ll be teaching there.
Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right? (2011)
I have a talent for pissing people off. I’m sure it comes from a personality defect, of which I have many, and I will strive to work on improving my generally surly nature.
However, while I’m surly I don’t delight in the suffering of other people. Unfortunately, I have a cyberstalker who does. And when he can’t get to me, he attacks my friends. Or uses his virtual sock-puppets (Chris Beck, Kita (I don’t have the balls to use my real name) Yaesu to do it.
The worst troll in the world is one that claims to be a journalist—they abuse our profession by writing with malice, distorting the truth and mixing it with enough lies to make it seem plausible, and claim to be “reporting” to do it. I call them “trollnalists”.
There is a certain disgruntled self-professed journalist Christopher Johnson aka The Troll who has a personal vendetta against me and anyone who is my friend or employer. The reasons are very simple: I made the mistake of asking about his visa status when he was denied entry into Japan and/or deported in 2011. I then refused to write an article on his behalf in 2012. He took it very personally.
He’s accused me of 1) being addicted to meth-amphetamines 2) not having been a police reporter, which is probably because he can’t read enough Japanese to figure out what 警視庁記者クラブ means 3) being a womanizing asshole 4) plagiarism 5) being completely wrong about yakuza involvement in the nuclear industry 6) being mentally ill. It goes on and on.
He’ll probably alter his crazy blog posts soon to eliminate claim #5. He’s devoted 40 sprawling pages to my life which he continually rewrites when glaring errors are found. No one is sure what he does to support himself these days but perhaps his famous brother, Gordy Johnson aka Grady Johnson is supporting him. Who knows?
He is right about number 3. Gotta work on that. I can be an asshole and a womanizer. Guilty.
I didn’t mind so much his man-crush and attacks on me, but now he continues to harass other journalists I know, accusing them of plagiarism. He accuses them of taking money from corporations to slant their coverage, etc. He writes their editors, calls their offices, tweets at them endlessly. It’s hard to really explain how venal this individual is so I’ll let him speak for himself.
This is the kind of guy I’m dealing with. The kind of guy who left messages like this for his co-worker at NHK in 2007.
I will have to tell you that Tanaka-san and Iida-san are now well aware of your fucking bullshit. By all means, do go and tell your side of the story to them, motherfucker.
Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.
Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get fired, you’re going to have to put your kids out of international school and into Japanese school and I’ll be teaching there.
It is a revolting thing to do, for which CJ has never apologized. It makes him sound like a pedophile–and although he spent many years in Thailand, there is no evidence that he is one. But it’s still a fucking awful thing to say. An apology would be nice.
Dave Schaufele, the NHK co-worker, sent JSRC a note on the incident:
“It’s time to stand up to this bully. I would have no hesitation beating the living crap out of this sicko after his comments about my children, as would any father in a similar position I suspect. So if he ever sees me again he better turn the other way and run.
Friends at NHK who know CJ recommended that I just ignore him because he’s mentally unstable. But if his slanderous meltdown rant is starting to spread I guess I need to reply and set the record straight.
I must admit I’m so short of time between work and family that I haven’t even started a Facebook page, let alone made 14,000 blog posts as “Greji” whose slang and poor spelling might indicate that English is not his first language. CJis simply delusional.
I suspect he knows I’m not Greji but was simply looking for a way to use NHK’s name in the headline and fabricate a high profile story that would make him seem like a victim instead of a predator. CJ knows that his own actions resulted in his loss of work but his alter ego is trying to find someone else to take responsibility.
CJ pulled all the hateful slander completely out of his ass. I have many Jewish friends and have never made any anti-Semitic remarks nor written anything about Johnson’s girlfriend or family and therefore he can provide no examples at all in his rant.
I made no phone calls to him period; another fabrication to try and justify his pedophile phone messages left on my keitai answering system. Playback is continuous once activated and no alterations were made whatsoever.
I do sometimes get a sunburned neck when working outdoors but have no neo-nazi contacts or own any guns. I guess those were the most hurtful fabrications Johnson could come up with in his appeal for sexual-predator sainthood.
He’s a mental case whose 2 sexual harassment complaints on file at NHK got him fired in 1995 but he managed to sneak back in years later. I was unaware of his past and when he first started work I actually tried to help the guy out as a fellow Canadian by giving him over $1,000 in extra work, which he thanked me for by inviting me over to his XXXs place for a beer. Seems like he’s been freeloading off her for years. But as the old saying goes – no good deed goes unpunished. CJ left town on short notice and our NHK boss asked me to cover a couple of his shifts. When he returned he went psycho and tried to get me fired, which backfired because the bosses remembered that he was the pervert they got rid of in ’95. When he made disgusting sexual comments about my young children I played his phone messages for my boss and it was 3 strikes you’re out – again – for that sicko.
I guess CJ figured that if I hadn’t posted his phone messages in 5 years I have probably lost or erased the file so it’s safe to slander me and headline NHK’s name to regain his Economist notoriety. I did erase the file because I didn’t want to hear his voice again. For the record I haven’t spent a minute thinking about the asshole during the past five years and this is my first and only blog post related to him in all that time.
Now you know – the rest of the story.”
He does what trolls do. He writes my employers, he makes threatening calls to the FCCJ. He has a penchant for harassing my female friends especially. Maybe in his mind they are the weaker sex. I gather he’s a misanthrope and a misogynist. I wish he would just attack me. It’s such a dishonorable thing to do to attack the friends of the person you hate. Even the worst yakuza aren’t usually that low.
He is angry that I would not take up his cause or defend him. I don’t know him well and I didn’t think he had a position that I could defend and I politely declined to offer my support. By asking one pointed question, about his visa status, he perhaps feels that I sprung a hole in his credibility dyke, which caused him a flood of attack and ridicule.
I don’t know; I’m not a mind reader.
Recently his threats have escalated. He is very fond of threatening to sue people for slander. He also poses threats to them as questions under the guise of being a journalist. He makes sexual slurs about female reporters. He has spent an inordinate amount of time trying to make me angry and scare individuals working with me. For many months, I ignored him. He went away. I ignored him again. But he came back and started harassing anyone he can identify as my friend or employer.
I realized that stepping back was the wrong approach. It was a cowardly act to do nothing. This man under the guise of ”journalism” has terrorized individual after individual because everyone hopes that he will grow bored and find a new person to attack and stalk–and thus they do nothing. This is understandable. But because no one stands up to this bully, the number of those who have suffered because of him keep growing.
Albert Einstein once said, “The world is a dangerous place. Not because of the people who are evil; but because of the people who don’t do anything about it.” Einstein was right. I’m doing something about.
The more I know about the individual and his past, the more I began to feel increasingly uneasy. He has a history of making insidious threats. On October 16th, 2007, he left disgusting messages on the answering machine of an NHK colleague that implied he would sexually molest the individual’s children. The tape contains what seems to be the sounds of said journalist masturbating over the phone.
Allegedly, the dispute The Troll had with a co-worker ended in him making several obscene calls to the man’s home phone which resulted in his firing from NHK. NHK has not confirmed this although others who were working at NHK have and so has The Troll in his own blog.
Transcripts of threats made to NHK co-worker October 16th, 2007
The story of the Troll who threatened to molest the children of a fellow NHK worker
I will have to tell you that Tanaka-san and Iida-san are now well aware of your fucking bullshit. By all
means, do go and tell your side of the story to them, motherfucker.
Oh yeah, I forgot to mention, I heard that your daughter gives really good head… and so does your son.
Sounds of what may be masturbation
Hey, I wanted to hear if your children are getting a good sleep because… when you get fired, and I get
fired, you’re going to have to put your kids out of international school and into Japanese school….
For the record, this is his explanation:
“The letter enraged ●●●。 His new round of phone calls and letters now insulted ●●● and my family,
including my brother, leader of one of Canada’s most popular bands at that time. I couldn’t take it anymore.
Regrettably, I lost my temper. During a heated exchange of insults by email and phone, I left a nasty message
on his phone. I responded to his insult that, “I hear there’s a job opening for a teacher who likes children, right
up your alley”. In effect, I said to him: “if you get me fired from NHK, I will have to get a job teaching
English again, and I might end teaching your children.” ●● claims he recorded it. He probably took the
comments out of context, and possibly tampered with them, given his skills at voice acting and doctoring
evidence and twisting facts…”
I won’t post the tape here. You can listen for yourself.
In addition, in May of 2011 he also made several threats to the journalist who replaced him at France 24.
Although I received the journalist’s permission to post this and verified it with three sources, I have deleted the name of the journalist threatened and changed the name of the one making the threats. Why? Because it’s customary practice in Japan to not publicize the names of people who are possibly mentally ill and may be under investigation for criminal offenses.
Other than blocking out some names, to protect the individuals from the loathsome attacks and smears of the troll, I have altered not a word, but put some sections in bold that are particularly disturbing. I’m reasonably sure the Troll aka Hostile Journalist will coming looking for me since by opposing him, I’m obviously a mofo.
We shall see.
PS. To Hostile Journalist: Do not even think about threatening (脅迫罪) anyone who cooperated with this article other than myself. Have some decency.
The story of the Troll threatening the journalist aka “The Mofo” that “stole” his job
Troll’s Letters To His Replacement at France 24 May-June 2011
The Troll, quoted here as “Hostile Journalist” sent a series of hostile emails after being fired by France 24. The reasons he was fired or let go may or may not have to do with the emails he sent. The emails were provided by a past victims of the Troll and on my own initiative I have kept his name non-public for fear that The Troll will retaliate against him as well.Hopefully, he is intelligent enough to realize that the emails he has sent constitute a threat. If he has a problem with this posting, I hope he will be a man and come after me and not the journalist who was kind enough to give me the materials. The letters began with an unsolicited posting from Troll.
The Troll Writing To France 24 Journalist Who Replaced Him
20 May 2011
I’m Troll, a veteran Tokyo-based journalist who has covered almost every major story in Asia and around the world since 1987, including the wars in Yugoslavia, East Timor, Afghanistan and Iraq, for major media worldwide.
I’m going to cut straight to the point about this. I do not allow people to take freelance strings that I have cultivated over the years. For your information, Loick Berrou hired me in July 2007 as the France 24 Anglo reporter in Tokyo, and since that time I have done hundreds of live phoners and on-camera
reports from Tokyo (often using the satellite feedpoints at Reuters and NHK), Tibet, China, Burma and Thailand (using feedpoints at Asiaworks).
I have taken great risks to build up the network. I was the only foreign journalist in Lhasa the week of the riots in March 2008, and I broke the story worldwide on France 24, beating BBC, CNN and everybody else. I also snuck inside Burma and reported on the crackdown on protesters, and Cyclone
Nargis, for the network. Last year, I did a flurry of reports amid gunfire and explosions during the battle of Bangkok (working in the same battle-zone where France 24 cameraman Nelson Rand was shot several times.)
Immediately after the March 11 quake, I spent a great deal of time and effort trying to arrange logistics for●●●, one of the network’s top Francophone correspondents (you can see the work we did together on the documentary The Battle of Bangkok). I also did 60 live reports for France 24 the first four weeks
after the quake, while you were working for somebody else, apparently.
I do not know what university training or professional qualifications you have in journalism, and I’m not familiar with the impact of your work. I’ve worked around most of the top journalists in Asia, and I don’t recall meeting you.
As for me, I have been through a weeding out process, of four years at Canada’s top journalism school at Carleton University in Ottawa, and then some of the leading networks and newspapers in Canada, before coming to work as a professional journalist in Asia. I learned to speak and read Japanese beginning in 1989, and covered the Kobe earthquake and sarin gas attack for CBC TV in Canada and others in 1995.
Like many other pros, I naturally have issues with amateurs who come to Japan, declare themselves journalists, hang around the FCCJ to pick up work, and then consider themselves experts in our field. Doctors and lawyers would not tolerate this in their fields either, and I think I have every right to call someone’s bluff on this.
While I was covering the TEPCO presser today, I found out from●●, ●●● and a senior person in Paris that you, somehow, have become the France 24 correspondent in Tokyo. I do not accept this, for any reason, and I will do whatever is necessary to protect a position that I have earned with the network, at great personal risk and sacrifice.
It’s not personal, it’s professional, and I can assure you that I will stake my 25-year career on this. If I tried to steal someone’s string, which has earned them thousands of dollars over the years, I would expect them to fight me for it.
I will tell you very frankly that I am a 6-foot, 200-pound guy from a rough part of the Detroit area, and I’ve been through too much – 9 wars, where I lost 7 friends – to let anyone disrespect me.
The Troll later discovered his email was forwarded to France 24 prompting another email.
That is very sleazy to send a letter, which I sent to you and you alone, to my employers at France 24. If you have any manhood, you will meet me in person to settle this. And you can bring your pals XXX and the other jerks who diss me on Facebook and at the FCCJ as well
The Journalist Responds To Troll’s Implied Threats
Troll-guy ,your unsolicited message appears to be a clear threat of violence towards me. Please clarify if I’m mistaken in this.
For the record: I was approached in Feb to work with F24 and have done a few bits of work with them since. I have no interest in who has worked with them in the past, continues to work with them now, or will work with them in the future.
I have no idea what issues you have with F24, but please take them up with the organization.
Equally, I have no idea what issues you have with ‘jerks’ on FB or the FCCJ, but please take them up with the people involved.
The Troll Responds To The Journalist
Who the hell are you talkin to me like this? You think your ass is powerful? You are a 5-foot 6, 150 lb dweek in shorts and sunglasses looking over your shoulder in a crowd. And I suppose you’llsend this to your mommy to protect you, right?
You aren’t the asshole ●● who smashed my brother’s head against the grocery store wall, and beat up my father in front of my mother and sister across the street from our house, and then laughed at my little brother in the court house. aYou aren’t the crackhead who shot my uncle ●● in the head in Detroit. You aren’t the home invader who murdered my brother’s drummer in his house in ●● this Christmas. You aren’t the gang that strangled me and beat me unconscious and broke my nose and ribs and left me naked in a park to die in Nairobi, or the jerks who mugged me at knifepoint in Rio de Janeiro. Youaren’t the Chetniks who severed the head of my roommate ●●●in Vukovar. You aren’t Khaled Sheikh Mohammed who cut up Daniel Pearl like a goat a few weeks after we had Thanksgiving dinner in Islamabad. You aren’t the Taliban motherfuckers who murdered●● and raped and killed the women in the van in Afghanistan. And you aren’t the gunmen who shot ●●●●● three times last year when we were working for France 24 in Bangkok. You are a spineless sewer rat who sends a private confidential letter to my boss to shaft me out of a job worth perhaps 10,000 year or more, a job I earned while you were a driver with another network and writing an FCCJ article slagging off serious pro journalists who hired you. Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right?
Where I come from, you don’t mess with a man’s car, a man’s woman, a man’s dog, or a man’s job. You go behind someone’s back, and they come knockin on your front, with a shotgun. And I suppose you’ll send this to your mommy to defend you, right?
The Journalist Responds To The Troll
It seems you got a rough deal off F24, which is a shame, but I really think your anger is directed in the wrong direction. To state the obvious, I don’t make the hiring decisions. I was asked to work with them in Feb and was surprised not to hear from them during the post-quake period. It seems they used someone else – that would be you. Now they’ve asked me to do the odd phoner.
I don’t know why they they’ve made that decision- it’s between you and them.
I was more than a little surprised to come in on Friday night to a long abusive threatening email from someone I’ve never met. I forwarded it to the people at F24 – ●● saying I had no idea what your history with them is and the situation needed clarifying .If you wanted a respectful response, you should have a sent a respectful email. This will be my last response to any insulting/ threatening mails.
“If you wanted a respectful response, you should have a sent a respectful email. This will be my last response to any insulting/ threatening mails.
That seems to be the best approach to dealing with this fellow. He does make a lot of threats. He, or his proxy, even threatened the editors at Wikipedia, when they refused to post an entry for him. He accused an employee of Google Japan of deliberately altering search results to make him look bad. He does manage to get under my skin. However, I’m certainly not the only one.
If you’d like to know more, please check out Japan Probe which has article after article about his not so amusing attacking on others journalists, his implied threats, his rantings, and his career history as a malcontent and troublemaker in Japan.
I took this post down once. I’m reposting it so that everyone knows that this is a man that threatens to molest children and viciously attacks other members of the journalism community. He may be a journalist; he is also very close to being a cyber stalker. I won’t write his name because he thrives on attention. I tweeted a parody of his blog today that has his actual name on it. I should have read it closer. I was taught that the mentally unstable should have their names undisclosed because they aren’t entirely responsible for their acts. I don’t know if that is the case with this individual but I suspect as much. Possibly a sociopath with delusional disorder. I’ll give him the benefit of the doubt.
I won’t engage with this individual in any way. Because there’s a difference between him and me. I give a damn about my sources and my friends. I’d rather people think I’m a jerk than violate the three things I believe in: protect your sources, write the truth, and if you can’t do both, then don’t write the story. Some people may not agree with that philosophy. It’s what I believe in. I don’t have a perfect score on protecting my sources. I get to live with that for the rest of my life. I atone and I carry on.
Because where I come from, when you attack a man’s friends and defame them, stalk women, and threaten to harm children–you’re someone who needs to go to jail until you learn to behave like a human being, not a troll. Or am I simply too old-fashioned?
I recognize that people have a right to start their lives over–that they deserve a second chance. And I’d be willing to give this man a second chance, if he showed any remorse, if he apologized to all those he’s wronged. He won’t do that. He won’t even answer three simple questions 1) Did you threaten to molest a man’s children when you were working at NHK? 2) Did you threaten another reporter in 2011? 3) Have you misused the position of being a journalist to harass women that reject you and people who disagree with you?
There is no solution to dealing with a man like this. As long as he has access to the internet, he will continue to try and destroy those whom he perceives as his enemies—and there a lot of them. He’s bordering on criminal behavior and when he finally crosses the line, I hope to see that at last he gets the attention he deserves. Because where I come from, when you attack a man’s friends and defame them, stalk women, and threaten to harm children–you’re someone who needs to go to jail until you learn to behave like a human being, not a troll. Or am I simply too old-fashioned?