After the past couple of years, we could all do with more laughs. Yet when Ben “BJ” Fox proposed opening a comedy venue in the middle of a pandemic, many people thought he was having a laugh – and not the right kind. It’s a fact he acknowledged at the venue’s opening night last Friday, describing the project self-deprecatingly as a midlife crisis.
The audience, however, was gleeful and, as comedy-lovers, presumably grateful too. Tokyo Comedy Bar becomes the city’s only stand-up comedy club, bringing shows nightly to the heart of Shibuya. From roast battles and improv to hosting international comedians, the venue has big ambitions, impressively offering shows in both English and Japanese. As the name cunningly suggests, it’s also a bar, boasting craft beers on tap, and there’s no obligation to stay for a show.
We caught the late show of Tokyo Comedy Bar’s English two-part opening event, with BJ Fox MC-ing a line-up of six comedians. Admittedly, we were a little sceptical whether they could all deliver, but we were proved wrong; the laugh-a-minute from the audience was evidence enough that these performers knew their crowd, tackling everything from politics to sexuality, and especially life in Japan.
Jon Sabay kicked off the evening, riffing on expats versus immigrants drawing on his own family history, and then educating us on the true signs of whether someone is a gaijin. Up next, Bill Miller began his set by taking on Japanese apartment sizes in some near-the-bone humour that definitely wouldn’t make it onto NHK. A shout-out must also go to the musically talented Ruben VM for highlighting the most endangered species in the world in his song “Extinction,” and getting us all to sing a truly heart-warming song about nationalism.
With both opening shows sold out, it’s going to be exciting to see how Tokyo Comedy Bar will develop the city’s stand-up scene and whether it’ll bring fresh comedic talent to the stage. One thing, however, is for certain: after two years of almost all events being cancelled in the city, the venture couldn’t be further from a midlife crisis. It’s post-pandemic therapy, and long may it continue. For the full event schedule, check Tokyo Comedy Bar’s website or Instagram.
This coming Sunday (May 15, starting 10am), sees a unique event at the Yokohama campus of Meiji Gakuin University and online via Zoom, called THE SHAPE OF THINGS TO COME, marking the international departmen’s ten years of teaching global and transcultural studies.
This one-day symposium features a panel of star speakers who will try to predict what will happen in the next ten years in Japan, East Asia, and the World. The star speaker is MUHAMMAD YUNUS, winner of the 2006 Nobel Peace Prize, known as “banker to the poor”, live by Zoom link from the Yunus Centre, Dhaka, Bangladesh . The event also features Alex Kerr, author of books such as Lost Japan and Dogs and Demons: The Fall of Modern Japan, noted professional economic journalist, Rick Katz, Hiroko Takeda author of The Political Economy of Reproduction: Between Nation-State and Everyday Life (2005) and co-editor of The Routledge Handbook of Contemporary Japan (2021) along with Kyoko Hatakeyama(Professor of International Relations, University of Niigata Prefecture), David Leheny, Masafumi Iida, Eric Zusman, Mika Ohbayashi and Hiroshi Ohta.
It will be an interactive event, with 15-minute presentations and equal time for free discussion. This is a great chance to get into conversation with some elite experts on Japan and broaden your own knowledge of the country and Asia. Admission is free and open to all, but prior registration is required.
A Symposium commemorating the Tenth Anniversary of the Foundation of the Department of Global and Transcultural Studies, Meiji Gakuin University
SUNDAY MAY 15, 2022, MEIJI GAKUIN UNIVERSITY YOKOHAMA CAMPUS
As our department marks ten years of teaching global and transcultural studies, the world appears to be balanced on a knife edge. Internationalism is locked with nationalism, secularism with religious fundamentalism, democracy with authoritarianism, tolerance with intolerance. The Corona Pandemic has ushered in a new and frightening era of massive biohazards, while Russia’s attempted invasion of Ukraine has raised the specter of a return to Cold War type confrontation. Casting a long shadow over these massive ideological struggles is climate change, thought by many experts to be close to a tipping point from which will flow disastrous consequences for humanity and the natural environment.
This symposium will commemorate the tenth anniversary of the Department of Global and Transcultural Studies. It will be an opportunity to step back, take a deep breath, and survey the world and the prospects for the ten years to come. Each of our speakers will be invited to gaze into their crystal ball and forecast how global affairs will develop in the next ten years. We hope to examine their predictions ten years later, when the department celebrates its 20thanniversary.
Muhammad Yunus (2006 Nobel Peace Prize winner)
9:30am: Doors Open; Registration
9:50am: Welcome and Opening Remarks by Leo Murata (president of Meiji Gakuin University)
Panel 1: Prospects for Japan
Chair: Prof. Tom Gill (Meiji Gakuin Dept. of Global and Transcultural Studies)
May 4th has become an iconic day for Star Wars fans across the universe. “May The 4th Be With You” becomes “May The Force Be With You” quite nicely. (If you already knew this, stifle that groan young Jedi, some of us didn’t know). And on this day, what better time to introduce one of the stranger and more delightful books to come out this year in Japan: Zen Wisdom From Star Wars (スター・ウォーズ 禅の教え エピソード4・5・6). It’s written by noted Soto Zen Buddhist priest, Shunmyo Masuno (枡野 俊明) and takes scenes and dialogue from the good episodes of the series to illustrate Zen Buddhist sayings and wisdom. (A full review will come later this month).
The book is well-written, with just enough English sprinkled in to make the book semi-accessible to those who can’t read Japanese or are still struggling to do so. The books works better than you might imagine.
Zen Buddhism, was heavily influenced by Taoism, and George Lucas freely admits to having borrowed heavily from Taoism, Zen Buddhism, and Japanese culture in the creation of the Star Wars mythos.
The book includes such pearls of wisdom as:
山川草木悉皆成仏 (Sansen Somuku Shikkai Jobutsu)/Everything is filled with the light of life (Everything has Buddha-nature).
安閑無事 (Ankan Buji)/Feel gratitude for everything no matter how small. Or rather: appreciate peace and quiet, health and safety. Because that won’t last forever. For example, affordable health care in America? Gone. (安閑無事が懐かしい）
閑古錘 (Kankonsui)/Maturation and calm come as you accrue diverse experience.
Well, remember that Star Wars is just fiction, but good science fiction, and the words of wisdom in the movie were not said by Taoist sages or Jedi masters but written by screenwriters. However, if you want to know the philosophy and sayings that inspired the film, this book is a good place to start.
Or better yet, buy yourself a copy of The Tao Te Ching, and substitute the word “Force” everytime it mentions “Tao”. According to the Star Wars English Japanese Dictionary, the Force (フォース) is all the energy derived from every living thing. The Tao, which is often described as being indescribable, is close to the same thing.
So for your further education, here are few words from The Force Te Ching
Force Te Ching
by Yoda- chapter 81
Truthful words are not beautiful.
Beautiful words are not truthful.
Good men do not argue.
Those who argue are not good.
Those who know are not learned.
The learned do not know.
The Jedi never tries to store things up.
The more he/she does for others, the more he/she has.
The more he/she gives to others, the greater his/her abundance.
The Force of The Light Side is pointed but does no harm.
The Force of the Jedi is work without effort.
(adapted from the Tao Te Ching translation by Gia-fu Feng and Jane English)
When I was just starting as a reporter in 1992, a veteran reporter at the Yomiuri Shimbun gave me some valuable advice on being a good journalist, specifically being a good investigative journalist. I’ve never forgotten it but in the 30 years since then, times have changed. This is the first revision I’ve ever done of the rules. Think of this as the 2022 edition, a three decade late update.
One thing that hasn’t changed in Japan are the laws related to civil servants.
The laws here in Japan basically state that if a public official (police officer, bureaucrat etc) shares confidential information with a third party, they are committing a crime. They can be fired or prosecuted. This happens. If it’s a state secret they may be sentenced to five years or more in jail. This is why newspaper articles in Japan abound with anonymous sources dressed up with phrases like, “according to someone close to the investigation” or “government sources”. Japan’s press freedom ranking in 2010 was 11th in the world, now 66th out of 180 countries. Protecting sources gets harder all the time.
So keeping that in mind, here’s the list again with three new rules and here’s a little background.
I interned at the Yomiuri Newspaper briefly in 1992 before starting as a regular staff reporter in 1993. When I was visiting legendary crime reporter, Inoue Ansei at the police press club, took me up to the coffee shop, ordered us some green tea, and asked what I wanted to do at the Yomiuri.
“Well,” I said, “I’m interested in investigative journalism and the side of Japan I don’t know much about. The seamy side. The underworld.” I told him that my father was a country coroner and that crime and the police beat had always interested me.
He recommended I shoot for Shakaibu (社会部), the national news section, which was responsible for covering crime, social problems, and national news.
Inoue put it this way: “It’s the soul of the newspaper. Everything else is just flesh on the bones. Real journalism, journalism that can change the world, that’s what we do.”
I asked him for some advice as a reporter.
“Newspaper reporting isn’t rocket science,” he said. “The pattern is set. You remember the patterns and build from there. It’s like martial arts. You have kata [the form] that you memorize and repeat, and that’s how you learn the basic moves. It’s the same here. There are about three or four basic ways to write up a violent crime, so you have to be able to remember the style, fill in the blanks, and get the facts straight. The rest will come.
“There are eight rules of being a good reporter, Jake.
One. Don’t ever burn your sources. If you can’t protect your sources, no one will trust you. All scoops are based on the understanding that you will protect the person who gave you the information. That’s the alpha and omega of reporting. Your source is your friend, your lover, your wife, and your soul. Betray your source and you betray yourself. If you don’t protect your source, you’re not a journalist. You’re not even a man.
Two. Finish a story as soon as possible. The life of news is short. Miss the chance and the story is dead or the scoop is gone.
Three. Never believe anyone. People lie, police lie, even your fellow reporters lie. Assume that you are being lied to and proceed with caution.
Four. Take any information you can get. People are good and bad. Information is not. Information is what it is, and it doesn’t matter who gives it to you or where you steal it. The quality, the truth of the information, is what’s important.
Five. Remember and persist. Stories that people forget come back to haunt them. What may seem like an insignificant case can later turn into a major story. Keep paying attention to an unfolding investigation and see where it goes. Don’t let the constant flow of breaking news make you forget about the unfinished news.
Six. Triangulate your stories, especially if they aren’t an official announcement from the authorities. If you can verify information from three different sources, odds are good that the information is good.
Seven. Write everything in a reverse pyramid. Editors cut from the bottom up. The important stuff goes on top, the trivial details go to the bottom. If you want your story to make it to the final edition, make it easy to cut.
Eight. Never put your personal opinions into a story; let someone else do it. That’s why experts and commentators exist. Objectivity is a subjective thing.
And that was it. I haven’t grown much wiser over the years but as the media landscape and technology have changed, I think it’s time to add three more rules.
And here they are:
Nine: Share your data. The internet is a vast and endless storage hub. If you’ve written something the world should know–put up supporting data and documents on the web, maybe in a dropbox file that anyone can access. Use hyperlinks. Knowledge empowers everyone. Be sure not to reveal sources but share the intel you have; some of your readers may even return the favor.
Ten: Seek information. Learn every means possible of ferreting information from the web and from public sources. Social media can be a cesspool but it can also be a wonderful way to find information, collaborators and whistleblowers. Ask questions. Post your query and post a way to contact you, and welcome what comes.
Eleven: Protect Your Sources–And Protect Yourself. In the modern world, when people don’t like the message, they attack the messenger. This wasn’t the case back in 1992 when Yomiuri reporters didn’t get bylines. Individual reporters were rarely attacked because no one knew who wrote the stories. Now they do. You will make enemies because of this. To paraphrase a detective I admired, “An investigative journalist without enemies, isn’t investigating hard enough”.
You’ll find that enemies (people who wish you harm) include people who don’t like what you’ve written, or what you are going to write, and sadly, other journalists who are professionally jealous or hold a grudge. Protect your reputation. It’s not just a matter of your big fat ego: if people don’t feel you’re credible, the good work you do won’t be read or won’t be taken seriously.
When you know someone is gunning for you, be proactive. The person on the defensive always looks guilty. Anticipate attacks, undercut them, and prepare your rebuttal.
And some final advice. There are many types of journalism in the world: sports journalism, entertainment journalism, gaming journalism and they’re all valid forms of the art and wonderful vocations. Investigative journalism, by its very nature, involves writing things that the powers that be don’t want written. This will make people angry. You can’t avoid it. You should always try and weigh the public’s right to know something versus the damage that it will do to the life of an individual. If you’re not a full-time staffer, who’s assigned to cover this or that story, then you have the ability to decide what is and what is not worth writing. So choose wisely but if it’s important, write it.
Hidetoshi Kiyotake, my former supervisor at the Yomiuri, gave me some good advice which I will share with you.
If you’re going to be an investigative journalist here, you have to make up your mind and be ready [for what comes]. You must endure unreasonable criticism, and continue to fight.
In Japan, reporters who reveal their sources are scorned and cannot continue to do proper and decent reporting. That’s why you must keep your important sources anonymous. This often leads to investigative journalists having to go it alone, feeling isolated. You just have to believe in yourself and your friends and hang in there.
(First posted 23:59 August 18th, revised and updated 00:40 am August 19)
The Tokyo 2020 Olympics are over but they may leave a lasting legacy in Japan: the deadly COVID19 Lambda variant; it first arrived on July 20th, when a woman in her thirties from Peru, accredited with the Tokyo 2020 games arrived at Haneda Airport. The government only admitted to the arrival of the variant after our reports on August 6. Tonight at 10:39 pm NHK reported that the Ministry of Health failed to conduct an investigation into those in close contact with her, or notify the Tokyo Olympic Organizing Committee. The Lambda variant, originally found in Peru, has killed thousands there and in July of this year accounted for 90% of new COVID19 cases. It has been associated with a high-mortality rate, around 9%, and a recent study suggested, “it could pose a threat to the human race.”
Whether the Lambda variant is as deadly as the Delta variant remains to be seen, but it’s definitely not a variant you want to welcome into your home.
The Story So Far
The lambda variant travelled to Japan with a woman who had resided in Peru. She tested positive for COVID19 upon arriving at Haneda Airport, on April 20, and was quarantined. On July 23, the National Institute of Infectious Diseases (NIID) determined that she was infected with the Lambda variant and reported this to the Ministry of Health. On July 26, the Ministry reported their findings to an international infectious diseases database, GISAID. Despite, concerns at the NIID, the government decided to postpone an announcement of the findings until after the Olympics had concluded.
On August 6, after our first report, the Ministry released details to the Japanese press and gave comments to The Daily Beast. The Ministry has denied that they were covering up the entry of the variant, due to the Olympics, saying that it did not meet their criteria for public disclosure. However, today on August 19, the cabinet spokesman, at a press conference announced that the Ministry was rethinking it’s policy on handling of variants and would be more forthcoming with information in the future.
Lambda On The Loose?
Then at 10:39 pm, NHK News, reported the following. The Ministry of Health had failed to send critical information to the local government where the Lambda carrier was being quarantined. The Ministry of Health normally sends a list of people who may have been in close contact with a carrier to the local government responsible for carrying out an investigation into the source of the virus, and preventing the spread of it into the public. This list usually includes the seating chart of the aircraft, when the infection is confirmed by a quarantine station at the airport.
NHK reported that after the woman was confirmed to be infected with the Lambda virus, the Ministry failed to notify the local government where she was staying and neither her name nor the list was not sent to the Tokyo Olympic Organizing Committee. This raises the possibility that Lambda variant is already on the lam in Japan, spreading into the local population.
The World Health Organization considers Lambda a “variant of interest” (VOI) but has not yet labeled it a variant of concern (VOC), a term reserved for variant that are either highly infectious, resistant to vaccines, and/or result in higher mortality. Japan has not classified the variant yet and is only testing for it at airports. This means that if the virus has made it into the general population, it’s unlikely to be found until it has taken root—because there is no screening or sampling for the virus being conducted. Japan has consistently failed to conduct the basis of COVID19 prevention and containment: widely test, trace, isolate, medicate and vaccinate.
The Ministry of Health, Labor and Welfare (MHLW) told NHK that “the person in charge was so busy with work that he forgot to send the list,” and that they will set up a system to double-check that the list was sent. They have also downplayed the risk of Lambda, saying that it is on the wane in many countries and less virulent than the Delta variant. However…..
Know Your Lambda
On July 28, Japanese scientists posted a report on the Lambda variant eight days after its domestic detection. The document is yet to be peer-reviewed.
In the document, the authors state that the Lambda variant is highly infectious, less susceptible to current vaccinations, and shows resistance to antiviral immunity elicited by vaccination. The report continues that because the “Lambda variant is relatively resistant to the vaccine-induced antisera” (blood serum containing antibodies produced in response to vaccination), “it might be possible that this variant is feasible to cause breakthrough infection” in already vaccinated populations. The scientists worry the variant’s categorization as a VOI instead of a VOC downplay the virus’s potential threat to public health.
Early on July 23, hours before the Tokyo 2020 opening ceremonies, a Senegal musician posted on Facebook that he had been dismissed from performing at the event because a member the Tokyo Olympic Organizing Committee questioned, “Why is an African is here to perform?” He was dismissed unilaterally in May, he asserts, even though he had been scheduled to perform.
The ceremony, that surprised the world by having Naomi Osaka, a biracial Japanese tennis champion, light the Olympic flames, may have an underbelly that yet places great emphasis on looking “Japanese enough” to succeed in this country. There are already many who question if the theme of “diversity” is really understand by the organizers who have employed for the opening ceremonies an abuser of the disabled, a comedian who joked about the holocaust, and despite all warnings, used the music of an notorious homophobe who also denies Japan’s war crimes.
Latyr Sy is an accomplished percussionist that has appeared alongside Japan’s top artists in concerts and television programs, including the December 2020 FNS song festival. He has also performed at events attended by Prime Minister Shinzo Abe, who was “the face of the Tokyo Olympics” and instrumental in making sure Japan won the bid in 2013. (Of course, the several million dollars worth of bribes helped).
“So ashamed. I feel good that I’m no longer performing at the Tokyo Olympic Opening Ceremony…Though I’ve been contributing to the Japanese music industry since 1995…They completely violate the Olympic principles of human rights and diversity.” Sy wrote in English in his social media post. He also wrote eloquently of his plight in Japanese. (See below)
The Japan Subculture Research Center is scheduled to speak with Sy later today. We are also reaching out to the Tokyo Organising Committee of the Olympic and Paralympics as well as the International Olympic Organization for comment,
The Tokyo 2020 Olympics and Paralympics are turning into a coronavirus spreading festival of bullies. Despite allegedly having a theme of harmony and diversity, the Olympics appear more and more to be symbolic of cruelty and callousness. The latest case in point: this week, composer Keigo Oyamada, 52, who is the composer for the opening and closing ceremonies was revealed to have brutally tortured and bullied special needs students through elementary to high school. He said on record to two separate magazines in the 90s that he forced his victims to eat feces and masturbate in public. He ridiculed them, beat them, and egged on other accomplices. His gleeful retelling of these hate crimes resurfaced a day after his role in the Olympics was announced.
He issued an apology on Friday (July 16). He won’t step down and the Tokyo Olympic Committee issued a statement late in the evening the same day that they won’t fire him.
However, as we have already seen in the long history of Tokyo Olympic debacles, when the tone-deaf organizers finally hear the voices of dissent, they will probably eat their previous words, but unlike Oyamada’s victims—they won’t literally have to eat shit.
“I’d strip (one disabled kid) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.”
That’s too bad.
The Tokyo 2020 Olympics Organizing Committee announced on July 14 that musician and composer, Keigo Oyamada, would be overseeing music at the Tokyo opening ceremony. He is a world-famous musician, also known by his moniker, Cornelius. However, it didn’t take long for his ugly past to emerge, and the hashtag “Boasting About Bullying” began to trend the next day, racking up over 10,000 retweets. The original tweet cited two interviews in the past in which he appeared to be proud of his younger years as a bully. The interviews appeared in the January 1994 issue of music magazine, Rockin’ On Japan, and the March 1995 issue of subculture magazine, Quick Japan.
In the interviews, Oyamada confessed to bullying classmates from a nearby special needs school from elementary school all the way through high school. In Rockin’ On Japan, he describes what he did as follows: “I’d strip (one guy) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.” In the interview with Quick Japan, he admitted that he also made gleefully fun of kids with Down’s Syndrome attending a nearby school. He alluded to spurring others to bully the special needs children, “providing ideas”. Also, in another interview he seems to have admitted to what could be construed as attempted murder*, “Remember that case where kids rolled up another kid in a mattress and killed him? We did that sort of thing (to the special needs kid) and stuffed them in the vaulting horse…”
*A boy died in Japan Jan. 13, 1993, after being rolled up in a mattress in the school gymnasium’s storeroom by bullies. The mattress was placed vertically in the storage area and he was placed in it upside down; he died of asphyxiation and/or suffocation.
One of the magazines followed up Oyamada’s interview by contacting the family of his victims, who told the reporter that the bullying had nearly driven their son to suicide.
Here is the truth. Oyamada has confessed to committing sexual assault, assault, forcible indecency, public indecency, and attempted murder.
The actions Oyamada took would normally be crimes in Japan, but the statute of limitations has long passed.
In a statement released to the press Friday (July 16), the composer admitted that he did not show any regret when he spoke to the magazines years ago and he deserved the criticism he was receiving. He said that he would not step down and implied would atone for his past by contributing to the Olympics.
Ironically, the unifying concept of Tokyo 2020’s opening and closing ceremonies are “Moving Forward,” something the formerly respected musician must be praying for. The theme of the opening ceremony, which he is responsible for, is “United by Emotion.” The overarching disgust of the Japanese public at his criminal past has achieved exactly what the Olympic and Paralympic committee wanted. The entire country is united by repulsion.
“I am deeply sorry for how my words and actions hurt my classmates and their parents. I regret and take responsibility for taking the role of an antagonizer rather than a friend during my school years, a time that should be filled with fond memories,” Oyamada wrote in his Twitter apology essay on July 16.
However, in his sincere apologies to the world, and to the victims he traumatized, the singer clarified that not every heinous act recorded in the interviews were factually accurate.
“Regarding the contents of the article, as I was not able to confirm the final draft before it was published, there are many parts that deviate from the truth. However, there is no doubt that my classmates were hurt by my words and conduct. Therefore, I felt personally responsible, and chose at the time to not point out any mistakes or exaggerations in the story,” he defended himself in his Twitter post.
Perhaps the first magazine article published in 1994, followed up by a 22 page Odyssey retelling of his psychotic escapades in 1995, contained some factual errors that made it to copy. Instead of forcing a fellow student with a disability to eat feces, maybe he presented it to them on a clean plate with napkins.
What Oyamada did not do in his lengthy apology was resign as an Olympic and Paralympic ceremony composer.
“In hindsight, I should have declined the position offer considering some people would be displeased by my participation for various reasons. However, in these difficult times with its numerous challenges, I consulted the creators of the opening ceremonies who were making strenuous efforts to build the best event possible. After much thought, I chose to accept the job out of a hope that my music would bring some good to the ceremony,” the singer explained his noble self-sacrifice.
“In addition, I have invested considerable effort into this musical project,” he continued. Whether the Paralympians competing in this year’s games will be so forgiving is not certain.
The Tokyo Olympic Committee issued a statement acknowledging a failure to screen Oyamada properly, adding that, “We would like him to continue to do his utmost in preparation until the very end,” expressing no desire to have him resign or fire him. They also added in his defense, “Oyamada clearly regrets his past words, has reflected on them, and is currently maintaining a high moral standard while dedicating himself to creative activities.” One might note that the Committee recognizes that Oyamada regrets speaking about his inhumane activities but is vague about whether they believe he really regrets what he did. Words are cheap. The Olympics are inevitably, “Moving Forward.”
The reaction of the Japanese public has been overwhelmingly negative, calling the decision to employ him for the Olympic music “a fatal mistake in the selection process.” One twitter user, posting an article about Oyamada’s past bullying, noted wryly, “Well, after all, it’s like the Olympics itself is making the public eat shit.” A few days ago International Olympic Committee President Thomas Bach appeared to be the most hated man in Japan, but in the low-bar race for a gold medal in unpleasantness, Oyamada may now be the leading contender.
Mark Bookman, a historian of disability in Japanese and transnational contexts, and Postdoctoral Fellow at Tokyo College, part of the esteemed Tokyo University, emailed us, his understanding of the problem, taking time to explain the significance of the games. “The Olympic and Paralympic Games provide activists, policy makers, and members of the public opportunities to reflect on the past, present, and future of disability rights on local and global scales. They have helped catalyze change and lead to improvements in accessibility and social welfare for diverse demographics of disabled people in multiple countries, including, but not limited to, Japan.”
But he also points out there is a downside to the games.
“However, the games do not always lead to positive results. On many occasions, their spectacle has shifted public attention away from the needs of ‘ordinary’ disabled people in favor of elite athletes. Indeed, the games have helped to perpetuate harmful stereotypes and foster unfavorable outcomes for many individuals, in part due to awareness issues and lack of resources for carrying out reforms.”
Bookman warns that ‘going forward’ with Oyamada may actually roll back advances for the disabled in Japan, and more.
“While stakeholders involved in the games, myself included, have worked to mitigate such negative consequences and use the games as a platform to promote inclusivity, one cannot help but question the Tokyo Olympic Committee’s decision to ‘move forward’ with Oyamada Keigo as a key figure. By elevating (him), who has confessed to committing harmful acts against disabled individuals, the committee is (perhaps unwittingly) creating a space for people who sympathize with his actions. As rates of abuse against disabled persons continue to climb in Japan due to stresses on the nation’s care economy (tied to its rapidly aging population, declining birth rate, and shrinking labor force), one cannot help but wonder what kind of future might come from the Tokyo Committee’s decision. Indeed, as conversations about ‘selecting lives,’ eugenics, and equitable distribution of resources continue to unfold around us in relation to COVID–19, their decision may have dire consequences.”
Michey Peckitt, who runs the blog, Barrier Free Japan, had this to say. “I’m only disappointed. Obviously I did not grow up or go to school in Japan, but Oyamada’s behaviour does not surprise me at all. At school in Britain I was treated in a similar fashion. Being made to eat sh*t is pretty standard bullying behaviour in my experience, although being made to masturbate in public is a new one. I’m glad I didn’t have to do that as it’s difficult to masturbate when your hands don’t work because you have cerebral palsy. As a disabled person living in Japan I’m sad Oyamada’s music is being used in the Olympics, but ultimately nothing surprises me about the Tokyo Games now.”
The theme of the Tokyo 2020 Olympics and Paralympics opening ceremony was supposed to be diversity and harmony; the composer in charge of the music, Keigo Oyamada, tortured and bullied special needs students when he was young–and bragged about it. He literally made them eat shit, forced them to masturbate in public, ridiculed them, beat them up, and egged on other bullies. He gleefully boasted about his misdeeds in magazine interviews that resurfaced a day after his role in the Olympics was announced. The Tokyo 2020 Olympic Committee said he’s apologized, so okay, and the games must go on.
The casual attitude the Tokyo Olympics Committee shows towards what he did also shows how the ruling elite in Japan really feel about people with disabilities. They don’t care. If they did, they might have spent some of the millions of dollars wasted on building fancy Olympic stadiums to make public transport in the city more barrier free. But that’s another issue.
Perhaps, as there are with many crimes, there should be a statute of limitation on terrible things said in the past, but the problem isn’t just Oyamada’s words; it’s his actions. But in another way, maybe he really does represent the spirit of the modern Olympics: bullying, venal, ignoring the misery of others, and placing victory above all else. If winning is the only thing that matters, then hey, it’s okay to beat up the losers, right?
Here are some choice quotes from his interviews in the January 1994 issue of music magazine, Rockin’ On Japan, and the March 1995 issue of subculture magazine, Quick Japan. He was in his mid-twenties at the time of the interviews.
“Remember that case where kids rolled up another kid in a mattress and killed him? We did that sort of thing (to the special needs kid) and stuffed them in the vaulting horse…” (At a school gymnasium storage room)
*A boy died in Japan Jan. 13, 1993, after being rolled up in a mattress in the school gymnasium’s storeroom by bullies.
Keeping Oyamada on as the composer for the Olympics Opening Ceremony makes a mockery of everything the Olympics is supposed to stand for. But then again, when the government of Japan and the IOC insist on holding the Olympics in the middle of a pandemic, ignoring all warnings of the public health risk, maybe he is the perfect composer. Who better to write an ode to the callous cruelty and winning-is-the-only-thing-that matters attitude of the IOC? And like the IOC, he probably stands to earn a lot of money from the Olympics that over 70% of the Japanese people don’t want.
Yesterday, June 23rd, marked one month before the opening of the “cursed” Tokyo 2020 Olympics and hundreds of residents marked the occasion by holding a protest in front of the Tokyo Metropolitan Government Headquarters. As the delta variant of the novel-coronavirus spreads rapidly and public health concerns are rising, the clamor to call-off the Olympics is increasing. Tokyo Governor Yuriko Koike was not there to hear the voices of protest yesterday; she is in the hospital due to “fatigue.” The government swears it’s not due to COVID-19 and of course, we believe them.
(Update) The protest will begin at 18:00 by the front entrance on the second floor of the Tokyo Metropolitan Government Building No.1, and will migrate to the Shinjyuku ALTA building at 19:00. Further guidelines for the protest can be found at the hangorin group’s (anti-Olympics) tumbler page. The organization will also livestream the protest on YouTube from 18:00.
In collaboration with this domestic demonstration, international anti-Olympic organizations in Los Angeles, U.S., Pyeongchang, South Korea, and ironically Paris, France, where the IOC was born, are scheduled to hold simultaneous protests.
People have different ways of dealing stress and fear, especially during a protracted battle with a worldwide pandemic. Some Japanese are claiming that superstition saved us (as opposed to the two cloth masks per person promised by Prime Minister Abe), along with praying at Shinto shrines and guzzling detoxifying green tea.
As fears over a Covid-19 ‘infection explosion’ very gradually recede in the rearview mirror, more people are in a mood to agree with these theories.
After all, rural and traditional Japan remained largely unscathed by Covid-19, and these are the areas where people routinely visit local shrines, carry omamori (お守り・talismans), ask for ‘oharai’ (お祓い) –which is the practice of having a Shinto priest chase out bad spirits and demons lurking in one’s immediate vicinity, and down a lot of tea after the ceremony. If you get a Buddhist priest to do it, it’s yakubarai (厄払い). Add to that list, the drawing of an Amabie and posting it on social media. You may have just the armor needed for pandemic warfare.
A what? An Amabie (pronounced ama-bi-eh) is a yokai (妖怪）which can be translated as apparition, phantom creature or monster. She has the appearance of a three-legged mermaid with a beak in lieu of a mouth and she’s been around since the mid-19th century, according to Edo-Period documents. Though the typical Japanese yokai is often grotesque and loves to play pranks on humans, the Amabie is a beach chick that emerges from the sea to foretell epidemics. If you carry around her picture, she can ward off mass contagion and the effect is doubled if you draw it yourself. A lot of people in Japan and elsewhere have tried their hand at drawing Amabie, and she now has a definite presence on social media, on #Amabiechallenge and others.
Strangely enough, the Amabie has become a thing that may actually work. As of May 20th, the Japanese government has lifted the State of Emergency order for most of the nation, excluding the Tokyo metropolitan area. But the capitol city has been reporting less than 20 new infection cases for a week. Day care centers are talking about reopening as early as the 25th. Some local bars are welcoming customers again, even if masks are mandatory and draft beer is a thing of the past. Yes, the economy is in shambles and there’s nothing on TV but at least we’re seeing a light at the end of the tunnel.
This isn’t the first time modern Japan has turned to superstition and yokai for solace and guidance. The late manga artist Shigeru Mizuki, creator of the mega hit yokai manga series Ge ge ge no Kitaro (Spooky Kitaro) had always held that the yokai was what kept Japan from teetering over the edge into the abyss of disaster. Without their presence and powers, he said, the archipelago would just be a dreary sinkhole of greed and corruption. The yokai is a familiar figure in Japanese folklore, and some date back a thousand years. Some function as avatars for Shinto gods. Others do mischief and love to disrupt people as they go about their lives. The yokai can be friendly too, and will make good companions, as long as you respect tradition, revere nature and refrain from harming others.
Mizuki hails from Tottori prefecture, a very traditional region that has racked up a total of three– count ’em three!–Covid 19 infection cases and zero deaths so maybe his take on the yokai was right. Mizuki’s own illustration of the Amabie has been posted on social media since mid-March, courtesy of Mizuki Production, and apparently this has been printed out and carried inside wallets or folded into omamori sachets. A friend of mine in Tottori reports that local reverence for Mizuki has soared, and the 800 meter long “Mizuki Shigeru Road” in his hometown of Sakaiminato, which is marked with yokai statues and merchandise shops, has seen a lot of (masked) tourist action. These people hang out bv the various yokai figuresto take photos, and leave little notes of prayer for the pandemic to end.
Shigeru Mizuki died in 2017 at the age of 93 but if he were around today, he would no doubt have had plenty to say about the government’s handling of the pandemic. Mizuki was a WWII veteran who lost an arm in combat in Papua New Guinea, and the harrowing experience shaped his views on authority and Japanese society. After the war Mizuki struggled to survive before settling down to write manga, which he continued doing right up until his death. For many years, he could barely make ends meet but his career took off when the Kitaro series hit prime time TV in the late 1960s. However, success didn’t turn his head or soften his judgement on what he saw as crimes committed by the Japanese government, be it throwing the nation into war, or going whole hog on nuclear energy. His manga was never cute or very accessible – they depicted the Japanese as desperate and conniving, with caricatured features like bad teeth, squinty eyes and terrible posture. His portraits of the typical Japanese male were so unflattering they resembled the Yellow Peril posters propagated by the US military during WWII. According to Mizuki, the only way these unattractive Japanese could achieve a slightly higher level of humanity, was to befriend a yokai.
Mizuki’s drawing of the Amabie though, is soft and friendly-looking. She really does seem concerned about the welfare of this archipelago. It’s not a bad picture to carry around, especially in a time when everyone is masked and avoiding eye contact as if the very act of acknowledging another person is a risky undertaking. If a picture of a three-legged mermaid is going to make people feel better about each other, it should probably be framed and put up inside the Diet building.