Scientists have abundantly proven that global warming is real and causing havoc on the planet. CO2 levels are rising with Earth’s temperatures, but the truth of the matter does not make the relationship a cause and effect. There is a rising level of CO2 with now 412 parts per million. In addition to increased levels of methane and nitrous oxide, this is considered the primary reason for global warming. This theory, which receives strong support from scientists, may not be the only factor. This article proposes other mechanisms that may play a role in global warming.
There is a massive nickel-iron ball at the center of the earth with a diameter of 760 miles, spinning faster than the rotation of the earth and having a temperature of 5000°C. It generates heat in the earth so that when you dig to 32 inches deep in Missouri the pipes don’t freeze. Additionally, it produces magnetic fields that are easily measurable. Around this ball of solid iron-nickel is another layer with a radius of 2,165 miles. It is believed to be made up of a liquid alloy. There is an interface at this level with the outer mantle, and some scientists believe oil is produced there. Exactly how this heat is generated or the mechanism is unknown. It’s almost as if we have a sun buried deep inside the earth.
The origin of man or how we have been designed is a mystery to me, but lubrication is built into our physical self. Our joints, eyes, and reproductive organs are lubricated. There may be a mechanism in place at the interface with this giant heat-producing ball at the center of our planet that deals with the friction that it produces. Current theories suggest that the spinning ball and surrounding liquid iron might produce their own oil, reducing friction. The removal of portions of this oil may cause irregularities in the spinning ball, contributing to global warming and earthquakes.
Editor’s note: In short, we are pumping so much oil out of the earth, that we’re essentially running a car without oil, causing tremendous friction and making the engine overheat.
Several scientists believe that oil is produced at the interface between the heated sphere and the carbon surrounding it.
This is the abiogenic theory of oil‘s origin. As this oil seeps between the plates, Saudi Arabia has an infinite supply of oil, whereas when drilling in the Gulf of Mexico closer to its source, there were such great pressures that it took many months to stop the leak.
We have not identified any planets that support life as we know it. We have the water vapor cycle, the carbon dioxide/oxygen system, and the nitrogen cycle. How do we know that oil is not a vital component of the planet’s survival? Approximately 135 million tons of oil have been extracted since 1850, yet the world is not running out of oil.
When the oil is taken from the earth, the spaces around it are apparently filled with water. The water supply is affected but more importantly the water acts as a poorer insulation than oil, which could also contribute to the warming of the earth. Many of our weather patterns are caused by the heating of vast amounts of water. The heat produced causes global warming and an increase in hurricanes. In recent days, we have witnessed tornadoes wreaking havoc on Kentucky and its neighbors. While glaciers are melting, ambient temperatures do not appear to be high enough to cause this. There is a possibility that the melting is caused by heat from the earth itself.
The solution to global warming remains the same, stop taking oil out of the earth. We still have time.
A very wise friend recently told me that it is unlikely we would find similar life forms on other planets–because they would have likely destroyed themselves already. As a species, we are destructive, not only killing each other, but also destroying the planet. We have the intelligence to stop doing one thing that is undeniably bad for the environment, drilling for oil and using it. Next time the oil light in your car comes on, think about it.
Matrix Resurrections opened on December 17 (Friday) in Tokyo. I went to the 9:20 am showing, giving up the chance to watch the 4D version, which is dubbed into Japanese. It’s a rare thing to see a US movie first in Japan. And that is the only justification I can find for posting a review here, on this Japan centered-blog.
If you loved The Matrix but the original Matrix trilogy left you feeling vaguely unsatisfied and lacking closure, then Matrix Resurrections is just the cure. It’s not a reboot of the series, but a sequel with loving homage to the original. “The Resurrections” in the title is a big hint.
Neo is not dead but still somehow alive in a new configuration of the Matrix, once again as Thomas A. Anderson. Except this time, he’s a legendary computer game designer, whose claim to fame is having created the sprawling, highly interactive game, The Matrix, which made a generation of humans question their own reality.
Yet, Anderson is plagued by visions of a past that he never had and imagines he is not in the real world but a construct, much like the game he designed. His benevolent psychotherapist tries to keep the suicidal Anderson on the straight and narrow path, with compassion, understanding and a ceaseless prescription of blue pills.
Maybe those blue pills are also jumbo Viagra. Thomas Anderson seems perpetually depressed, like John Wick, after his wife died and a Russian gangster killed his dog. He also has the same shabby facial hair as John Wick, except Anderson is not a ninja assassin. A woman who may have been the model for Trinity in his game frequents the same coffee shop close to his office, but she seems more like a motorcycle riding soccer Mom, or computer geek idea of a MILF, than a world saving heroine.
From the very start of the film, we know that Anderson is not crazy. Anderson/Neo has not been forgotten. In a dark corner of the video game world he designed, someone or something is trying to free him—or so he believes. He’s not incorrect.
Of course, Agent Smith is also not dead, but he’s not the same program he was before.
The gradual reappearance of heroes, heroines, and villains from the previous films is handled with grace, wit and subtle foreshadowing. The Oracle and The Architect are conspicuously absent. Morpheus also returns but not the way you remember him. The movie is well-written with delicious doses of dark humor and wonderfully choreographed action sequences.
One the best action sequences takes place on a Shinkansen in Japan. However, despite being set on a bullet-train there is no slow-motion “bullet-time” action on the train.
BTW, there is only a smattering of the “bullet-time” effects that made the first film so ground-breaking, but for good reasons. It’s two and a half hours of B+ grade sci-fi suspense with an ending that won’t leave you wishing you were dead. It did make me hope they don’t do another sequel.
It’s a fine open-ended conclusion. Let’s leave it at that.
Yes, it’s a love story, as every reviewer will tell you, but specifically about “the power of love” (pun intended). It’s also a story about making hard choices when the path of least resistance seems the most comfortable.
Open your mind, lower your expectations, and you’ll find the trip back to the Matrix a worthwhile journey.
(First posted 23:59 August 18th, revised and updated 00:40 am August 19)
The Tokyo 2020 Olympics are over but they may leave a lasting legacy in Japan: the deadly COVID19 Lambda variant; it first arrived on July 20th, when a woman in her thirties from Peru, accredited with the Tokyo 2020 games arrived at Haneda Airport. The government only admitted to the arrival of the variant after our reports on August 6. Tonight at 10:39 pm NHK reported that the Ministry of Health failed to conduct an investigation into those in close contact with her, or notify the Tokyo Olympic Organizing Committee. The Lambda variant, originally found in Peru, has killed thousands there and in July of this year accounted for 90% of new COVID19 cases. It has been associated with a high-mortality rate, around 9%, and a recent study suggested, “it could pose a threat to the human race.”
Whether the Lambda variant is as deadly as the Delta variant remains to be seen, but it’s definitely not a variant you want to welcome into your home.
The Story So Far
The lambda variant travelled to Japan with a woman who had resided in Peru. She tested positive for COVID19 upon arriving at Haneda Airport, on April 20, and was quarantined. On July 23, the National Institute of Infectious Diseases (NIID) determined that she was infected with the Lambda variant and reported this to the Ministry of Health. On July 26, the Ministry reported their findings to an international infectious diseases database, GISAID. Despite, concerns at the NIID, the government decided to postpone an announcement of the findings until after the Olympics had concluded.
On August 6, after our first report, the Ministry released details to the Japanese press and gave comments to The Daily Beast. The Ministry has denied that they were covering up the entry of the variant, due to the Olympics, saying that it did not meet their criteria for public disclosure. However, today on August 19, the cabinet spokesman, at a press conference announced that the Ministry was rethinking it’s policy on handling of variants and would be more forthcoming with information in the future.
Lambda On The Loose?
Then at 10:39 pm, NHK News, reported the following. The Ministry of Health had failed to send critical information to the local government where the Lambda carrier was being quarantined. The Ministry of Health normally sends a list of people who may have been in close contact with a carrier to the local government responsible for carrying out an investigation into the source of the virus, and preventing the spread of it into the public. This list usually includes the seating chart of the aircraft, when the infection is confirmed by a quarantine station at the airport.
NHK reported that after the woman was confirmed to be infected with the Lambda virus, the Ministry failed to notify the local government where she was staying and neither her name nor the list was not sent to the Tokyo Olympic Organizing Committee. This raises the possibility that Lambda variant is already on the lam in Japan, spreading into the local population.
The World Health Organization considers Lambda a “variant of interest” (VOI) but has not yet labeled it a variant of concern (VOC), a term reserved for variant that are either highly infectious, resistant to vaccines, and/or result in higher mortality. Japan has not classified the variant yet and is only testing for it at airports. This means that if the virus has made it into the general population, it’s unlikely to be found until it has taken root—because there is no screening or sampling for the virus being conducted. Japan has consistently failed to conduct the basis of COVID19 prevention and containment: widely test, trace, isolate, medicate and vaccinate.
The Ministry of Health, Labor and Welfare (MHLW) told NHK that “the person in charge was so busy with work that he forgot to send the list,” and that they will set up a system to double-check that the list was sent. They have also downplayed the risk of Lambda, saying that it is on the wane in many countries and less virulent than the Delta variant. However…..
Know Your Lambda
On July 28, Japanese scientists posted a report on the Lambda variant eight days after its domestic detection. The document is yet to be peer-reviewed.
In the document, the authors state that the Lambda variant is highly infectious, less susceptible to current vaccinations, and shows resistance to antiviral immunity elicited by vaccination. The report continues that because the “Lambda variant is relatively resistant to the vaccine-induced antisera” (blood serum containing antibodies produced in response to vaccination), “it might be possible that this variant is feasible to cause breakthrough infection” in already vaccinated populations. The scientists worry the variant’s categorization as a VOI instead of a VOC downplay the virus’s potential threat to public health.
Early on July 23, hours before the Tokyo 2020 opening ceremonies, a Senegal musician posted on Facebook that he had been dismissed from performing at the event because a member the Tokyo Olympic Organizing Committee questioned, “Why is an African is here to perform?” He was dismissed unilaterally in May, he asserts, even though he had been scheduled to perform.
The ceremony, that surprised the world by having Naomi Osaka, a biracial Japanese tennis champion, light the Olympic flames, may have an underbelly that yet places great emphasis on looking “Japanese enough” to succeed in this country. There are already many who question if the theme of “diversity” is really understand by the organizers who have employed for the opening ceremonies an abuser of the disabled, a comedian who joked about the holocaust, and despite all warnings, used the music of an notorious homophobe who also denies Japan’s war crimes.
Latyr Sy is an accomplished percussionist that has appeared alongside Japan’s top artists in concerts and television programs, including the December 2020 FNS song festival. He has also performed at events attended by Prime Minister Shinzo Abe, who was “the face of the Tokyo Olympics” and instrumental in making sure Japan won the bid in 2013. (Of course, the several million dollars worth of bribes helped).
“So ashamed. I feel good that I’m no longer performing at the Tokyo Olympic Opening Ceremony…Though I’ve been contributing to the Japanese music industry since 1995…They completely violate the Olympic principles of human rights and diversity.” Sy wrote in English in his social media post. He also wrote eloquently of his plight in Japanese. (See below)
The Japan Subculture Research Center is scheduled to speak with Sy later today. We are also reaching out to the Tokyo Organising Committee of the Olympic and Paralympics as well as the International Olympic Organization for comment,
The article below is reprinted from Unseen Japan. Please note: Kentaro Kobayashi, a comedian turned director of the Olympics opening ceremony was fired from his post, on July 22, after footage of him making holocaust jokes resurfaced. Kobayashi, made fun of the murder over 6 million Jews by the Nazis in a comedy skit in 1998. “Let’s play Holocaust (ホロコーストごっこしよう)” was one of the lines.
“Any person, no matter how creative, does not have the right to mock the victims of the Nazi genocide. The Nazi regime also gassed Germans with disabilities. Any association of this person to the Tokyo Olympics would insult the memory of 6 million Jews and make a cruel mockery of the Paralympics,” stated SWC Associate Dean and Global Social Action Director, Rabbi Abraham Cooper.
Holocaust Joke Lands Olympics Opening Director in Hot Water
by Noah Oskow
This piece originally appeared on Unseen Japanand a section has been printed here with their permission
Recently, I’ve gotten used to waking up, opening Twitter, and immediately seeing some new controversy erupting from the oncoming Tokyo Olympics. These daily scandals are often enumerated on the trending ticker to the right of the screen; most recent was the story of the Olympic Village being like “Medieval Japan,” with tiny rooms without internet, TV, or enough toilets. Much more serious was the furor over opening and closing ceremonies composer Oyamada Keigo (famed internationally by his stage name, Cornelious); a twenty-something Oyamada had bragged, back in the ’90s, of physically, sexually, and emotionally torturing disabled classmates during his school years.
Still, when I woke up this morning and groggily glanced at Twitter, I never quite expected to see the Holocaust come into play. There, in the trending section, the word 「ユダヤ人」(yudaya-jin, Jewish person) shone out like a worrisome beacon. I was immediately concerned, even before I even had time to read and comprehend the whole phrase. Seeing “Jewish” trend rarely seems to mean anything good. And why would it be trending in Japan, a country with such limited awareness of anything Jewish? I refocused on the topic tag, and apprehensively read it out: 「ユダヤ人大量惨殺ごっこ」. “Playing at the Holocaust,” or, to literally read out the academic term used, “playing at the great massacre of Jewish people.” And above the phrase, portentously indicating the trending subject, was the word “Olympics.”
A Laughing Matter?
Kobayashi Kentaro is half of the popular gag comedy duo “Rahmens.” Outside of Japan, his most famous work is most likley his legendary series of comedy shorts entitled “The Japanese Tradition.” The videos, which humorously lampoon aspects of Japanese culture, building from the believable to the outright surreal, were a staple in my high school Japanese class. (Their “Sushi” video is especially beloved; I can’t count the number of times I’ve shared it with friends.) Kobayashi is also the director of the Tokyo 2020 Olympics Opening Ceremony, entitled “United by Emotion,” which will air Friday night, Tokyo time (early morning PST).
The issue causing the hubbub over on Twitter doesn’t have anything, in particular, to do with the Olympics, other than perhaps causing some to be “United in Anger.” Much like the (substantially worse) Oyamada scandal, it involves something the principal said more than two decades ago. Nonetheless, it’s the sort of thing that demonstrates a lack of awareness towards the realities of other human beings; something which seems antithetical to the stated ideals of the Olympics.
“Playing at the Holocaust”
The controversy in question stems from a skit Rahmens put on in the years directly before gaining national fame. In the sketch, released on VHS collection by Colombia in 1998, the duo parody the children’s educational show 「できるかな」(Do You Think You Can Do It?) The Japanese show, which was also popular in Latin America, taught children how to make paper crafts using scissors and tape.
In the skit, Kobayashi is portraying protagonist Noppo-san, while his partner is the show’s anthropomorphic gopher, Gonta. They’re discussing ways to play with paper; Kobayashi talks about how they could wrap up a newspaper into a cone and pretend it’s a baseball bat; a rolled-up newspaper sphere could be their baseball. As for the crowds, all they would need are a bunch of cut-outs of people to place on paper bleachers.
Katagiri Jin, playing Gonta, says he has just the right sort of collection of human paper cut-outs. He rushes off to grab the imagined paper figures. Kobayashi replies, “ah, from that time you said ‘let’s play the Holocaust.’” The audience laughs uproariously at this out-of-left-field joke. Kobayashi follows up with “Koda-san was really angry about this one. Said, ‘do you think we could air that?!’” Then, looking at the imagined paper cut-outs, he says, “wow, you made this many?”The skit in question.
The Brewing Storm
The sudden retrieval of this mostly-forgotten joke from decades ago and attendant media coverage resulted in a myriad of responses. Chief among these were those who expressed shocked disbelief.
“Ah, I didn’t know about this skit. This is no good. It’s like if you did a sketch where the joke was the atomic bombings of Hiroshima or Nagasaki, or about the Battle of Okinawa, or the Kobe or Great East Japan Earthquakes. The Genocide of the Jews isn’t a subject to be used in such a carefree manner. Much less to be made the subject of a gag.”
“In the latter half of the 1990s, the same decade where the Goldhagen controversy burned through Europe, the Holocaust could still be used as a “funny gag,” and even be packaged and put into circulation on a VHS without a single issue. As a Japanese researcher of modern German history, this is really something I need to come to grips with…”
A Real Controversy, or No?
Of course, there were also those for whom the joke, unearthed from decades past, was old news. Both topically, as a single joke, and as something for whom statutes of limitations may have passed, it seemed like an empty controversy…..
For the rest of the article, please click here at Unseen Japan
Noah Oskow is a professional Japanese translator and interpreter who holds a BA in East Asian Languages and Cultures. He has previously contributed to Japan Subculture Research Center.
The Tokyo 2020 Olympics and Paralympics are turning into a coronavirus spreading festival of bullies. Despite allegedly having a theme of harmony and diversity, the Olympics appear more and more to be symbolic of cruelty and callousness. The latest case in point: this week, composer Keigo Oyamada, 52, who is the composer for the opening and closing ceremonies was revealed to have brutally tortured and bullied special needs students through elementary to high school. He said on record to two separate magazines in the 90s that he forced his victims to eat feces and masturbate in public. He ridiculed them, beat them, and egged on other accomplices. His gleeful retelling of these hate crimes resurfaced a day after his role in the Olympics was announced.
He issued an apology on Friday (July 16). He won’t step down and the Tokyo Olympic Committee issued a statement late in the evening the same day that they won’t fire him.
However, as we have already seen in the long history of Tokyo Olympic debacles, when the tone-deaf organizers finally hear the voices of dissent, they will probably eat their previous words, but unlike Oyamada’s victims—they won’t literally have to eat shit.
“I’d strip (one disabled kid) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.”
That’s too bad.
The Tokyo 2020 Olympics Organizing Committee announced on July 14 that musician and composer, Keigo Oyamada, would be overseeing music at the Tokyo opening ceremony. He is a world-famous musician, also known by his moniker, Cornelius. However, it didn’t take long for his ugly past to emerge, and the hashtag “Boasting About Bullying” began to trend the next day, racking up over 10,000 retweets. The original tweet cited two interviews in the past in which he appeared to be proud of his younger years as a bully. The interviews appeared in the January 1994 issue of music magazine, Rockin’ On Japan, and the March 1995 issue of subculture magazine, Quick Japan.
In the interviews, Oyamada confessed to bullying classmates from a nearby special needs school from elementary school all the way through high school. In Rockin’ On Japan, he describes what he did as follows: “I’d strip (one guy) naked and roll him up in cords and make (him) masturbate. I made him eat shit and then performed a belly- to-back-drop wrestling move on him.” In the interview with Quick Japan, he admitted that he also made gleefully fun of kids with Down’s Syndrome attending a nearby school. He alluded to spurring others to bully the special needs children, “providing ideas”. Also, in another interview he seems to have admitted to what could be construed as attempted murder*, “Remember that case where kids rolled up another kid in a mattress and killed him? We did that sort of thing (to the special needs kid) and stuffed them in the vaulting horse…”
*A boy died in Japan Jan. 13, 1993, after being rolled up in a mattress in the school gymnasium’s storeroom by bullies. The mattress was placed vertically in the storage area and he was placed in it upside down; he died of asphyxiation and/or suffocation.
One of the magazines followed up Oyamada’s interview by contacting the family of his victims, who told the reporter that the bullying had nearly driven their son to suicide.
Here is the truth. Oyamada has confessed to committing sexual assault, assault, forcible indecency, public indecency, and attempted murder.
The actions Oyamada took would normally be crimes in Japan, but the statute of limitations has long passed.
In a statement released to the press Friday (July 16), the composer admitted that he did not show any regret when he spoke to the magazines years ago and he deserved the criticism he was receiving. He said that he would not step down and implied would atone for his past by contributing to the Olympics.
Ironically, the unifying concept of Tokyo 2020’s opening and closing ceremonies are “Moving Forward,” something the formerly respected musician must be praying for. The theme of the opening ceremony, which he is responsible for, is “United by Emotion.” The overarching disgust of the Japanese public at his criminal past has achieved exactly what the Olympic and Paralympic committee wanted. The entire country is united by repulsion.
“I am deeply sorry for how my words and actions hurt my classmates and their parents. I regret and take responsibility for taking the role of an antagonizer rather than a friend during my school years, a time that should be filled with fond memories,” Oyamada wrote in his Twitter apology essay on July 16.
However, in his sincere apologies to the world, and to the victims he traumatized, the singer clarified that not every heinous act recorded in the interviews were factually accurate.
“Regarding the contents of the article, as I was not able to confirm the final draft before it was published, there are many parts that deviate from the truth. However, there is no doubt that my classmates were hurt by my words and conduct. Therefore, I felt personally responsible, and chose at the time to not point out any mistakes or exaggerations in the story,” he defended himself in his Twitter post.
Perhaps the first magazine article published in 1994, followed up by a 22 page Odyssey retelling of his psychotic escapades in 1995, contained some factual errors that made it to copy. Instead of forcing a fellow student with a disability to eat feces, maybe he presented it to them on a clean plate with napkins.
What Oyamada did not do in his lengthy apology was resign as an Olympic and Paralympic ceremony composer.
“In hindsight, I should have declined the position offer considering some people would be displeased by my participation for various reasons. However, in these difficult times with its numerous challenges, I consulted the creators of the opening ceremonies who were making strenuous efforts to build the best event possible. After much thought, I chose to accept the job out of a hope that my music would bring some good to the ceremony,” the singer explained his noble self-sacrifice.
“In addition, I have invested considerable effort into this musical project,” he continued. Whether the Paralympians competing in this year’s games will be so forgiving is not certain.
The Tokyo Olympic Committee issued a statement acknowledging a failure to screen Oyamada properly, adding that, “We would like him to continue to do his utmost in preparation until the very end,” expressing no desire to have him resign or fire him. They also added in his defense, “Oyamada clearly regrets his past words, has reflected on them, and is currently maintaining a high moral standard while dedicating himself to creative activities.” One might note that the Committee recognizes that Oyamada regrets speaking about his inhumane activities but is vague about whether they believe he really regrets what he did. Words are cheap. The Olympics are inevitably, “Moving Forward.”
The reaction of the Japanese public has been overwhelmingly negative, calling the decision to employ him for the Olympic music “a fatal mistake in the selection process.” One twitter user, posting an article about Oyamada’s past bullying, noted wryly, “Well, after all, it’s like the Olympics itself is making the public eat shit.” A few days ago International Olympic Committee President Thomas Bach appeared to be the most hated man in Japan, but in the low-bar race for a gold medal in unpleasantness, Oyamada may now be the leading contender.
Mark Bookman, a historian of disability in Japanese and transnational contexts, and Postdoctoral Fellow at Tokyo College, part of the esteemed Tokyo University, emailed us, his understanding of the problem, taking time to explain the significance of the games. “The Olympic and Paralympic Games provide activists, policy makers, and members of the public opportunities to reflect on the past, present, and future of disability rights on local and global scales. They have helped catalyze change and lead to improvements in accessibility and social welfare for diverse demographics of disabled people in multiple countries, including, but not limited to, Japan.”
But he also points out there is a downside to the games.
“However, the games do not always lead to positive results. On many occasions, their spectacle has shifted public attention away from the needs of ‘ordinary’ disabled people in favor of elite athletes. Indeed, the games have helped to perpetuate harmful stereotypes and foster unfavorable outcomes for many individuals, in part due to awareness issues and lack of resources for carrying out reforms.”
Bookman warns that ‘going forward’ with Oyamada may actually roll back advances for the disabled in Japan, and more.
“While stakeholders involved in the games, myself included, have worked to mitigate such negative consequences and use the games as a platform to promote inclusivity, one cannot help but question the Tokyo Olympic Committee’s decision to ‘move forward’ with Oyamada Keigo as a key figure. By elevating (him), who has confessed to committing harmful acts against disabled individuals, the committee is (perhaps unwittingly) creating a space for people who sympathize with his actions. As rates of abuse against disabled persons continue to climb in Japan due to stresses on the nation’s care economy (tied to its rapidly aging population, declining birth rate, and shrinking labor force), one cannot help but wonder what kind of future might come from the Tokyo Committee’s decision. Indeed, as conversations about ‘selecting lives,’ eugenics, and equitable distribution of resources continue to unfold around us in relation to COVID–19, their decision may have dire consequences.”
Michey Peckitt, who runs the blog, Barrier Free Japan, had this to say. “I’m only disappointed. Obviously I did not grow up or go to school in Japan, but Oyamada’s behaviour does not surprise me at all. At school in Britain I was treated in a similar fashion. Being made to eat sh*t is pretty standard bullying behaviour in my experience, although being made to masturbate in public is a new one. I’m glad I didn’t have to do that as it’s difficult to masturbate when your hands don’t work because you have cerebral palsy. As a disabled person living in Japan I’m sad Oyamada’s music is being used in the Olympics, but ultimately nothing surprises me about the Tokyo Games now.”
The theme of the Tokyo 2020 Olympics and Paralympics opening ceremony was supposed to be diversity and harmony; the composer in charge of the music, Keigo Oyamada, tortured and bullied special needs students when he was young–and bragged about it. He literally made them eat shit, forced them to masturbate in public, ridiculed them, beat them up, and egged on other bullies. He gleefully boasted about his misdeeds in magazine interviews that resurfaced a day after his role in the Olympics was announced. The Tokyo 2020 Olympic Committee said he’s apologized, so okay, and the games must go on.
The casual attitude the Tokyo Olympics Committee shows towards what he did also shows how the ruling elite in Japan really feel about people with disabilities. They don’t care. If they did, they might have spent some of the millions of dollars wasted on building fancy Olympic stadiums to make public transport in the city more barrier free. But that’s another issue.
Perhaps, as there are with many crimes, there should be a statute of limitation on terrible things said in the past, but the problem isn’t just Oyamada’s words; it’s his actions. But in another way, maybe he really does represent the spirit of the modern Olympics: bullying, venal, ignoring the misery of others, and placing victory above all else. If winning is the only thing that matters, then hey, it’s okay to beat up the losers, right?
Here are some choice quotes from his interviews in the January 1994 issue of music magazine, Rockin’ On Japan, and the March 1995 issue of subculture magazine, Quick Japan. He was in his mid-twenties at the time of the interviews.
“Remember that case where kids rolled up another kid in a mattress and killed him? We did that sort of thing (to the special needs kid) and stuffed them in the vaulting horse…” (At a school gymnasium storage room)
*A boy died in Japan Jan. 13, 1993, after being rolled up in a mattress in the school gymnasium’s storeroom by bullies.
Keeping Oyamada on as the composer for the Olympics Opening Ceremony makes a mockery of everything the Olympics is supposed to stand for. But then again, when the government of Japan and the IOC insist on holding the Olympics in the middle of a pandemic, ignoring all warnings of the public health risk, maybe he is the perfect composer. Who better to write an ode to the callous cruelty and winning-is-the-only-thing-that matters attitude of the IOC? And like the IOC, he probably stands to earn a lot of money from the Olympics that over 70% of the Japanese people don’t want.
by Shoko Plambeck The day my birth records were sent to a Shinto shrine my father skinned a badger and hung its coat above my crib. The tale of my birth supposedly unfolds like this: The day I was born the stars were restless and the earth was tossing a blizzard thick as cream through the Nebraskan plains. My father was on his way to work in his red Chevy when he came across a dash of brown, obscured by the snow like a fainting spell. He shot it, thinking it was a soft furred marten, but what he killed instead was a badger. The badger of the plains. Symbol of earth, grounding and consistency; finding her in such weather conditions was like the moon waxing when it should wane.
Still, he put the creature in the back of his truck. When he got to work, there was a call from my mother: It’s two months early, but I’m going into labour. My grandparents got the same call and flew in from Japan. When my obaachan first saw me she announced, This girl will be named Shoko, spirit in flight, and years later when I moved from place to place, hobby to hobby, man to man, she’d lament naming me so irresponsibly. In a shoebox, I went home.
The badger skin was nailed above my crib and my birth records were sent to the monk at the family Shinto shrine. The results came weeks later. My mother read as I drank eagerly from her; she herself was a dark star but at twenty-four she could not even imagine what that would mean. Only years later would she say that the badger had to be a mother and the unimaginable must have happened to make her split into the fatal snow.
My mother read: The child will need to seek grounding. In the moment she was born the stars were restless and they will reverberate through her blood forever. Before she could read any further, my grandmother snatched the fortune out of her hand and read: bright as Sirius, inconstant as Mercury.
This poem was originally posted in Matador Review but was reposted with permission of the author.
Shoko Plambeck is a writer, traveler, and poet. She studied English literature at Temple University in Tokyo and the University of Vermont. She currently lives in Japan but can’t wait to move back to the US to be with her cockatiel and poetry books again.
May 4th has become an iconic day for Star Wars fans across the universe. “May The 4th Be With You” becomes “May The Force Be With You” quite nicely. (If you already knew this, stifle that groan young Jedi, some of us didn’t know). And on this day, what better time to introduce one of the stranger and more delightful books to come out this year in Japan: Zen Wisdom From Star Wars (スター・ウォーズ 禅の教え エピソード4・5・6). It’s written by noted Soto Zen Buddhist priest, Shunmyo Masuno (枡野 俊明) and takes scenes and dialogue from the good episodes of the series to illustrate Zen Buddhist sayings and wisdom. (A full review will come later this month).
The book is well-written, with just enough English sprinkled in to make the book semi-accessible to those who can’t read Japanese or are still struggling to do so. The books works better than you might imagine.
Zen Buddhism, was heavily influenced by Taoism, and George Lucas freely admits to having borrowed heavily from Taoism, Zen Buddhism, and Japanese culture in the creation of the Star Wars mythos.
The book includes such pearls of wisdom as:
山川草木悉皆成仏 (Sansen Somuku Shikkai Jobutsu)/Everything is filled with the light of life (Everything has Buddha-nature).
安閑無事 (Ankan Buji)/Feel gratitude for everything no matter how small. Or rather: appreciate peace and quiet, health and safety. Because that won’t last forever. For example, affordable health care in America? Gone. (安閑無事が懐かしい）
閑古錘 (Kankonsui)/Maturation and calm come as you accrue diverse experience.
Well, remember that Star Wars is just fiction, but good science fiction, and the words of wisdom in the movie were not said by Taoist sages or Jedi masters but written by screenwriters. However, if you want to know the philosophy and sayings that inspired the film, this book is a good place to start.
Or better yet, buy yourself a copy of The Tao Te Ching, and substitute the word “Force” everytime it mentions “Tao”. According to the Star Wars English Japanese Dictionary, the Force (フォース) is all the energy derived from every living thing. The Tao, which is often described as being indescribable, is close to the same thing.
So for your further education, here are few words from The Force Te Ching
Force Te Ching
by Yoda- chapter 81
Truthful words are not beautiful.
Beautiful words are not truthful.
Good men do not argue.
Those who argue are not good.
Those who know are not learned.
The learned do not know.
The Jedi never tries to store things up.
The more he/she does for others, the more he/she has.
The more he/she gives to others, the greater his/her abundance.
The Force of The Light Side is pointed but does no harm.
The Force of the Jedi is work without effort.
(adapted from the Tao Te Ching translation by Gia-fu Feng and Jane English)
Dr Naoto Ueyama, Chairman of Japan Doctors Union called upon the international community to unite and pressure the Japanese government to cancel the Tokyo Olympics scheduled to commence in July.
“I don’t think it can be said that the Olympics can be held in a safe way,” he said.
Ueyama said the international competition, which would gather over 80,000 people including athletes and staff from 200 countries, could distribute existing variants such as the U.K., Brazilian, South African and Indian strains across the globe, or behave as a petri dish for a new potentially more fatal mutation.
“And if that were to happen, the number of victims indeed would be on a number even unthinkable in a conventional war,” Ueyama said.
He noted it’s possible that the games could even produce a variant known as “The Tokyo 2020” strain, something that would make the games live forever in infamy.
Ueyama explained that viruses undergo constant mutations. This is why the annual flu vaccines are updated to accommodate that year’s most prevalent variant. Covid-19 will continue to change, in the process adapting existing mechanisms that circumvent the human immune system to infect a host’s cell with greater efficacy. Ueyama said slow vaccine rollouts that delay the development of herd immunity or gathering large groups of potential carriers together rik giving the different variants further opportunity to mutate.
“The IOC should recognize that they are calling upon the athletes, the people of Japan and global citizens to take on these risks,” Ueyama said. “We will be facing a situation where lives aren’t being lost in a battlefield but lives are being lost as a result of something which should be a peaceful celebration or even a celebration of peace itself.”
Not only could variants be less susceptible to available vaccines, they could also avoid detection by multiplying in areas that aren’t swabbed by current PCR tests. Ueyama said a variant that reproduces in the lungs, for example, would be difficult to catch with PCR tests that collect samples from saliva or nasal swabs. Such a “Tokyo Olympic strain,” as Ueyama coined it, would not only jeopardize developing countries or regions in conflict without access to running water or health care, but endanger vaccinated individuals in countries with aggressive immunization campaigns like the United States.
“The IOC should recognize that they are calling upon the athletes, the people of Japan and global citizens to take on these risks,” Ueyama said. “We will be facing a situation where lives aren’t being lost in a battlefield but lives are being lost as a result of something which should be a peaceful celebration or even a celebration of peace itself.”
Japan’s hospitals are already overwhelmed by the relatively low infection to population ratio. Ueyama said in the city of Osaka, a Covid-19 hot spot under an extended state of emergency, the medical system is facing collapse as patients are told to stay home due to the lack of hospital beds for infected patients. The chairman, who lost a colleague to the virus, said an increasing number of nurses are quitting their jobs as the rising number of patients and work hours strain their other obligations to their children or elderly relatives. The organization is also seeing doctors, especially in the Kansai area, suffer from severe exhaustion and stress.
Covid-19 is highlighting the nation’s deficit in medical personnel. When asked whether university hospitals in Tokyo would begin accepting more covid patients in case of an Olympics induced surge, Ueyama said even if the hospitals provided sufficient treatment facilities or beds, they lack the doctors and nurses needed to fully utilize them. Critical resources are also being stretched thin. Japan is one of many countries suffering the consequence of a serious global anesthetic shortage, without which critical patients can’t be intubated. The inability to implement proper treatments for those in need compounds the strain placed on weary medical practitioners riding Japan’s fourth virus wave.
The timing of the Olympics could further exacerbate the shortage in medical staff and resources. Ueyama said the months of July and August are characterized by a spike in heat stroke patients requiring urgent care. Three years ago, a heat wave following the end of the rainy season hospitalized a record number of people from heat exhaustion. In response to the Japanese government’s request for hospitals in Tokyo and surrounding prefectures to reserve beds for Olympic personnel, Ueyama said that would be implausible.
“During that season, if we imagine also that Covid-19 will not yet be under control, and not only this, we may see a continuing increase in the India strain, it will not be possible for hospitals to provide special treatment to those involved in the Olympics,” he said.
Ueyama said Japan’s belated vaccine rollout is also unlikely to affect Olympic safety. The current phase targeting the 65 and up demographic that makes up 20-30% of the population, is scheduled to conclude at the end of July, overlapping with the first week of the games. Regardless of whether Japan meets this ambitious immunization timeline, the Olympic volunteers that will be interacting with the athletes and their staff are under 65 years old, and therefore ineligible for the vaccine. Ueyama said the daily pcr tests for all Olympic personnel proposed as the compromise in the Tokyo 2020 playbook is insufficient to control and contain the virus.
The doctor criticizes the IOC’s insistence that it is safe to host the games in Japan. He recommended the establishment of a global framework enforced by an international body similar to the IAEA or the UN’s Security Council to deal with the current and future pandemics “to save all of humankind from this crisis.”
“Such a decision (to host the Olympics during a pandemic) is not something just to be made only by the IOC or only by the one host country. I am a fan of the Olympics. However, I do not believe they should go ahead while putting many people at danger and holding them will force many people to make sacrifices even in regard to their life, in order for them to take place.”