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Tokyo 2020 Olympics Haunted By The Holocaust

JSRC Editor note:

The article below is reprinted from Unseen Japan. Please note: Kentaro Kobayashi, a comedian turned director of the Olympics opening ceremony was fired from his post, on July 22, after footage of him making holocaust jokes resurfaced. Kobayashi, made fun of the murder over 6 million Jews by the Nazis in a comedy skit in 1998. “Let’s play Holocaust (ホロコーストごっこしよう)” was one of the lines.

Any person, no matter how creative, does not have the right to mock the victims of the Nazi genocide. The Nazi regime also gassed Germans with disabilities. Any association of this person to the Tokyo Olympics would insult the memory of 6 million Jews and make a cruel mockery of the Paralympics,” stated SWC Associate Dean and Global Social Action Director, Rabbi Abraham Cooper.

It should also be noted that, as we reported here, the composer chosen to score the opening ceremony, Keigo Oyamada, had tortured, bullied, and sexually abused disabled children for many years while growing up, and bragged about in magazine interviews as an adult. He resigned before this scandal.

Holocaust Joke Lands Olympics Opening Director in Hot Water

by Noah Oskow

This piece originally appeared on Unseen Japan and a section has been printed here with their permission

Recently, I’ve gotten used to waking up, opening Twitter, and immediately seeing some new controversy erupting from the oncoming Tokyo Olympics. These daily scandals are often enumerated on the trending ticker to the right of the screen; most recent was the story of the Olympic Village being like “Medieval Japan,” with tiny rooms without internet, TV, or enough toilets. Much more serious was the furor over opening and closing ceremonies composer Oyamada Keigo (famed internationally by his stage name, Cornelious); a twenty-something Oyamada had bragged, back in the ’90s, of physically, sexually, and emotionally torturing disabled classmates during his school years.

Some time ago, Minister of Finance Aso Taro muttered that the 2020 Tokyo Olympics were “cursed.” (This was essentially in the same breath that he claimed that the low rate of COVID infection in Japan was due to the country’s superior “level of cultural standards.”). Of course, a global pandemic causing the entire games to be postponed a year and to suffer low levels of public support is enough reason to feel this way. Between these facts on the ground and sexist utterings from the head of the Japanese Olympic Committee, IOC President Bach calling the Japanese people “Chinese,” claims of logo plagiarism, and a seemingly ever-increasing list of controversies (voluminous enough to warrant an entire Wikipedia page), it seems Aso might be right. 

Still, when I woke up this morning and groggily glanced at Twitter, I never quite expected to see the Holocaust come into play. There, in the trending section, the word 「ユダヤ人」(yudaya-jin, Jewish person) shone out like a worrisome beacon. I was immediately concerned, even before I even had time to read and comprehend the whole phrase. Seeing “Jewish” trend rarely seems to mean anything good. And why would it be trending in Japan, a country with such limited awareness of anything Jewish? I refocused on the topic tag, and apprehensively read it out: 「ユダヤ人大量惨殺ごっこ」. “Playing at the Holocaust,” or, to literally read out the academic term used, “playing at the great massacre of Jewish people.” And above the phrase, portentously indicating the trending subject, was the word “Olympics.”

“Playing at the Holocaust” trending on Japanese-language Twitter. Associated trending terms are “Rahmens” and “Kobayashi Kentaro.”

A Laughing Matter?

Kobayashi Kentaro is half of the popular gag comedy duo “Rahmens.” Outside of Japan, his most famous work is most likley his legendary series of comedy shorts entitled “The Japanese Tradition.” The videos, which humorously lampoon aspects of Japanese culture, building from the believable to the outright surreal, were a staple in my high school Japanese class. (Their “Sushi” video is especially beloved; I can’t count the number of times I’ve shared it with friends.) Kobayashi is also the director of the Tokyo 2020 Olympics Opening Ceremony, entitled “United by Emotion,” which will air Friday night, Tokyo time (early morning PST).

The issue causing the hubbub over on Twitter doesn’t have anything, in particular, to do with the Olympics, other than perhaps causing some to be “United in Anger.” Much like the (substantially worse) Oyamada scandal, it involves something the principal said more than two decades ago. Nonetheless, it’s the sort of thing that demonstrates a lack of awareness towards the realities of other human beings; something which seems antithetical to the stated ideals of the Olympics.

“Playing at the Holocaust”

The controversy in question stems from a skit Rahmens put on in the years directly before gaining national fame. In the sketch, released on VHS collection by Colombia in 1998, the duo parody the children’s educational show 「できるかな」(Do You Think You Can Do It?) The Japanese show, which was also popular in Latin America, taught children how to make paper crafts using scissors and tape. 

In the skit, Kobayashi is portraying protagonist Noppo-san, while his partner is the show’s anthropomorphic gopher, Gonta. They’re discussing ways to play with paper; Kobayashi talks about how they could wrap up a newspaper into a cone and pretend it’s a baseball bat; a rolled-up newspaper sphere could be their baseball. As for the crowds, all they would need are a bunch of cut-outs of people to place on paper bleachers.

Katagiri Jin, playing Gonta, says he has just the right sort of collection of human paper cut-outs. He rushes off to grab the imagined paper figures. Kobayashi replies, “ah, from that time you said ‘let’s play the Holocaust.’” The audience laughs uproariously at this out-of-left-field joke. Kobayashi follows up with “Koda-san was really angry about this one. Said, ‘do you think we could air that?!’” Then, looking at the imagined paper cut-outs, he says, “wow, you made this many?”The skit in question.

The Brewing Storm

The sudden retrieval of this mostly-forgotten joke from decades ago and attendant media coverage resulted in a myriad of responses. Chief among these were those who expressed shocked disbelief.

“Ah, I didn’t know about this skit. This is no good. It’s like if you did a sketch where the joke was the atomic bombings of Hiroshima or Nagasaki, or about the Battle of Okinawa, or the Kobe or Great East Japan Earthquakes. The Genocide of the Jews isn’t a subject to be used in such a carefree manner. Much less to be made the subject of a gag.” 


“In the latter half of the 1990s, the same decade where the Goldhagen controversy burned through Europe, the Holocaust could still be used as a “funny gag,” and even be packaged and put into circulation on a VHS without a single issue. As a Japanese researcher of modern German history, this is really something I need to come to grips with…” 

A Real Controversy, or No?

Of course, there were also those for whom the joke, unearthed from decades past, was old news. Both topically, as a single joke, and as something for whom statutes of limitations may have passed, it seemed like an empty controversy…..

For the rest of the article, please click here at Unseen Japan

Noah Oskow is a professional Japanese translator and interpreter who holds a BA in East Asian Languages and Cultures. He has previously contributed to Japan Subculture Research Center.

Tokyo 2020 Olympic Composer Tortured Disabled Children; Japan Says To The World, “Eat shit, no problem”

by Jake Adelstein and Chihiro Kai

The Tokyo 2020 Olympics and Paralympics are turning into a coronavirus spreading festival of bullies. Despite allegedly having a theme of harmony and diversity, the Olympics appear more and more to be symbolic of cruelty and callousness. The latest case in point: this week, composer Keigo Oyamada, 52, who is the composer for the opening and closing ceremonies was revealed to have brutally tortured and bullied special needs students through elementary to high school. He said on record to two separate magazines in the 90s that he forced his victims to eat feces and masturbate in public. He ridiculed them, beat them, and egged on other accomplices. His gleeful retelling of these hate crimes resurfaced a day after his role in the Olympics was announced. 

He issued an apology on Friday (July 16). He won’t step down and the Tokyo Olympic Committee issued a statement late in the evening the same day that they won’t fire him. 

However, as we have already seen in the long history of Tokyo Olympic debacles, when the tone-deaf organizers finally hear the voices of dissent, they will probably eat their previous words, but unlike Oyamada’s victims—they won’t literally have to eat shit. 

“I’d strip (one disabled kid) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.”

That’s too bad. 

The Tokyo 2020 Olympics Organizing Committee announced on July 14 that musician and composer, Keigo Oyamada, would be overseeing music at the Tokyo opening ceremony. He is a world-famous musician, also known by his moniker, Cornelius. However, it didn’t take long for his ugly past to emerge, and the hashtag “Boasting About Bullying” began to trend the next day, racking up over 10,000 retweets. The original tweet cited two interviews in the past in which he appeared to be proud of his younger years as a bully. The interviews appeared in the January 1994 issue of music magazine, Rockin’ On Japan,  and the March 1995 issue of subculture magazine, Quick Japan

In the interviews, Oyamada confessed to bullying classmates from a nearby special needs school from elementary school all the way through high school. In Rockin’ On Japan, he describes what he did as follows: “I’d strip (one guy) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.” In the interview with Quick Japan, he admitted that he also made gleefully fun of kids with Down’s Syndrome attending a nearby school. He alluded to spurring others to bully the special needs children, “providing ideas”. Also, in another interview he seems to have admitted to what could be construed as attempted murder*, “Remember that case where kids rolled up another kid in a mattress and killed him? We did that sort of thing (to the special needs kid) and stuffed them in the vaulting horse…” 

*A boy died in Japan Jan. 13, 1993, after being rolled up in a mattress in the school gymnasium’s storeroom by bullies. The mattress was placed vertically in the storage area and he was placed in it upside down; he died of asphyxiation and/or suffocation. 

One of the magazines followed up Oyamada’s interview by contacting the family of his victims, who told the reporter that the bullying had nearly driven their son to suicide. 

Here is the truth. Oyamada has confessed to committing sexual assault, assault, forcible indecency, public indecency, and attempted murder.

 The actions Oyamada took would normally be crimes in Japan, but the statute of limitations has long passed. 

In a statement released to the press Friday (July 16), the composer admitted that he did not show any regret when he spoke to the magazines years ago and he deserved the criticism he was receiving. He said that he would not step down and implied would atone for his past by contributing to the Olympics. 

Ironically, the unifying concept of Tokyo 2020’s opening and closing ceremonies are “Moving Forward,” something the formerly respected musician must be praying for. The theme of the opening ceremony, which he is responsible for, is “United by Emotion.” The overarching disgust of the Japanese public at his criminal past has achieved exactly what the Olympic and Paralympic committee wanted. The entire country is united by repulsion.

“I am deeply sorry for how my words and actions hurt my classmates and their parents. I regret and take responsibility for taking the role of an antagonizer rather than a friend during my school years, a time that should be filled with fond memories,” Oyamada wrote in his Twitter apology essay on July 16.

However, in his sincere apologies to the world, and to the victims he traumatized, the singer clarified that not every heinous act recorded in the interviews were factually accurate. 

“Regarding the contents of the article, as I was not able to confirm the final draft before it was published, there are many parts that deviate from the truth. However, there is no doubt that my classmates were hurt by my words and conduct. Therefore, I felt personally responsible, and chose at the time to not point out any mistakes or exaggerations in the story,” he defended himself in his Twitter post. 

Perhaps the first magazine article published in 1994, followed up by a 22 page Odyssey retelling of his psychotic escapades in 1995, contained some factual errors that made it to copy. Instead of forcing a fellow student with a disability to eat feces, maybe he presented it to them on a clean plate with napkins. 

What Oyamada did not do in his lengthy apology was resign as an Olympic and Paralympic ceremony composer. 

“In hindsight, I should have declined the position offer considering some people would be displeased by my participation for various reasons. However, in these difficult times with its numerous challenges, I consulted the creators of the opening ceremonies who were making strenuous efforts to build the best event possible. After much thought, I chose to accept the job out of a hope that my music would bring some good to the ceremony,” the singer explained his noble self-sacrifice. 

“In addition, I have invested considerable effort into this musical project,” he continued. Whether the Paralympians competing in this year’s games will be so forgiving is not certain. 

The Tokyo Olympic Committee issued a statement acknowledging a failure to screen Oyamada properly, adding that, “We would like him to continue to do his utmost in preparation until the very end,” expressing no desire to have him resign or fire him. They also added in his defense, “Oyamada clearly regrets his past words, has reflected on them, and is currently maintaining a high moral standard while dedicating himself to creative activities.”  One might note that the Committee recognizes that Oyamada regrets speaking about his inhumane activities but is vague about whether they believe he really regrets what he did. Words are cheap. The Olympics are inevitably, “Moving Forward.”

The reaction of the Japanese public has been overwhelmingly negative, calling the decision to employ him for the Olympic music “a fatal mistake in the selection process.” One twitter user, posting an article about Oyamada’s past bullying, noted wryly,  “Well, after all, it’s like the Olympics itself is making the public eat shit.” A few days ago International Olympic Committee President Thomas Bach appeared to be the most hated man in Japan, but in the low-bar race for a gold medal in unpleasantness, Oyamada may now be the leading contender. 

Mark Bookman, a historian of disability in Japanese and transnational contexts, and Postdoctoral Fellow at Tokyo College, part of the esteemed Tokyo University, emailed us, his understanding of the problem, taking time to explain the significance of the games. “The Olympic and Paralympic Games provide activists, policy makers, and members of the public opportunities to reflect on the past, present, and future of disability rights on local and global scales. They have helped catalyze change and lead to improvements in accessibility and social welfare for diverse demographics of disabled people in multiple countries, including, but not limited to, Japan.”

But he also points out there is a downside to the games.

“However, the games do not always lead to positive results. On many occasions, their spectacle has shifted public attention away from the needs of ‘ordinary’ disabled people in favor of elite athletes. Indeed, the games have helped to perpetuate harmful stereotypes and foster unfavorable outcomes for many individuals, in part due to awareness issues and lack of resources for carrying out reforms.”

Bookman warns that ‘going forward’ with Oyamada may actually roll back advances for the disabled in Japan, and more. 

“While stakeholders involved in the games, myself included, have worked to mitigate such negative consequences and use the games as a platform to promote inclusivity, one cannot help but question the Tokyo Olympic Committee’s decision to ‘move forward’ with Oyamada Keigo as a key figure. By elevating (him), who has confessed to committing harmful acts against disabled individuals, the committee is (perhaps unwittingly) creating a space for people who sympathize with his actions. As rates of abuse against disabled persons continue to climb in Japan due to stresses on the nation’s care economy (tied to its rapidly aging population, declining birth rate, and shrinking labor force), one cannot help but wonder what kind of future might come from the Tokyo Committee’s decision. Indeed, as conversations about ‘selecting lives,’ eugenics, and equitable distribution of resources continue to unfold around us in relation to COVID–19, their decision may have dire consequences.”

Michey Peckitt, who runs the blog, Barrier Free Japan, had this to say. “I’m only disappointed. Obviously I did not grow up or go to school in Japan, but Oyamada’s behaviour does not surprise me at all. At school in Britain I was treated in a similar fashion. Being made to eat sh*t is pretty standard bullying behaviour in my experience, although being made to masturbate in public is a new one. I’m glad I didn’t have to do that as it’s difficult to masturbate when your hands don’t work because you have cerebral palsy. As a disabled person living in Japan I’m sad Oyamada’s music is being used in the Olympics, but ultimately nothing surprises me about the Tokyo Games now.”

The Music of Cruelty

The theme of the Tokyo 2020 Olympics and Paralympics opening ceremony was supposed to be diversity and harmony; the composer in charge of the music, Keigo Oyamada, tortured and bullied special needs students when he was young–and bragged about it. He literally made them eat shit, forced them to masturbate in public, ridiculed them, beat them up, and egged on other bullies. He gleefully boasted about his misdeeds in magazine interviews that resurfaced a day after his role in the Olympics was announced. The Tokyo 2020 Olympic Committee said he’s apologized, so okay, and the games must go on.

The casual attitude the Tokyo Olympics Committee shows towards what he did also shows how the ruling elite in Japan really feel about people with disabilities. They don’t care. If they did, they might have spent some of the millions of dollars wasted on building fancy Olympic stadiums to make public transport in the city more barrier free. But that’s another issue.

Perhaps, as there are with many crimes, there should be a statute of limitation on terrible things said in the past, but the problem isn’t just Oyamada’s words; it’s his actions. But in another way, maybe he really does represent the spirit of the modern Olympics: bullying, venal, ignoring the misery of others, and placing victory above all else. If winning is the only thing that matters, then hey, it’s okay to beat up the losers, right?

Here are some choice quotes from his interviews in the January 1994 issue of music magazine, Rockin’ On Japan,  and the March 1995 issue of subculture magazine, Quick Japan. He was in his mid-twenties at the time of the interviews.

原文「うん。もう人の道に反して。。全裸にしてグルグルにひもを巻いてオナニーさしてさ。ウンコを喰わしたりさ。喰わした上にバックドロップしたりさ

“Yeah, I did inhuman things. I’d strip (one guy) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.”

(Rockin’ On Japan)

原文「マットレス巻きにして殺しちゃった事件*とかあったじゃないですか、そんなことやってたし、跳び箱の中に入れたり (学校の体育館倉庫で)

“Remember that case where kids rolled up another kid in a mattress and killed him? We did that sort of thing (to the special needs kid) and stuffed them in the vaulting horse…” (At a school gymnasium storage room)

*A boy died in Japan Jan. 13, 1993, after being rolled up in a mattress in the school gymnasium’s storeroom by bullies.

(Quick Japan)

Keeping Oyamada on as the composer for the Olympics Opening Ceremony makes a mockery of everything the Olympics is supposed to stand for. But then again, when the government of Japan and the IOC insist on holding the Olympics in the middle of a pandemic, ignoring all warnings of the public health risk, maybe he is the perfect composer. Who better to write an ode to the callous cruelty and winning-is-the-only-thing-that matters attitude of the IOC? And like the IOC, he probably stands to earn a lot of money from the Olympics that over 70% of the Japanese people don’t want.

—The Japan Subculture Research Editors

What This Means (a short-story about love and marriage in Japan during the pandemic)

by Kaori Shoji

credit: Kaori Shoji

Rikako, my wife, was staying with her best friend from university, the one that hung around her all these years and never got married. She was pretty attractive too, the last time I saw her, which was what, 10 years ago? Now I couldn’t remember what this friend’s name was. Something that didn’t end in ‘ko’ meaning ‘child.’  In Japanese, the ‘ko’ at the end of a name indicated that the person was female which in this day and age, can raise questions about misogyny or gender discrimination but let’s just put that aside for now. 

In Rikako’s case, the written characters of her name stood for ‘wisdom,’ ‘fragrance,’ and ‘child,’ and Rikako said she often felt uncomfortable by the sight of her written name. “It’s a little demeaning,” she had said, wrinkling her nose as if she smelled something bad. “Makes me feel like a little girl.” Then Rikako would get that look on her face, which was supposedly a cue for me to say something like “but you are my little girl. You’ll always be a young girl to me.” And then she would pretend to pout which was another cue for me to massage the back of her feet, and then we’d head off to the bedroom or just fuck on the floor. But for years I hadn’t taken that bait. I mean, come on, we’re both 45. That kind of ritual just doesn’t work anymore, not that it did when we were in our thirties. 

Back then we were just living together and not officially married. But Rikako loved planning what she phrased as ‘the inevitable event’ down to the last minute detail. She showed me sketched drawings of ‘my ideal dress’ and ‘the ultimate bouquet,’ and littered the living room with brochures from tons of wedding companies. She was adorable in her adoration of all things wedding and I would steal glances at her profile, poring over the menu cards or venue decorations. Not that it made any sense to me. All that trouble and fuss, not to mention the expense! It was horrendous. But if my little girl wanted to get married in a ridiculous white dress, then it was up to me to smile and nod approval and go along with it. 

One of the things I least like about Rikako is how she continues to think and behave like a young woman when very clearly, she’s not. Not, not, not. The topics she chose to talk about, her gestures and her ‘weekend loungewear’ supposedly chosen to stimulate our sex life, ended up being embarrassing, especially during these past few months of a global pandemic. Suddenly, we were  trapped in each other’s company for weeks on end, since both our companies mandated that we work from home. I didn’t know what to do with her, how to be with her and certainly not on a 24/7 basis in the confines of a cell-box Tokyo apartment. And she, on the other hand, was  annoyed by every little thing I did, or didn’t. That’s not precisely why she left but I’m choosing to blame it all on Covid. 

On the last Saturday of July 2020, Rikako announced that she was leaving “this life” with me, so she could “learn to breathe deeply again” in the house of her friend who didn’t have a ‘ko’ at the end of her name. She spent the morning packing, made some coffee which she poured out for the both of us, said something about the laundry and walked out the door with the big Samsonite, the one we both took turns using in the days when frequent business trips were the norm. I almost said, “Wait, I may want to use that” but I didn’t because I wouldn’t. Ever again, if the news was anything to go by. At this rate experts said, we would be lucky to start traveling again in late 2023 or thereabouts. 

I knew what she was expecting. That I would turn up at her girlfriend’s place, looking worse for wear, abashed and contrite and promising to do better. That I needed her, oh so much. That we would go away to an onsen for the weekend, and tell each other that the last three months hadn’t done any damage to our marriage. Just thinking these thoughts made me ore than slightly queasy, or inclined to kick the toilet lid which stayed flipped open, thanks very much. 

I didn’t. Go out to whatshername’s place, that is. I just stayed in our apartment for which I paid the mortgage every month and suddenly seemed airy and spacious. I worked during the day. Sometimes I did the laundry, otherwise I let my underwear pile up in the washing machine. I lost interest in mealtimes and ate whenever I felt hungry, on whatever tasted like something I wanted to eat. I played Assassin’s Creed until dawn. 

Now, three weeks after Rikako’s departure I would go for nocturnal walks around the neighborhood and stand by the river to watch the surface of the water break into choppy ripples. I would cruise the convenience stores and stock up on packets of salami and cheese. It was so intensely pleasurable, so immensely liberating, that on these walks I would take off my mask to let out a silent scream of joy. 

Marriage is hugely overrated. I was told it was the only route to happiness but I realize now it was a device that worked only when Rikako and I were putting in eighty-hour weeks at our respective jobs, and so burned out that self-reflection and long, winding discussions and bringing each other up to speed on what we wanted out of life I don’t know, all the stuff that married couples seem to do in Hollywood movies–seemed like an obscene waste of scant resources. 

Then the pandemic whirled into our lives and presented a whole new playing field. I was fine with being married to Rikako, but I sure as hell was not prepared to be with her day and night. No man should be asked to do that, at least not in a one-bedroom condo with both of us trying to work and Zoom and use the toilet, sometimes all at once. 

She claimed it was much worse for her and was relentless about letting me know it. 

“I hate the sight of you in those sweats.” “

You’re playing games all the time, can’t you rent a car and take me out on the weekends?” 

“I’m not your mother, don’t make me pick up your clothes.” “

The toilet’s dirty, you never clean it.” “

I’m not your mother, I can’t make your meals all the time.” “

I’m not your mother, stop acting like an overgrown kid.” 

In the old days, Rikako and I were buddies most of the time, united in our shared lifestyle choices. Our own condo unit in a nice Tokyo neighborhood. Both of us were career driven, with a joint savings account. Overseas vacations, preferably twice a year. And no kids, never. That discussion was over and done with when we decided to make it all official, and hold a ‘resort wedding’ in Karuizawa. Rikako had said at the time, and I’m quoting verbatim here: “I have no interest in becoming a mother and sacrificing my career and my looks and identity to that undertaking. It’s so meaningless, it’s so thankless.” 

“I have no interest in becoming a mother and sacrificing my career and my looks and identity to that undertaking. It’s so meaningless, it’s so thankless.” 
credit: Kaori Shoji

Did I judge her for that? Hell no. My mother shook her head and told me I would be lonely in my old age and that it wasn’t too late to walk out of this relationship and find a nice girl who would give me a family. I told my mother it was none of her business and stuck by Rikako. We had shared too much of our lives together to call it quits. Besides, she still looked good at 35 and I wasn’t getting any younger. I doubted I would run into anyone so desirable again. 

Mostly though, I was too exhausted from work to deal with it. I’m an aeronautical engineer and one of the core members of a government sponsored team that designs manned space vehicles. For the last 15 years, I was flying out to Houston to work with NASA every month or so, and deadlines popped up on my screen every 15 minutes. I was working weekends,   past midnight, sometimes until dawn. Until the pandemic hit, I could honestly say that Red Bull was my dearest friend. 

When Rikako and I finally tied the knot ten years ago, I was already looking forward to old age and some rock-solid downtime. Retirement seemed to me a glorious mirage of frosted cocktails, glimpsed in the burning desert of my work routine. I was Ralph Fiennes in “The English Patient,” trudging on the hot dunes forever and ever but knowing that eventually, Juliette Binoche would turn up to dress my wounds and whisper to me with a French accent that “everything was going to be okay.” We had the movie on Blu-ray. It was Rikako’s favorite and we would watch it on Saturday nights when I managed to be home. I kept losing the thread of the narrative because I always fell asleep but in the end, yeah, I got it. Ralph Fiennes: What an old dog. The guy is dying and delirious and he still can’t keep his mind off women. 

These days though, I think about old Ralph a lot. I ask myself what images would parade through my brain when I’m ready to kick the bucket and I have to admit, it’s not work. Women. It would be women, whether they had the ‘ko’ on their names or not. No doubt Rikako’s face would be one of them but there would be others. My life isn’t completely barren. There are some unforgettable visages and bodies and they’ll all come back to me as I lie there on a hospital bed. 

There’s one woman I’m sort of obsessed about now. I haven’t slept with her. I don’t know her name. She’s around 14, probably in her second year of middle school. Yes I know what this sounds like but I promise, this isn’t heading in that direction. This woman – this girl whom I privately named ‘Naoko’ after a girl in my neighborhood when we were both growing up – is someone I used to see in the subway station every morning as I commuted to work. 

Naoko is tall for her age, lanky and lean and tanned, with short hair that’s carefully tucked behind her ears. She’s always carrying around a big sports bag emblazoned with her school logo, and printed underneath are the words ‘Track and Field Team.’ She’s a runner, and I’m betting by her physique that she goes for the 400 meter. I was an 800 meter boy myself and I see all the signs of a mid-distance sprinter: the way she holds her head, the snatches of conversation I sometimes overhear when she’s talking to her friends, the condition of her calves extending from her pleated uniform skirt and ending in socks and a pair of brown loafers. 

The sight of her takes me right back to the days when I was training night and day to compete in the nationals and get a full-ride scholarship to one of the good universities. She even looks a little like my girlfriend of those days, whom I could  see only once every three weeks because the rest of my time was eaten up with running and school. 

Am I lusting after Naoko? To my utter relief, the answer is no. It’s a huge relief to be able to say that because otherwise I would be betraying the straight-backed, fresh-faced teenager that I once was. No, I just yearn to talk to her, encourage her, be a part of her life somehow. I think about how wonderful it would be if I had a daughter like her. We would share running stories and I could coach her on pacing and rhythm. I would tell her that mid-distance sprinting is the most intelligent of track sports and how rewarding it was to…

A buzz on my phone. I go take a look at it and it’s a message from Rikako. “I want to come home. I’ll see you in two hours or so. I’m sorry about having left but I think we both needed this break from each other.” 

After about 10 seconds of rumination, I send back a smiley face and the words: “I’ll be waiting.” 

My imaginary conversation with Naoko had already shattered into a million pieces and those pieces were floating around in the air. I sigh, turn off the air conditioner and go open some windows. I’m still trying to process the fact that Rikako will be back, marking the end of my days of freedom. I guess what this means now is that I have to do the laundry and clean the toilet before my wife gets back. 

FINIS

The Vaccination Game: The Self-Defense Forces Vaccination Center was run smoothly but no-appointment days are over

6:50 a.m. June 26th

The large-scale Self-Defense Forces vaccination center near Otemachi, Tokyo, doesn’t open for another 70 minutes, and there is already a line of people looping around the large, brown, 16 story building. It is not only the elderly waiting for their first dose. The majority of people in the last section of the line are adults, ranging from their twenties to fifties. Most people are sitting on the ground or a chair they brought from home.

The sun, unobstructed in the cloudless morning sky, shines directly onto the line. Its rays are hot enough to irritate the exposed back of the neck in under a minute. Men and women take shelter under umbrellas and wide-brimmed hats as they check their phones, read a book, or doze off to pass the time. Some have pulled out their feet from their shoes and rest them on compact picnic tarps. 

“The people in line, please confirm that this is your first vaccination dose. If this is your second dose, we cannot vaccinate you at this facility today.”

A security officer reminded the queue through a megaphone so muted it was barely audible. 

In the past 20 minutes, three more adults join the back of the line with over one hundred waiting ahead of them. There’s no telling when the person at the very front arrived. 

A sign posted in front of the vaccination facility asks entrants whether they are over 18 years old, have a form of identification and their vaccine ticket with them. 

People with 8 a.m. to 10 a.m. reservations rest on chairs they brought to or borrowed from the facility. The sun feels warmer than the 23 degrees Celsius temperature, and queue use hats and umbrellas to keep cool. 

Officers begin to collect the chairs they lent to the line and place them back into an outdoor collection bin beside an entrance to the building. Everyone stands up, and the line begins to move. 

“The facility will momentarily open at 7:30. Please move slowly down the line while maintaining a distance with the person in front of you,” a security guard called out. 

“Be sure to check your belongings, so you don’t leave anything behind,” another guard said. 

The line moves forward in 10-meter increments as the clinic begins processing the first groups of people.

Around the corner at the back of the building, businesses, including the Nippon Travel Agency, are vaccinating their employees. 

At 7:30, a Self-Defense Forces truck pulls up and parks by the end of the line. It is rare to see a military-grade vehicle around civilians in a nation with no army and a small self-defense force. 

Two SDF soldiers get off the truck and walk toward the back of the building, away from the line.

The line moves for the second time, progressing less than 10 meters before halting. At this pace, it could be another hour before the last group step through the facility’s doors. 

“I got here before 7 a.m. But my husband arrived at a later time to get vaccinated two weeks ago, and he was further ahead in the line,” a woman in front of me said. “I saw on television that there are people who line up in the middle of the night to receive their shot as early as possible.” 

From the 28th, the center will switch to administering the second dose of the vaccine, making it nearly impossible for those seeking their first dose to reserve a slot online. Furthermore, this facility, which can administer up to 10,000 doses a day, and its sibling in Osaka, capped at 5,000 doses a day, will no longer administer doses meant for a canceled reserved patient to those who came without an appointment. 

In the beginning, a Ministry of Defense executive said the department “does not want to turn away senior citizens who came and waited in line,” even if they didn’t have a reservation. As Japan lowered the vaccine qualifying age to 18 and up, the younger demographic began to form lines throughout the night, hoping for a lucky shot. According to a report by Asahi Shinbun, this increased the number of repurposed doses from 100 up to 300 per day. In response, to complaints about people lining up late at night, disturbing the peace of his usually empty office building island, the ministry announced it would cease this no-appointment immunization process from the 28th. However, it appears this policy is already in practice at the Otemachi facility, as multiple signs in English and Japanese reminded those in line that they would not receive a shot if they didn’t present proof of reservation.  

The last group in line for the 8:00 to 10:00 a.m. slot arrived at the first checkpoint stationed within multiple outdoor tents. Inside, an extensive volunteer force patiently guided people through bag inspection, temperature checks, documentation review, and relocation to the next checkpoint facility inside the building.

 A freshly vaccinated woman passes the main sign in front of the first checkpoint reminding entrants that they need their vaccination ticket, photo ID and pre-screening form to receive their shot. The display screen on the left says the staff is currently seeing people reserved for the 8 a.m. to 10 a.m. slot.

Inside the first outdoor checkpoint, entrants are greeted with a sign saying their temperature and baggage will be checked. The male volunteer in the blue shirt, center, positions people in front of a screen that records and prints their temperatures. As far I could tell, everyone who had lined up got their shots.

“Everyone was just really wonderful, and that is one point I wanted to emphasize,” British reporter Phoebe Amoroso, who was vaccinated at the Otemachi facility on the 25th, said. “You went through many different stages, rooms and checkpoints. Up an elevator, down the elevator, honestly. And I was never once confused or uncertain about where to go, and I felt really completely welcome.” 

Amoroso arrived at the clinic at 3:45 a.m. the day after the ministry announced it would cease vaccinating on-the-day arrivals without reservation from the 28th. She said personal accounts posted on facebook’s COVID-19 Japan discussion group of people arriving hours before their appointment and still settling at the back of the line prompted her to go as quickly as possible. Despite her concerns about the facility’s staff not permitting early arrivals from forming a line, she said everyone waiting for the vaccine was treated with excellent care by the two security guards on duty. 

“The man was like, ‘oh, thank you, everyone, for your patience. If you want to go to the toilet,’ and periodically he’d be like, ‘let me tell you where the toilets are again everybody. You need to go out to the road and turn left for the public toilets. Be sure to tell the person behind you that you are going to the loo so they’ll save the spot for you,’” she said.  

Two volunteers wait to direct people who have received their shots to the shuttle bus headed for Tokyo station. 

Two volunteers wearing vests labeled “Free shuttle bus staff” wait for the next vaccinated group to exit the facility.

A female volunteer gives directions to people who just got off at a bus stop near the clinic.

“The government’s whole setup is crazy. A million shots a day? They should have done that sooner. There’s a lot of inefficiencies, but that’s a whole different conversation. The people on the ground were so wonderful,” Amoroso said. 

According to Amoroso, a volunteer checking her paperwork told her that all staff had been vaccinated. 

If you want to make a reservation for a vaccine dose at the Otemachi clinic, click here. Note that from today, the facility is only accepting people applying for their second shot. 

The People of Tokyo Hate The Tokyo 2020 Olympics. Why do they protest?

Yesterday, June 23rd, marked one month before the opening of the “cursed” Tokyo 2020 Olympics and hundreds of residents marked the occasion by holding a protest in front of the Tokyo Metropolitan Government Headquarters. As the delta variant of the novel-coronavirus spreads rapidly and public health concerns are rising, the clamor to call-off the Olympics is increasing. Tokyo Governor Yuriko Koike was not there to hear the voices of protest yesterday; she is in the hospital due to “fatigue.” The government swears it’s not due to COVID-19 and of course, we believe them. 

(Update) The protest will begin at 18:00 by the front entrance on the second floor of the Tokyo Metropolitan Government Building No.1, and will migrate to the Shinjyuku ALTA building at 19:00. Further guidelines for the protest can be found at the hangorin group’s (anti-Olympics) tumbler page. The organization will also livestream the protest on YouTube from 18:00.

In collaboration with this domestic demonstration, international anti-Olympic organizations in Los Angeles, U.S., Pyeongchang, South Korea, and ironically Paris, France, where the IOC was born, are scheduled to hold simultaneous protests.

Continue reading The People of Tokyo Hate The Tokyo 2020 Olympics. Why do they protest?

Japan’s Monster Mermaid Amabie is Here To Save You From COVID19! (Maybe)

People have different ways of dealing stress and fear, especially during a protracted battle with a worldwide pandemic. Some Japanese are claiming that superstition saved us (as opposed to the two cloth masks per person promised by Prime Minister Abe), along with praying at Shinto shrines and guzzling detoxifying green tea.

As fears over a Covid-19 ‘infection explosion’ very gradually recede in the rearview mirror, more people are in a mood to agree with these theories.

Your lucky lady

After all, rural and traditional Japan remained largely unscathed by Covid-19, and these are the areas where people routinely visit local shrines, carry omamori (お守り・talismans), ask for ‘oharai’ (お祓い) –which is the practice of having a Shinto priest chase out bad spirits and demons lurking in one’s immediate vicinity, and down a lot of tea after the ceremony.  If you get a Buddhist priest to do it, it’s yakubarai (厄払い). Add to that list, the drawing of an Amabie and posting it on social media. You may have just the armor needed for pandemic warfare. 


A what? An Amabie (pronounced ama-bi-eh) is a yokai (妖怪)which can be translated as apparition, phantom creature or monster. She has the appearance of a three-legged mermaid with a beak in lieu of a mouth and she’s been around since the mid-19th century, according to Edo-Period documents. Though the typical Japanese yokai is often grotesque and loves to play pranks on humans, the Amabie is a beach chick that emerges from the sea to foretell epidemics. If you carry around her picture, she can ward off mass contagion and the effect is doubled if you draw it yourself. A lot of people in Japan and elsewhere have tried their hand at drawing Amabie, and she now has a definite presence on social media, on #Amabiechallenge and others. 

Strangely enough, the Amabie has become a thing that may actually work. As of May 20th, the Japanese government has lifted the State of Emergency order for most of the nation, excluding the Tokyo metropolitan area. But the capitol city has been reporting less than 20 new infection cases for a week. Day care centers are talking about reopening as early as the 25th. Some local bars are welcoming customers again, even if masks are mandatory and draft beer is a thing of the past. Yes, the economy is in shambles and there’s nothing on TV but at least we’re seeing a light at the end of the tunnel. 

This isn’t the first time modern Japan has turned to superstition and yokai for solace and guidance. The late manga artist Shigeru Mizuki, creator of the mega hit yokai manga series  Ge ge ge no Kitaro (Spooky Kitaro) had always held that the yokai was what kept Japan from teetering over the edge into the abyss of disaster. Without their presence and powers, he said, the archipelago would just be a dreary sinkhole of greed and corruption. The yokai is a familiar figure in Japanese folklore, and some date back a thousand years. Some function as avatars for Shinto gods. Others do mischief and love to disrupt people as they go about their lives. The yokai can be friendly too, and will make good companions, as long as you respect tradition, revere nature and refrain from harming others. 


Mizuki hails from Tottori prefecture, a very traditional region that has racked up a total of three– count ’em three!–Covid 19 infection cases and zero deaths so maybe his take on the yokai was right. Mizuki’s own illustration of the Amabie has been posted on social media since mid-March, courtesy of Mizuki Production, and apparently this has been printed out and carried inside wallets or folded into omamori sachets. A friend of mine in Tottori reports that local reverence for Mizuki has soared, and the 800 meter long “Mizuki Shigeru Road” in his hometown of Sakaiminato, which is marked with yokai statues and merchandise shops, has seen a lot of (masked) tourist action. These people hang out bv the various yokai figuresto take photos, and leave little notes of prayer for the pandemic to end. 

Shigeru Mizuki died in 2017 at the age of 93 but if he were around today, he would no doubt have had plenty to say about the government’s handling of the pandemic. Mizuki was a WWII veteran who lost an arm in combat in Papua New Guinea, and the harrowing experience shaped his views on authority and Japanese society. After the war Mizuki struggled to survive before settling down to write manga, which he continued doing right up until his death. For many years, he could barely make ends meet but his career took off when the Kitaro series hit prime time TV in the late 1960s. However, success didn’t turn his head or soften his judgement on what he saw as crimes committed by the Japanese government, be it throwing the nation into war, or going whole hog on nuclear energy. His manga was never cute or very accessible – they depicted the Japanese as desperate and conniving, with caricatured features like bad teeth, squinty eyes and terrible posture. His portraits of the typical Japanese male were so unflattering they resembled the Yellow Peril posters propagated by the US military during WWII. According to Mizuki, the only way these unattractive Japanese could achieve a slightly higher level of humanity, was to befriend a yokai

Mizuki’s drawing of the Amabie though, is soft and friendly-looking. She really does seem concerned about the welfare of this archipelago. It’s not a bad picture to carry around, especially in a time when everyone is masked and avoiding eye contact as if the very act of acknowledging another person is a risky undertaking. If a picture of a three-legged mermaid is going to make people feel better about each other, it should probably be framed and put up inside the Diet building. 

Japan Solves Coronavirus Crisis With Magical Math

By Chihiro Kai. Edited by Jake Adelstein

Suddenly, Japan which was facing a severe fourth wave of coronavirus infections, serious illnesses and death seems to be out of the woods! The number of prefectures (Japan’s equivalent of a state) that were ranked as having the worst coronavirus infection category have suddenly dropped in half. Just in time for the Olympics!

However, things are not quite as they seem. The number of prefectures under Japan’s severest coronavirus infection category dropped AFTER the Ministry of Health, Labor and Welfare revised its method for calculating hospital bed occupancy rates. Japan has a long history of solving problems by lying about the numbers or altering standards to cover the problem.

Two months after the nuclear meltdown in Fukushima in March 2011, the Japanese government raised the allowable exposure to radiation from 1 mSv annually, an international benchmark, to 20 mSv. In 2012, it fiddled with the numbers again.

On June 2, the ministry announced it would no longer include Covid-19 patients waiting for admittance or treated in “general beds” that are not registered as coronavirus-specific when determining bed occupancy. The new guideline decreased the number of stage 4 prefectures with a bed occupancy over 50% from 20 prefectures to 11. The hospital bed occupancy rate is one of several indicators the Japanese government uses to monitor the pandemic and issue or revoke state of emergency orders. 

A medical advisor to the ministry has said the Olympics should not commence if Japan is in stage 4 of the pandemic. Therefore, the government and the Japanese Olympic Committee are desperate to ensure that Tokyo and its neighboring prefectures ranked below that most severe category. However, it seems the Olympic organizers are more interested in window-dressing the problem than utilizing the ministry’s data to take life-saving proactive measures.


English translation of Japan’s four infection stages of the pandemic. Nine out of the 20 prefectures categorized as stage 4 before the criteria revision were improved to stage 3 this week.
Source: NHK
English translation of Japan’s five indicators used to monitor the pandemic’s progression.
Source: NHK
Source: NHK

How The Magic Works!

The Ministry of Health, Labor and Welfare publish weekly reports tracking the key variables used to categorize and document citizens recovering from Covid-19. Hospital bed occupancy rates express the personnel and resource demands placed on the healthcare system. 

Last week’s report displaying data collected as of May 26, tallied the national total of Covid-19 hospitalizations at 16,581 and the number of covid-reserved beds at 34,116. Based on the calculation criteria at the time, Japan’s national bed-occupancy rate was 48.6%, dangerously close to the stage 4 threshold of 50% and above. This pre-revision report defined the number of “hospitalized persons” as the sum of patients admitted and awaiting admittance. The shortage of beds has created a waitlist for space. In covid-overwhelmed regions, those determined by doctors as requiring inpatient care must convalesce at home while waiting for a vacancy. 

A section of the May 26th Ministry of Health, Labor and Welfare report on the status of Japan’s COVID-19 patients. It was the last survey published before the method for calculating hospital bed occupancy was revised.

The post-revision survey created using data collected as of June 2 no longer included patients not yet admitted in the “hospitalized persons” category. The document further treats the total number of hospitalized persons as separate from patients occupying “covid-reserved” beds with the bed-occupancy rates calculated using the latter value. 

Specifically, the total number of covid-19 hospitalizations was 14,482, and 14,264 of those patients occupied 40.8% of the 34,943 covid-reserved beds. The report does not account for the remaining 218 patients. Whether they lie in “general beds” or other spaces are unknown. 

Sections of the June 2nd Ministry of Health, Labor and Welfare report on the status of Japan’s COVID-19 patients. This was the ministry’s first national survey published under its revised bed occupancy rate calculation guidelines.

In addition, the June 2nd survey introduced several new data categories, including two columns for patients “adjusting” their treatment methods and locations. The main column reports that 8,064 people recuperating from Covid-19 were either “adjusting” their method of medical care, which can vary from staying home to emergency admittance, or their location of treatment. The adjacent sub-column clarified what can be considered an “adjustment” in treatment locations. Three hundred forty-seven people were recorded as “having confirmed hospitalization as their treatment method, but not secured admittance in a medical facility at the time of the survey.” Most likely, patients “confirmed for admittance” but waiting for a bed were regrouped into this “adjusting” classification. 

Chief Cabinet Secretary Katsunobu Kato said in the June 7th press conference that the revision aims to nationally unify the calculation method for bed occupancy rates, which previously varied between prefectures. According to Kato, previous reports that considered patients recuperating in “general beds” as “hospitalized persons” did not include the number of occupied “general beds” in the total “covid-reserved” bed tally. He said this skewed the occupancy rates, making some regions appear more medically strained than they were. Kato said the revision would provide a more accurate reflection of Japan’s healthcare system. 

The question that many people are asking is the Ministry trying to accurately reflect the state of Japan’s healthcare system or trying to massage the numbers to make it look as if everything is fine. With Japan holding the Olympics in less than 50 days, it seems like a blatant attempt to make things appear better than they.

Failing to account for new data point additions in the denominator of an average calculation can misrepresent the relationship of the share in question to the total whole. However, in pre and post revision reports, the relative burden placed on Japan’s hospitals were measured in terms of total “bed numbers.” A more appropriate revision could have broadened the definition of “covid-reserved” beds to include all occupied covid patients. Furthermore, the ministry could have established a separate category that registered patients awaiting admittance or treated in “general beds” as a surplus that hospitals could not treat with their designated resources.

Excluding patients from an indicator used to judge whether a state of emergency should be declared fails to understand that those omitted from the ministry’s category are spillovers from a healthcare system that is nearing collapse.

The “covid-specific” bed occupancy rate is irrelevant if hundreds of patients requiring medical attention are left at home, awaiting treatment, or invisibly recovering on an unregistered mattress. 

Tokyo Olympics could breed new COVID19 variant that kills “on a number even unthinkable in a conventional war.”

by Chihiro Kai

Dr Naoto Ueyama, Chairman of Japan Doctors Union called upon the international community to unite and pressure the Japanese government to cancel the Tokyo Olympics scheduled to commence in July. 

“I don’t think it can be said that the Olympics can be held in a safe way,” he said. 

Ueyama said the international competition, which would gather over 80,000 people including athletes and staff from 200 countries, could distribute existing variants such as the U.K., Brazilian, South African and Indian strains across the globe, or behave as a petri dish for a new potentially more fatal mutation. 

“And if that were to happen, the number of victims indeed would be on a number even unthinkable in a conventional war,” Ueyama said. 

He noted it’s possible that the games could even produce a variant known as “The Tokyo 2020” strain, something that would make the games live forever in infamy.

Ueyama explained that viruses undergo constant mutations. This is why the annual flu vaccines are updated to accommodate that year’s most prevalent variant. Covid-19 will continue to change, in the process adapting existing mechanisms that circumvent the human immune system to infect a host’s cell with greater efficacy. Ueyama said slow vaccine rollouts that delay the development of herd immunity or gathering large groups of potential carriers together rik giving the different variants further opportunity to mutate. 

“The IOC should recognize that they are calling upon the athletes, the people of Japan and global citizens to take on these risks,” Ueyama said. “We will be facing a situation where lives aren’t being lost in a battlefield but lives are being lost as a result of something which should be a peaceful celebration or even a celebration of peace itself.” 

Not only could variants be less susceptible to available vaccines, they could also avoid detection by multiplying in areas that aren’t swabbed by current PCR tests. Ueyama said a variant that reproduces in the lungs, for example, would be difficult to catch with PCR tests that collect samples from saliva or nasal swabs. Such a “Tokyo Olympic strain,” as Ueyama coined it, would not only jeopardize developing countries or regions in conflict without access to running water or health care, but endanger vaccinated individuals in countries with aggressive immunization campaigns like the United States. 

“The IOC should recognize that they are calling upon the athletes, the people of Japan and global citizens to take on these risks,” Ueyama said. “We will be facing a situation where lives aren’t being lost in a battlefield but lives are being lost as a result of something which should be a peaceful celebration or even a celebration of peace itself.” 

Japan’s hospitals are already overwhelmed by the relatively low infection to population ratio. Ueyama said in the city of Osaka, a Covid-19 hot spot under an extended state of emergency, the medical system is facing collapse as patients are told to stay home due to the lack of hospital beds for infected patients. The chairman, who lost a colleague to the virus, said an increasing number of nurses are quitting their jobs as the rising number of patients and work hours strain their other obligations to their children or elderly relatives. The organization is also seeing doctors, especially in the Kansai area, suffer from severe exhaustion and stress. 

Covid-19 is highlighting the nation’s deficit in medical personnel. When asked whether university hospitals in Tokyo would begin accepting more covid patients in case of an Olympics induced surge, Ueyama said even if the hospitals provided sufficient treatment facilities or beds, they lack the doctors and nurses needed to fully utilize them. Critical resources are also being stretched thin. Japan is one of many countries suffering the consequence of a serious global anesthetic shortage, without which critical patients can’t be intubated. The inability to implement proper treatments for those in need compounds the strain placed on weary medical practitioners riding Japan’s fourth virus wave. 

The timing of the Olympics could further exacerbate the shortage in medical staff and resources. Ueyama said the months of July and August are characterized by a spike in heat stroke patients requiring urgent care. Three years ago, a heat wave following the end of the rainy season hospitalized a record number of people from heat exhaustion. In response to the Japanese government’s request for hospitals in Tokyo and surrounding prefectures to reserve beds for Olympic personnel, Ueyama said that would be implausible. 

“During that season, if we imagine also that Covid-19 will not yet be under control, and not only this, we may see a continuing increase in the India strain, it will not be possible for hospitals to provide special treatment to those involved in the Olympics,” he said. 

The Tokyo 2020 Olympics may live on as a new strain of COVID19.

Ueyama said Japan’s belated vaccine rollout is also unlikely to affect Olympic safety. The current phase targeting the 65 and up demographic that makes up 20-30% of the population, is scheduled to conclude at the end of July, overlapping with the first week of the games. Regardless of whether Japan meets this ambitious immunization timeline, the Olympic volunteers that will be interacting with the athletes and their staff are under 65 years old, and therefore ineligible for the vaccine. Ueyama said the daily pcr tests for all Olympic personnel proposed as the compromise in the Tokyo 2020 playbook is insufficient to control and contain the virus. 

The doctor criticizes the IOC’s insistence that it is safe to host the games in Japan. He recommended the establishment of a global framework enforced by an international body similar to the IAEA or the UN’s Security Council to deal with the current and future pandemics “to save all of humankind from this crisis.” 

“Such a decision (to host the Olympics during a pandemic) is not something just to be made only by the IOC or only by the one host country. I am a fan of the Olympics. However, I do not believe they should go ahead while putting many people at danger and holding them will force many people to make sacrifices even in regard to their life, in order for them to take place.” 

Tokyo Governor Mulls Pulling Plug On The 2020 Olympics: The Empress VS Baron Von Ripper-Off

Tokyo Governor Yuriko Koike is considering calling off the Olympics.

According to several sources in the Tokyo assembly, over the last week, Koike has had meetings with several top advisors, in which she has asked for their opinions on holding the games with no spectators–and even canceling the games altogether. In the meetings, Koike has been uncharacteristically quiet, asking many questions and listening intently to the answers.

A former advisor to the governor says that this is typical of Koike, when she’s about to make a dramatic unilateral decision. The former advisor told JSRC, “She has no great love for the Games, per se. She was not instrumental in bringing the Olympics to Tokyo and she has no real attachment to them. Public opinion against holding the Olympics is growing all the time. You’ll notice that Koike has not tweeted about the Olympics for weeks now.”

If you have a good memory, you may also recall that as late as March 12th 2020, less than two week before the Olympics were postponed, Koike stated dogmatically, “I can’t even conceive of the Olympics being cancelled or moved to another date.” Apparently, her powers of conception have improved since then.

In the early days of COVID, Japan, under the rule of Shinzo “Bon-Bon” Abe and Tokyo, led by Koike, downplayed the virus in an attempt make sure that the Olympics were held as scheduled. Widespread PCR testing was avoided, because it might have yielded unpleasantly high numbers.

Koike was remarkably silent about the growing infection until the Olympics were officially canceled on March 24. On March 25, Koike suddenly awakened to the rising number of covert covid19 cases in Japan and in her own domain, referring to it as an explosion of infections. She began lobbying for a state of emergency to be declared, bringing the word “lockdown” (ロックダウン)into the popular Japanese vernacular.

Koike is a remarkable political opportunist, as most of her constituents now realize. The contract between the IOC and the city of Tokyo, to hold the Olympics, clearly gives the IOC power to decide whether or not to hold the games, but if Koike openly demands for them to be halted, it’s likely that other Japanese politicians will fall in line.

She may be weighing all her options before becoming the first person in power to say the obvious: holding the the Olympics in COVID19 ravaged Tokyo is a terrible idea. In Osaka, people are dying at home while waiting for hospital beds. Unless Japan remarkably turns back this new wave of infections, things will only get worse before the Olympics begins. Tokyo has asked several prefectures to provide hospitals to take care of the athletes in the case of a major outbreak of disease at the games, and already two have publicly refused.

The lackluster safety measures in place for the Olympics are also alarming in their carelessness.Only 2% of the nation is vaccinated with less than 80 days to go before the games begin. Olympic volunteers and staff, numbering in the thousands will not be vaccinated nor will quarantines be required for those arriving from overseas. Even daily PCR tests for the volunteers will not be provided. The handbook for staff, does not inspire confidence, letting volunteers know, “if you get ill, tough look.” It says bluntly, “We trust that the measures laid out will mitigate the risks and impacts involved in participating in the Games, and we fully count on your support to comply with them. However, despite all the care taken, risks and impacts may not be fully eliminated, and therefore you agree to attend the Olympic and Paralympic Games at your own risk.

Residents of Japan “may” be asked to take a COVID19 test before their games role or participation in Games events begin. In fact, volunteers will not be vaccinated, nor quarantined upon arrival in Japan, and most will not have daily PCR test for COVID19. Athletes will all be vaccinated and tested regularly. Ordinary people bear all the risks.

The Japanese government under Prime Minister Yoshihide Suga is using the same old tired measures to deal with a virus that has grown more virulent and infectious. What once worked will not work anymore. Japan still continues to undertest, ensuring that non-symptomatic carriers, which are the majority of those infected with the virus, will spread the disease to a wider number of people. Even the lapdog experts who feed the Japanese government the advice they want to hear, are beginning to show signs of panic. One of them advised this week that Japan at least make extensive use of cheap and fast antigen tests, like those used in Germany, in an effort to keep the virus under control.

That’s not to mention the fear that with over 80,000 people coming to Japan from overseas with no mandatory quarantine, that new and more deadly variants of COVID19 will be introduced to Japan. The unvaccinated volunteers who will commute from home, may become the perfect vectors for carrying new lethal strains of COVID19 into Japan–and back to their homelands when they leave this island country.

Kenji Utsunomiya, the lawyer who launched a cancel-the-olympics petition–which gained a quarter of a million signatures in less than two days–hopes that Koike will make the right decision. He has run against her for the office of governor and knows that she is shrewd politician. He is hoping that if she doesn’t listen to public opinion, she might listen to her own political instincts.

Koike has a Trumpian ability to read the winds of public sentiment. While the IOC does have the ultimate authority to cancel the games, by demanding a stop to the fiasco out of professed concern for the safety of people living in Tokyo in Japan and the world, Koike has a marvelous chance to play hero.

If the IOC bends, and postpones another year – which would ensure that Japan is fully vaccinated and that everyone participating in the games is relatively safe, she wins. If the IOC refuses to call off the games and because of the overloaded healthcare systems people –or god forbid athletesdie, the IOC is the villain and not Tokyo. Once again, Koike would be the hero. If the IOC agrees and cancels the Olympics, but then tries to extract ridiculous penalties from Tokyo, they risk alienating other countries from holding the Olympics. And once again Koike, would come out as a hero, one who stood up to an international bully.

For many people here, the IOC with its blatant disregard for the lives of Japanese people–because it desperately wants to collect billions in television rights for the games–is reminiscent of the worst of the yakuza. The IOC motto seems to be: Money before lives, money before honor, money first. If the Olympics are held as planned, you might not have a hard time making citizens here believe that IOC stands for “International Organized Crime”.

Japan is in its third state of emergency now. Koike, facing rising infections this month, warned outsiders, “Do not come to Tokyo now.” A member of Komeito in the National Diet says that Koike also shared that message to Thomas Bach, the head of the IOC, who abruptly cancelled his May 17th trip to Japan. Is it true? Perhaps, Bach cancelled on his own, because visiting Japan to promote the Olympics during a state of emergency and rising COVID19 infections and deaths, would not have earned him a warm welcome. In Osaka, at least 17 people have died waiting for admission to a hospital. Ambulances in Tokyo and other areas are facing long waiting times–several hours– before they can find a hospital that will accept emergency patients. Maybe Koike really did send him a message that he was not welcome right now.

In a recent column in the Washington Post, Sally Jenkins ridiculed IOC Chairman Bach as a conman and dubbed him Baron Von Ripper-Off. In Japan, that was translated as [ぼったくり男爵] and it immediately became one of the most trending words of the years. 

Koike is expected to pay a visit to her political godfather, Toshiro Nikai, the Secretary General of the Liberal Democratic Party before making her stance public. But in his earlier remarks this year, which indicated that the Olympics should be called off if they posed a public health hazard, she may already feel she has public approval. All the members of the Tokyo Assembly are on edge wandering what Koike will do but past experience has shown them, the only person who knows what Koike will do is Koike herself. She plays her cards remarkably close to her chest.

Mortal Kombat 2021! The Empress (Yuriko Koike) Versus Baron Von Ripper-Off (T. Bạch, IOC)?
At stake, the lives and welfare of the unvaccinated living and working in Japan where vaccination is less than 3%. photo and rights @akasan (on twitter)

A great book about Koike was published in the last year called, 女帝 (The Empress). It describes how manipulative, powerful and savvy Koike can be when she wants to be. I know that betting is not part of the Olympics, just as bribery is not supposed to be part of the Olympics (cough, cough) but in a showdown between the Empress and Baron Von Ripper-Off, I’d put my gold (medals) on the Empress, even at double the odds. She’s got magical powers, the ability to metamorphisize at will, and sometimes has courageous judgement. They don’t call her the green werebadger-dog (緑の狸) for nothing.