Nazis, Goebels, His Secretary and Nippon. An Austrian Documentary Reminds Us Of Japan’s Failure To Reconcile History

She’s old, really old. You could describe her as an ancient relic. But at 103 years old, Brunhilde Pomsel seems strong, confident, even blase. Pomsel is the centerpiece of the stunning documentary, A German Life (released in Japan as Goebbels to Watashi ) in which she recounts the years she spent in the employ of the Third Reich, as a personal secretary to Joseph Goebbels. Shot in a gradations of black and gray, A German Life, highlights her still soft hair and the brightness of her eyes. What you’ll notice however, are the deep crevices crisscrossing her face, an incredibly creasy visage that make her look like some kind of exotic deepwater fish. Only once does her confidence falter, and that’s when she’s asked to recall whether she was aware of the existence of the concentration camps. “I didn’t know it,” she says but her voice lacks conviction. “I wasn’t guilty of that, but if I was, then the whole of Germany during the reign of the Third Reich – was guilty.”

The film will resonate with many viewers in Japan, not least because Germany was an Axis partner in WWII, but for the radical difference in the way the two nations have dealt with their wartime legacies of shame and humiliation. For many Japanese, the war years are a receding memory, most often romanticized and tinged with sentiment, as in The Eternal Zero. The stories told in the media or retold by our elders, have always varied little, summed up in a singular theme that combines victimization and valor. In this theme, the atrocities committed by the military in Asia, are glossed over. After all, the Japanese starved, Japan went through unspeakable deprivation, was relentlessly firebombed and then the Japanese people had two nuclear bombs dropped right on their heads for good measure. Whatever terrible things the Japanese military did in China and Southeast Asia, was paid for with our own suffering. We’ve checked off the items on our rap sheet of atonement. So let’s agree to sweep all that stuff under the futon and get on with the business at hand, shall we?

This particular logic (or lack thereof) has come to define the collective memory in the 7-plus decades after the Japanese surrender. It wasn’t really our fault, but the fault of the entire era, and the unstoppable war machine! Compare this mind-set to Germany. They also suffered from the air raids and bombings and went through hell. But they are also a people unafraid to rub their faces in the shit pile of defeat. To this day, they are still examining what exactly happened, and why. New revelations of Nazi atrocities are being unearthed all the time, to be dissected and discussed. The Germans have not averted their gaze from the past, rather they’ve been pretty relentless in their cause to track down and then lay bare the gruesome details of their own crimes. Consider the meticulously categorized displays at the Auschwitz Memorials. The unforgiving precision that characterize the guided tour of those Memorials. The sheer number of movies and documentaries that have come out about the camps and the Third Reich. Or the revived public interest in Sophie Scholl, the young political activist who was guillotined for her fierce anti-Nazism.

“For all that, I believe that Germany is experiencing an eerie deja vu of the Nazi years,” said Florian Weigensamer, one of the four-man directorial team behind A German Life. Weigensamer was in Tokyo to promote the film, along with another director Christian Krones, who is also the founder of Blackbox Films and Media Productions. Blackbox engineered the whole endeavor that is this movie and other award winning documentaries. Krones and Weigensamer have been colleagues and friends for over 20 years and they’ve dedicated a good chunk of their professional lives to the excavation of some of humanity’s most complex problems. (One of their recent projects is a documentary called Welcome to Sodom that examines Ghana’s burgeoning waste problem, born of discarded home appliances.)

Krones is the oldest and most experienced member of Blackbox but he stresses that there’s no corporate hierarchy at work. “I like to take a democratic approach to filmmaking. No orders are issued top-down. There are no one-man decisions. We hold extensive meetings and discuss the film process every step of the way, like a real democracy.” And he added with a chuckle, “We do this because the film industry tends to be very dictatorial and we are very sensitive to anything that smacks of dictatorship!”

Blackbox is an Austrian company as are Krones and Weigensamer. Because they don’t carry German passports, the pair say that their gaze on WWII and the Nazi atrocities are a little distanced. “We were both born many years after the war,” said Weigensamer. “And growing up, I remember my own family didn’t really talk about the war unless it was to say that we were victimized. In this way, I guess we are a lot like the Japanese.” In 1938, Austria was forcibly annexed to Germany in what was known as the Anschluss, and according to Krones, it “laid the groundwork for turning a blind eye to Nazi atrocities. The Nazis held Austria in a grip of terror and the Austrians felt powerless. They descended into denial, and most people just tried to make it through the war years without getting killed.” Weigensamer nodded in assent, but said, “And now we are seeing the rise of neo-Nazis, and the end of tolerance for refugees and outsiders.” Indeed, Krones said, “When we first started filming ‘A German Life,’ I thought, we would be talking about something that was past and over with. Now I feel like I’ve gone back in time, and traveled to a future where the nightmare is beginning all over again.”

As for Brunhilde Pomsel, she comes off as neither a tragic heroine or an evil monster but a woman with exceptional secretarial skills and a breathtakingly banal personality. Astonishingly, before taking up her duties for the Third Reich, Pomsel had worked in a Jewish insurance company in Berlin while having a side gig in the afternoons working for an official in the Nazi Party. Her lover and fiance was half Jewish. (In the film, she has a silver band around her ring finger.) He was killed in Amsterdam in 1942. Her best friend was a young Jewish woman named Ava, who died in one of the camps. All around her, Jewish people were being taken away, ostensibly to a place of “re-education,” and she didn’t think to question what this may really mean. Her take on Joseph Goebbels is that he was “so dapper, so dashing! The cut of his suits was perfect.” Pomsel even remembered how Goebbels’s children would come to pick him up at lunchtime so that they could all walk home together for the midday meal.

Pomsel apparently compartmentalized all that into her life, and shut out whatever she deemed unworthy of attention. She never stopped to examine the contradictions of her thoughts or her actions. She simply wanted to perform her duties well, and then go home.

“The thing is, she was very likable,” described Weigenhamer. “She was articulate, self-sufficient and loved going to the theatre. She took very good care of herself and liked to have a good time. At first I thought I liked this woman but the more time I spent with her, the more I got to hate her.” Krones said: “What struck me was her incredible selfishness. I honestly got the feeling that she was alone because she didn’t want to share her life with anybody. She enjoyed living. But as in the war years, she wanted her life to be hers alone. And this mentality, this wish to shut out others – is part of what made Hitler successful.”

Brunhilde Pomsel died last year, at the age of 106.

The film opens in Japan on June 16th. Editor’s note: ironically, the current government of Japan doesn’t only have a desire to revise history and bury Japan’s war crimes, the Prime Minister and his cabinet have a great fondness for the Nazi Party and their political strategies. History does repeat itself.

Let’s have a war! The reincarnation of a war criminal, The LDP, and militarising Japan

Rich Nation, Strong Army: Japanese Militarism Redux

War clouds threaten northeast Asia. One state within the region continues to raise its military spending to record levels over five consecutive years. It increases solid-fuel rocket testing under the guise of launching satellites into orbit and continues stockpiling vast reserves of plutonium that could potentially nuclear arm the nation. New domestic laws severely limit the media, and active discussion persists on bills that would crack down on socially unacceptable or controversial thinking—i.e., “thoughtcrime.” These ever-belligerent, destabilizing actions are not the actions of a rogue state. No, this isn’t about North Korea, Iran, or Russia for that matter, but the remilitarization of Japan.

The nationalist administration, led by the grandson of a war criminal, Shinzo Abe* (Liberal Democratic Party), uses recent activities in North Korea to its benefit, pounding war drums alongside most established media organizations, both on the left and the right, such as the Asahi, Mainichi, and Yomiuri Shimbun newspapers. This “threat” from its mainland neighbor is forced down the throats of Japanese citizens daily. Tokyo rehashes wartime imperialist ideologies, senior cabinet ministers stating support for using the Imperial Rescript of Education by schools—a text promulgated in 1890 in the name of Emperor Meiji that placed utmost importance in reverence and loyalty to the crown—as a means to foster the administration’s values in today’s youth. (It was also to justify the use of kamikaze, suicide missions in mini-submarines, and the forced suicide of thousands of Okinawans.)

In May 2017, the Abe administration made its position known regarding the ban of wartime imperialist military flags in international soccer matches, expressing that imperial regalia does not necessarily connote imperialism and discriminatory opinions against neighboring nations—something akin to if Angela Merkel condoned the use of the Nazi Hakenkreuz for supporting the German national sports team as completely acceptable and lacking negative effect on spectators.

Abe’s Liberal Democratic Party has produced manga booklets to promote constitutional revisionism—for Japan to become a “normal country” as party members call it. Proponents of wholehearted constitutional revisionism claim that Japan is not a “normal country” due to the postwar U.S. occupation forcing the current national constitution upon the Japan. The Japanese establishment wields this tried-and-true tactic of using pop culture to foster understanding of its agenda among the public across many domains. The civilian nuclear energy programs of the 1950s were promoted through pop culture icons utilized by the then head of the Yomiuri Shimbun—and known CIA operative—Shoriki Matsutaro. This tactic continues to prop up the myth of nuclear safety in Japan, which played a disastrous role leading up to the Fukushima Daiichi disaster in 2011.

The combination of propaganda and the incessant war drumming appears to be working. Recent survey data from late April collected by the nonpartisan Mainichi Shimbun newspaper showed that 48% of respondents agree to the proposed constitutional revisionism, whereas those against it consisted of only 33%. The numbers have steadily risen since the ruling party began openly discussing constitutional revision.

Abe’s party and the Cabinet Legislative Bureau reinterpreted Article 9—the peace clause of Japan’s constitution that renounces war—to allow for collective self-defense in 2015. This move was a sharp reversal from the policy of individual self-defense and the constitutional interpretation that all previous administrations used to justify a reliance on the U.S. military as their defense policy and their relative reluctance toward international military cooperation.

Whereas the aforementioned survey data claimed that 46% of respondents were against amending Article 9, one can but wonder whether the respondents based their responses on the current interpretation of the article, which justifies a self-defense force with tanks, aircraft carriers, and other offensive weaponry along with participating in foreign wars with the United States. The nationalists in the Japanese government had claimed for the last seventy-odd years that they needed to revise the constitution, as it did not allow them to have a full-fledged military. And yet ironically in the last two years, the government and media have promulgated a new claim that the renunciation of war in Article 9 does not prohibit the use of military force by Japan. If political actors can reinterpret long-standing constitutional interpretation on a whim like this, then wouldn’t it affect the perception of formally revising Article 9?

“Rich nation, strong army” (fukoku-kyohei) was the nineteenth-century slogan the ruling elite used to rapidly industrialize in the advent of the Meiji period to protect national interests against Western colonial powers. It was also the slogan that led Japan to bolster its military and eventually steer the nation toward colonial expansion into Korea, China, and other neighboring nations. Fomented by both the international and domestic media, we are too often conditioned to pay attention to the most fashionable international threat of the week and yet are blind to actions occurring right before our eyes. Recent developments led by Abe’s administration eerily echo the prewar slogan, and we as members of the international community should view these events with extreme caution, as for all we know history may repeat itself.

*Editor’s note: Prime Minister Shinzo Abe (2012-) had a grandfather was a war criminal, and served as Minister of Munitions during World War II–Nobusuke Kishi. Kishi raised Abe like his own son, and Abe’s stated desire to fulfil his grandfather’s dreams of dismantling the post-war constitution and restoring a State Shinto controlled Imperial government probably owes much to his childhood. But his childhood dreams could be a nightmare for a democratic Japan.

Douglas Miller is a PhD Candidate at the Henry M. Jackson School of International Studies, University of Washington. His primary focuses are political theory and Japanese history.

Japan’s Peace Constitution, Article 9, And Why Abe Wants To Dismantle It: A short primer

Here is a one minute piece about how Japan became a pacifist nation, its constitution, and Article 9 in that document that has kept it a long-time peaceful nation. Take a minute and learn a lot about Japan. Japan’S Pacifist Constitution Explained. (originally published May 3rd 2015)

It was produced by AJ+, Al Jazeera’s new digital channel, geared towards millennials.

Japan’s Peace Constitution was a great achievement in its time. However, with Prime Minister Shinzo Abe pushing for constitutional reform, a reinterpretation of Article 9 under the broad idea of collective self-defense, and seemingly gung ho to drag Japan into war so it flex its military might —that pacifist era and constitution may disappear. Even Japan’s beloved pacifist pear fairy mascot, Funassyi seems concerned about the direction the nation is heading.

"Funassyi-chan, How do you feel about getting rid of Japan's peace constitution? Funassyi: "That's a really difficult question and I don't want to answer...but in all things I desire peace." Later appears to flash the peace sign. Hard to tell because pear fairies don't have fingers. — “Funassyi-chan, How do you feel about getting rid of Japan’s peace constitution?
Funassyi: “That’s a really difficult question and I don’t want to answer…but in all things I desire peace.”
Later appears to flash the peace sign. Hard to tell because pear fairies don’t have fingers.

Prime Minister Abe has made the remilitarisation of Japan and the scrapping of Article 9 and “America’s imposed democratic constitution” a part of his political agenda for a long. While it’s clear that GHQ had a heavy hand in drafting Japan’s constitution, it was not done without the aid and input of the Japanese people and the Japanese government. The creation of Japan’s modern constitution was more of a collaborative effort than was believed.

Judging from Shinzo Abe’s writings and hand-selected ministers, he feels that Japan lost a just war, and can only regain its dignity by throwing off all the progress made since the post-war days and returning to an Imperial Constitution. Abe wants a return to a time when the chosen elite, like himself and his friends, run the country with no dissent and the racial and cultural superiority of the Japanese people is loudly proclaimed.

His grandfather, whom Abe greatly admires, the yakuza linked and ‘incredibly corrupt’ former Prime Minister Kishi Nobusuke, was arrested as a war criminal after the war, but never put on trial. Kishi was Japan’s Minister of Munitions during the Second World War. Abe has allowed Japan to make and export arms again under his regime as well.

Japan's Peace Constitution Explained — Japan’s Peace Constitution Explained

For reference here is the English text of Article 9:

RENUNCIATION OF WAR

Article 9. Aspiring sincerely to an international peace based on justice and order, the Japanese people forever renounce war as a sovereign right of the nation and the threat or use of force as means of settling international disputes.
In order to accomplish the aim of the preceding paragraph, land, sea, and air forces, as well as other war potential, will never be maintained. The right of belligerency of the state will not be recognized.

“The Only Woman in the Room”/ How The Amazing Beate Wrote Equal Rights For Women Into Japan’s Constitution

Unanswerable questions of the year: Is Japan really going to war? Is Japan’s peacetime constitution going to be trashed by the ruling party and returned back to the Imperial Constitution, which did not give suffrage or equal rights to women?

This question will be on the mind and haunt your waking hours after reading “The Only Woman in the Room” by Beate Sirota Gordon. In this memoir, she takes us through the various events in her life made remarkable by the fact that in late 1945, she became a member on the US Occupation team that drew up Japan’s National Constitution. Not only was she the only woman in the room, she was just 22 years old.

Her passport said she was an American citizen, but Beate Sirota had lived for 10 years in Akasaka, Tokyo with her Russian Jewish parents (her father Leo Sirota was a celebrated musician from Vienna and a close friend of Kosaku Yamada). For the past five years, she had been in the US while her parents had been in detention in Karuizawa. The only way to catch a plane out of America and into a ravaged, defeated Japan to see them again, was to get a job in the army. Beate’s Japan experience and the fact that she could speak, write, and read with fluency got her that position.

“The Only Woman in the Room” is honest, plain and straightforward – written not by a professional author but an extremely well-bred, cultured woman who had forged a career for herself in a time when women – even in America – were expected to marry, have babies and sink themselves in domestic bliss. Or just sink. Across the Pacific, American women her age were sizing up future husbands at cocktail parties. Beate was commuting from Kanda Kaikan to Occupation headquarters and working on the constitution 10 to 12 hours a day. She often skipped meals, since food was scarce and the work was so pressing. Her male colleagues pushed themselves harder and put in more hours – and Beate mentions that she admired and respected them for that. Her tone is never feminist, probably because she comes from a generation told to revere males and elders. Besides, she grew up in Japan where women shut their mouths and looked down when a male spoke to them, and that was exactly what she did when she first landed in Atsugi and an official asked to see her passport.

On the other hand, though her tone is consistently soft and modest, her voice is clearly her own – and when it’s time to stand up for the Japanese and their rights, she apparently didn’t give an inch. What an ally the Japanese had in Beate, especially Japanese women whom she describes in the book and in interviews she gave later on: “Japanese women are treated like chattels, bought and sold on a whim.”

Rather than change the whole world, Beate wanted to contribute to the building of a modernized Japanese society. Rather than yell out for women’s’ rights and organizing feminist rallies, she sought to raise awareness about the historical plight of Japanese women and children. And just as earnestly, she wished to help her parents, in particular her mother, who was suffering from severe malnutrition. Beate wasn’t a saint nor interested in being one. Without meaning to, she came pretty close. Her prose is never condescending, nor does it brim with self-congratulations as in the case of many memoirs. She had a story to tell and she told it and as far as she was concerned, when the story was over there was no reason for fuss or lingering.

After the army stint, Beate Sirota Gordon returned with her parents to the US in 1948, married a former colleague in the Army and later worked as the director of the Asia Society and Japan Society in New York. She continued to give interviews about her work on the Constitution but only because she felt that the peace clause (the controversial Article 9) had to be defended repeatedly. She venerated her parents and remained very close to her mother until her death, while raising a family of her own, because family and love were precious and she knew first-hand the tragedy of losing them.

What culminates from her memoirs is her selflessness. Helping others, being fair, and maintaining a striking modesty in spite of her many accomplishments were the defining factors of Beate’s life. She died in 2012 from pancreatic cancer, four months after the death of her husband Joseph Gordon. The Asahi Shimbun printed an extensive obituary on the front page, lauding her work and reminding the readers how the Constitution had protected Japan all these decades, for better or worse. Mostly for the better.

We in Japan tend to take the Constitution for granted. Many people remember and harp on the deprivation of the war years but few bother to recall the dismal details of everyday life before that. Women couldn’t go to school; they were expected to serve their parents and male siblings before marrying into households where she continued to serve and slave her husband and his clan. These women brought up their sons in the traditional way – which resulted in an unending circle of entitlement and arrogance for men, and toil and servitude for females. In poor families, parents sold off their children. Soldiers and military policemen detained ordinary citizens on the slightest suspicion and beat them during interrogation. They were responsible for committing unspeakable atrocities in China and Korea.

There was happiness, peace, equality, and respect in the Sirota household when Beate was growing up, but she knew too well how the average Japanese in Japan fared; how women and children were cut off from beauty, culture, or anything out of the familial box. She wanted a magic wand that would somehow change all that, and her idealistic, 22-year old mind told her that if she couldn’t get a wand, the Constitution was bound to be the next best thing. The task was daunting – she was working for peace and gender equality in a country steeped in tradition and ‘bushido’ feudalism. At this point in 1945, not even American women had gender equality and there she was, giving her all to ensuring that Japanese women would get that right. And just for the reason, there wasn’t nor has there ever been, anything in the American Constitution that resembles Japan’s Article 9.

At the end of the book is an elegy by Beate’s son and part of it goes like this: “Your legacy is the art of living in beauty and truth, of speaking up and out for what is right, and of finding our best selves and sharing them.”

Write Hard To Live Free: Happy Year Of The (Watch)Dog! 番犬報道の年ですよ！謹賀新年

Today marks the start of The Year Of The Dog. I like dogs and I like them because I think journalists should be the guard dogs of a free society. We bark, we bite, we protect democracy and the public right to know. That’s our duty. ワンワン.

If you’re a lapdog for the powers that be, like executives at Fox News or News Corporation, journalism may be a rewarding and easy job.

Being a free-lance foreign correspondent and investigative reporter in Japan these days is a lot like being the private detective in the Dashiell Hammett novel, Red Harvest. You’re working for a newspaper editor who’s dead before you ever get to meet him (sounds like the newspaper business in general) and you have to struggle to get paid the money owed to you. You deal with gangs and thugs and crooked politicians, pitting them against each other, appearing to take work from anyone and at the end of the day, if you’ve brought someone to justice and you’re the last man standing: you’ve won. Collect your cash and go home.

Actually, it’s not really like much like that at all, but I wanted to start this article with a hard-boiled simile.

Jokes aside, making a living as freelance reporter in Japan these days is rewarding, but risky and unstable, and there are fewer and fewer of us doing it full time.

There are a lot of reasons for that. The number of working journalists is decreasing every year, while the number of people working in public relations keeps going up. Newspapers and magazines that have bureaus in Japan or that will pay for stories from Japan keep declining in number. Time’s Tokyo Bureau closed years ago. Newsweek folded. Dow Jones culled a large number of senior reporters this year. Reuters hires and fires at a schizophrenic pace. Bloomberg downsized. CNN and CNBC are barely here. The Los Angeles Times bureau once existed but I can only barely remember it. It used to have an office in the Yomiuri Building,

To my delight from spring of 2015 until the fall of 2016, I was a special correspondent for the L.A. Times. Then the newspaper ran out of money. No more budget for Japan.

Well, if you read the expose from the L.A. Times Guild (the labor union formed this year) it may not even be that they ran out of money – but rather that TRONC, Inc., the corporation running the newspaper into the ground, just sucks up all the profits and awards them to its executives, not the reporters. It certainly doesn’t spend more than it has to on paying for actual reporting. The problems at the Los Angeles Times are a microcosm of what’s happening all over the media – fewer and fewer people are asked to do more work with fewer resources. That’s the case for regular employees.

I applaud the union for actually standing up for members’ rights as workers and against mismanagement.

Maybe they’ll accomplish something.

Maybe some rich philanthropist will buy the newspaper as Jeff Bezos of Amazon did with the Washington Post, and restore it to glory.

And maybe I’ll do that job again if that happens. It was a great gig.

Mark that word, gig. Martin Fackler, who tried freelancing for a while but has now returned to the New York Times, says the experience taught him that “Freelancers are the Uber drivers of the new journalism gig economy. Everything is on a transactional basis, with no benefits or guarantees. You get more freedom, but pay for it with lower living standards and no job stability – like the rest of the gig economy.”

I’ve been a journalist since 1993–in Japan. Next year, I’ll have been doing it 25 years, a quarter of a century, more than half my life. At 48, I have now been a journalist half my life.

Half of those years (12.5, to be exact) were spent working as a regular employee at the world’s largest newspaper. I was a reporter and a regular employee for life aka (seishain/正社員), with the promise of a pension, all my insurance covered, paid vacation with use of the company’s corporate vacation facilities, an actual expense account, a bonus twice a year and a stable income. Sure, I worked 80-hour weeks but I didn’t have time to think about the work-life balance because there was none. Life was work and since I liked the work – investigating, interviewing, writing – it worked for me.

I’ve been working freelance since 2006. I’d like to say that it has gotten easier but in fact, even as you become well known, or relatively well known, life doesn’t get any easier. The joy of freelance work is that you can to some extent pick and choose the stories you want to write and who you write them for. The sadness of freelance work is that income is so unpredictable that you can’t really walk away from a gig and you have to pay constant attention to the news for a story that someone might want because it’s timely.

I currently write regularly for the Japan Times, ZAITEN, the Daily Beast and Forbes. I write for other publications as well but those are my main gigs. And I’m happy to have them.

However, to make my rent, I have to write a lot and I do part-time jobs. I do consulting work. I appear on Japanese television shows. I write short books and I write long books. I run a blog. I am constantly hustling.

Every day, I spend an hour or more reading newspapers and magazines in Japanese, looking for what may be a good story. I scan the articles and put them in a file. I make appointments and send out letters requesting interviews for the stories that I think are interesting. I answer email. I meet people in the afternoon, or attend press conferences. In the evening, I try to meet up with sources and maintain those relationships. I don’t have an expense account, so cheap bars and izakaya I like. If it’s an expensive place, I eat cheap somewhere first and then just have drinks.

You don’t have job security as freelancer and sometimes you don’t even get respect.

At least in Japan, you can get public health insurance, at an affordable rate. It’s one reason I can’t afford to leave Japan. That is a great perk of being a freelancer here.

By the way, the term for non-regular correspondents in the industry is “stringer.” It makes you sound sort of like a barnacle.

Below the stringer is “the fixer.” Fixers set up the meetings for the reporters coming to Tokyo, often doing the interpreting and translation of the materials. They are often not even credited for their work.

I rarely do fixing for anyone but I will for one public radio station because their correspondent is great; she credits me for the work I do on a story. That’s nice.

I’m not alone in struggling with the freelance life. Willie Pesek, author of Japanization: What the World Can Learn from Japan’s Lost Decades and recipient of the Society of American Business Editors and Writers prize for commentary also joined the freelance ranks this year. What he has to say is worth hearing:

Six months into my freelance existence, the very first of my career, I’m struck by George Orwell’s observation: “The choice for mankind lies between freedom and happiness and for the great bulk of mankind, happiness is better.” Having a full-time journalism gig strikes me as a similar tradeoff. The certainty of a reliable paycheck, medical benefits and access to an HR department has its merits. But the liberty freelancing affords – who you write for, which topics, which arguments -– is its own joy after two decades with major news companies.

But the biggest pros of this existence -– like working when I want to -– can also be key drawbacks. The main challenge, I’m finding, is maintaining a reasonable life/work balance. At times, while juggling various writing assignments, my inclination is to work around the clock. Creating boundaries -– like closing the laptop and having a life –- is a work in progress for me. So is knowing when to say “when.” Quality and actually has never been more important in this Orwellian fake-new world, but the quantity imperative gets in the way. Part of the tension, of course, relates to making a living –- one’s natural reluctance to turn down writing assignments. Finding a balance is something all freelancers will struggle with more and more in the years ahead. It’s a fact of this trade that quality comes first.

Then there’s the Tokyo problem. In my 15 years in Asia, I’ve always been a regional writer, which is proving to be an asset as a freelance. Lots of demand for columns for China, India, North Korea, the Philippines. Japan, not so much. Sadly, many overseas editors favor “weird Japan” items over, say, reality checks on Abenomics. But, hey, Tokyo is still a great, great city in which to live. The domestic story here, though, can be a hard sell. The Abe government using this latest electoral mandate to make big things happen would be the gift that keeps on giving for freelancers.

Willie, has a good point. Japan isn’t as important as it used to be.

I kind of wish sometimes that I hadn’t focused so much on Japan. But I’m okay with that. In the end, I may be working more hours now than I did as a regular employee. And as any freelancer will tell you, you also have to spend a lot of time on social media, getting people to read your articles, responding to those who have read them. Now and then you have to munch on the trolls who plague anyone who writes about Japan in a critical way.

Sometimes, people close to me ask me why I don’t change jobs. Here’s the best answer I can give.

Japan is my home. I love Japan. My children are Japanese. Most of my friends live here. Many Japanese people here are hard-working, honest and polite.

That doesn’t mean the society doesn’t have problems, such as child poverty, gender inequality and discrimination against: the handicapped, women, foreigners, especially Korean Japanese. Japan has a pestilent well-entrenched mob. There are nuclear dangers, staggering injustice in the legal system, repression of the free press, sexual assault on women with impunity for many assailants, rampant labor exploitation, death by overwork, and political corruption. Ignoring the problems doesn’t make them better. If you are offended by that, rethink your love of Japan.

I believe that journalism, especially investigative journalism, is a force for good and for maintaining a healthy society. It’s a vocation, not just a job. Sure some of the work is crappy, including writing about a series of crap-themed kanji instructional books for children—but you also get to do some enormous good.

Weird as it sounds, this year I took the vows to become a Zen Buddhist priest and I am one now. Not full-time.

It’s not easy being an investigative journalist and keeping the Ten Grave Precepts of a Soto Buddhist priest but there is a point where the two professions match up.

To paraphrase the Hokukyo, this is what we do.

Conquer anger with compassion.

Conquer evil with goodness.

Conquer trolls with humor and sarcasm.

Conquer ignorance with knowledge.

Conquer stinginess with generosity.

Conquer lies with truth.

The monetary rewards are not so great. Sometimes, the spiritual rewards make it seem like the best job in the world.

This was originally published in The Number One Shimbun, the periodical of The Foreign Correspondent’s Club of Japan. It has been slightly modified for New Years.

Hey, Baby? You’re fired, don’t come back. Maternity Harassment (MATAHARA) and The Working Woman in Japan

Working at one of Japan’s megabanks, a workplace notorious for old-fashioned male attitudes, it wasn’t uncommon for Mrs X to be told, “Don’t you dare get pregnant!” or “If you get pregnant, we won’t give you any work!” from her colleagues.*

It was then that she became pregnant from her long-term partner. Unmarried unsure of how her workplace would react, she consulted with one of her colleagues.”It was then that a manager from another department heard from chance. He got angry and said, ‘Quit messing around! I will never allow the pregnancy of someone who isn’t married. If what you’re saying is true, then I will not treat you like a human being!'” she told JSRC.

“Eventually I couldn’t stand the atmosphere and fear in the workplace and chose to abort (the child).”

The Peeling Face Of Womenomics

Japan faces a tough hurdle of an aging population coupled with a low birth rate. Prime Minister Shinzo Abe took office in 2013, pledging to solve the low birth rate and impending labor crisis, embraced a policy dubbed “womenomics,” and reviving the economy by raising the number of women in leadership positions to 30 percent by 2020. A pledge he has since backed away from.

It’s a hard task, considering that Japan’s business world is dominated by deep-rooted sexist attitudes that favor male workers over females and women, who are considered a bad investment due to the belief that they’ll quit when they marry and have children. Japan ranked 101 out of 142 assessed countries in 2015, according to a study released by the World Economic Forum.

And if a woman does become pregnant, while working, some are subjected to what the media has dubbed matahara (マタハラ).

According to Japanese Trade Union Confederation, matahara is an abbreviation of “maternity harassment.” The word refers to mental or physical harassment that some workingwomen go through when they announce to their colleagues that they’re pregnant or after they come back to the office from maternity leave. Some women come back to find themselves demoted or receiving a pay cut. In the worst-case scenario, some are even pressured to quit or fired. Harassment comes not only from men in the office but other women as well—sometimes out of irritation that their workload will increase, sometimes out of a kind of jealousy.

Prime Minister Abe’s former education advisor, Ayako Sono, infamous for publishing a column in a major Japanese newspaper advocating apartheid as part of immigration policy, said that “maternity leave is an unfair burden on Japanese companies” while still advising education policy.

Under the Equal Employment Opportunity Law, employers are required to pay consideration to pregnant women by offering them shorter work hours or flexible work schedules. They’re also banned from firing or demoting expectant mothers due to pregnancy and required to give them maternity leave. (Men are also technically allowed to take maternity leave as well to help in the first few weeks after a child is born.)

In practice, however, the law is hardly followed—and the local courts are hardly sympathetic. A physical therapist in Hiroshima was stripped of her job title and her managerial allowance following her second pregnancy—and her request for a “lighter workload”–in 2008. The woman, who had been working at the hospital since 1994 and was promoted to vice-director of her department in 2004 was told that there were no vice-director positions available when she came back. She sued her employer for violating Article 9.3 of the Equal Employment Opportunity Act and Article 10 of the unwieldy Act on the Welfare of Workers Who Take Care of Children or Other Family Members Including Child Care and Family Care Leave and gender discrimination.

The Hiroshima District Court and High Court rejected both of her claims on February 23 and July 19, 2012, with the District Court arguing that “the plaintiff never objected to the shift to a lighter workload.”

It took until October 2014 for the Supreme Court to strike down the decisions make in the lower courts. The Yomiuri Shimbun reported that the Supreme Court ordered the woman’s former employer to pay 1.75 million yen in damages. The court sent the case back down to the Hiroshima High Court, arguing that the proceedings regarding the necessity for a demotion were insufficient.

Maternity harassment sometimes extends outside of the workplace. The Japanese Ministry of Health, Labor and Welfare has been producing pregnancy badges since 2006 that say “I have a baby in my stomach” for expectant mothers to wear on public transportation to let other passengers know that she is pregnant.

A large percentage of the Japanese male public is unaware about these badges. A government survey released last September revealed that over 60 percent of Japanese men had never heard about the badges, Jiji press reported.

In some instances the badges have instead become a source of trouble, even harassment for the women who wear them. One Mainichi Shimbun reporter who followed an expectant mother on her daily commute and found that even though her source stood in front on the priority seats—special seating on the train reserved for elderly, disabled, and pregnant passengers—other passengers rarely stood up to give up their seats.

Other expectant mothers wearing the badges have alleged on social media websites such as Twitter that they had experienced verbal and physical harassment from strangers such as being elbowed or knocked down.

One anonymous poster on an online forum wrote in regard to the pregnancy badges, “Do [these badges] mean ‘I want you to reward me because I’m pregnant’? I just think it’s strangely brazen.”

So Abe faces a tough task in changing business and societal attitudes towards women in order to solve the country’s labor shortage, especially when members of his very own party display the same chauvinistic attitudes that pressure women in the corporate world to leave their careers.

The policy has failed horribly. Of the record five female ministers appointed to Abe’s second cabinet to set an example, two resigned in the same day due to misuse of campaign funds. Two other female ministers came under fire for links to extreme Nazi groups.

Deputy Prime Minister—and Shinzo Abe’s second-in-command and a likely candidate for being the next Prime Minister—Taro Aso said at a speech in December of 2014 in Sapporo, “There are many people who are creating the image that (increasing numbers of) elderly people is bad, but more problematic is people who don’t give birth.”

The Abe government even abolished the babysitting discount ticket system, the Sankei Shimbun reported. The tickets, which were distributed to 3, 000 people through 1, 300 companies, allowed working women to place their sick children, who are unable to attend a daycare when ill, with babysitters for a discounted price.

On March 31^st 2015 the Ministry of Health, Labour and Welfare decided to consider the termination of a female worker’s employment within one year after the end of her maternity leave as “illegal” and issue warnings to companies who violate this law.

“In regard to companies that violate the law, we will provide administrative guidance to rectify the situation by advising them, then guiding them, and then making recommendations. If they do not follow our recommendations, we will publish their company name,” said Hitomi Komorizono, an official from the Equal Employment Opportunity Policy Division of the Ministry of Health, Labour and Welfare.

However, the move still has victims doubting that it will change the situation.

“I don’t think that just because this notice came out the Ministry of Health, Labour and Welfare, that things will improve,” says Sayaka Osakabe, a former victim of maternity harassment who founded an online network for other victims called Matahara.net.

“However, because of this notice, I think that it will be easier for female workers to raise their voices.”

During a session of the Tokyo Metropolitan Assembly, when Ayaka Shiomura was giving a speech on women’s issues, members from the Liberal Democratic Party section of the room yelled out jeers telling her to “hurry up and get married” and “why can’t you have babies?”

It’s a tough spot for Japanese women. On one side of the spectrum they’re being punished in the workplace for giving birth to children. On the other side they’re being told to breed. Either way, simply existing as a woman in Japan seems to be considered an inconvenience. The lack of affordable day care is another problem altogether.

Is it any wonder the number of women giving birth declines?

* Previously published on September 16, 2016.

Hope and Love in Hell: Former North Korean Captive Charles Jenkins Speaks

Charles Jenkins, a U.S. Army Sergeant who deserted his post in South Korea and allegedly sought refuge in the communist North Korea in 1965, died this week. He spent nearly four decades inside the “worker’s paradise” before being set free along with his Japanese wife, Hitomi, who was abducted by North Korea. Below is our interview with him, reprinted. Rest In Peace.

The interview was conducted on June 27th 2013.

Hope and Love in Hell: Former North Korean Captive Charles Jenkins Speaks

Charles Robert Jenkins in Sado Island (2013) Photo: Nathalie-Kyoko Stucky — Charles Robert Jenkins in Sado Island showing the wound left on his arm by the North Koreans (2013) Photo: Nathalie-Kyoko Stucky

In 1965, U.S. Army Sergeant Charles Robert Jenkins deserted his post in South Korea and allegedly sought refuge in the communist North. He spent nearly four decades inside the “worker’s paradise.” After North Korea admitted to abducting Japanese citizens in 2002 and returned them to Japan, including Jenkins’s wife, Hitomi Soga, Charles Robert Jenkins re-emerged into the public eye–a relic of the cold war, an unsolved mystery and a figure of national interest. In July of 2004, North Korea finally let Jenkins leave. He turned himself in to the U.S. Army in Japan, was given a court martial and was sentenced to 30 days in jail. After his release, he relocated to Sado Island, off the coast of Niigata Prefecture, where he spends his days with his wife and family, working and remembering. This is part of his story. In his recollection of events, he raises questions about why he ended up in North Korea, contradicting his previous statements. Perhaps it is due to failing memory, or perhaps it is due to circumstances which even now he feels that he cannot divulge, no one– probably not even the man himself–knows completely.

The gift shop of the Sado Island Legend Museum was busy and noisy that summer afternoon. Japanese tourists, mostly retired men and women can’t wait to walk around the museum’s gift shop to take a glance at one man. He is in the corner, a tired old American, who looks like he has been working in the fields most of his life, not a gift shop. The man is quietly tending to his sole duty, which is to mechanically fill the local sweet biscuit boxes, despite the noisy crowd of people calling him from all sides, Jenkins-san!　 Some of the tourists solicit him from time to time for a souvenir photo. The shy little man from North Carolina doesn’t smile for the photos, and he returns to his work; the pattern repeats itself until the day is done.He lived in North Korea for over 40 years after being captured inside the Russian embassy in the North Korean capital of Pyongyang in 1965, when he defected from the U.S. Army.
When asked for an interview, he first shakes his head. “I cannot leave my post now. I’m on duty until 4 PM.” After asking permission to his superior, Mr. Jenkins agreed to talk.
Charles Robert Jenkins, 73, is known by everyone in the island of Sado, off the west coast of Japan, directly facing China and the two Koreas. Jenkins fled his U.S. Army unit in South Korea in 1965, when he was only 24 years old and was caught in North Korea after a failed attempt to be sent back to the U.S through the Russian embassy in North Korea. In 2002, his wife Hitomi Soga, was released a month after Japanese former Prime Minister Junichiro Koizumi’s historic visit to Pyongyang in September of that year. During that historic meeting, North Korea admitted to abducting Japanese citizens and holding them in the country to train spies for the regime. In 2004,　After forty years of communist captivity, he was finally brought to Japan with his two daughters, Mika and Brinda. When Jenkins arrived to Japan, the U.S. military sentenced him to 30 days in jail and a dishonorable discharge for deserting his Army unit, among other crimes.Jenkins told JSRC that he was offered a job as a sergeant in Camp Zama, a U.S. Army post located in Kanagawa prefecture. Jenkins believes it was because the military could then question him anytime they wanted to. “They promised me a good salary but my wife didn’t want it,” he said. “In Kanagawa, they gave me a good house to live in.”
Jenkins later received a permanent resident status to remain in Japan with his wife and daughters.The reason for his desertion is still unclear, did he simply surrender to North Korea as many reported? Or did he intend to sneak into the Russian embassy in North Korea hoping that they would save him from serving out his time in North Korea? In both cases, it was huge risk. What was so intolerable in the U.S Army that pushed Jenkins and three other American soldiers to surrender? We might never get a clear answer as he swore to his army lawyer to never reveal the true reason for his decision.Jenkins told the LA Times in 2009 that he deserted because he wanted to avoid a “sure death” in Vietnam. He told JSRC that he wanted to go to Vietnam because he couldn’t make it anymore in Korea. The answer contradicts his previous statements and even after repeated questioning Jenkins would not divulge what he had promised his army lawyer never to reveal.
Why is that Charles Robert Jenkins 　couldn’t make it anymore　 in North Korea? What made him feel it was worth deserting the U.S. Army? He won’t answer. Jenkins did say he regretted almost each and every day of his captivity for the incredible act he perpetrated in 1965, until he met his Japanese wife, who is 20 years younger than him.
“Four American defectors lived in the same room. The first American to 　go　 to North Korea was Larry Allen Abshier. The second was James Joseph Dresnok, the third was Jerry Wayne Parish. Larry and Parish have now passed away. Jenkins was the number four. Right now there is only Dresnok left in North Korea that I know of. But there could be more American soldiers in North Korea from the Vietnam War.”
According to Jenkins, in the late 60s and early 70s during the Vietnam War, each time the Communists would liberate a village in Vietnam, they would take all the people that were capable, clever and young, to send them away to North Korea for ‘education’, in fear that they would fight back against their new rulers. “They were forced to learn electricity, plumbing, stuff like that, not really going to university. After the war was over, they were all sent back and I heard rumors that in return, Vietnam gave them American soldiers, that might still be prisoners of war today.”
Remembering the story of one Romanian man in North Korea who defected to the U.S.A, he recalls meeting two Romanians who told him that they had seen people in the North Korean fields working who appeared to be American soldiers. “That Romanian who defected was a weapons dealer who was about to be caught. But I did meet two Romanians in North Korea in a shop in Pyongyang. I asked them what they were doing. They said they were television technicians. They were building a television factory. The reason [why they saw those possible American soldiers] is because the government was building a 48 km long road from Pyongyang to Nanpo. North Korea didn’t have a road to land the airplanes. They were building a runway, not for airplanes but for a road. While they were building this road, they had to take a detour in the mountains. That’s how the Romanians got to see these other people. And the driver told them that they were prisoners. I haven’t seen them, and I haven’t heard much more about them.”
In North Korea, some high military officials trusted Jenkins more than they did some other North Koreans. Jenkins explained. 　Why? “Well, when I worked at the military university, one time, I was down in my room eating, two generals and a colonel invited me over. The general kept talking to the other general and the colonel was talking to me. The general kicked the colonel out of the table, (He laughs), he said ‘Shut up’, the general looked at him and said 　‘Listen, we trust Jenkins more than we trust you.’
The colonel replied, ‘I’m a colonel in the Korean People’s Army, who do you think you are talking to me like this?’ The general says, ‘You could escape through Russia or China but Jenkins can’t. He is in Asia, he can’t go nowhere [because he can’t fade in the Asian crowd]. And he will never get out of North Korea, so we don’t care what he knows.” Jenkins smiles, “Well, they didn’t know I was going to marry a Japanese woman who would be sent back.”
Jenkins published a memoir, The Reluctant Communist, a book his wife didn’t want him to write as she feared North Korean retaliation. In the book, he describes how he became a reluctant celebrity when the North Korean government used him as the American villain in its propaganda films.
American actors in North Korean propaganda movies were extremely popular, according to Jenkins. People in the streets started to recognize Jenkins who appeared in small parts of about 10 movies.Jenkins: For the record…　
The following is from the interview with Charles Jenkins conducted on June 27th, 2013. At times Jenkins makes cryptic remarks and appears to contradict himself in places. We have reproduced the remarks as he said them.

When people saw me, they would recognize all four of us Americans in me. The producer of the movie ‘Confrontation,’ designed my character, (“Doctor Kilton”) with a horrible haircut.
Once, the other defector Parrish, asked the producer how does ‘Doctor Kilton’ look? The answer he got from the North Korean producer was that Kilton’s age was about 40, but he had to make him look like he was 80. “We do not want Americans to look handsome,” the producer then explained.

xxx — Jenkins provided JSRC with a photo taken from the North Korean propaganda movie Confrontation The scene is from a funeral ceremony with half-Russian actors and Jenkins himself in the middle, with a bald head. “I was supposed to look ugly.”

I can’t tell you why I decided to leave the U.S. Army, because I promised my military lawyer that I wouldn’t tell anyone. I left on a January 5th’ [1965], about about 12 in the morning. I counted my soldiers, put them in position, I waited about an hour and it was very cold. I told them I heard a noise and that I was going to check it out. Then I said I would go back very slowly, it was 27 below zero. Anyway, that’s when I left. I took all my ammunition, I had a rifle, I had a T-shirt in my pocket, and tied it on my riffle, and walked all night like that. I walked across the biggest mine field in North Korea. They couldn’t believe that. They told me they had the biggest mines in that valley, in between these two mountains. ‘How could you possibly get through them?’ I told them, ‘Well, I know why.’ And I told them I ain’t gonna tell you why.’ They said, ‘Can ever a solider do that?’ I said, ‘Yes, any man can.’ But why in the world didn’t I hit the wires? If I had hooked the wires, I would be beheaded, phouh! (Jenkins mimed a mine explosion.) To avoid the wires, I had to step real high, and step real slow for two kilometers. (Jenkins motions the gesture by pulling his knees very high and getting them slowly down. Then when there wasn’t any man at all, the ground froze so hard, I couldn’t hit them (the mines.) It froze.
I also drank a lot of beer before leaving. But my lawyer said, ‘If you were that drunk you couldn’t have made a night walk.’ But before I left, my patrol leader, Lieutenant X, me and him exchanged our guns. Because they gave me a shotgun, I couldn’t keep the shields in it. So he took my shotgun and I took his rifle. If I was drunk, he wouldn’t have given me his rifle. He wouldn’t even let me go in that zone. I wasn’t drunk, my Lieutenant let me go. If I was drunk, he wouldn’t let me go, because they would have taken my rank away. I told no one that. I wasn’t afraid of the Korean war. I wanted to go to Vietnam, but they wouldn’t let me. I had been to Korea for 13 months and I had been to Germany for 3 years. And I didn’t want to go back to Korea, but they put me there because I could speak some Korean language at that time. But they didn’t let me in Vietnam. My 13th months was due in Korea, all I was expecting was to go back in Germany or France.
There are certain things I wanted to tell the U.S. I couldn’t do it in Korea. And that’s what I can’t tell. My plan was to go into Russia, they would turn me over to the American embassy and I would have gotten back to the U.S.A., straight to the Pentagon. But in North Korea they let nobody go nowhere. That’s for sure.
I was ‘caught’ in North Korea, in a sense. I tried, with three other Americans, to go to the Russian embassy in North Korea. We went into the Russian embassy as if we were Russians. The Korean guards, they thought we were Russians. (He laughs) So we just walked in. The Russian embassy would have notified Moscow. Anyway at that time, the Russian president ordered us to be kicked out of the embassy. We were sent right back into North Korea. I don’t know who did it, but they put us in a room, the ambassador came in and he whispered something to the interpreter. And the interpreter said, ‘Well, I’m sorry but we will have to ask you to leave.’ So that’s what we did.
Right after going to the Russian embassy, you wouldn’t believe how it was. We had one guard, all he could do was to scream at us all day. We were in a cell, and he would come in and beat on the table and scream. We were forced t sit on the floor with our legs crossed and arms crossed during one hour and after an hour we had to change over. That’s the way to punish you. And at times they would tie you up and beat the hell out of you. You see this scar? (points to chin) ‘ this is where my tooth came on to my lip.
You see that scar? (He shows a tattoo on his left arm.) There used to be ‘U.S. Army’ written up here. At the military university, they cut off my skin to the place where it was written U.S. Army. Some North Koreans had seen my tattoo one day as I was wearing a short sleeved shirt. They grabbed me, they don’t give no anesthetic, nothing. You know what they say? The medicines are for the battlefields. They give the medicines to the military, not to the hospital dispensary. That’s where they cut off my skin. They took scissors and cut it off.
The first seven years they saw us as Korean War veterans. The Korean people hated Americans. The colonels and the high ranked officials were not so bad, but the lower ranked soldiers hated Americans.
We weren’t sent to reeducation camps, we got educated right there in our place. In the prison, they were always threatening us. They said they would make an example out of us. And I was often the one made an example, because I made more trouble than anybody. Also because I was the highest ranked.
I regretted every single day I defected from the U.S. army until I met my wife. After that, I thought, ‘Well, if I wasn’t here, it would have been hard for her.” Because if she hadn’t married me, she would still be in North Korea right now. That’s for sure.
But then, when Koizumi came back to North Korea, to meet Kim Jong-Il the second time, that’s when Kim Jong-Il agreed, if I want to leave, I could leave. (crying) But they thought I would come back (to North Korea) because I would go to jail in the U.S.A. They knew that. So, that’s how I came back. If my wife wasn’t sent back (to Japan) I wouldn’t be here.

Japan’s PSA: “Don’t Work Yourself To Death So You Can Keep Working!”

The Japanese government, particularly the Abe administration, has had a lacklustre attitude towards basic human right and worker rights, since taking power after Christmas in 2012. By 2013, the word ブラック企業 (black company/burakku kiygo) meaning “evil corporations” had become a well-known buzzword. Japanese labor conditions are getting worse, hours are getting longer, and wages are stagnating.

Death by overwork has always plagued Japan but in recent months, one case after another has come to light. As noted in this article written for Forbes, Japan Is Literally Working Itself To Death: How Can It Stop, “NHK, Japan’s state-run news channel, reluctantly admitted this year that overwork had caused the death of a 31-year-old NHK female reporter in 2013. The Labor Standards Board reached the conclusion in 2014 but it was not publicized. Miwa Sado, who worked for NHK in Tokyo, died of congestive heart failure in July 2013. She had worked 159 hours of overtime with only two days off in the one-month period prior to her untimely death (She was found dead with cellphone in her hand). Chronic overwork, even when it doesn’t result in death, is a serious blight on Japan’s society. There’s even a word for it: karoshi (過労死). Her death is only one of the suspected thousands of deaths from overwork each year.”

Well, just when it seemed that Japan Inc. just didn’t care, the Ministry Of Health, Labor, and Welfare took decisive action. They declared November to be, “Special Month Of Raising Awareness Preventing People From Working to Death And Other Things” and have adorned the stations with these powerful (not) eye-catching (not) posters. But the unintentional irony is the sub-text of the poster which loosely translates all together as, “Don’t work yourself to death so we can have a society where you can keep working!”.

Ministry of Health, Labor and Welfare offers plenty of tips for not working to death but what is needed is a change in laws, more labor inspectors, and a fine for more than $5,000 dollars for companies that work their employees to death. Human life should be a little more valuable, one might think.

I searched for the words, “Work Will Set You Free”, but they haven’t added them yet. However, in consideration of how much the administration of Prime Minister Shinzo Abe and his second in command, Aso Taro, admire the Nazi regime— I guess it’s only a mater of time.

Note: Thanks to Rachel Padilla who copy-edited this article.

Have you been a victim of sexual assault in Japan? How did police respond?

Have you been a victim of sexual assault in Japan?
How did police respond?
日本で性犯罪被害に遭って警察に相談した結果？#詩織 #shiori #私も #MeToo　RT please.

— Jake Adelstein/中本哲史 (@jakeadelstein) October 29, 2017

Born With It (生まれつき）: Short film captures the angst of being a black child in Japan

While race relations in the United States seem to be tenser than ever, Japan is coming to a crossroads with accepting mixed race Japanese and immigrants into their mostly homogenous society. Japan is a welcoming country to foreigners, especially if you are a temporary visitor. The subtle prejudices only become visible to a foreigner once you have lived here for a while and experienced the day to day difficulties you face as an outsider when you actually try to become part of the society. Any foreigner in Japan who has been turned away from renting an apartment simply because they’re not Japanese, knows that experience.

An American filmmaker, Emmanuel Osei-Kuffour, from Texas, depicts this struggle to be accepted as a dark skinned black man in Japan in his award winning short film Born With It(生まれつき). Osei-Kuffour lived in Japan for six years, encountering numerous instances of prejudice and discrimination. The film follows a black elementary school child in Japan experiencing the cruelty of racism and harsh words spoken unfiltered in the world of children, who have not learned the impact of what they are doing or saying, or how to accept difference.

Osei-Kuffour notes “I wanted to tell the story from a kid’s point-of-view because I think its powerful to see someone’s innocence broken for the first time. This is ultimately a story about prejudice and it’s also disarming to see a child unaware of the scars of the adult world. Like most forms of discrimination, the most difficult moments I had in Japan are hard to convey convincingly. Most of the issues I encountered seemed to revolve around me, as a foreigner, not being perceived as an equal, normal human being. There always seemed to be the sense that since I was not Japanese, I would be unable to comprehend Japanese ideas or values, represent my given company in a meeting or share a space with other Japanese people.

Those moments seem small on paper but they begin to get under your skin when you’re trying to assimilate to the culture. I had — and still have — a strong desire to have a film career in Japan. So I’ve always wanted to live and work and get the same chances as my Japanese friends that were same age. But despite a strong command of the language, it became very clear to me that no matter how fluent I became, I had to either be famous outside of Japan or Japanese to really get the chances that I sought out in all Japanese environments. This is not the case for everyone but it is for most. ”

The seventeen minute film has resonated with many people in and outside of Japan, and garnered praise including The Best Film & Social Impact Award at the NBC-Universal Short Film Festival and Honorable Mention for Best Short Film at Toronto International Film Festival (Kids Section) and many more festivals.

“Born With It” will be airing on PBS KQED as part of the show “FILM SCHOOL SHORTS” in San Francisco 10/13 11pm.

Watch the trailer here.