The news shook the world of Tokyo’s French cuisine, but the iconic Chateau Restaurant Joel Robuchon in Ebisu, was open for business. Diners clinked their glasses in honor of the late Joel Robuchon, the world famous chef who took “nihonno furenchi (French food in Japan)’ to a new level. In early August, Joel Robuchon succumbed to his battle with cancer. He was 73 years old – young by Japanese standards and way too young for people like Kazunari Mizuki, who had studied under the great master for 2 years before working as an entree chef at the Hotel Okura. “I never got a chance to say goodbye,” he said, his eyes getting moist. “Many of us in this business revered him so much. Without Joel-san, the French restaurant scene in Tokyo would never have gotten to this point.”
The finest coffee ice cream dessert ever.Every dish, delicious and beautiful. A feast for the eyes and the palette
Indeed, Robuchon’s famed Chateau Restaurant (opened in 1994) was one of the first establishments in Tokyo to earn Michelin’s 3-star rating and the Chateau building itself has come to represent the wealth and glamour of Japan’s capital city. It’s also a pilgrimage site for Japanese couples. In a city notorious for workaholic singles and a rapidly aging population, the Chateau is the one place where men confer with the restaurant staff weeks in advance to orchestrate the perfect marriage proposal and the presenting of the ring. No woman can possibly say ‘no’ to a Robuchon proposal. The very fact that the occasion happened HERE of all places, makes her that much more precious, or at least worthy of a 80,000 yen dinner course and a sizable bling.
The food – though formidable, is almost beside the point. Joel Robuchon taught the Japanese that French cuisine wasn’t about food per se, but the experience as a whole. Everything from the decor to the lighting and wine selection to the impeccable service, should be a reflection of Robuchon’s personal philosophy: never settle for anything less than state of the art.
Presentation matters
He also had a deep respect for Japan and Japanese cuisine. He lauded the soy sauce as “one of the greatest culinary miracles” according to an interview he gave on Fuji Television, and even developed a special shoyu to accompany western dishes. Four months before his death, he had collaborated with sake maker “Dassai” to open a Japanese/French restaurant in Paris. One of his best friends was Jiro Ono, sushi master extraordinaire and owner of “Sukiyabashi Jiro’ in Yurakucho.
Before Joel Robuchon arrived on the scene, the Japanese and French cuisine had an amicable if overly polite, relationship. In prewar days, it was customary for master chefs of the Imperial Household to train in Paris, working their way up from scullery boy to line chef at various establishments. The young Emperor Hirohito was said to have treasured his chef, and counted on him to produce French dinners that would melt the hearts of visiting western dignitaries, even in the midst of rising political tension that preceded WWII.
Back then, only the top tier of the elite could hope to sit down to a full course French dinner and many Japanese had no idea what a fork and knife even looked like. It wasn’t until after the Japanese surrender and the late 1950s, that well-to-do families began dining in Tokyo restaurants, cautiously tasting dishes that vaguely resembled French cuisine.
Fork and knife, not needed, the meat is so tender.
In 1978, 33 years after the Japanese surrender, Joel Robuchon was appointed master chef at the Hotel Nikko de Paris (now the Novotel Paris Centre Tour Eiffel) Coincidentally, Robuchon himself was 33 years old, a still-young chef on the brink of success. That he chose a Japanese hotel to work his magic before opening his own restaurant (the legendary Jamain) three years later, speaks of his enduring love for this country. Robuchon opened restaurants all over the world but has said in numerous interviews that he genuinely enjoyed working with the Japanese, because “we share an innate respect for food and nature.”
Merci, chef. We shall miss you.
Bashing Gays Is Not Okay Says Crowd At Japan’s Liberal Democratic Party Headquarters
“We don’t need Parliamentarians who ignore human rights” (人権無視する議員はいらない)
“Mio Sugita, resign now” （杉田水脈は今すぐ辞めろ）
“Silence is death” ˆ(沈黙は死）
These were just some of the statements protesters were chanting in unity, in front of the Liberal Democratic Party headquarters on July 27th, demanding for the resignation of the parliamentarian, Mio Sugita. On July 24th, in the monthly magazine, Shukan Shincho, Sugita published an essay in which she said, among many other offensive things, that no tax money should be spent on lesbians, gays, bisexuals, and transgender (LGBT) individuals because “they can’t reproduce and are therefore not valuable to society.” At first, the protests were confined to the internet, but in a short time, they spilt out into real life–an actual protest, and that was pivotal in getting the Japanese media to pay attention and finally force the LDP to address the issue.
Individuals- active citizens, representatives of NGOs as well as some politicians all gathered together in front of the LDP, angered by Mio Sugita’s comments clearly dissing the LGBTQ+ community.
It seems to be that an eclectic variety of individuals gathered. Those who identify to be LGBTQ+, those who do not, students and surprisingly (in the context of Japan,) a few people seemingly salarymen who came after work in their suits. To me, it seemed like there was an equal ratio of women to men. The crowd was mostly Japanese but there were a handful of foreigners who came to show support too. There were young women angered, who came alone, university students who came with their friends including myself. I believe there were a lot of men who seemed to be in their thirties to forties too. The crowd was very diverse.
There were all kinds of posters and signs held. There were many posters available online and they spread through social platforms such as Twitter. There was an identification number for the posters one could then input in a machine at a convenience store and get printed out. There were rainbow flags held up and most of the posters advocated for acceptance of diversity, lgbtq+. Some of these signs had statements like 生産性で価値を図るな which translates to something like Don’t measure our worth by “productivity.” Many of them criticised Sugita’s comment un “unproductiveness” and how it discriminates against many other groups of people in society. One thing which came a little of a shock to me were some other posters which came off as more aggressive. It wasn’t a majority but there were a handful of people with posters with Sugita’s face on it, however with a little twist. Some of them had a target on her face or one which made her look like a zombie, strongly demonizing her. I personally think this is going a little far and it’s better to argue against her comments and advocating for diversity but various perspectives were apparent.
There were countless numbers of policemen trying to control the people so that the participants were not standing over the studded part of the pedestrian road which is an aid for the blind. The police were trying to control the number of people in the main street and restricted participants from going onto the main street. The police were making some people stand against streets going around other blocks to limit the demonstration, but eventually, people overflowed onto the main street.
This issue may have caught a lot of people’s attention because many individuals saw this not only as an attack on the LGBTQ+ community but as one to all citizens, one to women, men, disabled people or the elderly. Sugita’s comments about how LGBTQ+ individuals are “unproductive” (生産性がない) as “they cannot have children” is inaccurate and extremely discriminatory to everyone as childbearing is an autonomous choice of an individual, not an obligation a citizen has to its government.
So, what exactly happened at the demonstration?
Apart from trying to get the attention of the LDP, the media and the rest of the public by simply being there and protesting, some participants, such as LGBTQ+ individuals, a few university professors, and some politicians delivered speeches explaining how hurtful Sugita’s comments were personally, how they could not sleep for days, illuminating how backwards Japan still is. Some participants also went up to the LDP to hand in a sort of a request for the resignation of Mio Sugita. Even though the few individuals who went up to the LDP headquarters seemed to contain their composure, they were denied a chance to even simply hand in the documents.
This demonstration was certainly not one the LDP could simply dismiss and move on with as they often do. There has been a lot of backlash to Sugita’s discriminatory comments on various social platforms and many other demonstrations have popped up in other parts of Japan. Recently, there was one on August 5th in Shibuya, Osaka and Fukuoka. There was also one on August 6th in Mie prefecture.
The LDP did acknowledge Sugita’s comments but have not condemned her, except for Shigeta Ishiba, who is running against Abe in the LDP internal party elections. Although modern Japanese governments prior to the current one have certainly not been the most transparent and democratic, the current one under Prime Minister Abe has continuously been moving far and far away from democracy, with its powerful members pulling strings in their favour, ultimately guiding the government away from democratic rule. It is does not bode well that since Abe took office Japan has dropped to 67 in World Press Freedom (it was ranked 11 in 2011) and not surprisingly Japan ranks lower than ever in the annual gender equality rankings, 114 out of 144 countries.
Erika Bulach is a university student in Tokyo majoring in social sciences.
TOKYO – July 16, 2018 Filmsnoir Motion Pictures and Fusion For Peace Productions are proud to share their rewards-based crowdfunding campaign for the independent motion picture STAY, shot in Tokyo by award-winning filmmaker Darryl Wharton-Rigby. The campaign seeks to raise 1500000\ ($15K) to complete final post-production in preparation for distribution and to raise awareness of their collective efforts to change the landscape of the Japanese Film Industry, as Wharton-Rigby is only the second African American to produce a feature film in Japan, in its 100+ years history. To date the campaign has secured over 600000\ ($6K) from supporters on Makuake, the Japanese crowdfunding platform. With just 9 days remaining, in this all of nothing effort, the producers are urgently pleading with the public to support their efforts.
“We are extremely grateful for the contributions we’ve received in response to the crowdfunding campaign for our feature film Stay. Because of generous donations, we are currently close to reaching 40% of our objective,” comments Executive Producer, Christopher Rathbone. “We believe in this film and are excited by the possibilities. Given the global festival acceptance rate and the awards won, STAY has great potential. With continued support, we can maintain this momentum and raise enough funds to complete the project in preparation for distribution and the Japanese premiere.”
The campaign seeks to build a community committed to film diversity and offers a variety of rewards including chopsticks, key chains, posters, screenplay copies, digital downloads, film credits, invitation to private screening as well as lunch with the director and film and it’s star, Shogen.
STAY, a touching romance, the story follows a couple who fall passionately in love over a long weekend. Ryuu is a Japanese man who is a recovering drug addict, and Hope, is an American enjoying her last days in Japan. The film features emerging Japanese star, Shogen and introduces British model/actress, Ana Tanaka. Lensed by photographer Jeremy Goldberg, STAY, Wharton-Rigby’s second feature film, was shot on the Tokyo streets in fifteen days, guerrilla style. It’s a technique the former Homicide: Life on the Street writer has used throughout his career.
“Shooting STAY in Tokyo on the BlackMagic Pocket Camera made us virtually invisible and allowed us to capture the city up close and personal. We shot on train platforms and trains, Tsukiji Fish Market, ramen shops. Everywhere,” explains Writer/Director Darryl Wharton-Rigby. “Every day was something new and challenging. We were constantly on edge. I really wanted STAY to feel like it was made by a Japanese filmmaker,” says Rigby.
For the black filmmaker, who lives with his family in Saitama, Japan, this story is personal as his father supervised recovery houses in Baltimore where he grew up. However, after reading aboutthe plight of those dealing with recovery in Japan, he decided that Tokyo would make an interesting backdrop for STAY, while simultaneously promoting diversity and inclusion in the Japanese film industry.
1984 — Shoko Asahara, a visually impaired yogi, forms “AUM Shinsen no Kai,” later renames it AUM Shinrikyo. It mixes elements of yoga, Buddhism, and other religions and begins recruiting college students and intellectuals.
AUM even used manga (comic books) to recruit members.
1987- AUM incorporates in New York City under the name Aum USA Company, Ltd. In the US it attempts to purchase military weapons, develop chemical weapons.
February 1989–AUM members strangle to death, 21-year-old Shuji Taguchi who had wanted to escape the group at its complex in Shizuoka Prefecture.
Nov. 4, 1989 — AUM members acting on orders from Asahara, kill the lawyer Tsutsumi Sakamoto, his wife and their 1-year-old son at their home in Yokohama. The lawyer had been part of growing vocal opposition to the group.
1990 — Asahara and 24 other disciples run unsuccessfully in a parliamentary election. The defeat spurs Asahara to begin plans to take over the country and began developing chemical weapons. The group also began manufacturing methamphetamines and small-scale incinerators which they sell to the Yamaguchi-gumi and other yakuza groups to raise funds.
1993-AUM purchases a 500,000 acre sheep farm in Australia where they test out sarin gas, leaving behind 29 dead sheep.
AUM begins training helicopter pilots in the United States in hopes of eventually dispersing sarin gas over the Tokyo via helicopter. Plans for launching an attack within the US are also considered.
June 1994-AUM purchases a helicopter from Russia
June 27 — AUM members test sarin nerve gas in a residential area of city of Matsumoto, Nagano Prefecture. Eight people are killed, 100 injured.
December 12–AUM members kill a member, Tadahito Hamaguchi, with highly toxic VX gas on an Osaka street. He was suspected of being an informant.
January 1,1995–Yomiuri Newspaper publishes on their front page a special report that the police had found elements of Sarin gas in the ground near AUM facilities in Yamanashi Prefecture, linking the cult to the 1994 attack.
February 28,1995-AUM members abduct Kiyoshi Kariya, 68, to find his sister who wanted to leave the group. He dies under interrogation and his body is incinerated in a cult-built microwave heating device. (This and the other murders were later referenced in the series Millennium episode 2, Gehena).
March 20,– AUM members release sarin gas on Tokyo subway system. Thirteen people are killed and over 6000 injured. Police immediately suspect AUM.
April 23, AUM leader in charge of “Science Technology” and conduit to organized crime, Hideo Murai, is stabbed to death by a Yamaguchi-gumi members in front of the group’s headquarters, while reporters watch. The spokesman for the group says, “I heard that Murai was killed by the Jews.”
May 5–AUM members plant a cyanide bomb in the bathroom of an underground passage connected to Shinjuku stations, near the ventilation system. The poisonous fumes would have killed thousands if the bomb hadn’t been found.
May 16 — Asahara is arrested.
2000-AUM officially disbands and reforms under the name Aleph.
Feb. 27, 2004 — The Tokyo District Court sentences Asahara to death.
Sep. 15, 2006 — Asahara’s death sentence is finalized.
2007–
Aleph splits into another faction, Hikari no Wa. Later, a third faction of the group emerges.
June 15, 2012 — The last fugitive former AUM member, Katsuya Takahashi, is arrested for his part in the subway attacks.
Jan. 18, 2018 — The Supreme Court rejects Takahashi’s appeal, ending all trials linked to AUM Shinrikyo cult.
July 6, 2018 — Asahara and six others are executed by hanging. Seven members remain on death rows while their cases are being appealed.
If you are unlucky enough to be indicted for a crime in Japan, you’ll find that the system actually works on the presumption that you are guilty until proven guilty. The conviction rate is 99%. If Franz Kafka was alive today, he’d find that Japan’s courts provided ample material for his pessimistic work. The recently released film The Trial (審判）based on Kafka’s famous work, and directed by John Williams, thus seems tremendously disturbing.
The Trial (審判) is a new film which updates Franz Kafka’s classic nightmarish novel to modern Japan–with great effect.
John Williams is that rare western filmmaker who has chosen to live and work in Tokyo, though he originally came to Japan in 1988 with the intention of saving enough money to go to film school in the US. “I’ve wanted to be a filmmaker since the age of 14,” he said, in the offices above the Eurospace Theater in Shibuya, where his latest work The Trial (Shinpan) is showing. It’s not everyone who keeps a promise made in their teens, but John Williams did just that, albeit in a place very far from his native England.
John Williams is from South Wales and back in the mid 1980s when he graduated from university, the British film industry wasn’t what you’d call thriving, in fact it was rather gomping. “Actually it was at a very low ebb,” laughed Williams. “Of course in the 90s, works like ‘Trainspotting’ changed the landscape but we couldn’t see that coming just yet. There were practically no film schools for young students and the average age at the National Film School – the only institution for aspiring filmmakers, was 27.” So John Williams decided, like many others before and after him, to study movie-making in the US, specifically at NYU film school. To that end, he needed to get some cash together and Japan seemed like the place to earn it.
Fast forward 30 years and with the completion of “The Trial,” Williams has 5 films under his belt. He also teaches film production/European films at Sophia University’s Foreign Languages Department. But he never did get to NYU since, just like in the Lennon song, life is what happens to you while you’re busy making other plans. By the time Williams got the funds together for New York, he was deep in the throes of life in Japan and travels in Asia. “I was in India when the acceptance letter came and didn’t even see it till I got back. And, well, going to the US seemed to me like a conventional, boring choice. Staying here seemed much more interesting.”
Listening to Williams say that in the Eurospace office, the moment felt like a movie scene all by itself. Eurospace is an iconic Shibuya theater, famed for showcasing indie gems from around the world. There was Wayne Wang’s “Smoke.” Francois Ozon’s “Criminal Lovers.” More recently, it put on “Frances Ha” when few Japanese were even aware of the now Academy award contender Greta Gerwig. And now Williams’ “The Trial” is being shown as a limited release, it will currently be running as the late show every night until the 20th. Given the story (based on the Kafka novel) and weird but intriguing vibe, “The Trial” and the Eurospace venue seem to be made for each other. (Please check with Eurospace website for movie times as they may change).
Eurospace – situated in Maruyamacho, and sandwiched between two love hotels. In fact, every square meter of land in the area is occupied by love hotels. Couples sheepishly stroll around, checking on room prices and curiously eyeing the movie theater. “The Trial” – a film about a young Japanese salariman suddenly condemned for an unnamed crime, and who has a weakness for women and sex.
Otherwise the movie is an invitation to match and compare. Williams does a superb job of superimposing Kafka’s most famous character Josef K., a 30-year old German banker in 1914, onto the life of Yosuke Kimura, a 30-year old banker in present day Tokyo. “It’s present day, but I deliberately made the time frame abstract, almost non-technological,” said Williams. Indeed, Kimura’s hand isn’t welded to his smartphone the way everyone’s is these days, and he almost never looks at a computer screen. Kimura’s main interest seems to be women, as he tries to hook up with every female who crosses his path. His success rate is dismal however, and there’s clearly no emotion or chemistry involved. “I thought about Japanese women a lot when making this movie,” said Williams. “They’re trapped in a society controlled by men. They get so much encouragement to please men and become good wives and mothers, and practically no support when it comes to voicing their opinions or carving out careers.”
Aptly, “The Trial” is wintry and bleak, steeped in various shades of black and gray. Kimura (played with studied excellence by Tsutomu Niwa) even lives in a monotone apartment, devoid of color, clutter or any human warmth. On the morning of his 30th birthday, Kimura wakes up to find two strange men in his bedroom, and they inform him that his “case” is coming up for trial. Kimura has no idea what they’re talking about but in a few days, he receives an envelope summoning him to court the following Sunday. It doesn’t say what time or where exactly and when Kimura finally arrives, the Judge (Ichiro Murata) informs him that he is one hour and 26 minutes late. Kimura is incensed by this, and tries to argue that he cannot be late for an event that doesn’t specify the time. While this is going on, a woman (Shizuko Kawakami) has loud sex with a man in a dark suit in a back room. When Kimura returns to court the next day, the woman crudely seduces him and Kimura is ready to fall for it, until they’re interrupted by the janitor (Ichi Omiya) who tells Kimura that the woman is his wife. Later, Kimura encounters a group of people who are all awaiting trial, and no one seems to have any answers, either to the nature of their crimes or the system that seems convinced of their guilt. Yes, I know – surreal, right?
“For me, it was less about Japan’s judicial system than it was about dealing with the bureaucrats in Tokyo,” said Williams. “And what I’m seeing in Japan right now – the secrecy law, changes in the constitution, the rise of the nationalistic, quasi religious groups – I find all that very creepy. But at the same time, life goes on here. The Japanese don’t seem to paying much attention to this shadow creeping across the country. The metaphorical message of ‘The Trial’ works really well for what we’re seeing in Japan at this point.”–John Williams (photo by Kaori Shoji)
On another level, “The Trial” shows up the very Kafka-esqueness of Japan’s judicial system – the long, grueling process of scrutiny between arrest and indictment, and how, once indictment kicks in, it’s impossible to overturn it＊. “For me, it was less about Japan’s judicial system than it was about dealing with the bureaucrats in Tokyo,” said Williams. “And what I’m seeing in Japan right now – the secrecy law, changes in the constitution, the rise of the nationalistic, quasi religious groups – I find all that very creepy. But at the same time, life goes on here. The Japanese don’t seem to paying much attention to this shadow creeping across the country. The metaphorical message of ‘The Trial’ works really well for what we’re seeing in Japan at this point.”
And how. Watching Kimura’s expression shift from incredulity and contempt to finally – defeated resignation, a kind of dread washes over me like a wave in a polluted ocean. The whole thing is maybe a little too close to home.
＊Editor’s note: One of the dark secrets of Japan’s criminal justice system is that the prosecution in Japan will punt (fail to prosecute) any case that is not a slam-dunk for fear of losing. Sexual assault cases have a particularly low prosecution rate and politicians or high-ranking bureaucrats are often allowed to walk free–including the 39 bureaucrats involved in forging, deleting and altering documents in a dubious land deal involving a right-wing school and the Prime Minister of Japan. The prosecutor who dropped the cases was recently promoted.
What causes a 5-year old girl to write in her notebook, “Please forgive me,” just a few days prior to her death from abuse? “Please forgive me” is ‘onegai, yurushite,’ in Japanese, and the phrase made headlines after 5-year old Yua Funato was found dead in her apartment home in March. According to news reports, Yua had been beaten by her father and starved by her mother. The direct cause of her death was sepsis, brought on my poor nutrition and untreated pneumonia. Asahi Shimbun reported that Yua was ordered (by her mother) to practice writing Japanese at 4 in the morning everyday and was punished when she made mistakes, usually by being forced to sit for hours on the concrete veranda of their apartment, in the dead of winter.
“Better to light a single candle then curse the darkness a thousand times.”
According to Nippon.com, Yua’s treatment is pretty much standard among the growing number of child abuse cases in Japan. The father beats the child in places were bruises can’t be seen (in her case, injuries were confirmed on her upper thighs and back) and the mother stops feeding them. Verbal abuse, beating s and starvation form the unholy trinity of Japanese abuse cases and Yua, apart from everything else, was told by her mother Yuri that she shouldn’t have been born into the world, and that she was hated by everyone. Yua had to sleep in a tiny room with no heating, away from her parents and younger brother who occupied a bigger room with an air conditioner. At the time of her death, she was 8 kilos lighter than the average 5-year old and her digestive tract was clotted with vomit.
Now three months later, neighbors and sympathizers continue to place incense, candy and flowers outside the Funato family’s apartment in Tokyo’s Meguro ward. Social commentators have sighed and shook their heads with pity. Even Prime Minister Abe has been moved to comment that child abuse “cannot be overlooked.” But all that sympathy came too late for the 5-year old. The whistle had been blown on Yua’s parents several times over two years before the tragedy but the authorities had done nothing to help. Japan’s infamous child consultation centers (notice it’s consultation and not welfare) are hindered by an antiquated rule that favors parents’ rights over children’s, parents’ testimonials over children who, like Yua, had cried to a social worker that she didn’t want to live at home because her father beat her. Japan’s social workers mainly consult with the adults, and the first thing they ask the parents of a child perceived to have been beaten, is: “Are you abusing your child?” Yeah, right, like the parents are going to come clean and admit it. In the case of Yua, the parents had been “cautioned” and invited to attend a parents seminar, designed to help adults become better carers of offspring. The Funatos never showed up.
The damning, daunting fact is this: As of 2016, there were well over 100,000 cases of child abuse reported in Japan, up 100 times since 1990. In the US, that number is something like 67,000. And before Yua, there was Riku and Takumu and many other children of pre-school age who had been beaten, abused, starved or outrightly murdered by their parents. In spite of the government’s pledge to build more day care facilities and put families first, Japan is a place that’s not very nice to kids. Daycare is one thing, but public schools – once the bastion of a legendary educational system, is rife with problems from bullying to underpaid, overworked teachers who are mostly too tired to notice that a kid is showing up to school with bruises, or haven’t had a square meal in days. As the media keeps reminding us, one out of six Japanese children live in poverty, and go to school (if they are able) on empty stomachs.
As for children blessed with a stable home life, they often feel crushed by a tremendous pressure to succeed, i.e., get into a good university that will ensure a well-paying job 15 years down the line. Many kids start going to cram school as early as second grade, studying for entrance exams that will ensure at least a partial foot in the door of a prestigious university.
The experience of being born a Japanese national used to be described as following the ‘Bathtub Curve,’ meaning the best years of a Japanese life came at the beginning, between 0 and 12 years old, and in the end, between 65 and 75. My high school politics teacher taught us that, and I still remember the shock of seeing the long, flat line that supposedly represented the years between adolescence and retirement. Equally shocking was that upward curve representing babyhood and primary school. Were those years really so glorious? In primary school, summer vacation lasts just over a measly month and even that was tempered with shitloads of homework that had to be completed and submitted on September 1st. School lunches were for the most part, awful rations laid on prison-like tin trays. At home, dads returned on the last train, stressed to the very core of their beings and moms were equally tired from chores and childcare.
Dismal as it often is, there’s no comparing a normal Japanese childhood to what Yua, and tens of thousands of children like her, are going through on a daily basis. Some commentators have lamented that there are simply not enough social workers to go around. True, every time a child dies from abuse, the Ministry of Health, Welfare and Labor (Koseirodousho) issues a statement about labor shortage being the definitive problem in the service industry. There are just not enough Japanese to do the work of caring for children, the elderly or the sick and diseased. When a staff member of a senior home was arrested last year after killing one of his charges, the reason given was fatigue. He was fed up with having to care for helpless people, and his work chart showed he had been pulling 12-hour shifts with almost no days off.
With Yua, the social workers who had been in charge of her case had also been understaffed, which led to carelessness and cutting corners. Yua’s parents moved the family from Kagawa prefecture to Tokyo, after a neighbor blew the whistle on Yua’s father. The child consultation workers in Kagawa then neglected to pass the full bulk of the paperwork from Kagawa to Tokyo, and Yua’s case was never reviewed in her new locale. Add to that the fact that child abuse facilities are notoriously crowded. Barring extreme circumstances, abuse victims are often returned to their parents, and the cycle of violence begins all over again. This was certainly true of Yua, who spent 3 months in a child care center in Kagawa but was not allowed to stay.
Sometimes, family is the most horrendous aspect of a child’s life. If Yua had been separated from her parents, chances are she would have lived. But Japanese tradition dictates that families must stick together, and what goes on within that circle is sacrosanct. More than the labor shortage, or parents seminars, we need to rethink the Japanese family, and take a long, hard look at its dysfunctions.
“A 2016 revision to the child abuse prevention law simplified the procedure for officials of such centers to carry out on-site inspection of homes where child abuse is suspected without the parents’ consent. The Health, Labor and Welfare Ministry says that protection of children should be prioritized and that officials should not hesitate in the face of parents’ objections to take abused children under protective custody. However, it is believed that many welfare officials balk at resorting to such action out of concern that support for the family may not proceed smoothly if the action is taken over the parents’ opposition.
Japan’s efforts to stop child abuse are weak when compared with the systems in many Western countries. For example, in the United States, where efforts to prevent abuse of children started much earlier than in Japan, far greater numbers of child abuse cases are reported to and handled by child protection service agencies. Such agencies are staffed by far larger numbers of experts per capita than in Japan, and the police and the judiciary are more deeply involved in the effort against child abuse. What’s lacking in our system to stop child abuse should be explored so that similar tragedies will not be repeated.”
Shiori Ito is a brave journalist who has taken on Japan’s rape culture and has pursued justice in her own case. The BBC released a documentary “Japan’s Secret Shame” about Japan’s lack of ability to deal with sexual assault in the country and why her accused assailant was allowed to walk away, even after an arrest warrant on charges of rape were issued by the police. The documentary is hard to view outside of the UK, so if you’d like to know mere, here’s everything you should know until it’s released here. Many of these articles were written for The Daily Beast, which has been supportive of the investigative journalism behind these stories.
Also, it should be noted that weekly magazine, Shukan Shincho (週刊新潮), was the first periodical to write about this story and pulled no punches in accused the administration of Prime Minister Shinzo Abe of blocking a rape investigation.
Below is a list of articles that we’ve written on the case, some at a time, when no other major news media outlet would touch the story.
The stories are in chronological order here and the final entry is being updated when possible.
(originally posted in October 2017. periodically updated)
Japan’s ruling coalition, headed by Prime Minister Shinzo Abe, has been mired in scandal for several weeks amid allegations Abe personally bent the law or broke it to benefit his political cronies and friends. Even a senior member of Abe’s own Liberal Democratic Party says, “There is nothing this administration wouldn’t do to crush its enemies and reward its pals.”
The story became national news on May 29 when a 28-year-old journalist named Shiori Ito held a press conference at the Tokyo District Court as she sought to reopen the closed investigation into her case….(Click here for part one: Is Japan’s Top Politician Behind a Shameful Rape Cover-Up and for the follow up Japan’s Big #MeToo Moment) . She did not win a reopening of the case but filed a civil suit at the end of September. Last March, the civil courts did essentially find a man guilty of rape and fine him for damages—after police failed to file charges in time for a criminal case to be possible. Shiori Ito also came forward with her full name and published a book, Black Box, referring to the fear of sexual assault victims to come forward in Japan, (only 1 in 5 do, and half of cases resulting in arrest are dropped by prosecutors) and the government and police discouragement of sexual assault investigations and their refusal to discuss why they drop cases, even to the victims. Shiori Ito has gained a groundswelling of public support in recent months.
There is dispute to what happened and Noriyuki Yamaguchi has categorically denied raping Shiori Ito, “I have done nothing to touch the law.” And this month, he has even published a long rebuttal implying that Shiori Ito is a tool of shadowy anti-Abe political forces in ultra-right magazine, Monthly Hanada (月刊花田). The editor of Hanada is famous for having okayed publication of an article denying that there were gas chambers at Auschwitz, implying that there was no holocaust.However, there is on undisputed fact: an arrest warrant on charges of rape (準強姦) was issued for Yamaguchi, only to be revoked by a political and personal friend of the Abe administration, Itaru Nakamura. See below.
The arrest warrant for Noriyuki Yamaguchi was reportedly pulled by Itaru Nakamura, the acting chief of the Tokyo Metropolitan Police Department Investigative Division at the time, on June 8 2015.
The chief detective waiting to arrest Yamaguchi, the alleged rapist, informed Ito over the phone, “We have to let him go. The arrest has been stopped from above. I’m terribly sorry. I didn’t do enough.”
Itaru Nakamura is a more important figure than his title as an acting police chief might suggest. He is also a former political secretary to Cabinet Minister Yoshihide Suga and a friend of Prime Minister Shinzo Abe. He immediately moved the investigation from the original police department, Takanawa PD, to the police headquarters so that it was under his control.
The prosecutor who had signed off on the arrest warrant was taken off the case. The new detectives handling it drove Shiori Ito to a lawyer to convince her to make a settlement with the accused and drop charges, a highly unusual move.
The Daily Beast has tried to reach Nakamura for comment several times with no luck.
Nakamura is currently the chief of The National Police Agency Organized Crime Control Division, which gives guidance on the controversial and Orwellian criminal conspiracy laws that the Abe administration ramrodded through the parliament.
“I’ve sent him letters,” says Ito. “I’ve tried to meet him now six times––the first time I’ve ever done a stakeout. He won’t talk to me. I just want him to look me in the eye and tell me why he stopped the arrest and scuttled the investigation.” She even once chased him as he ran to his chauffeured car–only to be nearly ran over as he sped away.
Only in Japan do rape victims have to chase the police to seek justice. In a better world, the cops would be actively chasing the suspected rapist.
It is possible that Prime Minister Abe, his second in command, and Nakamura may be pursued in the Japanese Parliament by opposition party members seeking the truth. But don’t hold your breath. Many are reluctant to open the black box. If #metoo (#私も) ever starts trending here, it would do a lot to pry the lid open. Shiori Ito has at least made a dent in it…..and her press conference is something that says a lot about how things still work in Japan.
For reference purposes, here is the text of her speech, translated from Japanese, with some editing for clarity.
Thank you for coming today.
Shiori Ito has come forward to talk about her rape and the lack of investigation of sexual assault in Japan.
First of all, I would like to address why I decided to hold this press conference.
Two years ago, I was raped. Going through the subsequent procedures, I came to the painful realization that the legal and social systems in Japan work against victims of sex crimes. I felt strongly about needing to change this adverse structure, and decided to go public with my case.
I will go into details later, but in the beginning, the police would not even let me file a report on this case. They told me that it was difficult to investigate sex crimes under the current law. Also, the person in question, Mr. Yamaguchi, was the Washington Bureau Chief of Tokyo Broadcasting System (TBS) at the time, and a public figure. During the investigation, I received insults that were unbearable as a victim.
However, my intention is not to criticize the entire police force. The Takanawa Police eventually became sympathetic to my situation and worked hard to investigate this case. Thanks to their efforts, investigations were completed and an arrest warrant was issued. But just as the warrant was about to be executed, the then-Chief Detective ordered investigators to call off the arrest. I question the existence of a police organization that allows such unforgiveable circumstances to transpire.
I also question the procedures that sex crime victims are required to undergo at hospitals in order to receive treatment and examinations, as well as the insensitivity of organizations that provide information for victims. A fundamental change needs to be made to this structure.
On the legislative level, the Diet is currently prioritizing discussions about conspiracy laws over the proposed bill to revise rape crimes, whose content is also something that we need to reconsider to ensure that they are truly satisfactory.
I hope that by talking about my experience publicly, I will help improve the current structure and start discussions that will lead to changes. This was my motivation behind making this announcement.
This afternoon, I made an appeal to the Committee for the Inquest of Prosecution about my case being dropped.
I will omit details of the incident itself, as it would be difficult to read them aloud. Please refer to the handouts for details. What I can say is that a sexual act was committed against me, unrelated to my will, against my will. I will talk about the events that ensued after the incident.
Circumstances of the Incident
I met Mr. Yamaguchi, then TBS’s Washington Bureau Chief, in the fall of 2013, when I was studying journalism and photography at a university in New York. I met him a second time in the US, but we did not engage in any deep discussions on either occasion.
After I graduated, I aspired to work as a freelance journalist because I wanted to lend an ear to unheard voices, and to listen to their stories over long period of time. But upon returning to Japan at the beginning of 2015, my parents convinced me to first work at a company for a few years. In March of the same year, I emailed Mr. Yamaguchi to ask if there were any openings at the TBS Washington Bureau, because he had previously told me that he could arrange for me to work there. And when I was interning at Nippon Television’s New York Bureau, there were people who had been hired locally. So I didn’t question Mr. Yamaguchi’s offer.
Mr. Yamaguchi’s replies were positive about my employment: “You could start working here while we look at getting you hired you officially;” “The biggest barrier will be the visa, but TBS could help you get one.”
After several email exchanges, he said that he would be coming back to Japan for business and asked me to meet him. We agreed to meet on Friday, April 3, 2015.
At the time, I was working as an intern at Reuters. I had to work late, and ended up being late for my meeting with Mr. Yamaguchi. When I called, he reassured me and told me that he would go ahead and start eating without me. This conversation led me to believe that someone else was joining us, as I had never met him alone before.
That night, he was already eating at one of his favorite restaurants, a kushiyaki place in Ebisu. I had 5 brochettes, two glasses of beer, and a glass of wine. At the restaurant, he made small talk and didn’t discuss the visa, which was supposed to be the objective of our meeting. He said, “There are other restaurants I need to pop by in Ebisu. I’ve made a reservation for the next restaurant, where I want to have a proper meal. Let’s have a quick bite here, and go to the next place together.” The next place was another one of his favorite restaurants, this time a sushi place.
At the sushi restaurant, he said, “I’ve heard good things about you and want to work with you.” An hour or so after we had arrived at the second restaurant, I suddenly felt dizzy and went to the bathroom, it was my second time to go to the bath room at this place. The last thing I remember is leaning my head against the water tank. I don’t remember anything else after that. As far as I can remember, I shared two servings of sake with him at the sushi restaurant. Prior to this incident, I had never lost my memory from drinking alcohol.
Investigators later told me that I left the sushi restaurant with Mr. Yamaguchi around 11PM. He apparently took me to a hotel in Minato Ward. According to the taxi driver who drove us to the hotel, I repeatedly asked to be dropped off at the nearest station. But Mr. Yamaguchi said, “Don’t worry, I won’t do anything. We’ll just talk about work,” and instructed the driver to head to the hotel. According to the driver’s testimony, I wasn’t able to get out of the taxi on my own, so Mr. Yamaguchi had to carry me. This scene was recorded on the hotel’s security camera. I plan to submit these testimonies and evidence to the Committee for the Inquest of Prosecution.
At 5AM the next morning, I regained consciousness. I was lying naked in a hotel bed, face up with Mr. Yamaguchi on top of me. I will refrain from providing explicit details, but what I can say is that a sexual act was committed against me, unrelated to my will, against my will.
After the Incident
Several hours after the incident, I went to see a gynecologist in my neighborhood. Mr. Yamaguchi had not used any contraception, and I did not know what do. As soon as I entered the consultation room, the gynecologist asked, “What time did you make the mistake?” without even looking at me. I was then given a pill and told to take it outside. That was it. I could not bring myself to explain my situation to someone so mechanical. So I decided to call a nonprofit that supported victims of sexual violence, hopeful for an introduction to another medical facility.
However, the person who took the call said, “I would like to interview you first.” I was devastated. I barely had the strength to get up from my bed, and had called in desperation. But the first word I heard from this organization was “interview.” I’m certain that other victims with similar experiences would be deprived of any will power at this point. What is critical at this stage is not an interview, but an introduction to a medical institution for an examination.
At first, the police would not let me file a report. Investigators repeatedly tried to convince me not to file and said things like, “This kind of thing happens often, but it’s difficult to investigate these cases;” “This will affect your career;” “You won’t be able to work in this industry after this;” and “All the effort you’ve made so far in your life will go to waste.”
I pleaded investigators to check the footage from the hotel’s security camera, and that by doing so, they would see that I was telling the truth. When they finally did check the footage, they agreed to handle this incident as a case and start investigating.
On June 8, 2015, several investigators were waiting for Mr. Yamaguchi at Narita Airport. Equipped with an arrest warrant, they were going to arrest him upon his arrival in Japan on charges of incapacitated rape. However, this arrest warrant was never executed.
At the time, I was in Germany for work. Immediately prior to the scheduled arrest, one of the investigators had contacted me to say, “We’re going to arrest him. Please return to Japan immediately.” So I was preparing to come back when I received another call from the investigator. Even now, I have vivid recollections of this call: “He just passed right in front of me, but I received orders from above to not make the arrest,” “I’m going to have to leave the investigation.”
Why did this happen? Surprisingly, the then-Chief Detective had ordered the arrest to be called off. In an interview with Shukan Shincho, this Chief Detective admitted that he had “given orders to cancel the arrest.”
Japanese laws do not protect us. The investigation agency has the authority to suppress its own arrest warrants. I will never forget the sense of helplessness I felt that day.
After the incident at the airport, the police sent criminal papers to Mr. Yamaguchi on charges of incapacitated rape. But on August 2, 2016, the prosecution decided to drop charges against Mr. Yamaguchi due to insufficient suspicion. This process took over 1 year and 4 months. The investigations revealed evidence of me being dragged into the hotel through testimonies from the taxi driver and the hotel bellman, as well as footage from the security camera. DNA test results also provided additional evidence. I could not accept the case being dropped, and conducted my own inquiries. And today, I finally made an appeal to the Committee for the Inquest of Prosecution.
I want to ask a question to all people living in Japan. Are we really going to continue to let this happen?
For the past two years, I often wondered why I was still alive. The act of rape killed me from the inside. Rape is murder of the soul. Only my body was left, and I was overwhelmed by the feeling that I had become a shell.
After the incident, I concentrated on seeking the truth as a journalist. I had no other choice. I felt like I would be mentally crushed if I considered myself a victim. Focusing on work was a way for me to protect myself.
I then came across a photo documentary of rape victims and their families by Mary F. Calvert in a World Press Photo exhibit. In the exhibit, there was a diary of a woman who had been raped. In this diary, there was a drawing of wrist cutting, accompanied by a message that said, “If only it was this easy.” In the end, this woman killed herself.
I understand this woman’s pain. She doesn’t exist in this world anymore, but I witnessed those photos and received her message. And this is what I thought: “I have to reveal the horror of rape and the enormous impact it has on the victim’s life.”
Becoming a rape victim myself made me realized just how small our voices are, and how difficult it is to have our voices heard in society. At the same time, I recognized the need to face this issue as a journalist. If I hadn’t been a journalist, I may have given up. I know there are countless women who have gone through the same experience, leaving them hurt and crushed. I know that, both in the past and still today, many of these women have given up.
How many media outlets have published this story? When I saw Mr. Yamaguchi repeatedly broadcasting his side of the story through his powerful connections, I couldn’t breathe. Where is the freedom of speech in this country? What are the laws and media trying to protect, and from whom? That is the question I want to ask.
I have travelled to over 60 countries, and have been asked if I have ever been in a dangerous situation. My travels have included interviewing the guerrilla in Columbia, going to the cocaine jungle in Peru, and other areas that would be considered dangerous. But I am sad to say that the only time I actually encountered real danger was in Japan, my homeland, which is considered a safe country. I wholeheartedly wish that no one else has to experience what I went through.
This could happen to you, your family, your friends – it could happen to anyone. If we remain silent and ignore this opportunity to change the legal and investigation systems, each and every one of us will be approving these crimes to continue.
That is all from me. Once again, thank you for your time.
Chronological order of events:
April 3, 2015 Met Mr. Yamaguchi
20:00 Entered kushiyaki restaurant
21:40 Entered sushi restaurant
April 4, 2015 5:00 Woke up in pain and realized that I had been raped. Memory
lost half way in sushi restaurant
April 9, 2015 Consulted Harajuku Police Station
April 11, 2015 Interview with lieutenant from Takanawa Police Station
(currently at Metropolitan Police Headquarters) at Harajuku Police Station
April 15, 2015 Watched security camera footage with aforementioned
lieutenant at Sheraton Miyako Hotel
April 30, 2015 Filed criminal complaint at Takanawa Police Station
Beginning of June 2015 Collected evidence such as: testimony from taxi driver,
testimony from hotel bellman, investigation results from DNA sample collected from underwear. Arrest warrant issued. (Due to the possibility of the rape being filmed, confiscation of Mr.
Yamaguchi’s computer was also a requirement)
June 4, 2015 Informed about the scheduled arrest of the accused upon his
return to Japan at Narita Airport; requested to return from Germany
June 8, 2015
Informed by lieutenant that he had gone to the airport, but that the arrest had been cancelled due to orders from above. Also informed that the lieutenant had been relieved from this case. Subsequently, the case was transferred from the Takanawa Police Station to the First Section of the Metropolitan Police Department
August 26, 2015 Criminal papers sent to Mr. Yamaguchi
October 2015 My first interview with prosecutor
January 2016 Mr. Yamaguchi’s interview with prosecutor
June 2016 My second interview with prosecutor
July 22, 2016 Charges dropped against Mr. Yamaguchi
Editor’s note: Mr. Yamaguchi has categorically denied all charges and his rebuttal can be read on his Facebook page and in the article linked above. This was originally published on June 18th, 2017 and was slightly updated on October 24th.
Welcome to our semi-annual pledge drive. Japan Subculture Research Center (@japankenkyu) was founded in 2007 by Jake Adelstein and many contributors to expose the hidden side of Japan – its underground economy, its transient and strange trends, its robust sex trade, wacky politics, corruption, social issues, many subcultures, yakuza, host clubs and hosts, Japanese cinema and all the other intriguing and seedy aspects that keep the country running. Balancing commentary, reporting and dark humor–we’re the kakekomitera (駆け込み寺) aka “last resort” of some news stories that no one else will touch. We’ve covered rebel graffiti artists, crusading lawyers, and some real heroes.
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The business friendly Japanese government fails to deal with preventing Death By Overwork. In January, the Labor Ministry did put signs saying” Stop Karoshi” urging an end to death by overwork, “for a society where people can continue to labor”.
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