The high price of cocaine in Japan (metaphorically & literally)

by Kaori Shoji

The March 12 arrest of Pierre Taki (real name: Masanori Taki) for possession and usage of cocaine sent shock waves through the Japanese media. Now that April and the new Reiwa era has kicked in, the hew and cry over Taki’s fiasco has died down somewhat. And he is out on bail. And of course, he did a 30 second bow, after his release to show he was very very contrite. And yes, there is someone out there who actually counts the length of an apology bow. By the end of the Reina era, the average “bow of apology” is expected to stretch to 75 seconds. 

Would you be surprised if this yakuza-ish character in the game was a coke-fiend? Would you be less surprised if the actor playing him was a coke-head?

The repercussions however, are far from over. Pierre Taki went from being the frontman of synthpop/techno band Denki Groove to one of the most visible actors in Japanese film and television. Taki was never a lead man but with his deadpan humor and weighty presence, he had carved out a John Malkovich-like position and as such, the man is not easily replaceable. At the time of his arrest Taki had been working on a number of TV dramas including NHK’s prestigious Sunday night series Idaten. NHK has announced that they have deleted all of Taki’s scenes including the ones already aired. Apparently, NHK is shooting everything again from scratch, tripling the workload for cast and crew members while other major networks scrambled to cancel Taki’s scenes and appearances. All of Taki’s product endorsements were pulled out. Sales of Sega’s video game Judgement Japan in which Taki appears as a key character, has been stopped. 

Judgement Japan was a spin-off of Sega’s popular yakuza games series (龍が如く in Japan) and coincidentally, the series also had another actor retroactively removed from the a game after allegations of cocaine use were published. Even in a game about yakuza, it’s not acceptable for the actors playing the characters, who use drugs, to actually use drugs. In a show of moral consternation, Denki Groove’s music was subsequently yanked off the Net. 

Adhering to the Japanese custom in such cases, Taki’s elderly father has appeared in the media to apologize for the wrongdoings of his 51-year old son. The rest of Taki’s family (his wife for instance) has not been seen. 

According to news reports, Taki’s arrest cost the Japanese media over 3 billion yen in losses. That bill will be sent to Taki and it remains to be seen how he’ll deal with it. 

In the meantime, Taki seems resigned to his fate. The prosecution has released part of his statement attesting to a coke habit going back 30 years. “When I was in my twenties, I was doing cocaine and marijuana whenever I went abroad. After that, the habit stuck with me,” Taki reportedly said. Rumor has it that Taki in the full-statement added “I’m not the only one,” which sounds ominous. 

Speculations abound as to who’s next in-line to be busted for drug use. Japan has a reputation of being relatively drug-free, with the exception of amphetamines known as “kakuseizai (覚せい剤)” which has been around since the 1920s. Kakuseizai was and continues to be, a picker-upper used by many segments of the populace—especially yakuza and media celebrities. Interestingly enough, the drug is considered relatively harmless compared to the big baddies: cocaine and heroin. It’s also easy to lay hands on some of it, provided you have the cash and the right friends with tattoos. 

Cliched as it sounds, most clubs in Roppongi have V.I.P. rooms where people like Taki can stroll in, sit down and start inhaling shabu—the other name for the drug—referring to the dry mouth and thirst that comes with usage, as well as the tendency of habitual use to suck the life out of the addict. Street prices are now fixed at 70,000 yen per 1 gram, which is a third of the price of cocaine. Five years ago, kakuseizai peaked at 90,000 yen to the gram but the word on the street is that the suppliers have come to outnumber the users. 

Japan’s notoriously slow (or thorough, depending on how you look at it) narcotics investigators usually take 18 or so months to gather the evidence for a viable case, and another few months before actually making an arrest. A media analyst who wishes to remain anonymous, said: “I know of a case where the narcotics team spent three years trying to nab the president of a major ‘talent’ agency. They made sure the evidence was air-tight, went in and made the arrest. After all that, the president went free on a suspended sentence. The next year, he was back in business.”

Indeed, kakuseizai can tarnish a public image but not irrevocably. Former baseball superstar Kazuhiro Kiyohara is a case in point. In 2016 he was arrested for using and possessing kakuseizai but after the hullabaloo died down, Kiyohara reinvented himself as a rehab guru. His heavily confessional self-help books continue to sell and he makes frequent appearances on comedy shows. He has turned his misfortune into a second fortune. 

The aforementioned analyst explained: “If a celebrity is going to slip, he or she better make sure they’re big enough to withstand the fall. The bigger the name, the more lenient the sentence and the faster the comeback. Everyone in the entertainment industry understands this, which is partially why it takes so long for prosecutors to make an arrest. Everyone crowds around the golden goose, to protect and nurture. A lot of peoples’ livelihoods depend on the survival of that goose. The goose called Pierre Taki kept going for 30 years.” 

So is getting caught using drugs a by-product of this super-aged society? It’s sure starting to sound like it. Mega -stars like Aska, (of the music duo Chage and Aska) was arrested for kakuseizai abuse twice, but in his sixties he’s back on stage, touring the archipelago as a one-man show. 

Pierre Taki may not be so lucky. Compared to kakuseizai, cocaine constitutes a serious offense and it’s much more difficult to buy in Japan. Taki has never cultivated a squeaky  clean image but the overall verdict is that it will take him some time to bounce back from this one. Other celebrities arrested for coke include Shintaro Katsu, an iconic actor from the Showa era whose booze and womanizing lifestyle was in perfect sync with his yakuza roles. In 1990, Katsu (then in his late 50s) was arrested in Hawaii for possession of cocaine which he hid in his underwear. He was promptly deported back to Japan and arrested in Narita Airport but he never admitted where he got the drug and seasoned his trial with bawdy jokes. Katsu’s career and health deteriorated after that but when he died 7 years later at the age of 65–11,000 fans turned up for his funeral. 

“I know this is a bad thing to say, but many in the entertainment industry tend to view cocaine as a glamor drug,” said the journalist. “Being arrested for kakuseizai is pretty much run of the mill but a coke habit suggests money, connections and status.”

If this is true, we’ll surely be seeing Pierre Taki again. He may need the money, after all. 

In Japan, Saving Face Trumps Justice. Your odds of being found guilty: 99%

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Too Little, Too Late? Porn Mags Set to Disappear From Convenience Stores–And So Will Male Courage?

by Kaori Shoji

In Japan, the convenience store “baito” or part time job, is a rite of passage. Teenagers work at their neighborhood ‘conbini’ after school as a way of padding their allowances and college students work graveyard shifts to pay for living expenses. I did it, my friends did it. Most every Japanese person I know has worked at a conbini at one point or another. And in 2016, Sayaka Murata won the prestigious Akutagawa Literary Award with her autobiographical novel “Conbini Ningen,” in which the protagonist woman is addicted to her conbini job, to the point that she can’t think about anything else.

“I know it has a lot to do with the fact that I’m hyper sensitive but honestly, I feel that women shouldn’t have to deal with porn, especially in a convenience store. It’s sexual harassment.”

In case you think conbini work is boring and easy, let me tell you right now that the job calls for brains, guts and ace reflexes. For women, it’s often a test of mental endurance as well. A woman I know, in her late 30s, has been working the 9 to 7 shift at her local Family Mart for the past 5 years. She says the job is fine, except for one thing: she hates handling the porn magazines that comprise a “not insignificant chunk” of the store’s revenue. “I hate touching those things,” said this woman who has been diagnosed as an HSP. “I know it has a lot to do with the fact that I’m hyper sensitive but honestly, I feel that women shouldn’t have to deal with porn, especially in a convenience store. It’s sexual harassment.” Twenty-seven year old Reina, who quit an office job to work at a Seven Eleven run by her mother, says she feels “slightly sick” every time she has to ring up a porn mag for a male customer. “I’ve been at the job 3 years and I still can’t get used to it,” says Reina. “I don’t lose my cool or anything but I get really uncomfortable. I don’t talk to my mother about it but I call tell she knows how I feel.”

But Reina and thousands of conbini workers like her are about to get a break. In deference to the Tokyo Olympics and the expected soar in foreign tourists including families and minors, major convenience stores Seven Eleven and Lawson have announced the decision to abolish all porn magazines from their outlets by August 31st. The third member of the conbini triumvirate Family Mart, has announced that the company has “no intentions of following suit.” Bad news for my HSP friend (who wants to remain anonymous). At her place of work, the porn stays.

Reina says that the announcement gave her much “relief,” though there are some months to go before she’s free from the unpleasantness of handling porn for work. “That stuff is always about rape,” she says. “The covers show women being tied up and the headlines are violent. Frankly, they’re scary.”

In Japan, the public display of porn – rape or otherwise –  has long been a sore point. In 2004, then Tokyo governor Shintaro Ishihara issued a law that required convenience store porn magazines to be partially bound in cellophane, to prevent casual riffing. “If anyone wants to look at those things, they’re going to have to show some courage, go up to the register and pay for them, right in front of everyone else.” This was a statement Ishihara apparently made to an aide, and later picked up by Japan’s sports tabloids, infamous for their own abundant porn content.

For some weeks afterwards, “show some courage” was a popular, mirth-filled punch line among Japanese men. Whether Ishihara really said those words isn’t the point – the move was classic ex-Governor. Always a gung-ho macho, one of Ishihara’s pet laments was the “pathetic-ness” of the slinky, under-confident Japanese male. He didn’t need to trot out the Olympics to turn the screws on their source of fun.

Unfortunately, his cellophane law simply gave rise to another problem: “harmless porn.” Instead of riffing through X-rated content, men turned to “gurabia,” magazines that featured bikini-ed young women on the covers in provocative poses and more of the same inside the pages. Since the women weren’t nude, the magazines couldn’t be described as hard porn. And the blurbs were all about how “beautiful” or “cute” the girls were so how could it be offensive, right? (Though their cup sizes were loudly touted along with their prettiness) Emboldened by this new wave of accessible and ‘kawaii’ porn, salarimen took to visiting the conbini on their lunch hours and picking up the magazines along with their bento and canned coffees. The early naughts were also about “tosatsu,” or shooting voyeuristic pictures of random young women on the streets, or catching them unawares through open windows. And these photos often found their way into – you guessed it, “harmless porn” magazines, stacked on conbini shelves.

“Harmless Porn”

Now, 15 years later, porn magazines (whether hard or harmless) comprise a dismally shrinking market. In the late 1990s, the conbini magazine market sold to the tune of 500 billion yen a year and the adult genre made up nearly 50% of that revenue. Retail analyst Hiroaki Watanabe says that those heydays are long over, and the market has been reduced by almost 70%. “These days, the main clientele of adult-only magazines are seniors, who don’t have smartphones or Internet access,” he says. Indeed, the aforementioned Reina says that porn mag buyers are nearly always “older men, who never make eye contact and have an air of shame.”

Indeed, the aforementioned Reina says that porn mag buyers are nearly always “older men, who never make eye contact and have an air of shame.” 

 

At this point, Mini Stop is the only major convenience store that has completely cleared theirs shelves of adult mags. This is understandable, as Mini Stop is owned by retail conglomerate AEON known for a squeaky clean, family-oriented image. As for the conbini triumvirate, about one-third of their outlets don’t carry adult magazines, according to the companies’ PR.

The PR for Family Mart stated that ultimately, the company leaves the choice to stock porn up to the individual outlet owners. “Some of our outlets don’t carry magazines at all, regardless of content,” said the PR spokesman. “Anyway, we’re heading toward an era where customers can purchase and download magazine content right at the cash register. Paper magazines will be obsolete.”

Ex-Gov Ishihara probably didn’t see that coming. If a tap on a smartphone is all it takes to buy porn at the local conbini, what’s going to happen to male courage?

Abstract Art, Coffee And Art Photography In Osaka: The Slaby Sisters Exhibition Until July 9th

The Slaby Sisters: Johnna Slaby (painter) and Reylia Slaby (photographer) are pleased to present their first joint exhibition at the Intercontinental Hotel Osaka until July 31.. The exhibition features five pieces from each of their collections, and will be shown. Reylia and Johnna Slaby, twins, were born and raised in Osaka, Japan.

From a young age theywere free to explore and play within different facets of the art world. They began to develop a strong relationship with both Japanese and Western art, inadvertently creating their own fusions within the juxtaposing styles.

Oyster by Johnna Slaby

———

Johnna Slaby-Artist

http://www.johnnaslaby.com

Johnna Slaby is an abstract artist born and based in Osaka, Japan. Originally on the road to becoming a classical pianist, her career took a sudden turn when shediscovered urban sketching and fell in love with the rough lines, textures and the different ways of representing life. She made the transition from sketching to abstract painting from 2014. She currently experiments with incorporating physical objects and coffee (literally) into her work, creating pieces that start conversations of culture and the beauty in our everyday lives.

Reylia Slaby-Fine Art Photographer

Ame-Onna (雨女) “Rain Woman” by Reylia Slaby

Having been born and raised in Japan, Reylia Slaby uses the influences from her unusual upbringing as the main theme in her artwork. Her photos are a rich blend of the Japanese aesthetic, and is greatly revealing of her personal experiences and thought. Her desire is to weave all the different aspects of her life into her art. She strongly believes in an empirical body of work, and is adamant when it comes to adding an individual and unique meaning to each image. Photography entered her life as a gradient. Originally a semi-professional graphite pencil artist, Reylia made a gradual switch to photography around her teen years, and then discovered fine art photography in 2012. It instantly struck a chord, and she knew that she had finally found her ideal outlet of self-expression, and for years immersed herself in the fine art world though books, online sources, and other artist’s work that inspired and moved her.

About the space:

STRESSED patisserie is proud to present fine works of art on periodic exhibition. Having invited leading artists locally and from around the world to display their outstanding works at STRESSED, the patisserie has become a gallery of fine art with paintings and prints displayed and on sale throughout. Patrons can obtain a catalogue in the patisserie for more information about the artists and their works as well as listings of the artwork for sale.

 

The venue and time:

February 10th  2019- July 31 2019 

EXHIBITION SPACE Intercontinental Hotel Osaka

STRESSED Patisserie 

Japanese magazine fucks up by posting ranking of “f*ckable female college students”

by Kaori Shoji

Some men in Japan just don’t seem to get that objectifying women is wrong.

In the land of the rising sun, the objectification of women is not only a thing, it’s a solid tradition and time-honored marketing ploy. Sometimes though, the tables can be turned the other way. This happened when Weekly SPA, a magazine famed for insisting that sex and money are the only things worth striving for, came out with a story in late December about which colleges had the most number of ‘yareru’ (i.e., easily f*ckable) women. Honorable first place went to Jissen Women’s University, followed by other prestigious women’s universities Otsuma and Ferris. Co-ed universities Hosei and Chuo came in 4th and 5th.

While including a listing of the most “f*ckable” (ヤレる) female college students in Japan, the article was also about what are tantamount to prostitution parties gaining popularity in Japan as a side hustle.

Normally, this would have caused a total of zero ripples on the calm surface of Japan’s societal pond (all the scum lurks beneath) but one young woman dared to raise her voice. This is Kazuna Yamamoto, a senior at International Christian University. Yamamoto saw the article and wrote to petition website change.org – that Japan should stop objectifying women, and noted the nation’s women  “do not exist [soley] for the benefit of men.” In two days, Yamamoto’s petition amassed close to 30,000 sympathizers.

SPA editor-in-chief Takashi Inukai issued a public apology, saying that ‘yareru’ was in this case, inappropriate. Sorry. What SPA really meant to say, was ‘become on friendly terms with.’ Come on guys, is that the best you could do?

To make matters marginally more demeaning, SPA’s article was really about the practice of ‘gyara nomi,‘ which is a thing among young Japanese. (The ‘gyara’ comes from guarantee – in this case, cash.) In a ‘gyara nomi,’ a group of men meet a group of women at a drinking party. The men pick up the tab, and they are also obligated to offer money to women they find especially attractive. The women may or may not be pressured into sex by accepting the monetary gift but according to ‘Reina,’ a woman who regularly attends such gatherings, says “the sex is sort of mandatory. I mean, you can’t say no after the guy pays you. For myself and a lot of other girls, it’s a side hustle.” SPA covered an actual ‘gyara nomi’ party and an app that matches up college girls from the aforementioned universities wanting to earn a little cash, and men looking for a quick roll in the hay. It goes without saying that gyara nomi are limited to women under 25, (pre-Christmas cake age) though men do not face that censure.

The ranking of “fuckable” female college students rankled women in Japan.

Two factors are at play here: the objectification of women surely, but it’s also about women seizing the opportunity to cash in on their objectification. In a pathetically perverse way, you could say this is a win-win situation, or at least a supply and demand equation. Such a scenario is nothing new under the rising sun. Until Japan finally opened its doors to the West, objectifying women was so taken for granted the women themselves thought nothing of it.

By the way, the geisha trade of old was all about pushing the envelope of objectification: the closer a geisha got to simulating a perfectly made-up doll who danced and poured sake for her male clients (with a hinted promise of post-party sex), the better.
And in spite of all the water under the bridge and modernization with a vengeance, not a whole lot has changed. The practice of gyara nomi attest to the fact that Japanese men would would rather pay for sex, than god forbid, having to go through the arduous process of talking with a woman and getting to know her, and her consent– before taking her to bed.

As for the women themselves, like the aforementioned Reina many see their youths as a side hustle. If men and society insist on viewing college girls as ‘yareru’ cuties slinging Samantha Thavasa handbags over their arms, then there’s no shortage of college girls who bank on that view. Wearing short skirts, attending gyara nomi parties and then the next day, laugh about the men with their girlfriends at Starbucks. What’s the harm – but more to the point, how will they finance those Samantha Thavasa handbags if not through men? No self-respecting college girl wants to admit she had to buy one all on her own. With the exception of a weird few who want to waste their precious youth pursuing a medical degree (we know where such lofty ambitions wind up), young women find it easier to cater to male fantasies, and be compensated in one way or another for their trouble.

SPA is a popular magazine available at your local 7/11 or at any train station in Japan. (photo by Kaori Shoji) This issue has a special on strategy for attending a swap party for married people.

An apology from SPA will not likely change the way things are, but maybe, just maybe – it’s a tiny step taken toward…not anything so drastic as equality but non-objectification? On the day after the SPA fiasco, Peach John – one of Japan’s most lucrative women’s lingerie companies – issued an online apology about ‘inappropriate wording’ on one of their products. This was a supplement, touted as a ‘love potion.’ “Slip it into a loved one’s dish or cup, to get that person in the right mood for love” said the product description. (Editor’s note: At least that sounds better than menstrual blood in Valentine’s Day chocolates ) Peach John terminated its sales and promised that they will be “more careful” about choosing the right phrases. Cash, potions, deception, discrimination…would this all go away if  Japanese men and women just learned to talk to each other?

****

Memo: From the petition 

Recently a Company called Shuukan Spa has released a ranking of “University students with easy-access girls” on a public magazine. (Published October 23, 2018)

2018 was a year where women from all over the world fought for women’s rights, so that our voices were delivered.
Japan will be having the first G20 summit this year, 2019 and it is ridiculous for an article such as this to be published. It’s not funny at all.

I would like to fight so that especially on public articles such as this one,  sexualizing, objectifying and disrespecting women would stop.
We demand Shuukan Spa to take this article back and apologize, and promise to not use objectifying words to talk about women.

This sexualizing of women is not funny.

In Japan according to a study done by the Ministry of Justice, only 18.5% of the women report sexual assault or rape.
How about the left over 81.5%?
They don’t speak up. Can not speak up.

Why?
Because sexual assault, random guys touching your butt in public trains, having their crotch up your butt, rape, is something women have to deal with.
Because We use underaged girls in bikinis to fulfill the fetish of those who love baby faces.
Because we idolize young girls.
Because honestly, the society hasn’t changed ever since the time of comfort women.
Because men and women do not believe that we are worth the same as men.

In this world, 1 out of 5 women are raped or sexually assaulted before their 18th birthday.
According to the ministry of Justice, only 1 out of 10 people actually get convicted, after being sued for sexual assault.

In 2018, the world fought.
In some countries, abortion finally became legal.
100 year anniversary since Women got voting rights.
Women in Saudi Arabia were able to drive.
And using Social Media, people spoke up using #MeToo #NoWomenEver and in South America, #NoEsNo and #AbortoLegalYa.

This year we will not only hold the G20 nor but the W20 (women 20)
We demand that the media stops using words to discriminate women, objectify women, disrespect women and sexualize women.

We, women are not less than men.
We are human too.
We do not LIVE for men.
We do not exist for men.

Let’s raise our voices because I am sick of this society where women are objects.

 

Other GROSS articles
https://nikkan-spa.jp/144457

The company behind called Fuji Media Holdings that also
write about Corporate social Responsibility, talking about SDGs.
http://www.fujimediahd.co.jp/csr/index.html

Heal your heart and body with FYE workshops: Find Your Element in Fall 2018

Tokyoites, as much as we love Japan, it’s a stressful place. If you don’t know the language, even more so. And actually, sometimes knowing the language makes it even worse. If you’re looking for some spiritual healing, relaxation, leadership skills and/or guidance try attending the  Find Your Elements Workshops already underway this fall .

Find Your Element Workshop ’18 Fall Season〜 A 12-Week Program for Inner Discovery and Inspiration will feature some great speakers, teachers, and philosophers. Unmask your true self! Learn to be a pirate! Get some tips on healthy eating for sound mind and body.

 

Why the Japanese Media Would Rather Not Talk About Brett Kavanaugh

By Kaori Shoji

The Japanese media has been eerily calm about the Brett Kavanaugh hearings, or if you want the truth, ‘downright reticent’ is more like it. Kavanaugh’s confirmation as Supreme Court justice was covered by major news outlets but otherwise, mainstream media seems more interested in Tokyo’s biggest fishmarket moving from Tsukiji to Toyosu.

“I’m really not interested in American politics,” said 28-year old Ayumi who works for Asahi Shimbun, one of Japan’s four major newspapers. “Since Trump became President, I’ve kind of lost faith in the US. I still love American music and culture but the politics just seems crazy over there.” Before the confirmation, Asahi carried a few articles on the Kavanaugh hearings, but nothing beyond a short description of what was happening. No in-depth analysis or outraged editorials, just brief, straightforward reporting. “You can’t really blame the Japanese media for avoiding the Kavanaugh case,” said an Asahi journalist who spoke on condition of anonymity. “It’s not our battle. Personally though, I think that Dr. Blasey Ford was courageous in coming out like that. I can’t imagine a Japanese woman ever doing the same thing, at least not at that age.”

The journalist was inadvertently (or perhaps deliberately) voicing the opinion of Japanese society in general–that Japanese women of a certain age will rarely if ever, go public about a personal grievance that happened decades ago. A couple of years maybe, and if the woman were under 35. Otherwise, it would be like stumbling upon a blue rose in the desert.

His words remind me of another interview I did when the #MeToo movement was in full swing here, with a woman in her 40s. She had confessed to her husband about a sexual harassment incident that happened when she was 28, and when she tried to say how hurtful it was and ask what steps she could take now to lessen the damage, her husband scoffed. “He said no one was willing to listen to an old woman. He told me not to make waves, and that I shouldn’t embarrass our family.” She said this with a forced, self-deprecating grin but five minutes later she was in tears. Enraging, yes, but I was well aware of how typical the husband’s reaction was. Don’t make waves. Don’t embarrass the family. You’re too old. Don’t come to me with this, I’m tired.

The Japanese media traditionally sucks when it comes to covering issues related to women and sex –primarily because newsrooms have always been dominated by over-worked men too tired to deal with their womenfolk, from their mothers to girlfriends, daughters and wives. “Maybe it would be different if there were more women editors,” said the aforementioned journalist.

No, that’s not really it. It’s more an issue of empathy and the willingness to understand. It would also help if this society were not so youth-obsessed, especially when it comes to women trying to voice their opinions. An American (female) photographer once said to me that no man in her agency ever voluntarily made conversation with an older woman unless she was a foreigner. “So I guess I should be grateful for being 40 and getting attention, but I’m not,” she said derisively.

If the Japanese media is reluctant to discuss Kavanaugh, SNS show that the Japanese public is interested. Right after the confirmation, a large number of tweets expressed fear over America’s swing to the ultra-right, and what this may mean for Japan. “Abe will be executed,” was a familiar comment. But there is almost no mention of Dr. Ford and her ordeal and the ones that touch upon Kavanaugh’s accuser are far from positive. “I guess she went out on a limb for nothing,” said one anonymous tweet. “And then she was shot down like a dog.” Another said, “How can a woman of that age accuse a guy of something that happened so long ago and expect to be heard? She’s probably telling the truth, but at her age she should have known it wouldn’t work.”

At this point, such words feel like a slap in the face, and it’s hard not to feel the pain from old wounds that tend to flare up in bad weather. There are millions of women on the archipelago who have been assaulted, groped, raped, harassed and discriminated against. There are probably thousands if not more, of Kavanaugh equivalents in positions of power. As in the US, the elite boys club network in Japan is seemingly invincible.

There seems to be no antidote to the sorrow and injustice, apart from installing women-only train cars and hotel floors. Because harassment is so rampant here, gender segregation has become a luxury. I was in a hotel in Osaka where the male receptionist presented me with a key to the women-only lounge on the women-only floor, saying, “there are absolutely no men in the area so you can feel completely safe and relaxed.” Wow, um, thanks.

Still. We DO live in a world where it’s possible for an older woman to speak up about a traumatic episode that happened in her teens, and get the world to listen. There’s grounds for hope in that, even in Japan. If nothing else, the Kavanaugh hearings have gotten women talking and sharing about their own experiences of harassment and assault in this rigidly patriarchal society. Not in the scope and scale that’s happening in the US, of course. But a small, precious flame is flickering in the wind.

Should Japanese men have the right to molest women on the train? A close friend of the Prime Minister writes, “Yes!”––the magazine goes out business

“The deepest suffering belongs to the men who are plagued with the symptoms of train groper syndrome (痴漢症候群) in which his hand automatically moves when he steps on a packed train and catches a whiff of a woman. Shouldn’t society protect the rights of them [train molesters]?–Eitaro Ogawa, close associate of Prime Minister Shinzo Abe in Shincho 45, on the rights of chikan

In this month’s issue of the monthly magazine Shincho 45 (新潮45), Eitaro Ogawa, author of many works praising the leadership of Prime Minister Shinzo Abe–and his advisor–published an essay apparently asserting that men (痴漢) should have their right to grope women be protected. Understandably, that is drawing the ire of the on-line community and the real world. UPDATE: In fact, on September 25, Shinchosha (新潮社) announced the publication was being shelved (休刊) for the time being. 

 

The author of this book, which had sales subsidised by Prime Minister Abe, has asserted Japanese men should have a right to grope women on the train. Yes, according to Eitaro Ogawa, if you’re a woman in Japan and you get groped on the train–it’s because you’re giving off pheromones. The scent of a woman is the culprit and the victim is the chikan (train pervert).

Ogawa’s rant was one of many articles in their special October issue about whether it was acceptable to discriminate against the  lesbian, gay, bisexual and transgender community (LGBT).

It was a follow up to the August edition of the same magazine which published a piece by lawmaker Mio Sugita bashing the LGBT community as dead weight on society and a waste of any public funding.  In the magazine’s October feature section, ““Is Sugita’s article that outrageous?”, Ogawa and others sounded off on the topic. Prime Minister Abe has refused to admonish Sugita, claiming that she was “young and should be given slack”.

Ms. Sugita is 51 years old which makes the “crazy teenagers having fun” aka Brett Kavanaugh defense even more ridiculous.

She was recruited by the Prime Minister to join the Liberal Democratic Party.  She’s also blamed rape victims for being raped in other past statements.

The October issue in the special feature, has a rambling nearly incoherent essay by Ogawa on LGBT issues. He seems to classify homosexuality as a fetish, like an ass fetish, or a fondness for BDSM. However, his crowning moment comes in the following passage.

“The deepest suffering belongs to the men who are plagued with the symptoms of train groper syndrome (痴漢症候群) in which his hand automatically moves when he steps on a packed train and catches a whiff of a woman. Repeated offenses show that it is an uncontrollable urge stemming from the brain. Shouldn’t society protect and reserve their rights to grope [women]? Oh, you’ll probably say we should think of the the shock it causes for a woman. If you want to talk about shock, well, the sight of the honorable LGBT walking in the streets in mainstream media is shocking to me. Shocking to the point of a being deadly threat to me. I must ask of them to speak only after they have paid me a insurmountable amount for damages.”

〈満員電車に乗った時に女の匂いを嗅いだら手が自動的に動いてしまう、そういう痴漢症候群の男の困苦こそ極めて根深かろう。再犯を重ねるのはそれが制御不可能な脳由来の症状だという事を意味する。彼らの触る権利を社会は保証すべきではないのか。触られる女のショックを思えというのか。それならLGBT様が論壇の大通りを歩いている風景は私には死ぬほどショックだ、精神的苦痛の巨額の賠償金を払ってから口を利いてくれと言っておく。〉

Yes, according to Ogawa, if you’re a woman in Japan and you get groped on the train–it’s because you’re giving off pheromones. The scent of a woman is the culprit and the victim is the chikan (train pervert). Ogawa attempted to walk back his statement on television programs this weekend by saying the meaning of his essay got lost to the reader. A professor at Meiji University who appeared on a television program with Ogawa responded by saying, “If you write this kind of crap, so that the meaning gets lost, you should just stop writing. Seriously.”  Perhaps Ogawa only meant to be rhetorical but the text of his words, on their own, offend most sensible people. He may have been attempting to say that since in his mind, groping people on trains and being homosexual are just two different kinds of sexual perversion, that offering to protect the rights of one (homosexuality) over the other (men groping women on trains)  was ridiculous. Of course, he appears to be the most ridiculous of them all.

Ogawa has written many works lavishly praising Prime Minister Abe.  

On of his books lauding Abe,「約束の日」(The Promised Day) was published in 2012, right before the Liberal Democratic Party General Director elections which put Abe back in power for his second term as Prime Minister. The book was purchased in bulk by Abe’s political fund, 「晋和会」(Shinwakai).  They reportedly spent 7,000,000 yen (70,000 dollars) buying copies of the book, briefly elevating it to best-seller status.

Ogawa is one of several Abe literati profiting from their connection to the politician. Others include his unofficial biographer, Noriyuki Yamaguchi, a former Washington correspondent for TBS. In 2015, Yamaguchi was under investigation for the alleged sexual assault of journalist Shiori Ito and an arrest warrant was issued on rape charges against him. The arrest was stopped by Itaru Nakamura, a career bureaucrat from the National Police Agency, who also served as personal secretary to Abe’s cabinet spokesman. The investigation was then scuttled. Yamaguchi has denied all allegations. Ito is suing him in civil court for damages.

Ogawa was one of several members attending a party supporting Yamaguchi’s efforts to reinsert himself into the media after a period of being shunned.

Takanobu Sato, the president of Shinchosha Publishing Co. made a statement last week that the magazine’s special section contained expressions full of prejudice and was objectively offensive. There was little clarification of what exactly was unacceptable.

Ironically, Weekly Shincho (週刊新潮), in the last year has distinguished itself with outstanding investigative journalism and was the first publication to take up the case of Shiori Ito. It documented how a police investigation into her rape case was hijacked by political forces and how it was derailed by a close friend of the Abe cabinet, abusing his authority as a high-ranking police official.

Unfortunately, Shincho 45, has taken the approach of pandering to right-wing readers in order to boost sales. Or perhaps they are hoping that the Prime Minister’s political fund will buy $70,000 worth of an issue–now and then. Even within Shincho Publishing, there has been concern over the direction Shincho 45 has taken. In the company announcement of suspending the publication,  they admitted that in their trial and errors to boost sagging sales their had been insufficient oversight of the contents.

Ogawa has not walked back his essay.  So while conservatives may lament the loss of another right wing publication, on the other side, Japan’s train perverts can rest a little easier now that they know they have someone on their side whispering into the ear of the Prime Minister.

While Abe has deftly avoided making racist or misogynist statements, his propensity to surround himself with accused sex offenders, misogynists, gay-bashers and appointing rabid racists and sexists to cabinet positions, suggests that maybe he shares their view. One wonders. Under his reign, Japan’s gender equality ranking has sunk to a new low of 114 out of 144 countries.

Mari Yamamoto contributed to this article. 

HodoBuzz: New York-based Japanese Filmmakers Tackle Japan’s Sexism and Press Freedom With Crowdfunding

As Japan spiral downs the gender equality rankings each year with impressive speed(114th out of 144 countries), progress, on the other hand is being made at a snail’s pace in every corner of society.

But Japan’s death spiral towards the bottom isn’t just the status of women, it’s also with freedom of the press. Japan ranked 11th in the Reporters Without Borders (RSF) annual world press freedom survey in 2010, this year (2018) it came in at 67.  The only reason it wasn’t lower was that under the influence of President Donald Trump, press freedom has taken a punch in the gut all over the world—Japan remains essentially just awful.  The media here has never been much of a watchdog, but Prime Minister Shinzo Abe has turned much of the press into simpering lapdogs. NHK has become Abe TV thanks to political appointments.  Japan’s few investigative news programs have been cancelled or so neutered they no longer have bark or bite.

But what if….there were still some journalists, fighting the good fight. and what if, it was a woman?

A crowdfunded Japanese drama “Hodo Buzz” depicts a female reporter trying to get real news out while battling all the obstacles inherent in Japan’s media machine.

A new show “HodoBuzz” made by Japanese filmmakers based in New York City takes on these very topics and JSRC is excited to support and watch a show about Japanese people who aren’t afraid to speak the truth and champions a tenacious and outspoken woman(!) who will not be silenced.

Read on to learn more and support their fundraiser campaign!

Derrrrruq!!!, a New York-based Japanese filmmaking team, launched a Kickstarter campaign last month for its new journalism drama HodoBuzz. The campaign seeks to raise $30,000 by September 4th to complete post-production, release, and promote the show.

HodoBuzz Kickstarter Page

http://kck.st/2u8rx8o

The project will only be funded if it reaches its goal of $30,000 by Tue, September 4 2018 11:59 PM EDT.

The creators have a good reason as to why they had to turn to crowdfunding. The show focuses on issues that the Japanese entertainment industry tends to avoid discussing: media sexism and press freedom in Japan. You can check out the series trailer made for the Kickstarter campaign. Don’t forget to turn on the subtitles!

Link: https://youtu.be/TxRQt5vA83g

HodoBuzz is a story about Asuka Wada, a Japanese female reporter. Tired of sexism and objectification in Japan’s TV industry, Asuka quits her job as a game show host in Tokyo to pursue her long-time dream: becoming a news anchor. 

A Japanese version of The Newsroom would be a thrill to watch.

Asuka moves to New York City, the world’s leading journalism center, to work for HodoBuzz, a digital news company.

The first sensitive issue HodoBuzz deals with is the rampant sexism in the Japanese media. In Japan, female TV reporters are constantly objectified. They are often referred to as “joshi ana”, or “girl announcers,” whereas male reporters are called simply, “announcers”. Female reporters have to dress up in a way that entertains the male audience. It is not uncommon for some female reporters to be assigned sexually charged assignments, such as reporting from a beach in a bikini. However, the most obvious point regarding the sexism female journalists face in Japan is that hard news or more “serious” topics are almost exclusively reported by male journalists.

Even at HodoBuzz, which is based in New York, Asuka’s boss, colleagues, and several viewers underrate her skills, because of her past as a game show host. Asuka will experience intense online harassment and bullying, due to the belief that she was hired for her looks, not her abilities.

The second issue the show uncovers is the constant breach of ethical journalism standards in Japan. In HodoBuzz, characters discuss real news, cite actual political commentary, and refer to known false reports by existing Japanese TV networks and newspapers. This has never been done on a Japanese TV drama, due to the strong and complicated codependent relationships among the news industry, political parties, TV stations, sponsor companies, and major talent agencies.

The nature of HodoBuzz has made it very challenging for the creators to get enough investment and distribution support. And it’s safe to assume that HodoBuzz won’t get good coverage from Japanese legacy media, either. Due to the time-sensitive topics discussed, Derrrrruq!!! decided to turn to Kickstarter.

Kickstarter video Link: https://youtu.be/AuhIUjyFGUk

Their team name, “Derrrrruq!!!,” was inspired by the Japanese expression “the nail that sticks out gets hammered down”, which describes the conformist nature of Japanese society. Derrrrruq!!! aspires to be the nail that sticks out, a “disruptive” voice in the industry.

For the readers of Japan Subculture Research Center, Derrrrruq!!!’s three creators, Mari Kawade, Maho Honda, and Tsukasa Kondo, might look familiar. Their previous work, 2nd Avenue, was also a bicultural show set in Williamsburg, Brooklyn. The entire series of 2nd Avenue is available on YouTube to watch.

Link: https://youtu.be/9jbXtOYNS1w

Like 2nd Avenue, Derrrrruq!!!’s aim with HodoBuzz is to create a show that is hard to find in the Japanese entertainment industry. To learn more about HodoBuzz and to make a donation to the crowdfunding campaign by the September 4th deadline, please visit http://kck.st/2u8rx8o.

HodoBuzz Facebook page: https://www.facebook.com/derrrrruq/

Twitter: https://twitter.com/derrrrruq

Instagram: https://www.instagram.com/derrrrruq/

Website: https://www.derrrrruq.com/

 

Even In Japan, Bashing Gays Is Not Okay. Behind The Scenes Of The First Sugita Protest

Bashing Gays Is Not Okay Says Crowd At Japan’s Liberal Democratic Party Headquarters

“We don’t need Parliamentarians who ignore human rights” (人権無視する議員はいらない)

“Mio Sugita, resign now” (杉田水脈は今すぐ辞めろ)

Silence is death” ˆ(沈黙は死)

These were just some of the statements protesters were chanting in unity, in front of the Liberal Democratic Party headquarters on July 27th, demanding for the resignation of the parliamentarian, Mio Sugita. On July 24th, in the monthly magazine, Shukan Shincho, Sugita published an essay in which she said, among many other offensive things, that no tax money should be spent on lesbians, gays, bisexuals, and transgender (LGBT) individuals because “they can’t reproduce and are therefore not valuable to society.” At first, the protests were confined to the internet, but in a short time, they spilt out into real life–an actual protest, and that was pivotal in getting the Japanese media to pay attention and finally force the LDP to address the issue. 

Individuals- active citizens, representatives of NGOs as well as some politicians all gathered together in front of the LDP, angered by Mio Sugita’s comments clearly dissing the LGBTQ+ community.

It seems to be that an eclectic variety of individuals gathered. Those who identify to be LGBTQ+, those who do not, students and surprisingly (in the context of Japan,) a few people seemingly salarymen who came after work in their suits. To me, it seemed like there was an equal ratio of women to men. The crowd was mostly Japanese but there were a handful of foreigners who came to show support too. There were young women angered, who came alone, university students who came with their friends including myself. I believe there were a lot of men who seemed to be in their thirties to forties too. The crowd was very diverse.

There were all kinds of posters and signs held. There were many posters available online and they spread through social platforms such as Twitter. There was an identification number for the posters one could then input in a machine at a convenience store and get printed out. There were rainbow flags held up and most of the posters advocated for acceptance of diversity, lgbtq+. Some of these signs had statements like 生産性で価値を図るな which translates to something like Don’t measure our worth by “productivity.” Many of them criticised Sugita’s comment un “unproductiveness” and how it discriminates against many other groups of people in society. One thing which came a little of a shock to me were some other posters which came off as more aggressive. It wasn’t a majority but there were a handful of people with posters with Sugita’s face on it, however with a little twist. Some of them had a target on her face or one which made her look like a zombie, strongly demonizing her. I personally think this is going a little far and it’s better to argue against her comments and advocating for diversity but various perspectives were apparent.

There were countless numbers of policemen trying to control the people so that the participants were not standing over the studded part of the pedestrian road which is an aid for the blind. The police were trying to control the number of people in the main street and restricted participants from going onto the main street. The police were making some people stand against streets going around other blocks to limit the demonstration, but eventually, people overflowed onto the main street.

This issue may have caught a lot of people’s attention because many individuals saw this not only as an attack on the LGBTQ+ community but as one to all citizens, one to women, men, disabled people or the elderly. Sugita’s comments about how LGBTQ+ individuals are “unproductive” (生産性がない) as “they cannot have children” is inaccurate and extremely discriminatory to everyone as childbearing is an autonomous choice of an individual, not an obligation a citizen has to its government.

So, what exactly happened at the demonstration?

Apart from trying to get the attention of the LDP, the media and the rest of the public by simply being there and protesting, some participants, such as LGBTQ+ individuals, a few university professors, and some politicians delivered speeches explaining how hurtful Sugita’s comments were personally, how they could not sleep for days, illuminating how backwards Japan still is. Some participants also went up to the LDP to hand in a sort of a request for the resignation of Mio Sugita. Even though the few individuals who went up to the LDP headquarters seemed to contain their composure, they were denied a chance to even simply hand in the documents.

This demonstration was certainly not one the LDP could simply dismiss and move on with as they often do. There has been a lot of backlash to Sugita’s discriminatory comments on various social platforms and many other demonstrations have popped up in other parts of Japan. Recently, there was one on August 5th in Shibuya, Osaka and Fukuoka. There was also one on August 6th in Mie prefecture.

The LDP did acknowledge Sugita’s comments but have not condemned her, except for Shigeta Ishiba, who is running against Abe in the LDP internal party elections. Although modern Japanese governments prior to the current one have certainly not been the most transparent and democratic, the current one under Prime Minister Abe has continuously been moving far and far away from democracy, with its powerful members pulling strings in their favour, ultimately guiding the government away from democratic rule. It is does not bode well that since Abe took office Japan has dropped to 67 in World Press Freedom (it was ranked 11 in 2011) and not surprisingly Japan ranks lower than ever in the annual gender equality rankings, 114 out of 144 countries.

 

Erika Bulach is a university student in Tokyo majoring in social sciences.